i know i've converted my blog into asoiaf meta for the most part, but now that the champions league is back and madrid are set to face liverpool again next week, i remembered this article and just... with all this talk of meta-narratives and arcs and symbolism... can you feel nostalgic for something that happened just last year??? this is going to be super indulgent but i am most definitely feeling thoughts & thinking feelings right now !!!
so for anyone who has no idea what i'm talking about, how about i introduce you to a tale of uncanny resilience in the face of the impossible? not just of pulling yourself up by your bootstraps, but of the over-praised, overachiever, drenched in privilege and exposure, that the rest of the world learns to despise, bc they become sick and tired of their (supposedly manufactured) success? what happens when you're the villain in everyone else's story and the world is rooting against you anyway but you also just kind of stop performing for whatever reason?
do you just lay down and take it? accept that your luck has run its course and endure the critiques and the slander with gritted teeth?? once you reach that level of transcendence, is there truly any going back? are you even of this earth anymore?
so that is how madrid dragged itself through the champions league in the 2021-2022 season. the undisputed queen of europe, with an unequaled (then-) 13 titles under her belt, the team that had achieved the impossible feat of winning 4 titles in 5 years, now became the team that everyone wrote off. cursed with the most onerous bracket in the history of the knock-off stages, doomed (blessed??) to face-off the most nefarious avatars of modern footballing culture - first paris saint germain, a PR-sanitizing tool for the crimes of the qatari political elite, then chelsea, a team owned by a russian oligarch with a similar function - also the acting champions of europe, to boot.
four difficult matches that no one expected madrid to survive and nearly took us out so many times. until they didn't. until we opened our eyes each time after the final whistle and there we were, still standing. and there they were, gone, vanquished. a nightmare you wake up from, disoriented, asking for the date, time, place, context. what year is this. is it safe to come out? is this real? have we done it again? what are the odds to us, other than mere suggestions, foolish calculations that only heretics give credence to?
Against PSG they had come down from 1-0 down, 2-0 on aggregate to win 3-2, gifted a way back and scoring twice in a minute, three in quarter of an hour. Against Chelsea they had gone from 3-0 down on the night, 4-3 down on aggregate, with 10 minutes left to win 5-4 on aggregate. It had been extraordinary that they were even standing, but this is the team you have to kill a hundred times. If not, know that they’re coming for you.
the whole world knows that you never, absolutely, under no circumstances, let madrid worm their way into the final, because that's as good as surrendering the title to them and calling it a day. as surely as the sun rises in the east and sets in the west. if divine intervention is needed, it will come. inexorably. real madrid are god's team, baby.
so the world throws the hardest hurdle at us for the semi-final. the greatest obstacle. the best chance at making us fail. pep guardiola's manchester city. another such propaganda toy, this time for the UAE, a soulless, plastic club. the embodiment of manufactured apathy. but who's counting. the first leg ends 4-3 for them. the goals didn't stop coming, so i remember asking myself why were they both dressed in blue. light for man city, dark for madrid. what a peculiar choice. what a peculiar year.
In Manchester Real Madrid faced 16 shots. They were beaten 4-3, but celebrated that almost as a victory given how overrun they had been, aware that the difference could have been far greater; rarely can City have felt more like they had lost a game that they had won.
but it is in the second leg that they remembered who they were. we had just forgotten, you see!! a momentary lapse of judgement. it is just before the finish line when you muster up that last ounce of strength and command your feet to press you forward. undaunted visionaries violently upturning any kind of logic or common sense! what was supposed to happen candidly did not happen. it's that easy. it's that simple. flippantly refusing to capitulate!!! our white flags don't mean the same thing as everyone else's! how silly they were to think... !
There were 39 seconds left and Real Madrid needed to score twice or they were out, halted at the gates of the final, their luck running out at last. Eighty-eight seconds later they had done, collective madness taking everyone. Somehow, they had forced extra time; soon, they had the winner, which by then you knew they would. Look in the top corner of your screen. It had shown 89:20 RMA 0 – 1 MCI (3-5). Look again and it showed: 94.13 RMA 3 – 1 MCI (6-5). And it had taken a few seconds to update the score.
delusion that becomes truth itself??? because you make it so???? sometimes seeing truly is NOT believing, you need to re-make reality in your image and according to your own hallucinations of grandeur!! sometimes you are pygmallion and that scoreboard is your galatea goddamn it. you're not lying to yourself, you're prophesizing what you will create out of this world!
The champions of France, Europe and England all eliminated at the Bernabéu.
What happened was the most ridiculous resurrection of them all: even more implausible, the margins finer, the race against the clock more frantic, like they were watching that video back again only on fast-forward, everything flashing by.
There was something mystical at play; some fate, some force that means that the more you fight it, the more inevitable it becomes.
liverpool surely hate our guts. two lost UCL finals against us, the first fraught with enough controversy to last a generation. i don't know what's going to happen next week. we might as well lose & forfeit this season. but, even so, we'll always have something other teams don't. that bright, celestial belief in our strength and our resolve, that vision that only we can see and deliver forth, even in the face of the absurd, of the hopeless.
and i think that there's inspiration in that. i think it's a neat reminder that we have so many stories of our own to tell and there's a power we wield in fleshing them into existence.
The players knew: they had seen the video that proves it.
so go forth and be brilliant!! bring around your own remontada!
“We’ve come back, we’ve come back!” he shouted, leaping about celebrating. There’s something about that “we” that stuck in the throat. He wasn’t alone, some fans turning and trying to get back in. Had they learned nothing? Do they not know this team they support? Of course you have come back, you fool.
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Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.
Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!
Binghe is not happy about this.
But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.
Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.
When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.
While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.
Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.
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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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