#and this was too perfect to not explore that a little (:

[papaya-twinks]

my little bookworm - l.n

Warnings: cuteness

Pairing: Lando Norris x uni!fem!reader

A/N - based off of @cheriiepies, you inspired this and this is for you x

Lando loved you. He really did. You were his perfect little angel of a girlfriend, sweet and nice and just everything he could ever want all bundled up into one adorable little person that he loved more than he loved anything. But sometimes he did find it a little saddening to watch the girl he was so in love with to have her nose buried into a book.

Not that he didn’t understand why. He knew what he was getting into, when he asked out the smartest (and prettiest) girl he’d ever met, he knew you’d have to continue with your studying. Benefits and not so good parts of dating a bookworm, anyways.

“Y/N,” Lando said, his voice very nearly close to being a whine as you finally tore your eyes from the book you were studying. “I’m finishing my studying, Lando,” you said to him with a little huff, annoyed he’d interrupted you.

“You’ve been studying for ages, though,” he said, “and you said you were ‘nearly done’ a whole hour ago,”. God, it was ten minuets ago. And here Lando was, performing his Grade A drama shit. Good on him, anyways? Back up career if F1 didn’t work out.

“You’re so needy,” you said, flicking him as you went back to jotting down your maths equations. “What the hell does that even say?” Lando asked, eyeing the questions with wide eyes. “It’s basically means-,” you started, only for Lando to cut you off.

Jeez, would he even let you get a word in? Christ. “No, no, you’ve lost me, I’m gone,” he said, and you could swear you saw his pupils dilate just the tiniest bit just staring down the equations on your textbook.

“I’d rather be dumber than dumb than know that,” he groaned, rolling his eyes. “If I finish this page,” you said, “will you stop having a go at me?”. Lando hummed for a second, almost as if he was contemplating it (though him and you both knew he’d definitely say yes anyways).

“Fine,” he said, moving to sit on the bed, kicking his sneakers off as he stared at you, eyes travelling down your body. “Stop staring,” you said with a huff as Lando shrugged. “I’m not staring,” he said, even having the audacity to continue staring as he said that. What a jerk. In an affectionate way.

“Finally,” he sighed, watching as you put the book down. Lando didn’t even hesitate, wrapping his arms round your torso and bringing you into his side, a giggle on your lips as he did so. “Took you ages, Y/N,” he huffed.

“Sass me again and I’m going back to reading,” you said, flicking him as if to say ‘cut the attitude!’. “Sorry,” he sighed, shaking his head, curls fluffing against your cheek as he did so. “You’re so gorgeous,” he mumbled, his eyes on your face, tracing the contour of your face, the way your eyes sparkled…wow.

“You’re handsome too, mister,” you said, a little smile on your face as he pressed a kiss to your jaw. “Love you,” Lando said, as you smiled to him, lips pressed to the edge of his own. “Love you too,” you said, the last word lost between Lando’s lips as he pressed to you.

“So gorgeous,” he mumbled, lips moving across yours, his tongue peeking out to dampen your lips as well as his own, pressing between your lips, diving into your mouth. The feeling was almost unrealistic, having Lando turn you slightly so he was above you.

“Love you,” he repeated, almost like a chant as his tongue explored your mouth, delving into every crook of your own perfect little mouth. “So pretty,” he gasped, his eyes squeezed closed as you wrapped your arms round his neck, his body to yours.

It was like a harmony, both of you pulling back simultaneously to reach for air, before reaching back to the other, desperate for contact. It was almost like a reward when you finished your work, ready for your countless exams in university.

That was the price to pay for being gifted with such impressive brains. And you knew, at the end of the day, Lando always had your back, whether you failed them or not, he'd be there for you, to hold you and hug you through the night, kiss your pretty lips, wipe your tears away.

But you'd never fail anyways.

[thewickedjazzy]

Artificial Paradise ➵NSFW MDNI ˎˊ˗

➵Pairing: soft dom! fyodor x afab! reader.

➵Summary: fyodor helps you with your studies, but things start to get a bit heated between you two.

➵Tags and word count: 1.8k nsfw, minors dni, fluff, smut, soft dom! fyodor, teasing, explicit language, rough sex, gentle aftercare, light biting, praise, mutual desire.

➵A/N: @charkvc 's request, sorry pookie, i accidentally deleted the ask by mistake (｡･-･), but hyg, thank you for the sweet request i'm always down for fedya's big brain.

you sigh in frustration, rubbing your temples as you stare at the dense pages in front of you. how on earth are you supposed to write an entire analysis on hamlet in just one day? the play feels like trying to run a marathon in quicksand, and hamlet’s constant overanalyzing seems to stretch endlessly.

you notice your lover's presence in the room immediately, feeling his slender fingers gently resting on your shoulders. his touch is ever so gentle, soothing even as he begins to knead the tension away.

“fedya, how am i supposed to finish this?” you murmur, glancing back at the daunting stack of papers scattered across the desk.

his lips curve into a soft smirk that you can feel more than see. “you’re overthinking it, my love. hamlet is just like you—burdened by choices, unsure of the right path.” his fingers press into a knot in your shoulder, and you exhale in relief, the stress momentarily forgotten.

“you’re making it sound too easy,” you sigh.

he hums, lowering his lips closer to your ear, his warm breath brushing against your delicate skin. “let’s start with the basics. what does hamlet fear the most?”

“death?” you answer, almost instinctively.

“not quite.” he gently holds your arms from both sides, rubbing them softly. “it’s not death itself he fears… it’s the uncertainty. the unknown.”

you pause, your mind working to decipher his words while he continues to massage you, each touch making your skin tingle.

“he fears what comes after?” you murmur, leaning your head back to look up at him. he looks ethereal in his black half-sleeved turtleneck, his hair tied back in a low, messy ponytail, with a few strands softly framing his face and one resting between his eyebrows. his amethyst eyes, half-lidded, gaze tenderly over you.

he chuckles lightly, his soft tune ringing in your ears. “exactly. now, let’s use that. how does it relate to his indecision? and how does shakespeare weave that into the soliloquy you’re struggling with?”

“well, uh..” you mumble, feeling your mind finally beginning to understand the coded texts, “he’s caught between acting and inaction because… he doesn’t know what’s worse—suffering or the unknown suffering that may follow.”

fyodor smiles softly. “excellent my dear. now, why don’t we dig a little deeper into that?”

his hands move along yours as he leans slightly from behind, hovering over your seated form. slender fingers gently take hold of the pen between your fingers, while his other hand rests on your left shoulder. he guides the pen smoothly, highlighting a few key lines.

“let’s explore how this fear of the unknown impacts his decisions,” he says, “look at how shakespeare contrasts hamlet’s contemplation with his actions. the more hamlet fears the future, the more paralyzed he becomes. we see this tension play out in the soliloquy.”

you nod, trying to follow up with him as he writes 'action' and 'inaction' in a beautiful cursive handwriting. the connection between his fear and his hesitation starts to become clearer, and the analysis begins to take shape.

but as you work, you can't help but find yourself distracted by how close he is. the way his body leans against yours and how his expensive cologne filling your senses. you gaze at him, admiring how effortlessly beautiful he looks. his features seem almost ethereal, and you can’t help but think how perfect a kiss would feel right now, completely forgetting the assignment.

“you’re distracted,” he says suddenly, glancing up and catching your admiring gaze. “focus on the text, my love. we need to get this done before 7 pm tomorrow.”

you try to shake it off, your attention returning to the marked passages, but it’s futile. the way the soft candlelight flickers against his skin, the delicate curve of his lips, the slow rhythm of his breath—it’s too much. your heart flutters every time his fingers brush against yours, guiding the pen, and the assignment feels like a distant memory.

he notices that you’re still not responding to his questions, and his smirk returns, teasing yet knowing. “you’re still distracted,” he murmurs, his voice lower this time, more intimate. his eyes, a deep shade of amethyst, meet yours as he pauses his explanation, leaning in just a fraction closer.

you swallow, pulse quickening, your gaze drifting to his lips. screw the assignment, you think, as the temptation becomes unbearable.

“fedya...” you whisper, the sound barely escaping your lips as your hand moves instinctively to his cheek, pulling him gently toward you.

he doesn’t resist. in fact, his smirk widens, as if he knew all along that this moment was inevitable. his hand slips to the back of your neck, pulling you in as his lips press against yours—soft, warm, intoxicating.

the pen slips from your fingers, forgotten, as your hands tangle in his hair, pulling him even closer. his other hand finds your waist, gripping you firmly. the world feels like it’s spinning, and all you can think is that you never want it to stop.

your hands clutch at his shirt, pulling him closer as if you’re trying to fuse your bodies together. the taste of his lips against yours makes your mind fuzzy. the soft brush of his tongue occasionally meeting yours in a sloppy slow kiss. you feel his fingers tightening around your waist, his other hand cupping your cheek, completely getting devoured by him.

the candlelight flickers casting erratic shadows on the walls, mirroring the rare intimate moment. your focus narrows to the sensation of him—his warmth, his taste, the way he clutches you as if you’re the only anchor in a storm.

he pulls back just slightly, his lips brushing yours as he pants softly, orbs completely dilated with lust. “milaya,” he murmurs, “this isn’t helping with your assignment.”

you laugh breathlessly, “i think… i think we’ve found a new way to procrastinate,”

he grins, brushing a strand of hair from your face. “well, at least you’re not distracted by the texts anymore.”

he smirks before gently closing the gap between you, cupping both sides of your face as he presses his lips against yours again.

with ease, he lifts you and places you on your desk, the papers crumpling beneath you and pens tumbling to the floor. the fact that he rarely gets aroused like this only heightens your arousal.

you both share a series of hot, open-mouthed kisses, tongues exploring and breaths mingling in a heated exchange.

he slips his hands under your shirt, breaking the kiss just long enough to pull it over your head tossing it aside. he leans down, kissing a trail down to your breasts, humming in delight as he inhales your sweet scent—flowers mixed with a hint of fruity lotion—oh how he adores the way you smell.

his soft, wet kisses continue down your skin as he expertly unclipped your bra with on hand, while the other holds you closer to him, the warmth of your body presses against the cotton fabric of his turtleneck shirt.

you press your hips against his moving in tight circles that elicit deep groans from both of you.

his hand that was holding you tight slides down to tug at your pants, and you eagerly help him get it off of you.

“this needs to come off,” you say with a half-chuckle, gesturing toward his turtleneck.

“giving orders now, milaya?” he replies, a teasing smile on his lips as he lifts the shirt over his head, revealing his pale, perfectly soft sculpted body. unable to resist, you lean in, kissing and licking along his chest and neck, your warm breaths brushing against his skin. soft mewls escape his lips as you explore every inch of him.

taking his time, he slowly removes the rest of your clothes, revealing your bare skin to him. soon, both of you are completely naked, your bodies molded together as you share another heated kiss. the warmth of your skin against his makes him harder every passing second that he thinks he might just cum from just being this close to you.

you feel his hands glide teasingly over your drooling cunt before he chuckles and pulls away slightly. "oh my love, look at you— hardly need my preparation"

before you can utter a word, he swiftly lifts you by your ass, sliding you along the desk and sending the remaining papers cascading to the floor. at this point, you hardly notice. he carries you to your shared bed beside the desk and sits down, pulling you to straddle his lap.

"my lovely darling, are you going to take your pleasure and ride me?" he murmurs against your lips and you whine softly humming in response.

his slender fingers guide your hips to grind against him as soft mewls escape your lips burying your face into the prominent crook of his neck.

you lift your hips to guide his tip into your slick entrance. even though he slips in easily, your walls stretch around him, yearning for the fullness you haven't felt in nearly two months.

sweet sweet soft moans escapes his lips, as your legs tremble trying to hold yourself up, only to sink down more on his cock. he spreads your ass cheeks with both hands helping you slide down on him easier.

you pull your head away from his neck, only to see the blissful sight before you—his eyebrows furrowed, eyes tightly shut, and jaw slack. as you quicken your pace, your moans blend with his soft mewls, and you both glisten with sweat while you bounce up and down on him.

"ngh- moya lyubov, let me hear your sweet voice," he murmurs, "ah- I missed you so much, milaya," his soft moans—oh those lovely soft moans, how he mumbles in his native tongue when he's too spent.

he starts thrusting up into you as you bury your face again but now into his chest, moaning against his skin feeling his cock twitch and pulsate before a sharp groan leaves his mouth.

his thrusts quicken, each one leaving you breathless for a moment before the next one knocks the air from your lungs again, your body rendered completely paralyzed by the picked up pace, his tip brushes against your g-spot repeatedly, sending waves of pleasure through your entire body.

then you feel the familiar heat coiling in the pit of your stomach, your ears growing muffled by the sound of your heartbeat. "fed-yyaa i- i'm coming aahh-"

you can’t help but grind against him, striving to keep pace, feeling him twitch inside you before he shoots thick streams filling you completely, throwing his head back with a deep moan. "bozhe! chert voz'mi da da" (translation: jesus! fuck yes yes)

he collapses back against the sheets, trying to catch his breath. you slide off him and join him, stretching your arms before resting your chin on his chest.

“you look so handsome with your hair in a ponytail like that,” you say, biting your lower lip to stifle a teasing giggle.

“ah, it has grown a little indeed... I’m thinking about trimming it down a bit.”

you lightly hit his hand, exclaiming, “don’t you dare!!!”

he giggles, pulling you closer to place gentle kisses on your hairline. “anything for you, milaya.”

[idliketobeatree]

dead boy detectives characters as art objects and sculptures; extended ---

hello, i remembered i made some subjective explanations and notes on few of my choices for this post, and i thought some folks might enjoy it. soo let's get into it.

1.

monty finch

author: anders krisár

pretty self-explanatory; it's a moulded male torso with visible inprints on its skin.

anders krisár’ artistry explores the themes of loss, separation, and the condition of the psyche through the lens of a human body in duality: perfectionism meets unsettlement, skin meets marble and bronze and polyester, to create sculptures spanning geological time far beyond the living's capabilities.

monty's creation by esther was already stripped of any human agency. "he was made a boy, not a person", small, almost doll-sized, with a singular purpose: to seduce and entice the chosen dead boy into their doom. the naked skin and specifically the position of its arms are mildly erotic, but in a way that makes your skin crawl. the imprints are intimate, placed possesive; notice the thumbs digging close to especially sensitive areas like nipples and the belly button.

the latter seems to connect the "creator" to the subject, the navel here as a symbol of cruel, invasive motherhood. the fact that the torso is cut off in the middle and at the neck furthers the uncanny valley feeling of a young male body, but then again. this is a realistic portrayal. so was it ever a person? what does it have inside to make dents so profound? how deep you can press until it breaks?

--- i'm leaving out crystal and edwin (for now?), but @nicheoverhere brilliantly noticed that it was the same author for both. that was intentional! because glen martin taylor is all about taking kintsugi, which is a beautiful art form of repairing fine china and generally delicate things with veins of precious metals, but with materials like— nails. scissors. barbed wire. all ugly. the repair after a great shattering is seldom pretty after all, they really are similar in this regard. ---

2.

charles rowland

author: robert hudson

okay, strap in. this funky dreamy world belongs to robert hudson, and i picked it for charles rowland because it's all first impressions. the colours? the composition? they give you the 80s vibes, almost; like something a kid would design if you asked them what a time machine would look like. it could probably move in several ways. the pieces seem mismatched, but hold themselves together surprisingly well. or maybe you underestimate it?

it's neither big nor small. you can't tell its size at all. it's a bit overwhelming to look at, at first, and at second, and after a while, but it carries that comfortable familiarity and nostalgia for— well, nothing in particular, because the longer you look, the sadder its past seems. the bold pops of contrasting colour are fighting for your attention. they want you to like it! and yet, the major material seems to be just. rusted steel. made from tools.

and look at that botched up sphere, it wants so badly to be a perfect sphere and it knows it'll never be one. fine!! perhaps it could be a football ball instead! or maybe a head. if you close your eyes, that is. and this facing-up horseshoe? a lucky charm, made to collect good luck and keep it from falling out cause god, it needs it.

---

3.

niko sasaki

author: justin cloud

---

niko sasaki, now how do i describe her? let's start by saying— she's cleary a her. this one is a she. and there's something to be said about blooming, and femininity, and delicacy, because pink is a hopeful girly colour and a surprise and a delight.

what are you doing in a gallery, little flower, shouldn't you be at home? in a field? look how pretty you are! mind you, of course there's something wrong with her as well, but you're not sure if that is because someone messed it up, or because of a different entity alltogether. was it always half-electric? its elegance seems purposeful— the iridescent metal fits all too well with the white-pink petals— but also uncanny. and oh suddenly you can't stop looking at the stigma from which a pollen should release aaany time now.

when i look at her, at her black artificial stem and the small leaves imitating the real ones, i wonder if she doesn't want to lure me into a trap. is it her fault?

the beautiful petals seem like the only thing left real of the flower. whichever way she turns, it will probably mean— death. and flowers are ephemeral. what is a flower mounted to a wall, fortified with steel, connected with cables and enfused with electrical energy, then?

i think she's a self-preserving survivor. ---

4.

the night nurse

author: elizabeth turk

---

now. the night nurse.

of course it's the only piece in the collection where the background needed to be dark. no one here is older than her. there is no inoffensive, fading-into-background white for this absolute pillar of truth. or maybe something like a totem, quite protective in nature. and it's terrifying, 'cause you're immediately hit with the feeling that you're looking at something out of this realm, something you're not supposed to witness. the perspective is all wrong. is it downwards or upwards? why does it seem unstable when the pieces are so perfectly centered and seemingly well-balanced? child, you should calm down, it's not like you will destroy it with a stronger puff of air. will you?

this sculpture is called "tipping point — echoes of extinction", and it's actually a mix of technology and sculpture and sound, with elegant visualizations of the lost voices of birds and sea mammals. the author said it "was conceived in reverence to the astounding lives the species which envelop humans have lived and the mysterious ways they have contributed to our well-being. the shadows of their memory, whether a shape or a sound, have inspired this project." so the piece deals with death. moreover, it deals with murder. it records the harsh reality and makes sure the ones that suffered horribly at the hands of humans are, in a way, celebrated. but also— categorised. like epitaphs. the birdsong, once a living sign, is only visually represented by the lines of varying lenghts in 3D, and you can do nothing about it anymore, right, you can't bring back the dead, you can't help the innocent dying in any way other than— stacking them on top of each other and moving on.

---

so that's for now, i might someday write more if anyone's curious. :")

[stxrslut]

I think the reason why so many people hate dark content is because they don’t understand it.

Incest for example has been a big topic on this side of tumblr as kinktober approaches and a few writers, including myself have mentioned it.

why is writing incest bad? It’s not, up front. the moment it becomes bad is when you romanticise it. the same goes for other dark topics, for example necrophilia or blatant rape.

acknowledging that these things exist is not a bad thing, and neither is acknowledging that there are certain people out there who do it. it is a horrible truth that nobody wants to exist, but it does.

using the infamous rafe cameron as an example, why would you want to read an incest piece about him?

rafe is a complicated character, and a very bad person. a lot of writers don’t like to take that into account. I’m sure we’ve all seen many works where rafe is portrayed as a sweetheart, a perfect husband who cares and would never do anything to harm you.

this portrayal of rafe has become the norm for many people on this platform. and so upon seeing dark content, they are trying to imagine it with this completely different character. the version of rafe that is romanticised.

when we write this content we don’t write it with that rafe in mind. we don’t want to be with this version of rafe that we’re writing, this is a bad character and we absolutely recognise it when writing him.

of course, as mentioned there are people who are imagining it with romanticised rafe, and also assume that was the rafe it was intended to be written with.

if that was the case then writing this content most definitely would be bad.

but why would we write dark content with a reader insert if we didn’t want this to happen to us? what is the point? that’s a valid question.

primarily, self insert or ‘x reader’ is just the format that we write in. even though we may be imagining our name and or face it’s not necessarily us. reader is just a character, let’s use puppy!reader for an example, she has her own characteristics specific to the reader or character. I don’t think I am puppy reader, but I love to use her character to write a reader.

self insert and second person writing is also a very good way to explore the thoughts, feelings and actions in a character in very great detail, which a lot of writers very much enjoy doing.

this is also another misconception that people make. because in some of the situations the reader goes along with / wants these things to happen, which is very easy to mistake for writer wanting it too.

so now we know that self insert does not mean desire. but even if we don’t desire this, why do we write it?

there are many reasons. one is character analysis. there are plenty of bad characters out there, and they would do that. we are simply acknowledging that.

we like to explore complexities and nuances of characters. this character would want to do that and so how would that play out? who would it be with and what would the feelings and emotions be? it’s interesting to explore darker parts of different characters.

another reason is trauma, to people without it that sounds ridiculous. but people with trauma in these kinds of situations may find comfort or control in reading about it in a safe environment.

I have a lot of childhood trauma, and there are certain pieces of writing centred around that kind of thing can really help me to think about it and help me to control the way I think about it.

now there are some aspects of dark content that we may say we “want”, but that is generally misunderstood.

let’s use a sentence I have said many a time, “I want rafe to fuck me with a gun”. no, I absolutely do not.

I am into humiliation and power play, I also enjoy a little bit of fear and pain in some circumstances. in a safe environment, for example, a fictional one, a gun would be a perfect way to do these things.

obviously in real life I wouldn’t let anyone come near me with a gun. it’s all about interpretation and understanding of safe environments.

when I’m reading a fic where gun play may be involved I read about the humiliation and power play and all sorts and think oh fuck that is sexy. because it is, in this very safe place where a gun is not going to harm me or anyone.

the same goes for lots of other forms of dark content. we might not necessarily want the exact action, but more the sensation or feeling that comes with the action.

but why would we write it when people are going to be triggered by it?

simply put, that is not our problem. I haven’t ever come across a piece of dark content that wasn’t correctly labelled and warned.

I’m not responsible for anyone else’s media consumption, if they choose to ignore my warnings it is entirely their fault.

also, free will exists, if someone decides they don’t like what they’re reading they can simply close the piece, stop reading.

in a nutshell, if someone who writes dark content is 1. not romanticising it and 2. labelling it correctly, you don’t have a reason to target them.

learning to distinguish between dark content and predatory content is so important so we’re not attacking the wrong people.

please stop targeting writers who write dark content when there are people out there who genuinely are horrible who we do need to be targeting. focus your attention on the real issues.

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[heartburstings]

bc like while labru is more compelling to me if it's yuri one of the reasons why i'm keeping farcille also yuri is because. well. to me they're gonna lose something if it's yaoi sorry. also i'm more interested in girl laios and falin's relationship if they're sisters than if they're a sister and a little brother in that it will highlight further that laios has no avenue to leave their hometown. i think it would be interesting for girl laios to learn she can do magic and then wonder what could've been if she knew she could. and also because i don't want to fall into the trap of like... they're still originally guy characters. yk? it doesn't magically stop ignoring the female characters who are there if you genderbend/transgendify the guys to focus on them instead.

[thegreatyin]

sooo... fallen london.... how does one get into playing

you can find the official website right over here! that's actually pretty much all there is to it!

it's free and browser-based, no downloads or purchases required. all you need is to make an account and the game will guide you from there.

i made my own list of tips and tricks a long while back, and i highly recommend the wiki beginner's guide if you feel lost and need some direction! don't be afraid to spam my inbox with questions if it comes down to it. it may come as a shock, but i am slightly autistic about this game (i know, i've been really really really subtle) and any and all opportunities to talk about it make me see red

[vhvrs]

i talk abt/ draw summer so little but she is like. my fav fav i love her sooo much n i love the specific niche she presents to the story that i rarely ever see in media but also rnm does a LOT of casual things u rarely see in long form media I LOVE HER!!!!!!!

[annamaryllis]

I would like to know exactly how luke asking annabeth to run away with him went down.

[laesas]

Pathetic!Kimhan truthers rise up 💕

[actual-corpse]

Watching Avatar the Last Airbender...

Politely reminded of the time people wanted my head because I said that ATLA ruined storytelling because some people can't fucking think critically of media before trying to tell you what's so good about it.

I LOVE AtLA! Adore it! But like.... A majority of people watched Zuko switch sides and said, "Damn... What if we redeemed ALL the villains?" Without realizing Zuko wasn't a true villain in need of redemption.

But... The Redemption Game isn't truly JUST the fault of AtLA... There was a shift in the Moral of the Story. Idk how to explain it bc I'm half asleep, but like...

[runawaycarouselhorse]

"Why does autism seem more common in males?

Being female does appear to protect the brain from many developmental disabilities, not just autism. There is emerging evidence that girls with autism need more extreme genetic mutations than boys to develop autism.

However, there is a growing body of work that indicates that autism just presents differently in girls and therefore often goes unrecognised, especially in verbally fluent girls with normal intelligence. Girls with autism also appear to be better at ‘camouflaging’ their symptoms in order to fit in.

With the diagnostic criteria for ASD based largely in how autism presents in males, girls can often ‘slip under the radar’ or get misdiagnosed. Girls with ASD seem to have less restricted and repetitive behaviours than boys, but it’s also possible that some of these behaviours go unrecognised — for example, an obsessive interest in collecting dolls may be misinterpreted as pretend play.

What does autism look like in girls?

Although every child with autism is different, here are some common characteristics in girls with autism:

A special interest in animals, music, art, and literature

A strong imagination (might escape into the worlds of nature or fiction)

A desire to arrange and organise objects

Not wanting to play cooperatively with female peers (for example, wanting to dictate the rules of play or preferring to play alone to maintain control)

A tendency to ‘mimic’ others in social situations in order to blend in

An ability to hold their emotions in check at school, but be prone to meltdowns or explosive behaviour at home

Strong sensory sensitivities, especially to sounds and touch (for example; clothing tags, socks or even deodorant).

For autistic girls to thrive, it’s important they have access to a timely and accurate diagnosis, and the informed supports that come with it. A delayed or missed diagnosis can impede their education and development, as well as their social and community participation.

While boys with autism are more likely to have outwardly challenging behaviours, (indicating underlying issues, such as anxiety) girls with autism are more vulnerable to internalising problems.

As our understanding of how autism affects females is still emerging, it is important parents and professionals alike stay updated on the best ways to specifically support girls and women on the spectrum."

[numericalbridge]

🔥 every time darius is shown to use his abomination form he is using it in a very deliberate and calculating way, and not because he is supposedly so angry/furious

meanwhile every time he shows real strong emotions, whether positive or negative, he is not in the transformed form (though his abomination powers are clearly important to him with how he uses them for affectionate gestures, etc).

and, imo, both times he is seemingly very outwardly furious - with Raine in ER and the kids in the ASiAS - he is playing the role, possibly playing up the real annoyances (because he is more often shown to be annoyed than angry in actual canon). and compare to how he reacts to other coven heads who are his real enemies: focused fighting with Vitimir, concern over Eber AND over failing to stop the spell in KT, and disdainful and stern expression in the finale. It's concern, hurt, or pettiness, annoyance rather than explosive anger.

EDIT: on the rewatch i think he was momentarily angry in ER (after he got dirt literally on his face), but imo, by the time he had transformed into his abomination form he was playing again.

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