#and unfortunately saw came out in theatres before I came out the womb so I never got to experience it until almost 20 years later
Rowaelin - Pregnancy (3/3) - Symptoms and Birth
Just as a warning the final part of this headcanon series does involve blood/bodily fluids so if that is a trigger or are triggered by things in a medical sense please take caution when reading this instalment. OH!!! Also shit tone of angst guys.
As mentioned in previous instalment, Aelin doesn’t begin to show until around the second trimester. She was thankful for this as this gave her more time to announce it to those closest to her. Unfortunately her precious gowns no longer fit. The royals seamstress took it upon herself and her apprentices to make her maternity gowns that resembled her fashion style.
She did suffer from morning sickness severely in the first couple of months, which was easily disguised as her eating to much food such as cake or chocolates.
Her cravings were nothing extreme like the kitchens had prepared for, all that changed was that she liked her meat a bit more rare and had an increased want for cake. Rowan was prepared to travel for days to get whatever she wanted, only wanting her and the child to be happy.
Yrene took it upon herself to stay close to Terrasen, going as far as to make Chaol purchase an estate in Orynth. The woman wanting help Aelin through the process of childbirth as much as possible.
Yrene gave creams and ointments to ease her morning sickness, cramps and lesson the pain when the child decided to kick.
Midway through the pregnancy Aelin found herself forgetting things more often. One time completely forgetting that she had a council meeting or that she was scheduled to make an appearance at the Royal Terrasen Theatre. So Rowan with the help of Lysandra, Elide and Yrene took it upon themselves to always remind her of tasks and duties of the day, much to her annoyance.
I’d also like to include that Aelin would be 100000% hornier, like she just had to look at Rowan and BOOM! She would climb him like a monkey on a tree, not that he really minded. It turned out that some of their best experiences in the bedroom occurred when she was with child.
Rowan also adapted to having a shorter sleep schedule, having to help his mate to the bathroom multiple times during the night. Brushing off Aelin’s embarrassed apologies and her complaints that she could do it herself.
The lords tried to discuss succession with the couple, trying to enforce that if the child happened to be a girl and then they have a boy later. The boy would be King, the daughter being passed over.
It turned out that Rowan was the one who had to show restraint, almost going feral and killing the lords at the suggestion that any child of his would be refused their birthright. Aelin returned his sentiment, but her rage was wielded like steel. Swift and clean, she took it upon herself to remind the men that she in the end would have the final say.
They both walked away from that meeting with a burning pit of hatred for the lords.
So it draws closer to the predicted date of the child’s birth, and Aelin starts to feel different. Not about being a mother, she worked past those issues very easy on. No, she felt like something was wrong.
She would say nothing, having worried to much in the past.
But her pains grew more potent, at first she thought it could have been contractions, but from what she had been told these pains weren’t localised in one area.
She steadily grew weaker, not eating as much and what she did manage to eat eventually came back up. When asked about the change she brushed it off the symptoms she had experienced throughout her pregnancy.
The one person who could tell she was lying is Rowan, but he was away with Fenrys and Lorcan, visiting some of the border villages of Terrasen.
Aedion and Lysandra had decided to stay in the palace just in case something arose.
One night, just after twilight, Aelin awoke to a pain unlike any she had previously experienced. Removing the covers so that she could relieve herself she was confronted with the sight of blood. It covered her legs and the sheets.
Aelin would begin to hyperventilate, shock taking over and her ability to call for help would be stunted. Until the pain she was already experiencing increased yet again.
Her screams would echo through the halls of the palace, the first to reach her room would be Aedion and Lysandra. His blade drawn and her ready to shift at a moments notice.
The sight they were confronted with was one that would haunt their dreams for years to come.
Aelin arched in bed, covered in her own blood, screaming as she clawed at her stomach.
Lysandra’s maternal instincts surfaced, her feet carrying her towards her best friend.
Aedion began to move forward also.
“No, get Yrene, something is wrong with the baby. She may be the only one to save them both.” She instructed, not looking back to make sure he had understood.
Aedion rushed past guards and servants. Ignoring the questions of lords and dignitaries. He was thankful to the gods that Yrene and Chaol had decided to stay the night.
He practically rips the door of its hinges, sending Chaol for his sword, prepared to defend his pregnant wife and child. But when he sees Aedion’s face, terror and pain consuming his features.
Yrene had sat up when Chaol had reached for his sword that was always beside their bed. She only had to take one look at the general to know something was wrong with Aelin.
“Chaol, get my satchel, the one by the dresser. Aedion, I’m going to need your help getting to her.” Both men nodded, Choal grabbing his cane, Aedion carrying Yrene in his arms.
They reached Aelin as a pageboy was rushing out, Lysandra was beside Aelin, gripping her hand and whispering encouragement.
Yrene waddled over to Aelin, ripping away the sheet, going pale at what she saw. She motioned for her husband to hand over the supplies.
He’d shuffle over, trying not to make eye contact with Aelin, knowing if he did he might break, knowing how much this baby meant to her and...Rowan
He returned to his place at the wall near the door beside Aedion, the two men unable to help in the situation. Both feeling like they were both failing the woman in the bed.
“Where’s Rowan?” Aelin would moan, having descended into delirium due to the pain. Everyone would make eye contact, the tension in the room intensifying tenfold.
“I’ve sent word, he’ll be back any moment now.” Lysandra would explain, wiping the sweat from Aelin’s brow.
“I-I don’t think I’ll b-be-”
“Don’t you dare finish that sentence.” Aedion growled, not letting her or anyone else in the room entertain the prospect of Aelin not being here when he returned.
Yrene swore after finishing examining her, her hands covered in blood. Her hands glowing softly, as she tried to use her gifts to heal the damage done in her womb.
Rowan that night had nightmares like he hadn’t experienced since before the war ended, all revolving around Aelin and their future family.
Rowan wakes up in the morning being shaken relentlessly by Lorcan, as he begins to tell the fae to piss off he notices the worry in his eyes, then sees the letter in his hand with the royal seal.
He doesn't wait to hear what Lorcan has to say before shifting into his falcon. Flying as fast as he can back to his mate, feeling the pain and terror through the bond.
He arrives at the palace via the balcony of their chambers. He’s immediately confronted by the sight of Aelin. She’s deathly pale, covered in sweat, the bottom half of her body covered in blood. He could see Lysandra holding her hand, Yrene furiously trying anything to heal her. The royal doctor beside her, offering his services when Yrene would become unsure of what to do. Choal and Aedion remained by the wall, the two first noticing his presence.
Lysandra looks over her shoulder, seeing him, she’d stand so that he could take over.
As he reached her side he’d notice how quiet she was, the occasional moan would fall from her lips, but other than that she remained silent.
Yrene and the doctor began whispering hurriedly, but due to his worry Rowan didn’t make out anything they said. But he could see dread written on both of their faces.
“What? What are the two of you saying?”
“We need to deliver, the placenta, it’s torn from womb causing her to bleed out and cut off circulation to the child.”
“Why haven't you delivered yet then?” He’d ask through gritted teeth, anger evident through his words, he couldn't imagine what could cause them to not deliver.
“I can’t promise she or the baby will survive. The baby will be born before it should, and there is a high chance that tear lead to her to bleed internally. We haven’t done anything in hopes that my gifts could reverse the damage, but it’s to far gone.”
Rowan paled the healer’s words sinking in.
He turned back to his wife, who was barely conscious. He leaned down and nuzzled the crook of her neck.
“Save the child.” Her voice, even in that moment sounded like a symphony, instructed the healer.
“Aelin, you might not make it if she does. I can’t lose you, either of you.”
Aelin remained silent through that and many more pleas from her mate, ignoring his wishes. Knowing that she'd never forgive herself if she let the child perish just so that she could survive.
She lifted her head to indicate to Yrene her wish once again. They held eye contact, both knowing what a mother would do for their child.
Yrene then asked the doctor for a scalpel.
Rowan’s eyes would fill with fury, Lysandra would have to restrain him. Chaol stepping forward his face hardening. He didn't care what was happening, he wouldn't let the fae intimidate his wife. Aedion would pull him back, the pair had to remain otherwise the room would descend into chaos.
As Yrene would begin working to save the child Aelin would scream again, her hand reaching out in search for Rowan.
He’d immediately drop resisting Lysandra, his instincts making him be their for his mate. He held her hand tightly, pressing kisses to it while his other hand stroked her forehead. He tried to comfort her as best he could, but couldn’t help but flinch every time she cried out. After a minute he was crying with her.
Then there was a moment of quiet.
A baby’s cry filled the room, Rowan looked at their child in awe as Yrene cleaned the child as best she could.
“It’s a girl.” Yrene announced with a sad smile, handing the newborn over to her father.
Rowan cradled the child in his arms, almost forgetting everything and everyone in the room. His entire being was focused on the daughter he and Aelin had made together. She was so small, she had almost no hair, but he could tell it would be the same shade as her mother. Her eyes were closed, as they would remain for a week or two but he silently hoped they would also be her mother’s.
Turning to Aelin, he sat beside her and leaned down. Showing her their beautiful child.
Aelin cooed at the little one, holding out her pinky for her to latch onto.
“What shall we name her Fireheart?”
“Lyria.” The room stilled, all except the doctor knew that was the name of his first wife and who he was lead to believe was his mate.
“Aelin I-”
“She brought great joy and love into your life. I’m sad I never got to know her, but I can only hope that our Lyria will grow up to be just as wonderful as her namesake.” Aelin whispered hoarsely, her eyes closed. Rowan blinked away tears, he knew Lyria, the one he married wasn’t his mate. But she still held an important part of his heart, and Aelin wanting to honour her memory...it made him love her more than he thought possible.
“Oh, Oh my!” Yrene gasped, Rowan’s head looked up, afraid of what she might say.
Yrene did not elaborate on what caused her outburst, but it must have caused the following groans and almost screams.
Then another wail filled the room, silencing the room once again as the two cries joined together.
“It’s a boy! Twins, you have twins!” Yrene announced joyfuly, the room filling with cheers. The lords rushing to make the announcement to Terrasen and the surrounding kingdoms.
Rowan handed Lyria to Lysandra who was practically purring at the sight of her goddaughter. Taking his son into his arms, shock, joy and wonder filling his soul. He showed him to Aelin like he did with Lyria, but this time Aelin remained silent.
At first he’d pay no attention to it, believing that she was just shocked as he was. But he turned to ask her what they should name her when he noticed she had gone still and her chest had stilled.
“Fireheart? Aelin-Aelin? Darling wake up, do not leave me now after everything we’ve survived don’t leave me now!” He begged, their son’s cries mixing with his own.
Yrene’s face would harden, telling Aedion and Chaol to get Rowan out of the room so she could save the Queen.
Rowan waits outside the room, his son still in his arms, but had fallen asleep shortly after exiting. He tries to refrain from crying but can’t. Tears slowly trail down his face as he tries to comprehend raising his children without his Fireheart.
He can hear Yrene shouting at the doctor and then there's silence, it feels like hours before the door opens. The royal doctor exiting without saying a word, then Yrene opens the door wider. She’s covered in sweat blood and birth fluid, but she has a smile on her face.
That smile sends relief through him, almost making his knees weak knowing that Aelin will be okay.
“She’ll be okay. She won’t be able to leave her bed for a month at least but she will be okay.” She explains to everyone, but her eyes never leave his.
They all began to renter the room but Yrene stopped them with a hand. She only let through Rowan and Aedion who was now hold Lyria who was gurgling happily to herself.
Rowan almost sprinted to Aelin’s bedside, kneeling beside her, needing to see any evidence that she was alright. And he let out a breath of relief when she opened her eyes, those eyes he loved so dearly.
“Wha-what happened?”
“Nothing that can’t wait. Would you like to meet our son?”
Aelin almost sat up straight at those words, she looked over to Aedion to confirm that she did in fact have two children.
They spent an hour together, the three adults and two newborns just learning what they looked like, acted and mannerisms. That is until Aedion perked up.
“What are you going to name him?”
The couple shared a look before going at their son then Aedion.
“Gavriel.”
Aedion nods quickly looking back down at Lyria quietly, but both Aelin and Rowan can see the tears in Aedion’s eyes.
They both at that moment can’t wait to see what life had in store for them next.
tags: @zarixxx
If you’d like to see more about how things continue from the end please leave a request. Well that brings an end to the pregnancy au! series, and I can confirm that the next thing I write that will be posted will be for...(DRUM ROLL) ELORCAN!!!
El, xoxo
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it’s ya girl 𝒅𝒓𝒊 (nineteen, she/her, pst but i’m in the philippines for two weeks so that’s gmt+8 !), a soft edgy born with a name that means "dark one of the lord" on friday the 13th ! if you’re meeting me for the first time, some fun facts are that i have the incredibly dangerous combo of high ambition and poor time management and i’d Risk It All for a.c.e, ateez, and loona ! so, anyway, here’s my poor, poor girl, miss amelia ! why i did her so dirty is a Good Question i do not have the answer to, but let's plot !
* ╱ 𝑸𝑼𝑰𝑪𝑲 𝑺𝑻𝑨𝑻𝑺
𝗕𝗜𝗥𝗧𝗛 𝗡𝗔𝗠𝗘: amelia christine jeong
𝗡𝗜𝗖𝗞𝗡𝗔𝗠𝗘: lia, li, call her amy and she’ll beat u up
𝗔𝗚𝗘: twenty
𝗗𝗢𝗕: november 29, 1998
𝗭𝗢𝗗𝗜𝗔𝗖: sagittarius sun, aries moon
𝗢𝗥𝗜𝗘𝗡𝗧𝗔𝗧𝗜𝗢𝗡: bisexual
𝗢𝗖𝗖𝗨𝗣𝗔𝗧𝗜𝗢𝗡: actress
* ╱ 𝑩𝑨𝑪𝑲𝑮𝑹𝑶𝑼𝑵𝑫
♡ daughter of edith byun and christopher jeong, two major players in broadway (and later on the film industry), she was practically famous in the industry before she was even born. it was without a doubt that she was anticipated to be nothing short of talented and successful once she popped out of the womb! imagine legendary dance couple keone and mari madrid’s child but if they both had a reputation akin to idina menzel or lea salonga. that’s basically lia.
♡ with this, her parents unfortunately succumbed to public pressure and wanted to ensure that their daughter would meet these expectations. to fall short would be the greatest misfortune on her reputation, and they simply would not have that. was it the healthiest mindset to have raising their first and only child? lmao no, but it’s the mindset that came with the fame they had. eyes would be on her the moment she came into the world, so she had to be everything the public wanted her to be.
♡ a few months before lia was scheduled to be born, her father was cast in the us tour of miss saigon (pretend there was one in 1998), and it overlapped with the due date! he was supposed to be performing at the pantages for a few weeks in that general timeframe of when her mom could be going into labor, so they took a risk and just… moved to los angeles because he wasn’t going to miss the birth of his child! so ever since she was born she resided in the hollywood area!
♡ she was homeschooled for a majority of her childhood, but ur a Big Fool if u thought it was by her parents! they were incredibly busy with their own careers so she had a nanny and a homeschool teacher! and to be Quite Honest her nanny was more of a mother to her than miss edith could ever be! to lia, her parents were more like a dream, a fantasy, some sort of ethereal beings — untouchable. [cue parental longing]
♡ despite how much the media loved to talk about amelia and her parents, she didn't actually get to see them all that often! they loved her, there's no doubt about it, but they didn't exactly know to express it... despite being acclaimed performers SGKSDJGHDS so! basically in lia's mind, succeeding meant getting love from her parents because they always seemed to pay the most attention to her when she was doing something impressive — they loved to show her off to their colleagues like some sort of dog who can do tricks. lia ate up this "love", though, because there's nothing that beats the glimmer in their eyes when they watch her perform.
♡ lia took private lessons for everything ranging from acting, voice, and dance! fun fact: she’s classically trained in several dance styles, such as contemporary, jazz, ballet, tap, and hip hop! she was basically set to follow her parents’ footsteps with all of this training. she played several child/teen roles in musicals thanks to her family, and it was an almost effortless kickstart to her career.
♡ when she was high school aged, lia was admitted into la county school of the arts, but she wasn’t there for long. despite growing up being taught how to handle lingering paparazzi and answer questions interviewers sent her way, she was never quite taught how to handle the Hell that is high school. she wasn’t accepted well into the social climate and was frequently bullied and judged. they didn’t believe that she worked to be there, she was only there because of her parents. they didn’t actually know anything about her, but they made these assumptions that eventually led to her pulling out of school. she had been excited to finally see what it’d be like to make friends of her own — friends that weren’t just fed to her because of who her parents were. she didn’t know that same fact would make it all the more difficult.
* ╱ 𝑪𝑨𝑹𝑬𝑬𝑹
♡ she's a theatre kid through and through, and that's all i have to say about that! lia grew up adoring the theatre, not only watching the shows her parents were casted in but almost every single one she could become an audience to! it was to no surprise when the public found her in minor and supporting roles as a child, and it was pretty much expected for her to become one of the next big names in broadway — she was anticipated to make the Big Move to new york once she got her footing in the industry!
♡ as time progressed, she continued to pursue theatre, slowly taking on more mature roles. every now and then she would be given television/film offers, but it was more of a side gig at the time. theatre was truly what she was passionate about. even though it was a profession forced on her, it was no lie that she actually enjoyed it.
♡ she began to develop her own fame outside of her parents around the time she was seventeen/eighteen, with a supporting role in an independent film that garnered pretty notable success. around this time, her parents invested in a publicist/agent just for her, a relative of edith who was also involved in the industry. it's true when they say it's bad to mix personal affairs with business because things began to take a bit of a turn for miss lia!
♡ her pr team was really big on transforming her the Big Name everyone expected her to be, all the while creating an identity completely separate from her family where she can thrive. and that’s exactly what they did. they created an identity.
♡ she had a love/hate relationship with being associated with her parents. on one hand, it was a burden having to constantly live with the expectation of being just as successful as them, but on the other, it fueled her fantasies of being the dream family she had always wanted them to be.
♡ they stressed the importance of whom she associated with, they slowly transitioned her out of theatre and immersed her completely into the film industry, lining her up for roles that would eventually become quite memorable. they took who lia was and restructured her as they saw fit, and lia went along with all of this because they constantly reassured her that this was what was best for her career. she didn't want to go against family, for to ruin any connections with her parents would be a step closer to losing them completely, so she played along in this role made just for her.
♡ her brain eventually became fine tuned to see relationships as “how can this benefit me?” rather than actual companionship which Sucks bc she totally wants friendship — she’s always craved it — but in the back of her mind there’s always this lil checkbox where she has to get something from this which is Not Healthy but she doesn’t know what to do about it because she’s in too deep to change anything
♡ she’s become so detached from her individuality and become the rising starlet her team shaped her into. she hasn’t been in a musical production in a long time, so it’s as if they ripped a major part of her identity away from her. but i guess that was the plan all along. i don’t wanna say that her mom's cousin has some lingering resentment toward her due something along the lines of always living in her shadow… but her mom's cousin has some lingering resentment toward her mom. it’s just cleverly disguised because lia is technically thriving when you look at it from the outside. inside, she yearns for her past.
♡ in the past few years, she’s been conditioned to want the world. she thinks she is owed it, but this sentiment is also fueled by her longing. she has this hunger for success that’s highkey kinda unhealthy! she isn’t even capable of discussing these things with her parents because they’re all busy all the time! her team would tell her to say yes to projects, pr stuff including false articles later debunked just for the publicity, whatever works! she’s been forced into this addiction for attention but it’s pretty much a result of her channeling the negative energy toward her career… to help her career? but in a way that’s detrimental to her own health. her sleep schedule? fucked up! she’s ruining herself from the inside out and she doesn’t want to admit it!
♡ her sentiment toward her public identity is akin to lottie person of the snotgirl comic! who she is interpreted as on social media isn���t the whole truth. she posts as if she’s under careful watch because, well, she is. anything her team didn't like simply didn't cut it and was deleted almost immediately followed by a sharp scolding. "image is everything" is one of the many sentences ingrained into her mind. an effortless kind of everyday, that's what she was supposed to be. idk how to explain it well but u know those instagrams where it looks super casual but is probably super planned? yes? idk in my head she has an instagram feed like hyulari or pameluft where it looks rly normal but it's rly pretty
♡ i'm trying to, like, put it into words what her persona is perceived as, but it's something along the lines of a person you think you know but you really don't. you see her posts, you see who she's with, where she's having coffee, but who is lia, really?
♡ clearly, this entire situation can get extremely overwhelming! the melatonin she takes to help control her sleeping habits also gifts her with the side effect of irritability, so there have been times when she “slipped up” and Snapped! her fans are quick to defend her, however, claiming she’s tired and needs rest, or place blame on the individuals who dare disrespect her privacy and personal space.
♡ scandals are also something she isn’t immune to. she frequents club and party settings often, and rumors often circulate about her activities, but it's easy to shift blame on bad influences. her image isn't exactly squeaky clean, but hey, as her team likes to say, "total prudes don't get attention"
♡ people who work with lia either love her or hate her, there's really no in between. she's friendly or stuck-up. some believe she's ungrateful, maybe they're onto something. she doesn't cause trouble on sets, but people love to make assumptions about this girl whose identity they can't seem to crack. but they'll be damned if they don't see her come in every morning with a smile on her face.
♡ if it wasn't clear, she despises the identity she’s forced into! it feels like a role she has to play almost 24/7, and she’d easily give it all up if it didn’t mean losing everything good that came from it. she missed the girl she used to be, the girl anyone could easily approach to talk about their day. she doesn’t know amelia anymore. she hasn’t been amelia for a long time, only lia.
♡ she learned recently that the contract with her team is set for a renewal soon, which prompted a crisis within lia. to terminate the contract would mean freedom, but at what cost? spicy, stay tuned.
* ╱ 𝑷𝑬𝑹𝑺𝑶𝑵𝑨𝑳𝑰𝑻𝒀
♡ lia and her relationship with her own identity has definitely affected her personality and how she portrays herself even when she is at her most comfortable
♡ my base inspiration that Started It All for lia came from me watching a stephanie soo vlog KSDLHGDSG so yea she's like this likable, kinda loud and blunt personality but that comes more as a surprise to people who get to know her because she's been molded into having a more suppressed type of character — friendly, but never too much
♡ for the sake of her sanity, i'm gonna say that she still holds on to her personality in fear of becoming too absorbed by her public, consumable image, but there are times when she confuses the two. she can slip up and say something a bit too blunt in an interview or find herself holding back with her close friends. she's essentially become a blend of her true nature and her public image where it's almost the same thing
♡ incredibly, incredibly insecure! lia does not have a hold on her own identity, so even the smallest things will make her question everything! she constantly wonders if there’s a party happening that she’s not invited to, if people like her, if people are gossiping about her. so many aspects of her current identity have been conditioned to be close enough to genuine that she actually doesn’t know what’s real anymore.
♡ she can be a little bit manipulative if it comes down to her career. she doesn’t really mean it but she can’t help it at this point!
♡ if she’s friends with someone, even if it’s for some symbiosis-type relationship, she will play into that role, she will act as if it’s real. even if she doesn’t believe it, she wants to believe it because she also is unsure if she’s capable of real feelings??! she thinks she’s devoid of emotion but she just … doesn’t think about it. like, she doesn’t want to admit to herself that she cares about people bc she knows the Ugly side of her brain will hyper-analyze the relationship and find ways to sabotage it for herself to the point where she can’t enjoy it anymore — so i guess it's safest for her to think that this really isn't her! coping mechanisms let's roll out!
♡ she’s definitely had her fair share of significant others in the past, but they’ve been mixed into a bag of a bunch of pr relationships (she's had so many) so she doesn’t know if she’s capable of actually loving someone. it! all! seems! fake! but she definitely craves affection and will try to find it wherever she can.
♡ tldr she's actually a nice gal, outgoing, caring, but she can't help but think that she's a robot because she thinks too much about how people see her
* ╱ 𝑭𝑼𝑵 𝑭𝑨𝑪𝑻𝑺
♡ super prone to asian glow
♡ loves anything peach! peach soju with yakult is her favorite alcoholic beverage, peach is her favorite color, but she doesn't like actual peaches??? make it make sense
♡ credited as lia jeong in everything. feels weird if someone addresses her as amelia if they're not reading an official document or really close to her.
♡ feels a strange connection to "the i love you song" from the 25th annual putnam county spelling bee
♡ her favorite film genre to work on is definitely romance because it's fun to pretend to be loved! coming of age is a close second.
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Farewell Takarazuka Grand Theatre: 4 Top Stars Special Talk
This interview, published in the December 1992 Kageki, features the four Top Stars of the time (Shion Yuu, Mori Keaki, Anju Mira, and Suzukaze Mayo) reminiscing as the Takarazuka Grand Theatre was about to be entirely rebuilt. There’s a lot of details about their early careers and time as fans themselves before entering the company.
Farewell Takarazuka Grand Theatre: 4 Top Stars Special Talk
Participants: Suzukaze Mayo, Shion Yuu, Mori Keaki, Anju Mira
Shion: I’ve been watching Takarazuka e~ver since I was in my mother’s womb, so I’m very sad to lose the Takarazuka Grand Theatre we have now. I love the atmosphere…getting off at Takarazuka station, walking down the road lined with souvenir shops, and going past the onsens to see a show at the Grand Theatre. And then heading back along the Hana no Michi humming the show’s theme song.
Mori: The first time I went inside the Takarazuka Grand Theatre was when I took the TMS entrance exam.
Shion: Really!?
Mori: Until then I had only seen Takarazuka on TV. When I first set foot in Takarazuka, it sort of reminded me of Sendai somehow.
Suzukaze: Ah, I think I understand what you mean.
Mori: It’s a very peaceful area, and everything’s really pretty. When did you first see Takarazuka, Kaname (Suzukaze)?
Suzukaze: I first saw Takarazuka on a field trip in my third year of middle school. I just had a seat behind a pillar, but it was a really vivid memory for me.
Shion: I love that pillar, you know. It really makes me feel like I’m in the Grand Theatre. When I was first a fan and didn’t understand how to get tickets ahead of time, I’d line up for tickets and if I got one it would always be behind that pillar. I’d watch everyone heading up to the seats in front and wonder who on earth they could be to get seats so close.
Suzukaze: When I first saw Takarazuka during the field trip, I thought anyone could meet the stars of the show whenever they liked. So I went to the place where they were renting the opera glasses, pointed to a picture in the program, and asked ‘Please, I’d like to meet this person.’
Shion, Mori, Anju: So cu~te!!
Suzukaze: The young lady there told me 'You can’t do that.’ (laughs)
Mori: When I first saw Takarazuka, I bought same-day tickets and ended up in the very back of the first floor. Watching from that far back the stage looked so far away that it seemed like something I could never reach: it felt like watching TV.
Anju: I first went to the Takarazuka Grand Theatre for Shime (Shion)-san’s TMS Culture Festival.
Mori: I was there too, in the yokasei drum and fife ensemble. (laughs)
Anju: Oh, you were there together~. I came for the entrance exam and saw the Culture Festival, and I was just in time for Snow Troupe’s Gone With The Wind, so I watched that as well, feeling like I was going to fall from the third floor the whole time. I couldn’t see faces clearly, and there was a ton of applause at the opening announcement 'This is Migiwa Natsuko of Snow Troupe,’ so I was really startled. At the Culture Festival, I even saw Shime-san leaving through the stage door.
Shion: The Culture Festival was the first time I set foot on the stage of the Grand Theatre, so I was really emotional~
Mori: You had a quick change coming through the audience, right? That was so moving.
Shion: The costumes were hanging up in the wings, and just seeing that I was like 'Real Takarazuka costumes~’ so it was really emotional for me. I knew it wasn’t like Koshien [1], but I thought 'Maybe I could just take this home after getting off stage…’ (laughs)
Anju: I don’t really remember my Culture Festival well, but when I was doing the address for my debut I was so emotional I thought I would cry.
Suzukaze: I remember being in the yokasei drum and fife ensemble better. For my Culture Festival I feel like I was just desperately trying to get through it.
Shion: And after debuting and gradually becoming a senior actress there are even more various emotions to encounter.
Anju: It’s delightful going up through the lifts, or being on the silver bridge - it’s like your dreams are coming true one by one.
Mori: While when I was started I was always way off to the side where it says 'Hankyu Department Store’ [2], gradually I moved more towards the center until before I even realized it I’d ended up here - that sort of thing is so fascinating.
Suzukaze: On the last day of the Moon Troupe show in the Grand Theatre I felt like it was the most emotional performance we’d ever done. From the start everyone was so enthusiastic and then during the last curtain call we all said 'thank you’ to the Grand Theatre together with the whole audience, which was a really happy moment. I love that theatre, it feels like it raised me…it’s really hard on me to see it go. They told us that by the time Moon Troupe gets back from the Tokyo performance, all the electricity will have been shut off, even the emergency lights, so that made closing day even more emotional.
Mori: Snow Troupe will be the very last to perform in the current Grand Theatre [3], which really is deeply moving. What I keep thinking about is how it’s not just part of my career, but that it’s connected to all the other performers who have stood on that stage for nearly 70 years - to be at the end of that is something that makes me feel happy, pressured, all sorts of emotions. When I start thinking about it I can’t help but feel that the Grand Theatre is a truly amazing place.
Anju: It’s a theatre full of so much history and so many memories.
Shion: It’s so sad~
Suzukaze: Did you take video when you were doing your last Grand Theatre performance?
Shion: I did, I did! From the dressing rooms to the baths (laughs)
Suzukaze: During the Moon Troupe performance, to commemorate it we let even the most junior actresses use the Uni Baths [4], so everyone was happy.
Anju: The stars to the dressing rooms after the shrine to Inari-san leave such an impression, right?
Suzukaze: And don’t the dressing rooms have their own unique scent?
Shion: They do, they do~
Suzukaze: It’s really calming somehow.
Shion: It’s like our home after all…
Mori: I feel like in a way an era is ending with this Grand Theatre and after this will be a fresh start.
Shion: Of course I have to be happy about a brand new Takarazuka Grand Theatre being built, but it’s actually a very complicated feeling, and I’m so sad I can hardly bear it…
Mori: I think there is going to be a bit of a dividing line between those who will only know the new Grand Theatre, and it’s going to be hardest on those like us who will experience both theatres. Which would be everyone here now…
Suzukaze: On the last day of the Moon Troupe performances, during the curtain call our kumichou said 'I feel the new Grand Theatre will inherit all the gathered memories that our current Grand Theatre has protected.’ When I heard it I thought 'That’s really it.’ The new Grand Theatre will be good in its own way, and since humans are territorial creatures we’ll surely get used to it, but emotionally, the current Grand Theatre seems to know all our joys and strengths so it’s very sad.
Mori: It’ll be really tough until we get used to the new theatre, I’m sure. When we were doing the photoshoot in the audience seats I was thinking 'this is really our home’ - it really feels like it’s full of the souls of so many different people.
Shion: it’s a living building. You can feel the life in it.
Mori: I heard that in the new Grand Theatre, the state operations will be controlled by a computer system, but I won’t be able to forget the artistic skill of all the stage staff who have supported us until now. For example, how happy a feeling it is when the spotlight operator shuts off the light, bam! at the perfect moment. It’s a really great feeling, like, 'we’re in perfect sync!’ It’s rather like a mental art so it’s very unfortunate that it will go away. There are so many stagehands doing hard, sweaty work to support us, and all sorts of other staff giving their all out of love to put these productions together. I loved that feeling of what we do being a collaborative art.
Anju: In Fancy Touch I’m on top of a pyramid in the prologue, and they got me up there backstage through human power. I think if you didn’t have a trusting relationship with the stagehands you’d surely be too scared to do that sort of thing. So it makes me wonder what will become of that in the future as well.
Suzukaze: Like Yan-san (Anju), when I was in PUCK there were mechanisms moving me through the air and such, and there wasn’t a single error through the whole production. When I’m in this current Grand Theatre I can really feel that us actresses can’t make a show all by ourselves, but it starts with all the people supporting and helping us. My strongest memory is the warmth, how people would do things like say 'good luck’ during a performance. I’m sure that won’t change even when we go to the new theatre, but I still have a lot of worries.
Mori: I’m sure everyone has a lot of doubts and concerns about starting over, but I feel that once we get started in the new theatre we’ll be able to enjoy it. But still, this theatre is filled with so many memories they can’t even be expressed in words.
Shion: I can’t forget the performance of War and Peace when the Grand Theatre stairs broke. They weren’t able to repair them in time for the last performance, so even though so many people were retiring - Shou-chan (Haruna Yuri), Rin-chan (Tajima Kumi), Pucchii-san (Azumi Reika), Maimai (Minakaze Mai), and so many others - through the whole run we had to use a staircase with only a few steps, as if it was a regional production. If we start talking about all the memories of things like that that have happened in this Grand Theatre there’ll be no end to it.
Mori: By the way, it’s quite unusual for all 4 of us to be able to talk like this. What’s really interesting is that there’s only one class year between each of us [5].
Shion: That’s right, even though I feel like some of us are together for magazine features and such regularly. I’ve had newspaper intervieews and such together with Yan often, so if I’m asked about her reason for joining the company or something I can answer easily. (laughs)
Anju: I can do the same for Shime-san! (laughs)
Mori: I’ve done events and special appearances for a while, so I feel like we’ve been well acquainted for some time. When we’re all face to face like this it ends up feeling like a school reunion.
Anju: We were able to appear together in The Rose of Versailles [6] as well.
Suzukaze: That’s right. Even though I was a yokasei when Yan was a honkasei, we didn’t have any interaction [in TMS], but we became close when we were playing Oscar in The Rose of Versailles. After that, when you saw Memories of You, you told me 'your dancing has gotten better’, and that one sentence made me so happy I felt like jumping for joy and I started crying.
Anju: No way~ (laughs)
Suzukaze: That one statement gave me energy all the way through to the end of the run. I think Takarazuka is fascinating because of all the different sorts of shows all four troupes can do.
Shion: It’s great that each troupe has its own specialty.
Anju: I could never do Puck.
Suzukaze: If you put the ears on anyone could do it! (laughs)
Anju: They’d say I was an evil spirit, not a fairy. (laughs)
Shion: But it’s really sad that even though all four of us are together, Karincho (Mori) is about to retire. I feel like I’m losing my last comrade-in-arms I’ve spent all this time with, together with the Grand Theatre, which makes it all even more painful. I have so many memories welling up, but I’ve already told the person in question (laughs) so I won’t repeat all that! But I’m really so happy we will be able to perform together in the new Grand Theatre in January [7]!
Anju: Karincho-san was already a star even when she was still in TMS. You were somehow different from everyone else, and you were amazing even then. Being in the center seemed to suit you, so you would be placed in the center naturally from the beginning, and you could change the whole atmosphere around you.
Suzukaze: When me and Mori-san played Oscar and Andre together in The Rose of Versailles [8], I was so affected I wished I couuld steal even a tiny bit of Mori-san’s unique qualities for myself… While I think it’s really appropriate that you are the last to perform in the Grand Theatre, personally I wish you could be there forever. Please don’t leave~!! I’ll be there behind you taking notes as long as you’re here.
Mori: Thank you so much, everyone. Takarazuka is such a wonderful place, and I’ve had so much fun working with everyone to put on the shows, and the Top Stars all help each other out so warmly. Gosh, I’m going to cry… (laughs) Having the opportunity to be Top for four years, I had so many different experiences as both a stage performer and a human being, and I don’t have any regrets.
Shion: I’m really happy that Karincho-san and so many others will be there in January for the opening performance of the new theatre. Star Troupe is happy to have you.
Mori: I’ll be there getting in the way from the first show~ I’m glad I’ll be able to make one more good memory. I’ll have to investigate e~verything about the new Grand Theatre. I’m looking forward to it, hahaha.
Anju: While I’m sure I’ll be a bother in a lot of ways, I think I’m very lucky to have a special appearance in Star Troupe productions in both the old and new theatres. Thank you to everyone in Star Troupe for having us.
Suzukaze: I’ll give it my all. While I don’t know yet what they’ll be having me do, I want to be myself and enjoy the show with the kind help of the Star Troupe members. My dream to do a Japanese-themed show is coming true, and while I’m sure I’ll be terribly clumsy I’m prepared to do whatever it takes. Directors, Senka members, everyone in Star Troupe, please take care of Suzukaze Mayo. I think when I’m onstage at the new Grand Theatre in the Star Troupe performance I’ll feel even more that this Grand Theatre is really gone.
Anju: Even if I wail and cry, this Grand Theatre will still be gone, so although I’ll be sad and miss it dearly, I would like to go onstage at the new theatre with fresh emotions.
Mori: I’m very grateful that Snow Troupe will be closing out the Grand Theatre. There’s only one thing remaining for me, which is to give this Grand Theatre, that has been filled with everyone’s memories, a brilliant conclusion. Every day I express my gratitude to the Grand Theatre so I feel confident it will go well.
Shion: Thank you!! After this when you appear in the new theatre’s opening production, we can begin building a new history together.
1. I think this is a reference to the special uniforms worn by teams competing in the Koshien baseball tournament.
2. In very old shows, the Grand Theatre drop curtain said ‘Hankyu Department Store’ on the side, where lower-ranking actresses would end up.
3. The Takarazuka run of The 47 Ronin was the last production to take place in the old Grand Theatre.
4. The Grand Theatre (old and new as far as I can tell) has three bathing areas separated by rank, with the Uni Baths reserved for the most senior actresses.
5. Shion Yuu, 64th class; Mori Keaki, 65th class; Anju Mira, 66th class; Suzukaze Mayo, 67th class.
6. 1990 Fersen production starring Ooura Mizuki.
7. The Star Troupe Houjushou/Parfum de Paris was the opening performance in the rebuilt Grand Theatre, featuring guests from the other troupes.
8. 1991 Oscar production starring Suzukaze Mayo.
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PJO AU
Hi! I posted awhile ago that I have a Percy Jackson AU for Yuri on Ice! in my head and I thought I would finally get around to typing it all out. Super thanks to @forovnix for not telling me to piss off when I sent her most of this drunk off my face and for encouraging me. Jus, you’re the best, ily a lot. Also I heard through the grapevine that her and @actualyuuri are writing one together, which was the whole inspiration for this universe I have thought up, so I am crediting them too ;) . It is very long - so I will put it under the cut!
Let us begin with...
THE CHARACTERS
Yuuri
CHILD OF: Hecate
PANTHEON: Greek
POWERS: Magic - specialism in spiritual and shielding; Mist control; Astral Projection into the lives of other Demigods and godly beings; Dance is his primary spell casting method.
BACKSTORY: After Hiroko had Mari, she found her womb was too damaged to bear another child. Wanting another child, they tried everything from medicine to, eventually, prayer. The only one who answered was Hecate, who was a distant relative of Toshiya from many generations ago. And with a little divine interference, Yuuri was made from three parents.
Yuuri’s eyes go gold when he uses his powers, a throwback to Kronos that Hecate thinks is kind of adorable. Zeus banned visiting their godly children back after WWII, but he can only really control what happens in the US, as it is the current seat of Olympian (and Roman) power. As such, Hecate has visited Yuuri four times a year since he was a baby, and drops in on him occasionally for a few hours at other times too.
Viktor
CHILD OF: Persephone
PANTHEON: Greek
POWERS: Control of flowers and plant life - especially creating and killing them; Strengthen harvests in the early stages (springtime); Talented at poison creation; Spreads poison through his flowers (airborne) and generally though touch.
BACKSTORY: Victor’s mother had zero need or desire for a husband, partner or indeed, physical sex. She, being somewhat dramatic, prayed to Persephone in a ritual handed down from mother to daughter for generations but generally regarded as a bit. Persephone, bored and wanting to create some life in the world, agreed to help her conceive a child with her as the other mother. She however, recalling how much Hades’ indiscretions had hurt her, told him about her plans beforehand, and Hades’ was absolutely fine with it. He knew he had no room to talk about extra-marital children and he loved his wife a great deal. Something that came of her would surely be only a good force in the world.
Victor has his human mother’s silver hair, and his godly mother’s eyes that cycled through colour according to the weather, the state of the plants around him and his mood. He settled on a teal he liked as his day to day eye colour, and controls himself to keep it that way. Persephone and Hades, taking advantage of the same loophole as Hecate regarding non-interference, bring him down to the underworld every so often. Hades is actually a very doting uncle and is immensely fond of Victor’s loving and giving nature. He teaches him about poisons and summons spirits Victor wants to talk to for a chat whenever he asks. Persephone loves him a lot as well, but in a more distant fashion. It was her that taught him French, and they like to sit together in the pomegranate orchard underground and read.
Yuri
CHILD OF: Apollo
PANTHEON: Greek
POWERS: Graceful; Slight Precognition; Archery.
BACKSTORY: Yuri’s mum had a relationship with Apollo for two weeks, in which she could have sworn she was careful with condoms, but apparently not. Yuri was conceived and he left long before she found out or could tell him about it. The loss of the relationship didn’t really hit her hard, it was only really a fling to them both. She decided to have Yuri anyway, and once she recovered from the birth, she went straight back to work to earn money to support them all, leaving Yuri with his grandfather.
Yuri inherited his fathers colouring but his mother’s face. He also had Apollo’s artistic talents but enjoys dance the most, so generally ignored poetry and music - until he discovered hard rock at age 11. He is also a little precognitive, his instincts have got him away from more than one fight and also led him to the rink where Yakov took him on. His mother doesn't care about his father’s absence but he kind of does, and really really hates the guy, whoever he is. Apollo never bothered to think of a loophole to the decree of non-interference and so never even tried to meet Yuri - he fairly quickly forgot about him and his mother when his newest conquest came around.
Otabek
CHILD OF: Thanatos
PANTHEON: Greek
POWERS: Sense when someone is about to die and if it is their ‘time’; Gravitas;
BACKSTORY: Otabek’s parents were cultists when they were younger, cultists in service of Thanatos. Although they settled down a bit when they were older, dropping most of their worship, Thanatos never forgot about them. He doesn't often get cults in his name! So when they were trying for a kid and it turned out his father was infertile, Thanatos helped out without even being requested.
Otabek’s parents love him a lot, as an unexpected and much appreciated surprise. After his birth they figured that it must have been some kind of divine interference and began to pray to Thanatos again. The god sometimes comes to chill out with Otabek and teach him how to use his senses. Unfortunately, his heritage makes him seem creepy af to non demigods. Yuri is his first true friend.
Christophe
CHILD OF: Cupid
PANTHEON: Roman
POWERS: See the truth of love - as threads binding people; Cause lust (orgies); Wings
BACKGROUND: Chris' dads are a very gay, very happy couple who are somewhat overdramatic (being theatre actors) but love with all their hearts. While performing in Paris they prayed they could have a child through their love and nine months later, Chris was dropped on their doorstep in Switzerland. Whether he is the child of all three parents, or of one of them and Cupid, or if he is adopted is unknown.
Chris is seriously loved by them, even though they definitely know something is up because he has large bird-like rose pink wings that show up every so often when he is excited and cannot control himself. His dad isn’t around often, it isn't his nature, but he leaves gifts for him whenever he is in Switzerland, so Christophe doesn't really mind. He has his parents either way!
Seunggil
CHILD OF: Athena
PANTHEON: Greek
POWERS: Tactics/Strategy; Unshakeable calm
BACKSTORY: Seunggil has a single biologist father who had a one night stand with Athena when in the US for a conference. When he returned to S Korea, a son showed up on his doorstep and after confirming he was his son he rolled with it.
Seunggil was brought up as a scientist, to question everything, which only helps his sense of strategy. He is a calm person but if you rile him up utterly he completely loses it and is terrifying.He also is very interested in coding and technology. He never meets Athena and doesn’t care about it - his father barely knew the woman anyway.
Phichit
CHILD OF: Venus
PANTHEON: Roman
POWERS: Charmspeaking; See love bonds
BACKGROUND: Phichit’s mothers are devotees to beautiful things, but most especially to dance. Venus saw them dancing and blessed them with a threesome in bed in exchange for them spending an evening dancing for her. Phichit was the result, as they found out several months later.
Phichit, like his mothers, loves beautiful things but prefers selfies and photography as his outlet, he is determined to capture the manmade and natural world in all its diverse beauty! Being able to charm people into doing what he wants means that he can be a little manipulative but he has a very strong moral code generally and would never hurt a friend.
Leo
CHILD OF: Morpheus
PANTHEON: Roman
POWERS: Send people to sleep; Influence dreams
BACKSTORY: Leo's dad has a very long and healthy relationship with Morpheus through his dream scape, where the bright colours of his artistic mind drew the sleepy god. They decided, after much deliberation, that they wanted a son as a sign of their love and to dote upon in the real world. Leo was conceived in a surrogate’s womb, but is of the two men’s DNA.
Leo gets visited as regularly as possible by his godly dad in his dreams, as he is unable to leave the underworld to meet in person. He has never doubted that he is loved. He lives in Mexico with his dad but trains in the US / for the US when he gets his bracelet (more on that later)...
Guanghong
CHILD OF: Vesta
PANTHEON: Roman
POWERS: Fire, Constancy
BACKSTORY: Guanghong parents were unable to conceive and both being pure of heart, were blessed by Vesta so that they could have just one child. He doesn't see her often, but feels close to his godly mother when near a fire or a hearth. He is the emotional centre of his friend group and his sweet nature is pretty much never-ending, also he is asexual.
Mickey
CHILD OF: Dionysus
PANTHEON: Greek
POWERS: Grape Control; Invoke Narcissism and other disorders involving delusion; Makes a party crazy fun when he feels like it (rarely).
BACKSTORY: Mickey and Sara’s mother is a single black mother from a big Italian family. Dionysus didn't want to test his father in Italy, although he probably would have been fine, and decided to leave the Crispinos alone ‘for their own safely’. They pair were raised by their grandmother and long extended family primarily as their mother works. Mickey is protective of Sara for multiple reasons that are Not a sister complex here.
Sara
CHILD OF: Dionysus
PANTHEON: Greek
POWERS: Cause Maenad like madness with a touch; Make wine at will
BACKSTORY: Mickey and Sara’s mother is a single black mother from a big Italian family. Dionysus didn't want to test his father in Italy, although he probably would have been fine, and decided to leave the Crispinos alone ‘for their own safely’. They pair were raised by their grandmother and long extended family primarily as their mother works. Sara is very gay.
Mila
CHILD OF: Venus
PANTHEON: Roman
POWERS: Create infatuations; Exceptional Beauty
BACKSTORY: Mila has a single father, who is a premier ballerino and remarried when Mila was seven. Mila was a typical Venus ‘one night of passion’ baby, who was dropped off with her father after her birth and then promptly ignored by her mother. She really likes her stepmum actually, who is a ballerina as well. Mila is very beautiful personally and also a dab hand at makeovers.
Phew - that is a lot! Dont worry, anything important will come up in the fic (if I ever write it...)
Now, onto the actual Plot...
THE PLOT
ARC 1: Yuuri begins to astral project as a child, while he is still learning to control his powers. Through his astral projection he meets the other demigod kids (the geographically closest first, then he ranges progressively further afield). He makes friends with them all and gets something of a crush on Victor, his skating idol (and pretty lovely guy when he gets to know him in person!) Monsters, able to smell their scent, are coming for them even though they aren't in America and everyone is pretty afraid. Yuuri, having the biggest heart, decides to try to change that fact of demigod life at just age 11 and he is very very stubborn about it, asking all the gods of the underworld and all the friendly or neutral monsters he sees about it. He hurts himself a lot trying it, but after a year or so he managed to create a bracelet that holds in the demigod 'scent', making his friend safer. The bracelets have to be personalised to the specific powers of each child so the first one goes to Phichit (his first friend). Then he makes them all one as he meets each character in person, either posting them out or giving them at the novice and junior skating competitions he attends. The hardest to create was Victor’s, who as the first child of Persephone is very powerful. Yuuri ends up accidentally putting a piece of his Self into the bracelet as that is the strongest power he has. It is very dangerous but even after his upset mum Hecate told him what he had done, he could;t regret it. The life of his friend was the most important thing!
ARC 2: Aboveworld gods don't care for their kids by and large (see character notes above.). They often forget them as they are not under American jurisdiction and therefore won't fight battles for them. Only The underworld gods and those mentioned above really care. Even as they become friends at competitions and through Yuuri’s projections, the strain of the bracelets wears on yuuri and maybe eventually one bracelet snaps or becomes overwhelmed. No one blames Yuuri but Yuuri, they just didn't realise how tough it was to power the close shielding of their scent. They have to team up to defeat the monsters that come for them. There is a Big Battle Scene and despite their desperate prayer to the above world parents, none can help. The underworld ones do their best but it is the solstice - their absence would be noticed. The arc ends with them all being pseudo adopted by underworld gods.
ARC 3: They all decide fuck the above gods, they won't be beholden to them anymore. The decide to circumvent their monopoly on items such as nectar and ambrosia, in the process setting up in the Underworld and creating their own godly market/culture/empire for those who dont want to use Olympus. In the process, they make friends with or at least win respect from some monsters. who admire their chutzpah, and also their stylish fashion.
ARC 4: Camp Half-Blood need hep with something as of yet undefined ( a prophecy?). Nico knows Victor through the Hades/Persephone connection and also because of their underground empire. Hades favours Victor as an heir despite not being his son because of his love for Persephone and also his strong underworld connection through Yuuri, his boyfriend, who is also an immensely powerful son of the underground. Victor, having survived past his teens, is also very responsible and wise so is a generally good choice. The whole crew agree to visit the camp at Nico's request and to meet their siblings. Drama ensues...
Yes, There are elements not mentioned here (how do Victuuri get together? What about other pairings? What happens at Camp Half-Blood?) but hey, have to leave something for the actual fic. Hope this is interesting to you guys, I spent several weeks daydreaming this. Tell me your head canons if you want, what do you think about my godly parent decisions? I would love to chat about it. <3 <3 <3
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For Mrs. Maria Odeh, a 2004 Theatre Arts graduate of Benue State University, her joy overflowed when she got married to her 37-year-old heartthrob, Joseph Odeh in April, 2007, shortly after completion of the mandatory national youth service scheme.
She met her hubby in Kano, where she was deployed for the programme, and was consumed by a sizzling love affair which transformed to marriage in no distant time. As she signed the dotted lines on the altar, thoughts of an uninterrupted and lively union overwhelmed her, as she danced to the glory of God for giving her a man of her dreams.
That was the situation for several years as the couple settled down at Akwanga, Nasarawa State, and Maria professed her husband’s true love to friends and relations at any opportunity. Her only worry was that she is unable to bear a child, years after their marriage. The couple had sought medical help at the General Hospital, Akwanga, where Joseph was said to have been diagnosed of low sperm count which was treated and normalized in three months.
Maria said though doctors certified her reproductive organs okay after conducting series of tests, she was unable to conceive thereafter. Her consolation, however, was that her spouse did not betray signs of desperation and frustration as the search for the fruit of the womb continued.
However, indications that her luck had been stretched to the limits manifested seven years into the marriage, but she least expected the events that unfolded. “About three years back, precisely towards the end of 2013, my husband suddenly lost interest in me. Whenever I touched him at night, he gave me one complaint or another. It is either he is tired or not in the mood”, she recalled in an interview with Saturday Sun.
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Unknown to her, Joseph was engaged in a secret romance with Joy Agbo, her 24-year-old younger sister who she relocated earlier in the year from her village in Ogbadibo Local Government Area of Benue State to live with them at Akwanga. In her determination to ensure she played her expected role after the demise of their mother, Maria secured admission for her sibling at the College of Education, Akwanga, to study Business Education.
Unfortunately, rather than concentrate on her studies, Joy indulged in illicit sexual affair with her sisters’ hubby. She was away from home daily from dawn to dusk, having secured a job with Patriotic Health Organization, a non-governmental outfit. She had been unemployed for several years, during which she sold second-hand clothes.
Last month, Maria was jolted to the realisation that her beloved husband had betrayed the love and trust she invested in him by not only having an affair with Joy, but also impregnating her. To worsen matters, her husband is resolute on marrying her younger sister, and has shown her a red card if she is unwilling to accept his weird idea.
“In August 2016, I got a job with an NGO as secretary and most times, had to leave home very early in the morning for either Keffi or Lafia, as the job demanded, and closed late by 7.pm. I didn’t know how it happened, but in June this year, I noticed that my younger sister’s breasts increased in size and she looked very heavy. On a close examination, I discovered she was four months pregnant and when I probed further, she told me Joe was responsible for it. I asked her which Joe? She said your own Joe, my husband, but I did not believe it. When I confronted my husband at night, he confirmed it and went ahead to tell me he would marry her; he said if I can’t tolerate it, I should pack my belongings and go. I screamed and cried, and almost died of shock; I immediately called my people on phone and told them what has happened”, she said, sobbing.
Confused
Maria says the situation threw her into confusion on her inability to conceive for her husband, more so, as doctors had certified her fertile, and she had no cause to discreetly seek proof through an extra marital affair. “Even my people are as confused as I am; they keep calling me to ask what I wanted to do. After wide consultations with my friends, I am considering divorce. But I will re-marry if I find a genuine person, I can’t stay alone; I need a gentle man to settle down. I will soon file a divorce suit so that I can start a new life; I will definitely remarry if an honest man comes my way, though I won’t be in a hurry,” she said.
It’s divine, says hubby
While Maria is traumatized, her husband has no qualms even as he pointed at the devil for committing the act, which in another breathe, he described as divine. Last week, Joseph affirmed his resolve to marry his sister-in-law in a chat with our correspondent. “I have told my wife that I am responsible for the pregnancy of her sister, and now that she is pregnant for me, she cannot abort it, though it was the devil’s work; if she is not comfortable with it, she can go. We have been married for 10 years, no child; if her people want me to pay the pride price for Joy, I will do it. It is unfortunate, but that is the reality. I’m not a womanizer; I don’t drink beer, ask my friends. I don’t keep girlfriends outside; I don’t know how it happened, but my affair with Joy is divine intervention”, he emphasized.
But his father-in-law, Clement Agbo, has declared his unwillingness to dine with the devil, not even with a long spoon. “We are not in support of what happened, and cannot collect bride price again, from him. I lack words to express my feelings, but I have asked Maria to file a divorce suit; she can’t stay in that house again. For me, I have disowned Joy; she is no longer my daughter. If their mother was alive, she would have supported my position. What Joy and Joseph did is an abomination in our tradition; let them stay together. It is only God that will resolve this shameful matter”, he told Saturday Sun on telephone.
How it happened – Joy
Like Joseph, Joy is also unperturbed over the incident, and is prepared for the worst. “I deeply sympathise with my sister, but Joe told me not to worry about anything, that the issue will be resolved. Since my sister is ready to divorce him, I will keep the pregnancy”, she said, as she gave a blow-by-blow account of how it all happened. Hear her:
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“It started precisely on February 17, this year. That afternoon, when my sister had gone to work and her husband came home from his shop to pick up some items. I was sleeping in the sitting room, and because I was not expecting any of them to return home soon, I didn’t put on pants and my chest was open; in fact I was naked because I was feeling hot. I suddenly slept off, but forgot to lock the entrance door and Joe came in unexpectedly.
Though I was asleep I guess when he saw me naked, he must have been moved to a point that he couldn’t control his libido. Before I realised it, he was already on me with his lip on my breast; my efforts to push him off me failed, and he had sex with me. Before then, he used to take me out to supermarkets, and fast food spots; we became very close, but he never approached me and I didn’t expect such from him, though he kept telling me he was desperate to talk with me.
After that afternoon sex, he knelt down and begged me not to tell anybody; he said it was the devil’s work, but I cried and vowed to tell my sister when she returned; he begged me and promise not to do it again. That day, he gave me N20, 000 for my shopping, and I promised him I wouldn’t tell anybody about what happened.
I don’t know what came over me, as if it was a dream. A few days after, he invited me for an outing and somehow, convinced me and we started making love regularly, as if it was a charm. We were madly in love, and he bought a mobile phone worth N40, 000 for me. At night when he is in his room with his wife, I will be chatting with him from my room; somehow, I became pregnant for him.
I do not intend to abort the pregnancy because the harm has already been done; I apologised to my sister, but she doesn’t talk to with me any longer. I don’t know what is on her mind, but for me, I will deliver the baby and further my education to the university. I deeply sympathise with my sister, but Joe told me not to worry about anything, that the issue will be resolved. Since my sister is ready to divorce him, I will keep the pregnancy; my people are not in support of what I’m doing but they have no choice. It is not my wish, but that is the reality. For me, I love Joseph because he is caring and lovely”.
To be sure, these are trying times for Maria as darkness and despondency set into her once blissful marriage. Things are no longer at ease with her, Joe and her younger sister, Joy. Enveloped in a cloud of uncertainty, she spoke of her moments of joy with Joseph, who also hails from Benue, her home state. Both are of Idoma extraction.
“After my four year programme in the university, I was posted to Kano State for my NYSC, where Joseph who had earlier completed his service and was working as farm manager at Wodi Farms where he served and was retained. I fell in love with him, because he has a charming personality; he exuded an air of confidence, and his poise was breathtaking. He swept me off my feet right from the first day I met him at a market in Kano. We became lovers and our days of beautiful romance were the happiest moments of my life; I was on top of the world and really acted like a girl in love. I married him and was the happiest woman on earth; I love him and he loved me too, but suddenly, all that crashed in one irrational moment”, she lamented. Sad!
The Sun News
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