#and very happy progress with this one

[tryingtolearnartsob]

productive??? day??? 😳

—I wasn’t gonna do more art…., I was tired but know what I watched some videos and came back to this artist that helped a lot and I think thinking of legs of like wrapping forms… helped instead of drawing the individual parts of leg but just thinking about the two parts wrap… helped… I just wanted to first get down how it was like (and did so initially roughly with finger) and kind of… helped start a figure session getting out the pen

—main things I wanted to keep in mind and think about was wrapping form and the way the body parts (rib waist pelvis) stack on top of each other… im still weak in the area of waist/pelvis but I did like this session. also focused on the hands too like the video helped a lot. like instead of trying to construct the hand with fingers from knuckles but instead… drawing where thumb/index/pinky come out from the hand helps so much more. still need to practice more on that but felt like hands were more easier that way…

—I did get bored of it and wanted to do other stuff and so it came to mind to go to the 🧊 terrible day comic… and yeah I needed to ref back to the manga to see how things looked like (the setting) but honestly I couldn’t bothered so I decided to just focused on the pose that was there and draw it more better(?) and ah…. Problem I had was like I didn’t know how to draw this hunched over position well… with hands in pocket. But one thing I realised was that the head is more lower and the traps/shoulders start to the ear but was just completely lost on how to get the legs right and gave up decided to look at some refs for later lmao.

—and then well I wanted to see how the other pose would fair now… and I think main thing is thinking about how the arms would look like if I a person was tied up like that. like would it be more in or just very close to body but more straight to show that it’s being bound… and then well I did want to scribble in the other panel more but ehhh I think I still need to work on that posing stuffs But yeshhhh.

—and then I went to the hina+boru idea…. I did want to have a specific idea but the posing or whatever I didn’t think of yet so time to scribble in stuffs… the first idea was fine but felt like I didn’t know what to do with boru? so I went with another idea but this time while it was good it didn’t convey what I wanted… I think it’s best that I think of more scenarios of what the vibe is cuz I know what like a “younger mom who isn’t mom yet meets future son” but not like an actual time travel thing but just having them interact…. So I think it’s good to think on it before doing this

—also it was kinda fun to just scribble in stuff… and not mattering how it looks just getting in the pose and stuff… and mannnnn trying to get posing of legs was hard once again. I lol haven’t spent time on them so that makes sense but still 💀💀💀

—also it was a bit trying to figure out the proportions of 🔩 and I think I made him more childlike than I wanted in the second pose idea….? But well. At least it’s a cute image to try to try and draw properly later (by later I mean sometime in the long future lol) even if it’s not wanting I was going for.

—okay after that I was still wanting to sketch in character ideas and this one came to mind…. Originally it was a comic idea but my gosh while I do have all of the comic kinda scrippted out in my notes I could not be asked to do all of that. so I focused on the part that was the intial idea anyways and what the comic was born from.

—tried to get the feel of what I wanted and it was mostly trying to get closeness of him leaning over 🦋and was a bit lost on the arms since they aren’t an important part of the scene so I tried to for mitsu… get like something where it feels like he’s leaning over so his arms would probs in that direction to balance and for her it was hard cuz ha….. i had no idea what to do with her arms? I knew they were eating… ahhh I got already an idea for his arms(1.37) since they were eating maybe it’s already on the table… I think it would help to get an image of what they’re already doing like in scene which helps in knowing what the arm are doing before he leans over

—i think the direction of her face feels off but something to work on along with perspective too.

—it felt really nice when I added in more details to the scene to feel like they are in a scene and I think I might scrapped the comic idea after all. since it was never intially meant to be a comic and I think it’s unnecessary…? If I wanted more scene I think I can have be more loose… instead of establishing an entire moment with having lol panels of them just in the burger place. too much trouble and not interested in doing so right now

—also tried to add in the other characters that would be in the scene (which I think might be playing games) but ehhhh I think they should be probs more overlapping? Them? And the perspective on them… I thought that you’d see more of their hands so more of looking down so I probs need to fit the 🦋🐍 to fit it more… but also I don’t think the other characters matter so I think it would be fun to a composition where the other characters are completely in foreground so you can only see their large arm or whatever and in between that you can see 🦋🐍 … I think that would be fun to try…! 1.42

—I did want to do more character posing stuff/ideas but too tired for that and ahhh really want to try colouring and the whole ⏳thing back again (might just make a bday illustration then thinking about pose) (since it’s what shit… tmmr. lol) also want to drawwwww ss + skkr since i saw this art that GOT ME REALLY EXCITED also made me think ahh… I do want to draw skkr more like her canon design but not like completely? like that’s the vibe I want. and also I want to try colouring her hair and the pink right now. but that’s for later if I get around to doing it.

but mainly im really happy i got to sketching/doodling some character stuff since that’s WHAT I WANT…!!!!! YES!!!!! 1.45

—3.13 im really supposed to be sleeping and want to sleep… but also I can’t be bothered to and watched some waist videos and found this leg video that looks good but don’t have attention span for it so I think I will watch it later… but I think I’ve got? A sort of idea to tackle waist stuff but also too tired right now to try and draw stuff… or more like I don’t have energy to get up and draw lol

—yeah I didn’t do any of that. I went offff and well then the time came to be like evening when I realised I haven’t done any more art stuff and was like right okay I don’t think there’s any more for today but then…!!!! while lookin at fanart stuff on x…!!!! I got sudden urge to prac…figure….!! I wanted to get better<333 but I just couldn’t be bothered to do…. but then when I got this idea while browsing through the 🔥🔵 discord… and I just wanted to draw…?! and heh thankfully as soon as i opened procreate, what I saw was the figure session I left on… heh… so I just thought might as well get some figure practice in first…!

—one thing to say is that wow… I can really feel my improvement. to be able to see a pose and then draw in diff way.. trying to make it more dynamic…. just…!!! yo!!!! and also to see how I did balance wrong first and to be able to fix it…!!!!!! im so improving heh.

—saw this other pose I thought was interesting and by interesting hard too lmao. I think I got that the neck was important point… and I just the legs??? yeahhh. Also I thought I got the way the pose felt more relaxed in the ref…. I should get back to this one to study later day….

—and lol as usual me telling my self to prac arms 😔😔😔 i did do some lil hand studies in the corner…. and have to say they don’t look completely so that’s a win in my books. I was following this tip I saw in a video to draw the outer most fingers first (thumb, index, pinky) and like it def helped a lot with spacing but much need to work on, still ahaha.

—and then hehehe for the highlight of the day…!!!!! man I had this idea for it and went to doodling immediately for the pose and yeah I wasn’t at all satisfied of how it was and kinda did an adjustment seeing if it was because they weren’t closer and I think it still felt off…? and so I looked the mental image that I had and I realised ah. well. it’s cuz the one in my mind is so much more dynamic and fun and focuses on 🦩’s face rather then the actually pulling. so. then it did help pausing down and jotting down stuff to more better actualise stuff (also trying to draw the arm coming from neko’s shoulder back view was so???? also I did have a plan on having two panel thingy where I do a reveal of neko’s face so I thought it would make sense for this to have back view of his head.

—and so this time..!!!!! yes it came out soooo much better as you can the third attempt. also this time I realised while drawing that it would be better to not have the arms as the focal point but it’s actually 🦩’s face…!!!!! and I wanted some pull/push action like it looks like he’s actuallyyyy reeling him in you know and I think having the hands there is good decision for that. and I don’t know if I was gonna have legs in there at first but I think it adds to it…!!! also ahahah tried to make it look like one of his legs were going backwards like he’s actually pulling him in. many thanks to saito-sensei in that one correction video that helped so much ahahahh. but I did feel like something was still off

—so i made another adjustment of trying to bring Neko closer and hey!!! I think that made it feel much better. also before i forget to mention when initially redrawing the pose and doing second attempt for dynamic stuff… i had the arms much lower intially…!

—as you can see the first version was sooo much lower and I was like yeah no that wouldn’t work and did it higher and ahahahah in final version it got to be around 🦩’s ear since I felt like it best pushed the action of pulling. (And lol in my other adjustments, I made it even more)

—alright while I was happy with this final-ish version hmmm. I thought maybe it would be better to have neko be more 3/4 back view and tbh yeah I didn’t really know what I was doing here but I went to diff page and tried to redraw over it since it was soooo difficult trying to erase and get that more 3/4 view and it just wasn’t working cuz I realised it wouldn’t make sense either???? I’d have to change 🦩’s pose too??? I think??? Anyways instead it just turned into a redraw cleaner version…? Of the pose and yeah I didn’t like it at first since with the redraw I kinda just did the overall silhouette which made it flatter

—but I did do adjustments to neko’s other arm. making more out there so it adds to more of the fluid gesture and ah I think the reason the overall body felt flat was because it does straight…? and so like I made his legs more out so it looks like he’s being pulled it. and I think I did it? also tried to draw in the back a bit but my gosh do I need more practice with that stuff kinda treading adding in clothes over back… hmmm… I need to practice some more hahaha. backs are HARD!

—anyways there was lil time of day left so I thought to get in the other part of the idea in… and wellllll. Last one is the more finalised version. Had the idea of having neko’s reaction and intially trying to draw pose from diff angle is harddd but I think the way I approached it was like not the best? I just went to drawing it starting from his face and was terrible decision since I was like ??? and yeah it was def all falling apart but i still kept on scribbling it in just wanting to get the overall down. and i do think it’s funny seeing it in comparison to the other version lmaooo. like???? what is even happening in the pose. trying to draw from diff angle is hard and even more especially when you don’t visualise stuff properly and just go straight into it especially LOL when this is a character interaction pose honestly.

—also lol i did have lil character more expression face but deleted it cuz i was just????? on how to do the pose from diff angle i probs should have realised here that starting from face was terrible idea ahaha. but overall heheh best way to end day. I felt soooo accomplished n nice heheheh.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[wardingshout]

Zelda goes mushroom girl

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)

[limboni]

Just a small little thing I thought of while reading a lovely fic Right Under Your Nose chapter 9, by @Dande-Fields (no idea why it won't find their Tumblr, but anyway!)...

Not sure if it counts as fanart towards the fic, but it certainly kinda inspired me to do this, so yea!

I like it, and like the fic, would recommend, very lovely, so it's probably all good.

Hope everyone has a good day/night/evening!

[aquanutart]

desert flygon

[amogus-real-not-clickbait]

part 1 of a little comic / art sequence that i've been working on! :D it's part tribute, part experimenting with brushes n colors and trying new thingz :]

| 1 | 2 | 3 | ... |

and thus continues my endless quest of spreading the carrot fics like a plague! if you've seen my art floating around you probs already figured that this au holds a very special place in my heart, forever and always!!

if you haven't heard of it, it's a fic series by @crowned-ladybug called carrot soup!! it made me wish i could speak colors and i need more people to share my struggle xd

go check it out if you're into sweet voice lore and qpr level gayness and just wanna feel warm and soft and warm (hurt/comfort my beloved) <333 there are some heavier themes cos everyone's traumatized but they're working through it! be sure to check the tags and stay safe! <3

[guardians-of-exo]

Moodboards by Pinterest

It's taken me way too long to get this done (hoped it would be by your birthday this year...) but I just want to say thank you for being the most amazing mutual and friend all these years @starchild--27 💜

[blobbei-art]

More lore! Marzie/Kasifer subconsciously summon birds. Kasifer is often surrounded by a small flock.

The twins don't actually know the extent of their own powers so even they're surprised by what they can do sometimes!

[captainkirkk]

I'm now on season 2 of my Natsume Yujinchou rewatch, and I love seeing the marked difference in the way Natsume is treated.

In season 1, we get a very withdrawn, very fake Natsume - quiet, smiling pleasantly but clearly looking right through people, apologising for taking up space. People like him right away but don't know how to breach that distance. But towards the end of season 1/ into season 2, we see people understanding Natsume more and more and deciding to close that distance by reaching out to him with affection. We see them teaching Natsume how to be loved.

We also get more people recognising and seeing straight through Natsume's bullshit, ESPECIALLY Nyanko-sensei.

Natsume: "My temperature is a little over 37 degrees."

Nyanko-sensei: "You should rest then."

Natsume: "I took some medicine. I should be fine if I don't do much. I don't want to worry Touko-san."

Nyanko-sensei: "Geez, how long will it take you to realise?"

Natsume, entirely oblivious to just how much he's loved and wanted: "...Realise what?"

[ribbononline]

I love how much culture is built from your design motifs for Pokémon fusions. I feel like every Diancie fusion live in the same country. It would be a fun challenge to world build with your designs~

Ahh, thank you! Im glad you think so :] When designing fusions I tend to use the body as- well, the body (and sometimes personality), and then the head for the 'aesthetics'. For Diancie heads, that's really leaning into it's royalty theming- be it by leaning into the classic regal pretty princess elements, the cute wedding ones, or even a more armored knight look using it's golden parts. That way, even when they're not necessarily designed to resemble one another they all still look properly like they came from the same 'family'.

Same way I tend to really lean Ho-oh into a very 'elegant' theme, colorful, but something commanding respect too- even stuff like a Carbink body should still look like it has something legendary in there, even if its just a silly baby!

I dont necessarily have lore for most of my fusions, but I always do make an attempt to make them look at least somewhat grounded and connected to both the established Pokémon world and eachother, so I'm super happy to hear they're working in that way.

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[astra-terrapin]

My boys have been lost for days.

[sinnbaddie]

To say that Kakashi and Gai’s relationship (talking solely platonic rn) was mostly about him helping Kakashi cope with the loss of Obito is disingenuous to Kakashi and all of his relationships.

Any person is going to be traumatized after seeing someone — much less their teammate — be crushed to death under a rock. Kakashi is shown to be someone susceptible to depression due to 1. His environment 2. His initial beliefs and 3. His genetic line. Of course his life is going to be centered around one of the most traumatic experiences of his life, romanticizing it is so hurtful to his character because it destroyed him - and if Kishimoto actually cared about expanding other character relationships instead of making a “generational duo that falls apart” + wasn’t a misogynistic writer, Rin’s death would be the bigger influence on his life than Obito’s.

Yes, Gai had to help him numerous times in his grief but it wasn’t solely or even mainly about Obito. Rin was an absolute vital point in Kakashi’s downfall into chaos. The self harm he inflicted upon himself, the self hatred, the self shame. He became a whole different person after he was forced to kill her. I would say Kakashi’s father Sakumo is by far the biggest influence on him. He wouldn’t have needed any speech of “your father was a hero” by Obito if it wasn’t for Sakumo. His personality of today is thanks to his father’s own death.

Gai and Kakashi’s friendship is almost entirely about them when they’re in scenes together. Look at the chunin exams, look at any scene in the land of steam arc, look at their race, etc. naturally there will be grief the two bring to the relationship and it’s on them to work it out separately, together and with other people which did happen.

You’re actively ignoring every other character that has shaped and formed who Kakashi is by saying Obito is the biggest and only reason he is who he is. Gai is one of the strongest reasons why Kakashi is as motivated and strong as he is. Kakashi would’ve absolutely died at some point in (general) anbu if Gai didn’t pull him out and he was slipping so far when he was in it because of Rin and Minato.

Kakashi’s heart does not “belong” to Obito because he’s in love with Obito and can’t get over him, his heart belongs to the people he loves because that’s who Kakashi is at his core - a lover. He’s a person who cares so deeply, even for people he doesn’t necessarily like or get along with.

Kakashi is a person who is shaped by everybody in his life, that’s why he is one of the best written Naruto characters. He feels like a real person because real people are influenced by everyone in their life, in every way. It’s unfortunate to see those who call themselves Kakashi fans only to mischaracterize, limit and erase the bonds he was written to have to prop up one single bond for your ship.

Do you care for this character? His themes, parallels, relationships and writing? or is he just a placeholder / self insert for shipping content?

[insertsona]

AFTER A MILDLY INTENSE WEEK OR SO OF DRAWING THIS MAN LIKE TEN TIMES A DAY. I HAVE FINALLY GOT THIS YELLOW ASSHOLE TO 1000 IMAGES.

more road to 1000 doodles under the cut !!

[nickwheaters]

redrew an old doodle I hold you so close to me wheatley power house of the cell