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girlkisser13 · 4 months

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taking the pjo & hoo characters to the eras tour

a/n: hey guys!!! let me know if i should do a second part or a third part but with minor characters.

warnings: eras tour setlist spoilers

annabeth chase

annabeth is 100% a midnights stan. she LOVES "you're on your own kid". she's also a folklore and evermore stan (because of the high vocabulary). she's a closeted swiftie because she got bullied for listening to her when she was younger. when you're going to the concert with her, she definitely devises a strategy to beat the merch lines. at the concert, she wouldn't sing/yell the lyrics with you but she'd have no problem lip syncing along to the music.

annabeth is a devoted swiftie. she loves deciphering all of taylor's easter eggs and analyzing her genius lyricism. she's the swiftie who you wait for to analyze taylor's newest album so that you know what she's singing about and all of the references that she makes Imao. she absolutely slayed her analysis of ttpd and ttpdta.

frank zhang

frank is by no mean a swiftie but after you introduced him to songs like, "the archer" and "this is me trying", our boy was converted into one. i feel like frank would be a nonchalant swiftie, he wouldn't follow what she was doing 24/7 and he wouldn't like obsess over what she's going to do next. frank is soooo speak now coded (i will not he taking any questions).

frank is at the eras tour for the vibes. he'll sing along to the songs that he knows. he's also the designated merch holder. he'd probably dress up as joe (the hat and the denim jacket, iykyk). i feel like he'd enjoy watching the film more than going to the concert because of the difference in atmospheres. however, he still has a great time at the concert.

grover underwood

grover is a evermore stan fr. he enjoys the nature aesthetic and vibe that evermore gives off. he talks shit to anyone who thinks that evermore is her worst album. he's only at the concert to have a good time and isn't stressing about the surprise songs or anything like that. however, he lost his shit when taylor opened evermore with "tis then damn season" and when she sang "tolerate it" (it's his favorite song).

hazel levesque

initially, hazel wasn't a swiftie but just because taylor didn't exist during her time. but after piper and leo introduced her to her music, hazel was converted into a swiftie. she's a fearless and speak now stan.

hazel would be too shy to scream or yell the lyrics with you but she'd happily lip sync along to the songs that she knows. her favorite part of the concert was dressing up. the two of you spend the whole night singing, dancing, and laughing with one another.

jason grace

jason is not a swiftie but he could be converted into one if you were. he's a folkevermore stan fr. he also thoroughly enjoyed tpd and tpdta. like frank, he's definitely a more nonchalant swiftie but he would enjoy listening to your rants and predictions on what she's going to do next.

he would dress up as the heartbreak prince to your miss americana. he would try his hardest to learn all of the lyrics to her songs so that he could sing it with you but because her discography is so vast, he printed out sheets with the lyrics on them so that he could scream her lyrics with you. he'd definitely propose to you during "love story" (if the two of you were in the that stage in your relationship).

we all know that jason emits husband energy and is a natural gentleman. so after the concert you know that that man is carrying you out of there because your legs hurt from dancing and would immediately make you some tea when you get back if you lost your voice too. he would also go and get any merch that you wanted during the concert so that you wouldn't miss anything. like frank, jason is also at the eras tour for the vibes but he still has a great time and is thankful that he gets to enjoy this experience with you!!!

leo valdez

leo's a swiftie fr. piper introduced him to her music and they listen to her new albums together. he excessively hates all of her ex-boyfriends that treated her poorly (joe j, john, jake, etc.). he's also 100% red coded but i feel like he also likes 1989.

leo would go all out on his eras tour outfit. he would create a unique and funny outfit or he would go as lasik taylor. he would happily join in with singing/yelling the lyrics with you. he definitely fangirls at every single song change. his favorite song to sing is all too well (10 minute version). piper also teaches him all of the chants so that he can impress you.

nico di angelo

like hazel, nico wasn't a swiftie at first because obviously, taylor didn't exist during the era that he lived in. but after will and piper introduced him to her music, he got converted into a swiftie. he's a folkevermore stan fr (but more evermore than folklore). at the concert, nico would be too shy to sing the songs and he'd probably lip sync along to the lyrics when he thinks no one's looking. he'd dress up as the reputation era just so he could wear black. he got a bracelet from someone and now wears it every single day. like frank, he'd prefer to watch the film compared to going to the concert just because he's scared of big crowds.

percy jackson

like annabeth, percy's a closeted swiftie because he got bullied for listening to her when he was younger. percy is a 1989 and lover stan. he's 100% a "me!" and "you need to calm down" lover. he also LOVES taylor's ovulation songs. (false god, dress, i can see you, etc.).

he goes all out for his eras tour outfit and probably dresses up wearing an outfit that taylor wore once and expects everyone to know when she wore it. like leo, percy fan girls at every single song change and probably screams the lyrics to her songs louder than you do.

piper mclean

piper is a HUGE swiftie. she's a pop girlie so naturally, she's a 1989 stan. i headcanon that she's a hopeless romantic so she's also a reputation and lover stan. for the longest time, she didn't believe that taylor and joe broke up. (they could never make me hate you joe!!!) she absolutely lost it when taylor annoyed 1989 tv.

the two of you guys went all out for your eras tour outfits and would probably coordinate outfits or do a cute couples outfit. she definitely gets you guys tickets in the pit where the two of you spend the whole time dancing and singing/yelling the lyrics to every single song. piper knows every single chant too (1 2 3 Igb). the two of you spent months making friendship bracelets to trade with everyone and at the end of the night, you guys traded enough bracelets to the point that they go up to your elbows. she definitely experienced gay panic during the vigilante shit choreography.

reyna ramirez-arellano

reyna is SOO speak now coded (better than revenge 👀). she's also a reputation stan. if kanye west has a million haters reyna is one of them. if he has one hater it's her. if he has no haters, she's dead. reyna avila ramirez-arellano hates kanye west with a passion.

reyna would dress up as the reputation era and would probably coordinate her outfit with nico. at first, reyna would be too shy to sing along to the songs but after you danced with her a few times she began to loosen up and she ended twirling you around and softly singing along with you.

will solace

will is obviously a debut and fearless stan. i feel like he prefers old taylor over new taylor but he's still a swifitie regardless. he definitely cried when he found out that taylor didn't dedicate a section of songs for debut on the eras tour. he'd definitely wear a cowboy hat with his eras tour outfit. i feel like he wouldn't yell the lyrics with you because he'd be scared he'd lose his voice but he'd happily sing along with you.

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the1975attheirverybest · 1 year

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COUNTDOWN TO SATVB

Rockstar Dad

A/N: Based on this request.

Warnings: none. But maybe typos.

————

Matty licked his lips, his chest rising and falling rapidly. The nerves. Excitement. The acting. The dancing around, screaming some of the lyrics out, enunciating some slowly for dramatic effect, almost tearing up as he looked out at crowd. It was all almost over. Just two more songs.

“Ladies and gentlemen,” he spoke into the microphone while his hand rotated the pegs on his guitar. His tech guy, backstage, watching in agony and scampering to find the peg tuner, before Matty completely ruins his hard work.

“We’ve had a long year-“ he paused “who here has seen us before? On our last tour…" the crowd cheered energetically, drawing a smile from him. “Alright! So, we’ve had a long year since our 5th album came out — our 5th album, Being Funny In a Foreign Language, came out in….October of last year, it’s now the end of September; so almost a year— it’s been quite a year, but you know what? We are….STILL at our very best, I’ll tell you that.” He paused, breathing in deeply. “And, we would like to thank a few people who have helped keep us that way. So…” Matty’s eyes wandered over to his two favorite people in the world, momentarily distracting him. As he thought about how his baby girl’s face lit up, earlier in the night, when she watched him walk onto the stage alongside the guys, how her uncoordinated hands had tried to mirror her mother’s clapping along to the rhythm of “Its Not Living,” her waving at him and mouthing “hello!” At the opening lines of “Paris,” as soon as he’d crooned the line “she said hello,” matty was overcome with emotion. He gave his family a small nod. “Give it up for you guys!” He laughed “thank you for coming to our show. We wouldn’t be here without you….” He refocused his eyes, looking at the crowd, taking in the sight. “ Mr. Brad Troemel, without whom, this psychedelic drama wouldn’t exist….”

As he made his way through the list of people that he owed gratitude, Matty watched his wife beam with proud, nodding along, applauding, and even though her claps disappeared into a sea of indistinguishable, identical sounds from the crowd, Matty felt hers differently. He could see that she was telling him to take the moment in. To be present. To be proud of himself.

“Most importantly, though…” He set down his guitar, his stealthy guitar tech ceasing the opportunity to swoop in and replace it with another instrument, and walked over to the side of the stage. “Give it up for my two favorite ladies.”

Matty jumped offstage, the crowd cheering and whistling loudly, his security staff rushing to keep up with him. He took his daughter into his arms. She was ecstatic to finally be in her daddy’s arms after calling out to him and sticking her arms out, gesturing for him to come to her all night.

Matty paused in front of the stage, considering his dilemma. How was he going to climb back on with his precious baby in his arms? Luckily for him, Mark understood what was going on, and so did Ross. While Mark lifted Matty back up, Ross held the baby in his arms, greeting her gently and cooing to her as she impatiently wiggled around, desperate to be reunited with her dad.

“A long time ago; in a whole other life, I used to do this thing…” Matty reminisced in front of the microphone, ‘An Encounter’ playing in the background. “Where I would kiss fans. I mean- fans who’s asked for it. I wasn’t, like, walking going up to random women and just kissing their lips for no reason, just to clarify.” He wandered over to Ross, taking his daughter back into his arms. “Cuz the internet does love a ‘Matty Healy is a creep’ story. This’ll

Probably be viral by the end of the night. Headlines like ‘Matty Healy confesses to getting off with several fans onstage.’ Anyway, what was I saying? Right! It was a thing. During robbers. You know? The Robbers Kiss.” Crowds cheering loudly promoted Adam to walk up behind Matty and fix the baby girl’s noise canceling headphones, making sure they lined up perfectly and provided maximum protection.

“Nowadays though?” Matty grinned widely, turning to look into his daughters eyes. “This is the only kiss that I care about.” He placed the gentles, softest kiss to his baby’s cheek.

When the crowd swooned, reacting the only way that one could possibly react to the infamous reformed dirtbag melting, rather publicly, at the mere sight of his baby girl, Matty’s daughter seemed to realize, for the first time, that she was looking at an endless sea of human beings, as far out as her eyes could see. Her moth fell open, hypnotized, she stared at the twinkling lights. In his ear piece, Matty heard George say something about this being the moment that his child discovers what Matty does for a living. Watching his daughter’s face, Matty’s eyes brimmed with tears.

“You see that, baby? Daddy’s a rockstar. All these people….” His voice getting caught in his throat, he chuckled, kissing the very top of her head and walking over to where the security guys were anxiously waiting.

Reluctantly, he handed the love of his life back to them, standing there, with a watchful eye, and waiting to resume his post until he’d made sure that she was back in the safety of her mothers arms.

He wiped the tears out of his eyes with the back of his arm. “That’s was a…” he rushed over to the microphone. “Anyway, if you were on tumblr in 2013, this one’s for you.”

George’s cue to play ‘Robbers.’

#matty healy writing #matty healy fanfiction #matty healy fic #matty healy fluff #matty healy oneshot #matty healy x you #matty healy x reader

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mysteryanimator · 16 days

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What music would you believe would represent Mizrak? I was thinking his theme song would be, ✨"Unholy" by Sam Smith.✨

Because he is doing something unholy with that pretty face dragon vampire.👀👀😉

You've opened Pandora's box here. To tell you I have MULTIPLE playlists for both Mizrak and Olrox (and multiple playlists for their dynamic) is an understatement. Right now they're a mess/all over the place, but Unholy by Sam Smith is definitely on a couple of them. It's super hard for me to pick like ONE SONG, so I'm giving you multiple HAHAHAHA.

Here are a few songs I personally think fit Mizrak, categorised by general Mizrak and spicy-core Mizrak. Also, you're getting explanations for each song because I think too hard about my music choices. BTW, all thoughts are my own, I'm just being really silly since season 2 news is coming soon and I'm excited.

pspspspsps when nocturne s2 comes out make sure to watch it and give the crew the recognition they deserve coz they worked their asses off.

General:

Hell's Comin with Me - Poor Man's Posion This describes about bringing justice to those who have wronged him (and in this case others). Also, there's a line about "paying twice as much for the devil to keep your soul", which I feel like is a reference to indulgences but flipped on its head. Indulgences were an actual thing people paid for so they could secure a place in Heaven. So flipping it on its head to double it so they can be ensured they stay in hell is a very cool way of looking at it. Also, Providence, Feed the Machine and Give and Take get honorary mentions because they also fit well but this will get hella long if I also give them explanations LOL.

Foreigner's God - Hozier A song about uncertainty and isolation from the catholic church. To feel alienated by its ideas and values since Mizrak has been doubting about what Abbott is doing before the events of Nocturne take place.

Icarus & Apollo - Ripto Now this also can be a Mizrak/Olrox dynamic song, but also this can be seen as Mizrak's own self-discovery which is his conflict of the Abbott's path on 'protecting' the church and its people, versus how Mizrak personally thinks/wants to protect people. Collaborating with vampires and using night creatures, DEAD PEOPLE is not a path I think he wants but he's stuck unsure of where God is calling him to, and it's a path he has to figure out himself.

Wine and Wheat - Madds Buckley NOW, this is another Mizrak/Olrox dynamic song, but this leans more into Mizrak's POV along with the fact he's again, conflicted about his place amongst his fellow monks/Abbott since he has to conspire with vampires to keep their place against the revolution. COUPLED WITH THE FACT, he's sleeping with a vampire, it's a very confusing time for him, and all he can say in the face of it "Pray with me, pray with me for this madness to end" while he does the best he can to keep the people he cares about alive.

Father Finlee - Spencer Hood, Justin Ray Stringer I will admit a lot of this is for vibes, BUT, also this song is about a man who defies an almost impossible situation and escapes out alive, with Mizrak's perseverance, the burning passion to live, and the potential to die while trying to save others, is a very him thing.

Spicy-core:

side note from me, I feel like we moved far too quickly from this one shot LIKE WHAT THE FUCK /pos

His Hands - Blegh This is actually one of my favourites I'll be so honest HAHAHHA. (Also just the whole album of It Was a Religion by Blegh mostly fits if you think about it). This one steers more into Olrox/Mizrak dynamics because the song starts off very similar to how Mizrak and Olrox get to know each other. They 'do it again somewhere more comfortable' HAHASDJDS. But after that is all exalted from their bodies, there is something between them that they can't place and the tension is THICK. Also the gradual build of the lyrics "And you know you love him, And you might be in love with him, And you know you love him, And you're falling in love with him" IS CRAZY.

A Night to Remember - Beabadoobee, Laufey This one is super self-indulgent, this reminds me of them a lot HAHHA

Take Me Back to Eden - Sleep Token DOOMED YAOI. Not only do we have religious metaphors to describe a relationship here, is a doomed relationship.

The Summoning - Sleep Token "Did I mistake you for a sign from God?" HELLO? Like I know this is a song very much associated with Astarion, but ik this song works for Mizrak POV and Mizrak/Olrox dynamics. In my mind, I think Mizrak IS looking for a sign from God, anything that comes by his way to confirm his doubts, and Olrox just so happens to be a soft nudge that he should be doubting the system he grew up in.

Salvation - Christabelle Marbun I don't need to elaborate further if you look at the lyrics, let alone the title itself HAHHA. Also, this song is super self-indulgent, like there's no way I can't include this in a spice-core Mizrak thing.

Whisper - Burn the Ballroom Simply the lyrics "Come in, sit down, sweet angel, leave me all your tears." Biting the walls over it.

Whoops that was long but uh I have a lot more and its super hard to condense down to a few LOLOLOL, ty for the ask!

#mystery asks #mystery talks #mizrak #olrox/mizrak #castlevania #castlevania nocturne #insane ramblings

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youremyheaven · 1 year

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butterfly motif 🦋& vedic astrology

ive wanted to exclusively dedicate a post towards the use of the butterfly motif in pop culture, so here it is!! i think butterflies have had a re-emergence in fashion in the last few years and im here for it!!

🦋 as i've mentioned in many other posts, the nakshatras closely tied to using this motif repeatedly are the pisces rashi nakshatras of ubp and revati along with punarvasu nakshatra.

Revati moon, Rihanna wearing butterfly eye lashes.

Venus exalts in Pisces and ive noticed that these natives are often drawn to Venusian aesthetics and imagery.

Rihanna at a Savage x Fenty show. You cannot tell me this isn't reminiscent of the Birth of Venus and the colour scheme is super Venus coded as well.

UBP sun Lady Gaga wearing butterfly face paint. she has often gravitated towards this motif over the years.

here she is in a blue butterfly dress

idk about you but when i see wings, i think butterfly 🦋. hence why this look is here 🤭😌

yet another lady gaga butterfly lewk

2. bella hadid for Swarovski. bella has ketu in ubp and girlie is obsessed with butterflies 😍

3. kendall jenner, ubp moon wearing a butterfly print dress

4. emrata, also ubp moon wearing a butterfly print dress

5. urfi javed, an indian entertainer who has ubp ketu wearing an outfit with a butterfly motif

6. dua lipa, punarvasu moon and known for her butterfly obsession wearing a blumarine butterfly head to toe lewk

7.brie larson ubp asc wearing a winged dress

8. sarah jessica parker is ubp sun & venus with revati mercury atmakaraka and this is a vvv iconic look from sex and the city

9.bella hadid had an nft thingie and the teaser(?) for it depicted her as a cyborg in a pool of water with butterflies. couldn't get more pisces coded than that tbh

10. queen latifah, ubp sun with those butterfly tats. ive noticed a lot of pisces girlies specifically choosing blue butterflies over any other type👀

11. halsey, punarvasu moon and has a butterfly tattoo!!

12. mariah carey, i mean we all know the OG iconic butterfly top moment but here's an underrated lewk from this punarvasu queen who also has an album titled Butterfly

she also has a perfume line called Lollipop Bling that's packaged like this:

13. Kendrick Lamar's to pimp a butterfly

he has mercury and mars in punarvasu. jup in revati atmakaraka and ubp rahu. lamar has implied that the title alludes to the nature of celebrity and how something free spirited and beautiful can be so violently controlled. again, VERY pisces coded.

14. brand new eyes by paramore

hayley williams, who is the lead singer has revati mars amatyakaraka.

15. dolly parton has a very very famous song called love is like a butterfly, she has punarvasu mars conjunct saturn. look at the lyrics of the song, only a cancer girlie would go so soft like this 🥺

Love is like a butterfly

As soft and gentle as a sigh

The multicolored moods of love are like its satin wings

Love makes your heart feel strange inside

It flutters like soft wings in flight

Love is like a butterfly, a rare and gentle thing

Dolly also has a perfume called "Tennessee Sunset" and its packaged like this:

16. alexander mcqueen, the fashion designer had ubp sun and used lots of winged imagery in his work

17. vincent van gogh, revati sun ubp venus and mars and punarvasu rising has a series of paintings called butterflies. i personally associate whimsical art with both pisces rashi and punarvasu. ill make another post some day but the impressionist movement and even the surrealist movement were vvv influenced by these two placements.

18. Papillon 1973

its based on the true story of henri charriere, who is played by steve mcqueen in the movie. not only is the movie called papillon (french for butterfly) the character also has a butterfly chest tattoo and steve mqueen has ubp sun, revati venus atmakaraka and punarvasu rising

19. silence of the lambs<3

one of the most iconic movie posters of all time features a moth. this moth also plays a key role in the movie and is a major motif.

the book on which the movie was based was written by thomas harris, who has a revati stellium (sun, jupiter & ketu)

20. SPOILER ALERT!!

in the movie corpse bride, the titular character dissolves into a bunch of butterflies at the end of the movie

corpse bride is played by helena bonham carter who has ubp saturn and ketu in revati

21. Kali Uchis, punarvasu sun often uses butterfly imagery

This photoshoot was conceptualised and shot by the South Korean photographer Choi Gi Seok who has purvabhadrapada moon (0 degrees pisces)

His work heavily features butterfly imagery ;

XxxxxxX

my own take is that, since pisces is the final rashi and the point of "absolution" it represents the end of chrysalis, when all elements have come together to create transformation; in pisces there is nothing left to do, but seek liberation from these cycles (its purpose is moksha,after all) and dissolve entirely into the cosmic ocean.

a butterfly is a beautiful symbol, representing not only the death of the creature that inhabited the cocoon but also reminding us that that death is necessary because only then can something as beautiful as a butterfly emerge from within that womb. the womb is the source of creation but you're not meant to stay there forever, that's not just stagnancy, that's death. birth is a painful process because you're leaving behind the only place you've ever known but you have no other option so you must be brave enough to face it.

this brings us to the connection of punarvasu nakshatra to butterflies. punarvasu's deity is goddess Aditi who is creation itself; she is the cosmic mother, she created this universe. in pisces, you seek liberation from the cycles of life but in punarvasu, life, the universe, creation itself takes place. thus it represents the butterfly emerging from the cocoon to claim its identity as a butterfly because the life it led before that was a non-life, it wasn't yet a butterfly, it was a non-being. goddess Aditi embodies infinite space and primordial vastness. what better way to represent the cosmic abundance than with a symbol like a butterfly? 🦋you cannot ask who created you because you are your own creation

“Once upon a time, I dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was myself. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man.”- Zhuangzi

xxxxxxx

that's it for now but i'll keep updating as i find more examples💛i hope this was interesting<3

#vedic astrology #astrology notes #sidereal astrology #vedic astro notes #nakshatras #astrology observations #astro notes #butterfly #butterflycore #astroblr #astro beauty #astro community #astrology #butterflies #monarch butterfly

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atiny-for-life · 10 months

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Ateez's Full Storyline Explained - Part 19

Masterlist

미친 폼 (Crazy Form) (Z-World)

Before we begin, I'd like to say that I'm writing under the assumption that Ateez are taking a backseat this comeback while the Black Pirates are leading the fight in the streets. This is based on the group's comments prior to the album's release, as well as last album's diary entries which left Ateez in a precarious situation that doesn't align with the happenings in this MV.

We open at night time on a shot of the Black Pirates (in marching-band-esque outfits reminiscent of Wonderland) and their fellow Revolutionists crouching in line in front of a structure which looks like two roofs lined up side by side where the dip between the two cradles the city skyline illuminated by a crescent moon (reminder that the nature of the Cromer‘s powers are affected by the moon cycles).

Keep in mind that Crescent Part 2 can be found on this album while the first part can be found on TREASURE EP.3 : One To All which includes 'Illusion' and 'Wave' - two songs heavily leaning into the concept of dreams and traveling into them by utilizing the Cromer‘s powers. This also aligns with the Alice in Wonderland themed promotions.

Regarding the latter: throughout the MV, you will see colors blur and get splotchy every now and again, indicating this is likely to be a dream transmitted to the citizens to fire them up for the upcoming main event of the revolution. This would also further support my assumption that we only get to see the Black Pirates here as they're the ones visiting others' dreams, not Ateez who seem to be unable to control this power fully and usually just end up in a shared dream among themselves.

Back to the MV: the captain begins to strut down the center aisle between the crouched rows like the runway model he is as he's instructing them to 'Get up'.

Once he's reached the front, everyone breaks formation and jumps right into the performance. The lyrics here already inform us of their intent - follow along, join us, put yourself first and stick it to the authorities.

Side-note: it was bugging me that I couldn't figure out what 9024 could mean so I dug a little and found an explanation by Reddit user " rowtyde37" who explains: "It's actually 90-2-4. So, it is the drums but they are telling you out the gate it's 90 beats per min, 2 quarter (4) notes (beats) each bar. Just a heads up on the drums coming to invade your space."

We cut to Yunho in comfy clothes and a headband back in the bunker who's sitting at a large table covered in blueprints as he activates a palm-sized Iron Man arc reactor looking thing that turns out to be a hologram projector.

Blue tinted holograms of the pirate ship's main mast, buildings, and pieces of teach are floating around him as he flips through them.

Throughout this scene, we regularly cut to Yunho dancing with four fellow revolutionists in a round underground space lined with doors (because he's the main dancer and he deserves this).

We cut to Mingi in a fully black getup with hat inside what looks to be a surveillance room situated in one of the rooftop-like buildings we saw at the start of the video.

His performance there is interspliced with clips of him outside in a suit as he's getting into a car and speeding through the city full of neon signs.

This maniac races into a black alley where he crashes his car straight through the wall of a small unassuming building which turns out to be a casino.

His idgaf attitude takes him straight to the bar where he pours himself a cocktail glass of milk which the bartender doesn't seem to mind.

Once his glass has been emptied, he opens the small metal suitcase near his elbow which contains another of the hologram projectors. I've rewatched the scene frame-by-frame and it seems the case was already there when he arrived so I'll assume the bartender is providing it to aid in the revolution.

This belief is reinforced when we get a shot of Mingi's empty glass filled with a stack of olives impaled by a black cocktail flag sporting the red encircled A representing both Ateez and Anarchy throughout this era.

Moving on to Wooyoung who's joining Yunho in the bunker, though in his own corner where he's surrounded by pieces of tech and holograms. He's wearing an oversized plaid shirt, glasses so large they're reminiscent of safety goggles, and black and silver gloves.

And honestly, I don't know how tech-savvy this little gremlin actually is since he's currently hammering a long-ass nail into the metal hull of some piece of equipment prior to chucking said hammer across the room with what seems to be a pout.

Said hammer shoots by behind Yunho, who's sitting several feet away, before it slams into something off screen and sets off a shower of sparks.

Yunho gapes at him for a sec before he throws up his arms ("The fuck, man?"), to which Wooyoung looks unfazed and points at him ("You asked me to toss it over, why're you mad?") followed by a half eyeroll and look away ("You're overreacting.").

Just then, a warning pops up on Yunho's holo-screen which causes Wooyoung to jog over as well.

We cut to a poker table where a game is in full swing and one of the player's is Jongho dressed up in a simple black suit. We're inside the casino Mingi literally drove into earlier.

The other two players seems to be some high-ranking officials in the military or police force, at least that's what I generally assume every time I see older men in uniform in anything. (In the Making Film, they simply call them "high officials from the Z-World")

Jongho proceeds to hold up the ace of Anarchy which causes one of the uniformed men to pull a gun on him under the table - an action both Jongho and Mingi are clearly aware of since Mingi steps up beside Jongho right away.

Without missing a beat, Jongho snatches up the gun hidden in the waistband of Mingi's pants and points it straight at his opponents. He doesn't hesitate to pull the trigger.

Cut to Seonghwa set up right outside the heavily fenced off 'Area 08'. He's performing on a makeshift stage right by the gate, surrounded by warning signs telling people to stay away. The building behind the fence is covered in banners sporting the Black Pirates' Z-logo we've last scene in 'Bouncy'.

His audience is made up of fellow revolutionists donning all black robes while he himself is dressed in a flowy white shirt, silver jewelry and a black corset with matching pants. It's clear who's not afraid to be recognized by anyone who could be spying.

The next scene reveals that San and Yeosang are also joining him for this performance, though the scene is interspliced with fleeting clips of all of a larger number of Black Pirates performing together in a back alley lined with shuttered store fronts and neon signs.

It seems to be San, Yeosang, Hongjoong, Wooyoung and Seonghwa who we'll see again a coupla scenes later in the same room Yunho danced in earlier.

Cut to Yeosang and Hongjoong in yet another alley during daylight hours. They brought spraypaints and a skateboard.

It's quickly made evident why they chose to go out during the day for once - they plan to appear on the news.

As Hongjoong reaches the line "Crazy boys are getting crazier", the video takes on a familiar news channel framing. The classic globe logo in the bottom left corner runs through several random letter combinations (the channel has no clear name) until it transforms into the two words "Breaking News".

A recorded feed from the casino's surveillance camera pops up in the top left corner - the scene with Jongho and Mingi played out just last night.

Simultaneously, the news ticker at the bottom of the screen informs us that "The Black Pirates break into the Lounge".

Shout out to Hongjoong's black fingernail. (Join the Polished Man Campaign here)

After all the ruckus Hongjoong has already caused, he somehow manages to twirl in a circle as he shoots bullets from his finger gun into the air.

The power of his imagination is truly something to behold. However, it's far more likely that this is just another indicator that we're not in a regular world but rather a dream transmitted to the locals to fire them up for the upcoming revolution.

Either way, Hongjoong's goofy bout of wackiness alerts the authorities who begin to chase him down the alley which only seems to get him more motivated to dive deeper into a pool of mischief.

He hops onto a car surrounded by armed cops and begins to wiggle his hips to provoke them further. What a legend.

Cut to him spray painting a white line across a wall covered in their own revolution flyers before passing Yeosang who ends up with a white streak straight across his black jacket.

He throws up his hands as he looks after his captain ("Why would you-?")

While once again fleeing from the authorities, Hongjoong nearly collides with a black car which sped up to him. The scene transforms into a comic book panel (this is not the real world).

He rolls across the hood and lands on the other side, only to lean over the hood with a smirk. Another comic panel forms.

Cut to a maniacally laughing Seonghwa getting dragged along by his own audience.

This is closely followed by San showing us his signature peace/middle finger - the return of these gloves is unexpected but welcome, especially in such a idgaf, I'll do what I want MV.

Between group performance clips, we return to Wooyoung in the bunker where he's looking at a hologram of their pirate ship which we'll see again shortly. It has been missed.

We also get to see Yeosang spraypaint "Be Free" onto a shutter door (which joins a marker written 'We Know', referencing the first track on the album).

A scene later, we see the full picture - three shutters, all covered in their signature Z and those two red words: Be Free. The message that connects all versions of Ateez across the multitude of realities.

We return to Jongho in the casino who just fired off three rounds in quick succession while Mingi stands by to watch their maknae go rogue. He must be proud.

One of the bullets swishes past a sprinkler, setting it off, while another pieces the wall and destroys the TV in the neighboring room just as an Android Guardian was seen on screen. It's very symbolic.

Our Haribo walks off with a satisfied lil smirk as the sprinklers gently drizzle him.

Between further performance clips, we return to Hongjoong who's being pushed onto the hood of a car by the cops who'd been hounding him.

He manages to free an arm and affixes a gadget that looks like another holo-projector onto the side of the vehicle which proceeds to eject a beam of light.

The activation signals Wooyoung in the bunker who looks up through a hologram circle. A pulse of light washes across the entire city, dousing it in darkness as a familiar pirate ship appears in the sky like a literal glowing ghost ship; it’s the hologram Wooyoung and Yunho had been working on this entire time.

The moon now appears full as the Black Pirates laugh and celebrate, smirking up to the sky, performing across locations, drinking in the casino/bar which leads me to reasonably believe they really did complete the mission between the two moon cycles but the way they went about it was different from the wackiness that took place in the dream world.

We end with them back at the double-roof structure before the screen cuts to black.

We've done it! Freedom has been achieved in Z-World! This may be the last time we ever see the Black Pirates since Ateez say their goodbyes and return back to the A-World in the Golden Hour: Part 1 - Diary Entries

However, the music video has not ended yet: a beat later, a shattered glowing Cromer appears on screen.

From it rises a bluebird, the one we've last seen in Halazia. It's holding a red pulsating object in its beak as it rises up to the night sky where a red full moon has risen.

The next few videos will be about Halazia World's Ateez - see you there!

#ateez #ateez lore #hongjoong #seonghwa #yunho #yeosang #san #mingi #wooyoung #jongho #crazy form mv #the world ep fin - will

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moody4world · 2 years

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You idk if you taking requests but you know that one award show moment where Nicki Minaj is like “Shoutout yo Donatella for custom making this dress for me and shoutout to Michel B Jordan because he gonna be taking it off me tonight” PLEASE do one where Jack says something along those lines omg 😭😂 I just feel like Jack would say that about the reader

Big shout out

A/N: This is rapper!reader i hope that’s okay. I got this request a while ago but im glad i could finally get to it.

Jack and You have been friends for a couple years now. Both your careers started around the same time and you two became close after being part of the XXL freshman class of 2020. Jack was always very supportive of you and you of him.

He would give you advice on how to deliver your bars and flow while you would give him advice on his lyrics and beats. Things tended to get a bit hectic when albums had to be dropped and tours had to be done but the two of you always made time for each other.

Whether it’s a facetime or a brief text or a voice recording, you guys did not go a day without hearing from one another. Most people believed that the two of you were dating until you made an instagram post revealing your brand new relationship with Polo G.

That was your first mistake. Posting a brand new relationship was never a bright idea and unfortunately you learned that the hard way. You and Polo had a rough start to your relationship due to claims of him talking to other women while we he had you convinced that he was loyal. The two of you would break up and make up constantly and your business would be on gossip pages every few weeks.

On the other hand, Polo always had an issue with Jack being the friend you confided in during your fights with him. It ended up with him dissing Jack in one of his songs which simply lead to another fight between the two of you even though Jack never gave any reaction in return. December 2021 you finally had enough and posted an official announcement that Polo G no longer have or want anything to do with one another. Your comments were flooded with mixed reactions but sadly, most of them were saying how this is just another one of your stupid fights and you would take him back again.

This time you had put your foot down and wanted to start your 2022 peacefully with brand new goals ahead. Throughout all your drama, Jack never treated you any differently. In fact the two of you got even closer after your break up and dropped an album together in March. You had made an instagram post wishing him a happy birthday and it went viral unintentionally.

“The guy she tells you not to worry about.” Was what everyone but mainly men were saying. The thing is, you and Jack had never crossed any lines of friendship. Everything between the two of you has always been strictly platonic except for a couple suggestive jokes here and there but that was normal between friends. Everyone around you and Jack always say that there’s a spark and lots of tension between you two but neither of you ever acted on it.

Around may you noticed Jack started flirting with you a lot more and the lines of friendship began to blur. It wasn’t surprising but at the same time you were never prepared for the things he would say. “Megan asked you to perform at her birthday party right?” “Yeah, i’m excited.” “Isn’t it at a strip club?” “So?” “If I come will you do a dance?” He said it with such a straight face and that only made it more shocking to you. No smug or goofy smile that he usually had when he was joking.

The flirting went on for months and you were definitely flirting back.

September rolls around and it was soon to be the VMAs. You were set to perform your new song with Flo Mili and Jack was opening and co-hosting the show. You were getting ready in your hotel room with the help of your team when your phone started ringing and of course it was Jack.

“I’m getting ready what do you want?” You say while your makeup artist applied your eyeshadow. “Damn. No hello? Let me see you, all I see is the ceiling.” “Jack I can’t move too much i’m getting my makeup done.” You lifted the phone facing you and Jack let out a loud whistle that even startled your make up artist. “WHEW you look so fine my goodness.” He had a giant smile on his face just like a kid on christmas. “That color looks beautiful on you.” You were a giggling and flustered mess. “Thank you. Now show me your snazzy suit Mister Givenchy.” Jack panned the camera down to his all black suit that was snug around his small waist and just right around his wide shoulders. He looked so good you could just eat him up.

“You like what you see huh?” “Yeah I need me some of that.” You flirted back with no hesitation. “You don’t need Givenchy, you need jesus.” “That was disgustingly cringe worthy Jack.” You shook your head at him. “I’m gonna let you finish getting ready. Can’t wait to see your beautiful ass in that dress.” “You just saw me in the dress.” “Yeah but I didn’t see your ass cause you’re sitting on it.” Both of you couldn’t hold back your laughter this time as you hung up the call.

Once you got to the VMA’s black carpet everyone went wild over your dress and how beautiful you looked. The night went very well and you were having a good time. You enjoyed Jack’s opening performance and the two of you were sitting not too far from each other so you would dance to songs together and lip sync to one another.

Jack was nominated for multiple awards and he had already won 2. This next category was his last nomination and it felt as if you were more nervous than him. “And the award goes to…JACK HARLOOOOW” You screamed of excitement as Jack got up, hugged you and dapped dj drama who was sitting next to him up, before going on stage to receive his final award of the night.

“Wow…three in a row that’s a new record.” The crowd cheered loudly as he took a moment to admire the trophy. He let the crowd calm down before yelling into the mic. “BITCH I TOLD YOU” and the crowd went wild all over again. “I just want to thank everyone on my team, my producers, my parents.” “And just before I go I wanna give a big shout out to Givenchy for custom making this suit for me and shout out to y/n cause she’s gonna be taking it off of me tonight. Thank you.”

The stadium was louder than ever. Your hand was covering your open mouth in shock of what Jack had just said live at a world known award show. You could feel your cheeks get super warm as everyone else was cheering at his boldness. You two definitely had a lot to talk about later that night. Once the show was over and you guys left together, not much talking was done. Unless body language counts….if so, more than enough was said.

#moody4world #moody fics #jack harlow x reader #jack harlow #anon

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spinef0ryou · 1 year

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An interview with Dave Mustaine from this month’s Metal Hammer magazine. Transcript under the cut.

THE REVENGE OF DAVE MUSTAINE

Forty years ago, Megadeth emerged from a maelstrom of drugs, carnage, and raw fury. Now, the man at the centre of it looks back at the birth of one of metal’s most iconic bands.

WORDS: JON WIEDERHORN

It has become one of the most oft-repeated legends of metal history. At 9am on April 11, 1983, Metallica woke up guitarist Dave Mustaine and told him he was out of the band. They were holed up in a divey live-in rehearsal space in Queens, New York, preparing to record their debut album, Kill 'Em All. With hardly an explanation, they handed him a one way bus ticket back to Los Angeles, and James Hetfield drove him to the Port Authority Bus Terminal in Midtown Manhattan. Without a dime in his pockets, Dave boarded the 10am bus, which was scheduled to arrive in LA four days later.

Broke and hungry, he spent much of the ride looking out the window, stewing in rage. His drinking had become a problem with the rest of the band, though the tipping point came when he attacked James Hetfield after the latter allegedly kicked Dave's dog. Still, Metallica were about to head into the studio to record their full-length debut without him, after he had written four songs, seven guitar leads and two sets of lyrics for the album. And that stung like hell.

Sitting on the bus, he glanced at a political postcard he had picked up along the way. It was from California Democratic Senator Alan Cranston, and it read in part: ‘The arsenal of megadeath can't be rid,’ political speak for, ‘now that the U.S. has ramped up its production of nuclear weapons, the genie is officially out of the bottle.'

It was like a bomb exploding inside Dave's head. ‘Megadeth: what a cool name for a band.’ Inspired, he started scribbling new song lyrics on the back of a cupcake napkin. This was the basis of the very first Megadeth song, titled Set The World Afire, which would eventually make its way onto the band's third album, 1988's So Far, So Good...So What!. But on that bus heading across the middle of America, Dave was determined, driven and hungry. Failure simply wasn't an option.

It's 40 years since that fateful bus ride, and Dave Mustaine has lived multiple lives. He's endured drug addiction, countless line-up changes, the death of close friends and his own throat cancer diagnosis (he got the all-clear in 2020). But the one constant throughout has been Megadeth, the entity he imagined into being while staring out at the passing landscape and seething.

"I was driven by revenge" recalls Dave of Megadeth's inception today, speaking to Hammer from his home in Nashville. "I was angry about what happened with Metallica, and all the way home I kept thinking, 'I'll just be faster, I'll be better, and my songs will be heavier."

It didn't take Dave long to get back on his feet once he returned to Los Angeles following his unceremonious dismissal from Metallica. Crashing at friends' houses in Hollywood, he began looking for bandmembers for his new project. Word soon began to spread - the guy who got kicked out of Metallica for being too fucked-up was back. And he was pissed off.

"Somehow everything turned into this thing where we had a band ready called Fallen Angels" says Dave. "I thought, "Uh, no we don't.!' I didn't even have a full band yet."

Trading under the name Megadeth - after the phrase he'd seen on that political postcard - he began trying to piece together a stable line-up, something that proved easier said than done. A churn of guitarists and drummers came and went throughout the rest of 1983 and into 1984, none sticking around permanently.

Some interesting characters passed through their ranks. One drummer, Dijon Carruthers, was the son of Hollywood actor Ben Carruthers (best known for his role in the 1967 war movie The Dirty Dozen). Another drummer, Lee Rausch, claimed he'd sold his soul to Satan, something that even Dave, who had performed occult rituals, found too bizarre (Lee, who died earlier this year, later became a committed Christian). And then there was a young guitarist named Kerry King, who briefly pulled double duty in Megadeth and his own band Slayer.

"When Kerry sat in with us [for five gigs in early 1984), he was doing us a huge favour" Dave says. "He didn't have any plans on being in Megadeth because he loved Slayer, and that was his band. I really didn't want to take him away from another band. Poaching bandmembers has never been something I've been into."

Finding a bassist was easier. Recently transplanted Minnesota native David Ellefson had moved into the apartment below Mustaine, and paid his new neighbour a visit to ask where he could buy cigarettes and beer. The two men got talking, and Mustaine plaved the AC/DC- and Judas Priest-loving Ellefson some of the music he'd written for his new band. The bassist liked it and threw in his lot with the guy living upstairs.

That just left the task of recruiting a singer. Dave didn't see himself as a vocalist, so they tried out a few other people. They either looked wrong (one guy turned up to rehearsal in make-up) or sounded wrong. It didn't help that the music he was writing was faster, angrier and more complex that any mainstream metal of the time. Eventually, someone suggested he do it himself.

"I was reluctant right up to the last minute," he says. "And then I finally said, OK, fuck it, I can't be worse than some of these other dudes."

Even while the line-up was solidifying, Dave kept writing. He was determined not to produce songs that sounded like his old band, which wasn't easy given his input into Metallica's early material.

"When I was in Metallica, I was kind of playing at Lars's level, because Lars was still learning to play drums back then," he says. "But watching James play guitar for the first time was kind of shocking, because I didn't know he knew how to play guitar. We just got fed up one day of auditioning guitar players, just like I did with singers. And he picked up this guitar and started playing, and inside I'm going, 'Get the fuck out of here. How can you possibly be satisfied being a singer when you play like that? Why not be both?' I've always thought he was a really talented guitarist."

The first 'proper' Megadeth line-up began to take shape in mid-1984. "There was a guy, Jay Jones, who managed another band and was a very scandalous person," says Dave. "He came into the rehearsal studio when he heard me in the room playing and said, 'Have I got a drummer for you!"" That drummer was Gar Samuelson, who had formerly been a member of a jazz/ fusion group named The New Yorkers.

Dave agreed to meet Gar in his studio and, right from the start, was impressed by his jazz swing, crushing hits and jarring mannerisms.

"Gar sat down on a couch in Mars Studios, and he was smoking a cigarette," says Dave. "He fell asleep and his cigarette burned through his hand and burned his fingers. I thought, 'Shit, this guy is crazy. wonder what he's into?”

What he was into was heroin, the reason he nodded off mid-cigarette - something Dave himself would find out soon enough. Today, the singer speaks highly of Gar's abilities (the drummer died in 1999, reportedly of liver failure).

"We became great friends, and his jazz style complemented my riffing," says the singer. "I gotta give credit where credit is due. He had a lot to do with the sound of that first Megadeth record. He had taste and technique for days."

Megadeth entered Hollywood's Hitman Studios in 1984 and recorded a three-song demo, Last Rites, which featured Last Rites/ Loved To Deth, The Skull Beneath The Skin and Mechanix, the latter a gas station sex fantasy that Dave had written when he was in his earlier band, Panic, and brought into Metallica (who would subsequently change the lyrics and rename it The Four Horsemen). Desperate for someone to help promote them and bring them dope, Megadeth hired Jay Jones as their manager/ pharmaceutical supplier.

It was Jay who helped find the final piece of the jigsaw. Guitarist Chris Poland had been a member of The New Yorkers with Gar Samuelson, and, more recently, a group named No Questions. Like Gar, he was a jazz guy - and, also like Gar, he was a heroin user. He had little interest in playing metal, but he was interested in a pay cheque to fund his own drug habit. Despite that, Chris and Dave hit it off musically, the spontaneity of the former's playing meshing with the growing complexity of the songs the latter was writing.

Mustaine and Ellefson weren't strangers to drugs, though they initially favoured weed and beer, but they soon gave in to temptation and started dabbling in smack as well. With time, dabbling became binging. For Mustaine, narcotics were a coping mechanism, a temporary respite from hunger and homelessness.

“I liked getting high, but it was more about escape than anything." he says. "If there was a moment we were awake, we were looking for drugs because that's how horrible our existence was. We were scratching and clawing to get someone to take notice of us and thank God, no matter how fucked-up I was, my first priority was making music and playing good shows."

After sending Last Rites to various L.A.-area indie labels, Megadeth caught the attention of New York’s Combat Records, who gave them $8,000 to record their debut album, Killing Is My Business... And Business Is Good! They stumbled into Indigo Ranch Studios in Malibu, plugged in and got by on a combination of ambition and muscle memory. One day, when Dave asked Jay where his bandmates were, his manager told him they had just spent $4,000 (half the budget for the album) on blow, smack and frozen hamburgers. Dave promptly sacked Jay, cajoled another $4,000 from Combat, hired engineer Karat Faye, and paid him $50 a day to finish co-producing the album with him.

“We did the takes quickly, with Dave, Gar and I in one room, playing together, with no click tracks," Ellefson told Metal Hammer in the mid-2010s. "You can hear the tempos shifting around, depending on whether it was a 'heroin take' or a 'cocaine take'. It's funny now, but I wouldn't recommend that approach."

Since three of the songs were from the Last Rites demo, Megadeth only had to finesse another four tracks and a cover of Nancy Sinatra's 1966 hit These Boots Are Made For Walkin'. Once the album was finished, Megadeth hit the road, though the severity of his addiction meant Chris had to sit out the first two weeks of the tour.

"He was a real Dr Jekyll and Mr Hyde because of his personal issues," Dave says. "As much as I loved Chris and tried to get close to him, what he was doing just took precedence over anybody and anything. What they say is true. You become powerless over that stuff. So, when you came down to it, I didn't mean anything to Chris, Megadeth didn't mean anything to Chris. All he cared about was what he was doing on the side."

On the road, Megadeth spent many nights crashing at fans' houses, preferably apartments owned by nurturing women turned on by bad boy rockers. They spent other nights in Motel 6s and when nothing else was available they would sleep in the van.

"The shows were out of control because hardly anyone knew what moshing was," Dave says. "They weren't familiar with crowdsurfing. Kids would just jump up on the stage and there was no stagediving protocol. Some of them would run over to you and grab your mic stand to get some picks off. They'd bang into your guitar or try to scream into the mic. Then someone would shove them off the stage. It was pure balls-to-the-wall metal insanity."

The band environment was no more relaxing offstage, especially when Chris and Gar needed to score.

"They'd sell a whole bunch of gear to buy drugs" Dave says. "We'd have to drive around town to all the pawn shops and instrument shops looking for all the drum pieces, or other pieces of equipment."

The situation wasn't helped by the fact that their label didn't seem to care about the band. A particularly demoralising moment came when the band ran out of money and didn't have enough gas to get to the next gig.

"I called up the vice president of Combat and he was a real piece of work" Dave recalls. "I told him I was at the hotel, and I needed gas money to get to the next town so we could get paid. And the guy says, 'Get a day job."

Other, more weak-willed musicians probably would have quit there and then, but not Dave Mustaine. Every obstacle, every element of adversity, provided extra determination not to let getting kicked out of Metallica mark the beginning of his downfall.

Killing Is My Business... And Business Is Good! caught the attention of the thrash scene when it was released in June 1985, not least thanks to their frontman's connection with Metallica. It was a subject was brought up in every interview, usually resulting in shit talking from a still-bitter Dave.

The vengeful drive that had given Megadeth their initial impetus hadn't abated. Dave found time between gigs, fixes and after-show debauchery to write a bunch of new songs on the road to add to the ones he'd been stockpiling since the beginning of the band.

One day Mustaine and Ellefson were at Killing Is My Business... producer Karat Faye's house when the frontman picked up his bandmate's bass and began playing a rolling, strident riff. Ellesfon was blown away. It took them two hours in the rehearsal room to turn it into a song. On the car ride to that rehearsal, Mustaine had turned to the bassist and asked: "What do you think of Peace Sells... But Who's Buying?” Megadeth had the name of both their second album and - in the truncated form of Peace Sells - its iconic near-title track.

Lyrically, Peace Sells was a world away from metal's traditional fascination with swords'n'sorcery and the occult, injecting a dose of politics into the Megadeth's melodic thrash attack. What do you mean, "I don't support your system"?" sneered the singer. 'I go to court when I have to.'

"I tried to keep up with what was going on in the world and I still do,” Dave says. "I mean, it's not especially deep or anything. It's kind of like the credo of Al Bundy from the (late 80s/early 90s] TV show Married... With Children if he was a metal fan. That's a silly comparison, but it's what was in my head at the time. And I wrote all the lyrics on the wall of the practice room. When you're writing on a wall there's not much room to come back with an eraser. I don't know if they painted over the wall, but they probably should have excavated it and sent it to some kind of museum.

Despite their tensions with Combat, the label stumped up a budget of $25,000 for Megadeth to enter Malibu's Indigo Ranch studio with producer Randy Burns to record their second album. Even before the album was released, major labels had begun sniffing around the band. One person who was interested was Michael Alago, the A&R hotshot who had recently signed Metallica, but Dave had no interest in being on the same label as his former bandmates-turned-antagonists.

"I didn't want to play second fiddle to them." he says.

In the end, they signed with Capitol, who opted to buy Megadeth out of their contract with Combat and bring in producer Paul Lani to remix it and give it a slicker sound. Along with the deal came a noticeable improvement in the band's financial situation - as Capitol's shiny new thrash metal band, Megadeth received more tour support and bigger royalty cheques than they'd ever got on Combat. But much of the money they were now making went into their expensive pharmaceutical habits. Even though he was deep in his own addiction, Dave knew that providing some sense of leadership was important, now more than ever before.

"I quickly realised that when stuff goes wrong - and it does go wrong - that if you're the leader, you need to take responsibility for shit even when it's not your fault,” he says. “You need to step up and make it right. I look at stuff and say, 'I've got to do whatever I can to make this right. We've come too far for everything to go sideways."

To Dave Mustaine, righting the ship has also meant knowing when it's time to make changes. In June 1987, Megadeth wrapped up the tour in support of Peace Sells... But Who's Buying? with two shows in Honolulu, Hawaii. When the band got back to LA, Gar Samuelson and Chris Poland were jonesing for a fix. According to the frontman, they ended up selling band equipment again to buy more drugs. It was the final straw.

"I was totally fed up," Mustaine says. "I guess it was just one too many times driving around Los Angeles trying to find everybody's band gear. I told Ellefson, 'Well, that's it. I'm breaking up the band and I'm getting rid of those guys. If you want to stay with me that's fine."

David Ellefson did stay, though Chris and Gar were history. They'd eventually be replaced by guitarist Jeff Young and drummer Chuck Behler, whose one-album tenure - they appeared on 1988's chaotic So Far, So Good... So What! - proved to be no less volatile.

Forty years after Dave Mustaine formed Megadeth in the wake of his firing from Metallica, much has changed about both the band and their leader. Today, he's the sole remaining original member and the only one who has played on every album (after leaving and rejoining the band in the 2000s, David Ellison was ousted for a second and seemingly final time in 2021 following an online sex scandal.) The singer himself cleaned up long ago, embracing his Christian faith in the process.

But at the same time, the single-mindedness and stubborn streak that saw him pick himself up post-Metallica and build an entirely new band remains intact. Lesser musicians would have folded a long time ago, but not Dave Mustaine. And it all dates back to those earl vears when he had so much to prove and nothing to lose.

"We went through everything, man, from what happened on the road, to homelessness, to starvation," he says. "The panhandling, the sleeping on people's floors. The destitution the desperation and poverty. We survived it all."

MEGADEATH’S LATEST ALBUM THE SICK THE DYING… AND THE DEAD! IS OUT NOW VIA UMC

Sidebar:

THE SONGS THAT BUILT MEGADETH

The best of Megadeth’s 80s output

Killing Is My Business… And Business Is Good! (1985)

The snarling, sneering, 100mph title track of Megadeth’s debut album and a defiant ‘fuck you' to his ex-bandmates in Metallica.

Mechanix (1985)

Aka the song that begat Metallica's The Four Horsemen. Megadeth’s version is faster, sleazier, and had flames shooting out of its exhaust. 'Made my drive shaft crank/Made my pistons bulge,’ indeed.

Wake Up Dead (1986)

Peace Sells... But Who's Buying?'s opening track is a thrash song like no other, possessed of an oddball arrangement and lyrics that detail an extra-marital affair. The 'Diana' in the lyrics was Mustaine's real-life girlfriend.

Peace Sells (1986)

An iconic 80s thrash song: Dave takes aim at The Man over a massive bassline and ver instant-classic riff. It was purloined as the theme to MTV News, for which Mustaine claims he never got a penny.

Good Mourning/Black Friday (1986)

Begins with a downcast, jazz-adiacent guitar duel before it utilises circuitous riffing and glorious half-step abuse to show just how different Megadeth were to everyone else.

The Conjuring (1986)

Dave once claimed to have buried part of a hex in this occult-inspired rager ako featuring an evil-sounding guitar run, which explains why he stopped playing it for years after re-embracing his Christianity.

My Last Words (1986)

A Favourite of Lars Ulrich, apparently, and it's easy to see why, with its climactic build and fist-pumping gang-vocal climax, the Peace Sells... album closer is a tension-and-release masterstroke

In My Darkest Hour (1988)

So Far, So Good... So What!'s power ballad written in response to his ex-Metallica bandmates failing to tell him about Cliff Burton's death. The disdain at being left to fend for himself is tangible.

Liar (1988)

One of metal's greatest diss songs, aimed at former guitarist Chris Poland. Dave reels off a list of vituperative personal insults at his despised ex-bandmate before reaching an apoplectic climax: 'You... you... you fucking LIAR!'

Hook In Mouth (1988)

The 80s was the PMRC decade, and motormouth Mustaine had something to say about it on this scathing, bass-driven rebuke to the ‘Washington Wives' who were trying to silence metal and hip hop's freedom of speech.

"METALLICA WOULD COME TO OUR SHOWS!"

Ex-Megadeth bassist David Junior' Ellefson looks back on his early days in the band

WHERE DID YOU FIRST MEET DAVE MUSTAINE?

"I'd moved to Hollywood with my friends and Dave had an apartment directly above. We went and knocked on his door to buy cigarettes and he went, 'Down the street' and slammed the door in our faces. We went back later and asked him where to buy beer and he looked us up and down and said, 'All right, now you're speaking my language."

HOW MUCH INPUT DID YOU HAVE IN THE SONGWRITINGEARLY ON?

"Dave wrote the songs that cast the die of whatever Megadeth was going to be, but at the same time those songs were put together in the band room, and when you're in a room together there's a lot of collaboration. There are musical moments that happen that would never have happened with one guy putting, the songs together on his own.”

HOW WAS IT PLAYING WITH SLAYER'S KERRY KING, WHO WAS BRIEFLY IN THE BAND?

"Going to San Francisco with us opened his eyes to what thrash metal was, seeing bands like Exodus. Kerry went back to LA and Slayer took the make-up off and became more the band that we knew them to be."

HOW CHAOTIC WERE THOSE EARLY DAYS?

"Everything in Megadeth was chaotic because we were poor and we were on drugs. Some bands 'party' and to me that's beer and a little weed, hanging out. When you get into heavier drugs like cocaine and especially heroin, that’s not partying. You’re going down a very dark, secluded road.”

YOU AND DAVE WERE HOMELESS FOR A WHILE, RIGHT?

"Oh yeah, we were living in the rehearsal room, living in my van, finding people to take us in to crash at their house. Me and Dave would hock our guitars on any given week. We had these little phone sales jobs so when we got some money together we'd go get our guitars out of hock so we could go to rehearsal that week."

WAS THERE A RIVALRY BETWEEN BANDS IN THE SCENE?

"I'd say there a friendly rivalry. Dave was obviously furious about being let go from Metallica but Lars and the guys would come to some of our shows. For me, the rivalry was never Metallica. i'd listen to them and go, 'Fuck, they're hitting every mark. I know it was hard for Dave because how could it not be to look to the left and see Metallica going straight to the top?'

HOW DO YOU LOOK BACK AT YOUR TIME IN MEGADETH?

"No regrets and 100% pride. I will always be a lifelong champion of that band and legacy because It never would have happened without me - I financed the Killing Is My Business tour on my dad's credit card! I'm very proud of the years I was there. It's a cherished moment in time."

TO HELL AND BACK, THE NEW ALBUM FROM DAVID'S NEW BAND, DIETH, IS OUT NOW VIA NAPALM

#megadeth #dave mustaine #thrash metal #interview #interviews #metal hammer #metal hammer magazine

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ethan-elliott · 23 days

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Death Or Glory - Palaye Royale [Reaction]

an interesting listen for sure

1. Death Or Glory — ahh a cancel culture song, okay but the chorus lowkey slaps. Really not a fan of the pronouns line ngl, I do wonder why they put that in considering their fanbase 0-0. I was semi-claiming this song but now I’m un-claiming this song, tho the guitar is fire

2. Hot Mess — definite BBR vibes, it was good but didn’t thrill me

3. Just My Type — now this I have been jamming since it came out, the album ver hits slightly less than the single ver (I think they tone down the drums?) but it’s a banger of a song nonetheless

4. Ache In My Heart — the fact I’m asexual but vibe to this song is funny, I just love the sound of this one

5. For You — okay, a little bit of a sound switch-up, I think this could totally belong on BBR side B, it kinda gives me Mrs Infamous vibes and I adore the musical break at the end

6. Dark Side of the Silver Spoon — I said before and I’ll say again this has major BBR Side A vibes, the instrumentals in this are addicting

7. Showbiz — straight out of the American Satan soundtrack, I find it kinda funny they’re doing an anti-industry song when they’ve always been on Sumerian as Palaye to my knowledge but it’s a great track

8. Mister Devil — immediate Massacre the New American Dream vibes, this was the song I claimed and it does not disappoint

9. Addicted to the Wicked and Twisted — I’m not a huge fan of most of the first verse lyrics being repeated twice in a row but the sound of this one is interesting

10. Self-Loathing Conversation — Palaye goes country?? This guitar line reminds me of another song but I cannot think what. I love the slower vibes of this one though, it makes it stand out in the album as well

11. Been Too Long — idk what it is but I just don’t vibe with this one, I think it just doesn’t have anything that stands out to me

12. Pretty Stranger — I like the build-up towards the chorus, the drums really carry this one, it’s catchy

Overall rating: 7/10

Favourite Single: Dark Side of the Silver Spoon

Favourite Non-Single: Mister Devil

Least favourite track: Been Too Long or Death Or Glory

Album Ranking: probably my least favourite 😭

Comments: the singles really carry this album for me since I think they stand out the most along with Self-Loathing Conversation and Mister Devil. I like that they brought some of the BBR sound back but otherwise a lot of the sound is kinda repetitive and there isn’t as much contrast between verse and chorus which is a personal thing but something I often look for in songs. There are definitely very repeated themes in the lyrics - namely drug use, the dark side of the music industry and messy breakups/relationships. None of these are exactly new to Palaye but it’s hard to really work out the message - it doesn’t feel as cathartic as Fever Dream, it’s not angry like The Bastards. It’s like the feelings are just there and not really dealt with or dived into and with the overall sound being quite the same it almost gives a sense of defeat, that this is the world and their lives and they can’t change it…or maybe I’m reading too much into it

#palaye royale #death or glory #album review

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baby-girl-aaron-dessner · 5 months

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I am sos sorry I keep coming to your page to rant but I really need a safe space to vent.

I also feel like I am repeating my self but I just can’t keep it in.

I don’t know if they have always been this way but I feel like the swifties have official reach a new low.

The mental gymnastics they are doing right now to make the album seem like it’s the ultimate masterpiece and that it’s not just about a woman who cheated and still expected a proposal and then couldn’t handle the criticism for dating a racist is beyond me.

Yes the lyrics are really good and yes the growth in her writing is very noticeable but this is not the masterpiece of the century, especially that art is subjective.

Just because you love it doesn’t mean everyone has to. Just because you relate to it(although that is troubling imo) that doesn’t mean everyone will.

I just cannot see another “you don’t get it because you don’t understand poetry or deep thought” essay.

Like chill it’s not that deep.

I saw a video of one of those TikTok famous comedians saying something along the lines of this album is for the 30 year old woman who still trying to figure out their shit and my first thought is “correction - this is for 30 something year old white women who have not figured it out and want a medal for their tantrum”

No offence to anyone, but she is not exactly talking about extremely deep subjects here.

She is not talking about woman struggling with their mental health because they don’t have access to mental health services

She is not talking about what it’s like for woman surviving abuse in any of its forms.

She is not talking about the struggle of woman with their self image.

She is not talking about woman who are a tilll trying to find their voice in this cruel world.

Is definitely not talking about the Palestinian women struggle throughout the genocide.

I have heard this album all 31 songs and the only one I felt like she actually was raw was the prophecy.

Because let me tell you all her other songs, even though many are deep and talk about her struggle with the backlash and how she was being treated by the media, they were in many ways self inflicted. She kept arranging pap walks, she was the one who openly dated a racist, she is the one activity in a PR relationship so she can get talked about, and she is the one who is not on the right side of history by not talking about Palestine.

So she can sit down and shut up about being prosecuted like she is some victim.

I am very sorry about the big ass rant but I am just fucking pissed with all of this.

Hi sweet anon, this is a safe space for you. Please feel free to rant whenever you feel like it.

As someone who has been in this fandom for 15 years approx. I can confirm that Swifties have always been delusional.

Most of the fandom don’t want to understand that Taylor admits to her flaws - e.g. narcissism & cheating - and this makes it difficult to have honest conversations about her work.

Additionally, this is one of the most problematic issues about Taylor: her use of liberal feminism. Many Swifties have come to me over the years and asked, “what makes Taylor’s music white?” In response, I have explained to them that it’s because she lacks an understanding of intersectionality.

For example, If you listen closely to “The Man,” you’ll understand that Taylor isn’t criticising the actions of her male peers, instead, she’s lamenting how she isn’t able to do what they do. Her biggest point of oppression is that she can’t flaunt her dollars. This lacks an intersectional understanding of feminism because her only source of oppression is being a woman. She doesn’t know what it’s like to be queer, poor, POC or confront any other form of oppression.

It got to a point where the alt-right in America loved her and she waited until 2019 to criticise the Republican Party’s policies under Trump. She profited off of their support for years until she decided to take an ethical stance. That’s simply not good enough.

In 2019, when she was sinking into irrelevance after her album “Lover” didn’t do well, she had an activism era. Now when she’s at the peak of career, she no longer cares to be “on the right side of history” because god forbid she sacrifices her fame and wealth to stand up for what is right.

I suppose our only consolation is that she’s self aware. She knows that she is the “anti hero.”

#anon ask #what can we expect from a Hollywood billionaire?#definitely not ethical practices #taylor swift #taylorswift #the tortured poets department #ttpd #ts #the eras tour #lover #anti hero #miss americana #free palestine #swifites #midnights #white feminism #liberal feminism #feminism

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pendragonsclotpole · 3 months

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i finally discovered chappell roan and like, why is her work such fucking art??? she’s got me bopping to femininomenon, crying to california, and entering heaven with good luck babe. and none of those are even my favorite song!! i don’t think i have a favorite one just yet, mostly because i need another forty relistens to feel emotionally, psychologically, philosophically, economically, and like politically ready to rank these songs. her entire the rise and fall of a midwest princess album is full of such catchy and gut-wrenching lyrics with frankly fantastic production, phenomenal instrumentals, and ethereal vocals.

this album is the entire package. i hit play on that first song and i was blown away. this album isn’t just good, it’s one of those albums that’s instantly a classic. the songwriting is immaculate. i have no idea where she found the brilliance to sing certain verses the way she did, but i will forever scream along to “knee deep in the passenger seat, and you’re eating me out, is it casual now” and the entirety of guilty pleasure is fucking femininomenal.

which, speaking of those two songs: her unabashed expression of her sexuality and the emotional complexities of her navigating those desires and relationships took me out for a moment and had me questioning my life because i don’t think i’ve ever listened to such an honest album that had also proven capable of mastering the juxtaposition of conveying some greater meaning of longing with the more base emotions of lust. it’s such a hard balance, that i feel so many albums never quite find, though never to their detriment.

you get albums that sonically and lyrically are on another level, but rarely venture into subjects of substance and meaning in the lyrics themselves because the overall sentiment can be found in how the music feels. not to denigrate those albums, because i believe good music is just good music and doesn’t need to be overanalyzed or imbued with some deeper meaning always, but they don’t capture the cathartic feeling that comes with singing along to the exact wording of certain lyrics or pulling up the lyrics to read them and what they represent.

it’s like some songs are meant to be felt, others are meant to be heard, and some are meant to be read, and a really good song sometimes gets all three.

chappell walks the line and spells out the desires she has for the subject of her music and imbues it with a cleverness and mastery of her passion in a way that replicates the feelings of agency that comes out on a song like my kink is karma or casual.

it’s like she’s saying, desire is desire and the way i feel basically lost in the desire for someone carnally or emotionally can be felt equally and respected unconditionally, fuck your propriety. it’s like she’s saying, i can write something that can be sung along with the windows down while i’m driving home on a hot summer night and it’s heads or tails whether i’ll end up crying by the end of it or starting a rave at a stoplight. it’s such an open demonstration of her sexuality in a way that’s not necessarily sexualized or put up to be exploited by others but instead for the expression of herself and any others who might relate? like yes, casual mentions a sexual act but at the same time, there’s something to be said about the emotion she sings that song with and how casually that line sneaks up on you so that i, a person who most likely is not her intended audience ended up singing along to “knee deep in the passenger seat and you’re eating me out, is it casual now?” like i’d probably still sing that line if the entire sone had the ambiance of a dance song meant to be played at 2am in a bar but it doesn’t. and there’s so much to be said about that and then the way that song ends, “i try to be that chill girl but i’m not actually that.” there’s that backbreaking need to be whatever makes everybody else comfortable and it seems like you do it casually, but it’s really just tearing you up inside.

idk maybe i misunderstood this entire album but frankly? it’s amazing and i’m replaying it.

ALSO SHE DRESSED UP LIKE MISS PIGGY??? goals. i stan. i love her.

#chappell roan #chappell #the rise and fall of a midwest princess #my kink is karma #casual #femininomenon

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zot3-flopped · 5 months

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so the youtube critic i like to watch just said this about ttpd:

saying how one song is 5 minutes when she could've gotten the point across in half that time

emdless strings of metaphors that just fall flat

the writing quality makes it hard to feel bad for taylor in the middle of this heartbreak because they come across as self owns: you said normal girls are boring, why are you not gone in the morning; taylor what is not clicking

taylor hasn't taken the time to sonically or conceptually to find a new sound

it sounds uninspired and done before

she is closing those gaps that she has due to time by copying her peers homework: but daddy i love him-ariana grande, imgonnagethim back- olivia rodrigo, phoebe bridgers with a lot of the song titles, florida-ripping of lana, again and again. He is not shocked that at some point in one of her songs she is paranoid that her peers will come for her and he said how he isn't shocked considering what she puts out and how she is lacking so much in ideas and sounds

the albums stinks cause it is sloppy in terms of songwriting and execution

they don't feel like songs, they feel like taylor is just spilling tea

saying that the lyric about the heroin but with an e lyric is essentially coming from matty himself and it makes sense why this lyric alone is wittier than most of taylor's attempts at word play in this record, he should get song writing credits for that

saying how she tries so hard to make connections work for her fans that she forgets that being subtle works as well considerng that she capitalized the letters KIM in thank you aimee.

so as much as she says everything is working against her, the biggest threat to her public image is her: she wants this already doomed from the start rs to work, despite how big of a pr mess it is, she wants her haters to be mad but only it ending up with her releasing her most narcissistic songs to date: if you wanted me dead, you ould vejust said. I was gentle till the circus life made me mean. Along with the lyrics about an asylum. And something that made him laugh: so tell me everything is not about me, but what if it is.

the production is bad and she needs to stop with jack, feel like midnights leftovers but worse. They make them sound dated at impact

my boy only breaks his favorite toys- so many clunky choruses, packing it with so much verbiage that there is no way it can be stuck in someones mind

so long london, constant tension without any release, goes nowhere

florida reads like a bad tourism ad

i can fix him- saying how she can handle a dangerous man but rhe album clearly goes against that and the song doesn't show how silly and futile this mindset is

loml is his favorite while easy

and that it isn't good to base an album only about finding clues about who what song is about cause it can get messy and dated quickly

....he doesn't give it a score which speaks for itself, he only does that when he really hates it but he wears a red shirt which means it could be around hm below O to 2 out of 10. he barely had anything nice to say which he usually does with albums that are 2/10. ano he could only list one song of 31 as his favorite.

the review is funny so i will leave the link here, sorry if my spelling is bad or something makes no sense, i'm not native and worked with captions on the video as well (he made another one for the second part of the album, i can write down the main points as well later if people are interested, he is a rather smart critic in my opinion)

Link: https://youtu.be/Sz9DgY6NAcY?si=UhRnlR558Qeyh81V

Whoa, he really didn't like it! Everyone is saying that she needs to ditch Jack, but now that Joe has gone, she also needs another lyricist on board to curb her worst excesses. That line about heroin/heroine does sound like something Matty Healy would write.

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#anti taylor swift #jack antonoff #taylor swift

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hiddleswiftt · 1 year

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request from @daydreamerwithnohobbies!: I love this!! Idk if you're tired already of doing taylor inspired jonah fics but I thought of maybe a ff with daylight or call it what you want?

hey!! yes! id love to do another taylor inspired jonah fic! i love both of those songs but I think i have more ideas for “daylight” than “call it what you want”!

if i ever have any ideas for a “call it what you want” jonah fic, i will make sure to write one and post it! :)

daylight! (inspired by the taylor swift song “daylight”!)

jonah hauer-king x fem reader!

description - you and jonah have been best friends for years. you’ve both have had crushes on each other for years. the list goes on and on! you don’t believe much in love as much as you used to, although fighting the thoughts of you still crushing on jonah in your head.

you sat on the couch of the party venue attempting to put your shoes on.

you were a little tipsy but you were well enough to get yourself though the door on the way out without walking into the doorframe.

jonah was with you, and he said he’d get you home.

he wasn’t drunk. he was actually pretty sober. which you thought was a little odd for him, but anyways.

you both got to his car, he helped you walk, holding his hand around your waist you guide you. you liked his company. you kept him close to you, although not knowing half of what was happening, so you just went with it.

the two of you got in the car, and you went straight for the radio and started playing different songs. “can i?” you said, with a slight slur.

jonah laughed slightly, giving you his phone to choose the tracks that you wanted to play, “knock yourself out, y/n!” he said, now starting to drive.

you of course put taylor swift on. you had been a taylor swift fan for years, and jonah knows it. you’ve got him into her songs a little too!

not all of them. he pretends to know them, so he just mumbles or hums along to them. but he knows a few!

you put on “daylight”! you both recognise the song straight away. he knows your favourite album is lover, since you play the album 24/7 when you two are together.

although slightly drunk, you hit all the lyrics, since you have this song on loop.

you and jonah do a duet sort of thing to the song:

Y/N: and I can still see it all…

JONAH: in my mind!

Y/N: all of you..

JONAH: all of me!

BOTH: intertwined!

Y/N: i once believed love would be…

JONAH: black and white!!

Y/N: but it’s golden…

JONAH: GOLDEN!

Y/N: i can still see it all…

JONAH: in my head!

Y/N: back and forth from New York!

BOTH: sneaking in your bed!!

jonah glances at you slightly as you continue to sing to the lyrics. he really does love you. you don’t think he does. you are fighting the fact that you love him, you think he’s just your best friend. right?

you continue singing:

“come on jonah!” you say, just before you sing the next line of the song, actually realising that jonah was looking at you for a second, it made you blush hard.

Y/N: i once believed love would be…

JONAH: burning red!!

Y/N: but it’s..

BOTH: GOLDEN!

you two finally pull up outside your apartment block, upset that the drive had come to an end.

“you need any help getting in?” jonah asks you, while the last part of daylight is playing.

you shake your head, “no.. i think im okay, thank you..” you say, admiring him.

the last part of ‘daylight’ continues to play. you both sit and look into each other’s eyes.

I don't wanna look at anything else now that I saw you

(I can never look away)

I don't wanna think of anything else now that I thought of you

(Things will never be the same)

I've been sleeping so long in a 20-year dark night

(Now I'm wide awake)

And now I see daylight (I see daylight), I only see daylight (Ah)

just as this part of the song ends, jonah already has his hands on your cheeks. now leaning in to embrace you in a kiss.

I only see daylight, daylight, daylight, daylight

all of a sudden, lips were touching. it felt as if you both should’ve done this years ago. you’ve known each other for years!

pinkies and then hands were intwined together. as if they were supposed to fit together.

you both let go from the kiss, and smile at him, and indeed you were “burning red”. but it was “golden” between you two.

you looked up at him. “do you wanna come in?” you asked, as you held his hand in yours.

jonah smiled at you, admiring all your features as you were too. “yeah.. yeah! id love that..” he told you, now getting ready to exit his car, as you did as well.

you then take his hand in his, now walking towards your apartment block as jonah locks his car.

now you only see daylight, he was your daylight and you were his golden sun.

please don’t copy my work! <3

(let me know what you think of this fic by giving this post a like, follow and a comment!)

— h4uerkings

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lakesandquarries · 5 months

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i’m so autistic about hop along btw i love them SO much. if you’ve never heard them please please check them out espif you’re a fan of really visceral, kinda esoteric, almost story driven lyrics. tbh i think mountain goats enjoyers would probably like them! frances quinlan has such a raw energy to their voice and they’re not afraid to let their voice crack or go rough.

personally i think “waitress” might be my favourite song for the way frances sings this part

because on paper they just seem kinda. ???? but hearing them and the emotion in frances’s voice is absolutely breathtaking

or another fave is bruno is orange and this piece

which i’ve actually heard used on tiktok which makes me glad because hop along deserves recognition and this part is so!!! the whole song is about the singer trying to protect their lover from being punished for the two of them being together—i’ve seen some people read it as a young girl with an older man but i personally think the idea that its an interracial couple makes more sense specifically because of lines like this. the mother warns her daughter that the world is unsafe—but the mother is the one causing harm.

i could write essays about hop along okay they’re just. its so goddamn good. like okay another thought is the repeated motif of “strange to be shaped by such strange men” in bark your head off, dog, as a lyric that appears in multiple songs—i think it’s just not abel and what the writer meant but i might be wrong. but the fuxking THEMES and hold on i just thought of aomething

(first screenshot is from “sally II” from their album get disowned, second is from “not abel” from bark your head off, dog)

the repeated motif of talking to G-d and the question of why this person. in sally II, a random nobody who lives alone, who no one notices is dead until two days have passed; in not abel the very first murderer.

i’m rattling the bars of my cage i’m feral i love hop along so much 😭

this is so disjointed and i’m sorry i just need more people to hear them!!!! will rb this and add links to some of their music

#hop along #adventures of cora #hop along queen ansleis #frances quinlan #pspspsps hop along fans PLEASE interact

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foxes-that-run · 11 months

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Perfect

Zayn said he wouldn’t buy the record when he heard Perfect (so salty!). Harry's emotions varied performing it in its short 27 performance run from Oct-Dec when 1D ended. These 2 stand out:

November 20 2015, rather than sing the Bridge Harry said to the crowd "if you think it's so funny you can sing it".

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3 days later at the AMAs he rolls his eyes and looks ready to walk out, the camera cuts to a kid who seems to agree. (Bridge is 2:40).

It was only performed 6 more times, in Carpool Karaoke (10:30) Harry stops singing for parts and the song cuts before the bridge, at the Jingle ball he looks away and the last time was new years.

Or this concert he put the mike into the crowd, someone stole the microphone and licked it.

Safe to say he regretted that bridge, it's savage to them both.

Writers

Perfect ties with Fools Gold for the title of the Haylor song with the most writers, at 7. While Fools Gold has all 5 of the band, Bunetta and Ryan. Harry and Louis are the only band members who worked on Perfect with Bunetta, Ryan and 3 others:

Jesse Shatkin, (cowrote Sia's Chandelier)

Jacob Kasher (Maroon 5 collaborator), and

Mozella (cowrote Miley Cyrus Wrecking Ball and Fools Gold.)

To me, Perfect has more media grabbing pop-song than Harry Styles. HS’s best 1D work was with teams of 3 or 4 writers. In fact, Bunetta said Olivia came out in 45 minutes while overworking another "less good" MITAM song.

Timeline

Bunetta also told Rolling Stone about Perfect:

"That one took a long time, just because it was written over a couple different continents. It started as one thing and ended up where it is."

MITAM was made in the summer of 2015. To have been written in a couple of continents and with USA based writers it was probably either side of the BBMAs. It could have been started 'as one thing' in April in South Africa before the BBMAs other songs that reference Style including Two Ghosts started early in the year. The "ended up where it is" with those writers would be after the BBMAs, when they got back to the USA from July. This would be at the end of the album and he was singing it daily within 3 months.

Similarity to Taylors songs

It has the same chord progressions as Style and is also very similar to out of the woods as this video on Twitter shows. He called it a love song in the made in the AM interview (6 mins) and that it wasn’t literal in another. I do love this James Cordon bit and I love his Taylor smile so much.

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Lyrics

[Verse 1: Louis] I might never be your knight in shinin' armour I might never be the one you take home to mother And I might never be the one who brings you flowers But I can be the one, be the one tonight

Grapejuice, has the perfect (get it) call back to this verse, along with 'Red' and 'Pay for it' and I love him for it:

"I was on my way to buy some flowers for you (ooh) / Thought that we could hide away in a corner of the heath / There's never been someone who's so perfect for me / But I got over it and I said / "Give me somethin' old and red" / I pay for it more than I did back then"

[Pre-Chorus: Liam] When I first saw you from across the room I could tell that you were curious, oh, yeah Girl, I hope you're sure what you're looking for 'Cause I'm not good at making promises

Promises come up again in Woman "Promises are broken like a stitches is", which is interesting if both Woman and part of Perfect are written after the 2015 BBMAs.

‘Know what you are looking for’ is interesting. In "Say don't go" and the 1989 TV Vaults in general Taylor did not get what she was looking for. At 23, dating a 19 year old Taylor told us she didn’t get wavy she needed. Her most recent ex, JG was 29. (yes - JG was the age Harry is now! Imagine if he did that) So I kind of stand by this line.

The start refers to the night they met. Which neither has ever confirmed, I think it was in 2011 (see timeline) Many look at the coat he tries on in the music video, which matches both his Up All Night Tour outfit (from December 2011) and the 2012 Kids Choice Awards. The awards are fun though. The Up All Night DVD also has it.

[Verse 2: Niall] I might never be the hands you put your heart in Or the arms that hold you any time you want them But that don't mean that we can't live here in the moment 'Cause I can be the one you love from time to time

Urgh I choose to attribute 'love from time to time' to one of the 6 other people writing this. To me this line always sounds like a boy-band heartthrob priority playing out in the writers room. No wonder it took time and HS1 to overcome this.

However, this does speak to a theme of them not being available to each other because of their careers and 1D punishing schedule. If I could fly's "I'm missing half of me when we're apart" and Half the World Aways " So you're not my girlfriend / Don't pretend that makes us nothing / Tell me you don't miss this feeling" speaks more honestly to the interplay of his band image, schedules and priorities which Taylor referred to Suburban Legends.

[Chorus: Harry, All] But if you like causing trouble up in hotel rooms And if you like having secret little rendezvous If you like to do the things you know that we shouldn't do Then, baby, I'm perfect Baby, I'm perfect for you And if you like midnight driving with the windows down And if you like goin' places we can't even pronounce If you like to do whatever you've been dreamin' about Then, baby, you're perfect Baby, you're perfect So let's start right now

Here are Haylor themes we know and love, Driving at midnight (Style, HYGTG, Wish You Would) generally going from a high schooler to superstar overnight (placed they can’t pronounce like Cannes), and hidden love/hiding (I Know Places, Slut!)

[Bridge: Harry] And if you like cameras flashin' every time we go out Oh, yeah And if you're looking for someone to write your breakup songs about Then baby, I'm perfect And baby, we're perfect

The camera’s flashing is good imagery and his voice brings to life how personally challenging it was for them both in a way I Know Places didn't with very few words. Taylor also refers to this imagery in Is it over now?

But the break up songs is a low blow and I assume the part he regretted to the point of not wanting to sing it. In a later interview Harry said:

“The only time you really think, ’is this song too personal?’ is if you think about, ‘is this going to be really annoying for the other person?’ Because I do [care],” he finished.

Which I think the break up song line would have been very annoying.

If you made it through that reward yourself with Grapejuice at Wembley 🍇

#one direction #harry styles #haylor #Youtube #one direction haylor #song analysis #Lyric analysis

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