#any incarnation really

[thatfantasylovingdork]

YOU CAN’T TELL ME STARSCREAM WOULDN’T WEAR THE HECK OUT OF THIS

[nyormilt]

proper death

(has anyone noticed i barely draw the batter’s uniform the same way twice…? there’s no pattern, but sometimes i can’t be bothered to draw stripes, or add them cause they make the drawing cooler. truly, i am a deity of inconsistency…)

[shih-coulda-had-it]

😎 well, you know what they say. my eyes are up here.

[orion-kenobi]

The amount of people who, following the casting of Ncuti Gatwa as the Doctor, decided the show’s going to get worse or calling the casting a diversity hire is just so…I don’t even know how to describe it. 

For my entire life I’ve had to grin and bear it when a show’s main cast is three white people and one token minority character and ignore how othered it made me feel. I watched Doctor Who as a 13 year old black girl and loved it but at a point I couldn’t help but wonder why the Doctor could change their appearance but was always white. And finally, finally after almost 60 years the Doctor isn’t white and I’ll be honest, I hadn’t even heard of Ncuti Gatwa until then but it meant so much to me. Then to find out that there’s a vocal group of people who think the show is ruined, even people who’ve never watched Doctor Who calling it ‘woke’ and saying they’ll never watch it just hurts. We haven’t even seen Ncuti as the doctor yet and they’ve dubbed it bad because he’s black. That’s it. These are the same people who swear up and down they aren’t racist but have right there admitted that they view white as the default and anything else as an anomaly. People of color can exist as side characters but never in the main role. People of color can be the Doctor’s companion but never the Doctor. 

Black people (and poc in general) really can’t have anything, can we? 

[serialreblogger]

the thing about the joker

is that - well, even canonically, he’s not actually “insane.” in the most canonical version of his backstory (bc there are many conflicting incarnations, but this one is the touchstone for a lot of later canon), he was part of a street gang before falling into a vat of Nondescript Toxic Waste that damaged his melanin production and That’s It. he supposedly “lost his mind” after seeing his reflection, which is absurd on many levels. no. he’s not “insane.” what he is, is an angry white boy.

the thing about the joker is that he exults in his own uncontainability. He laughs, because all of gotham - all the world - is built to be his playground. the only lunatic thing about him is the lunacy of ~Society~, to borrow from the joker’s own playbook; the lunacy of the joker lies in the world that grants him power: in the inheritance of loss: in white privilege, and what it means for everyone else.

“to prove a point.” those were the joker’s exact words, when he shot and paralyzed Barbara Gordon. she asked why: he laughed. “to prove a point.”

because that’s all he ever does. he hurts people because he can. and because all the power in the world can’t save him from getting hurt - and isn’t that just peachy?

because the thing about the joker is that he can get hurt. he has been hurt. but he has so much more capacity to harm than to be harmed. he is immortal. he and he alone will never have to face the consequences of the hurt that he inflicts on other people.

so then: why not hurt them? misery loves company, after all.

the joker is the embodiment and end result of our own social system: the madness of the exception: the laughter of the white man: the imprecation to smile, as he kills you.

(no one ever says it, i find, but it’s still true: barbara deserves to kill him.)

and who, then, is the batman? if the joker is the yin to his yang? if they’re two sides of one irredeemable coin, if they represent the “balance” of an unjustifiable system - who is he if not another white man?

because he is. Bruce Wayne is a white boy born into unspeakable privilege and forced to endure suffering anyway; who copes with his suffering by taking it out on others; who copes with his suffering, not by taking advantage of the world as it is, but by attempting to reshape it. to make it in his own image - as if it isn’t already his, as if claiming it further will crush out the pain.

the batman is the benevolent oppressor to the joker’s malevolent one. he changes nothing, in the end. two privileged white boys with their own respective navel-gazing grudges - where, after all, lies the difference between benevolence and malevolence?

because they are not “chaos” and “order.” not really. They are laissez-faire laughter and law. Joker exults in the disease of the system, Batman seeks to treat its symptoms, but neither of them will ever change anything about the root cause. because they may have suffered the faults of this system, but they still benefit so much more from it as it exists. Uphold it or break it, neither of them wants to change the law.

but the law is only as good as the people it’s made to protect. and who does that law protect, really?

waylon jones is, in one issue, explicitly depicted as Black. between that and his skin disorder, there has never once been room for his character to be any more than a monster: king croc is, always, a character to be violated and brutalized, over and over and over and still - always - written as the villain. (he tried so hard to scrape out a place for himself, so many times, in so many incarnations, and each and every time he finds himself relegated once more to the sewers. he will never be anyone’s king. there is no place under the sun for people like him.)

victor fries only ever wanted to save his wife, and a capitalist mogul decided a few extra numbers on his eight-digit paycheck were more important than the people whose lives depended on that money. fries’ body was damaged to disability by that choice, left without the resources to find a cure for his wife, and he robbed banks because there was no other option available to him. we seem to have forgotten, or maybe never really understood, why that matters. why a desperate man trying to save his life and that of his loved ones under the crushing gears of capitalism is a villain, and the one who stops him is our hero. why, under the law batman upholds, a bank vault and a CEO’s hoard is worth more than a life.

poison ivy just wants to live, too. wants a life not defined by the devastation of her body, of the beings that exist as extensions of her, a life where green and growing things are not commodities to be plowed up and poisoned and destroyed for the sake of another man’s profit. these are villains; they are written as such. these are their motives.

who does batman fight for, really? who is our hero, this emblem of our law?

is he our hero? ours, the broken and bleeding members of the world he claims to protect?

who does the law protect, except him - him, and the joker?

[lesbian-mimic]

they are robot ponies your honor!! (fnaf x mlp)

[in-tua-deep]

asleep me has just decided to start world building i guess

Imagine: you are a misfit teenage boy, a con artist. You have a best friend - or maybe a brother? You two are as close as family regardless. You're in a refugee camp when you pull a con - you pass your best friend off as the newly orphaned son of a noble or something. It's just a ploy - to give him an in with the other wealthy kids so you can steal.

Except… he doesn't really give it up? You ask a couple of times when you're leaving, but Will, your best friend, keeps putting it off. He's fallen in with a new crowd. One that respects him, elevates him. And those new friends? Well, they don't exactly like you.

Will starts sending you off on errands when he's with his friends. You go easily, because you want to be helpful, and you ignore the hushed laughter of his shiny new friends. You go on your fake little missions designed to get rid of you.

That's how you meet the Goddess.

Imagine a clearing, golden light, and a beautiful woman who calls you a trickster and says you are destined to be enemies. Imagine freeing the three chained sun gods by accident. (By fate?) Except you tell the goddess that you don’t believe in fate, and what if you become friends instead?

(You offer to steal her, and she agrees - a fine trick indeed, wouldn't you say?)

After this instance you find something out. You can use magic now? But also it seems like you have been cursed as well - you can’t die. Fate rearranges itself every time. A shield moves to a position it wasn’t in before. A sword misses its mark. You are Loved By Fate and it is an Issue.

Time passes and your best friend grows - and you have to use magic to grow with him. He’s a king now. You love him - he’s still your brother - but his smile is more and more strained every time he sees you.

Your goddess takes many forms travelling with you. Sometimes she is a woman, sometimes she is golden magic inside of a pouch. Sometimes she is a child and travels with you, and somehow you get separated with her like that. The king finds her, and immediately is taken with her. He decides to try and find a family for this child who is shy of everyone, and offers for any individual to come and try their luck to see if the child will take to them

You are the last person to try, not because you don't think your goddess will choose you, but because you are worried even if she does the king will not let her go

The king's friends stop you. You know their faces - they are the same bullies they have always been. They accuse you of being cursed because you never die no matter how many dangerous missions the king sends you on. The suicide missions.

They attack you, and they might be cruel but they aren’t stupid. Their ringleader realizes that it must be magic shifting his shield to protect you from the lethal blows.

(You can see every lethal blow that doesn’t land play through your head. The worlds that did not come to pass. You don’t tell them the number of times they murdered you in this fight. It wouldn’t change anything.)

You manage to escape and run up to the king’s room. Using fate’s magic so much has stripped you away of other magics - you look young again. Awkward and gangly with no facial hair (the way you always have since meeting a goddess and becoming something more than human)

He’s in there with an elven woman, a noble of some kind who is wise and anyone with eyes can see the king is in love with her. (You can see in her eyes that she does not love him back, not in that way.)

The king, after some debate, decides to let you try

(He doesn’t comment on your appearance - maybe he just thinks you have a baby face without your beard. Maybe the way he avoids looking you in the eyes means he doesn’t even notice.)

You reunite, and it is beautiful - your goddess surges forward into your arms and kisses you, and you feel fates magic coursing through you and soothing over the exhaustion from the fight.

But the king doesn’t see a goddess and he doesn’t see the magic - he sees a child and he draws his sword. He says many things - that he didn’t expect you to stoop this low. That he once called you his friend.

(How long has it been since that felt genuine?)

Something goes cold in you and enough is enough. Your goddess’s magic courses through you, and you will not be separated again. You use magic to blast them back, use magic to stun them, and use magic to make you and your goddess into a rat that scurries away into the walls

The magic is powerful enough that a cascade of golden chains has manifested down the wall of the room, branching downward like a geometric tree and each one tipped with an amulet with a large inset ruby

The king and the noble awaken, and the king is furious. But the elven woman looks like all her questions have been answered

She talks about how there haven’t been terrible fires throughout the lands, despite all signs pointing to the fact that the sun gods have been unchained

She names you - trickster, calamity

In mythology apparently you are symbolized by a massive golden peacock, each "feather" in your tail with ruby-gem eyes like the chains on the wall

You are named such because you are the only creature capable of going against fate and changing it

(your train of feathers is instead a train of chains - all the fates that you have broken)

(It should make you enemies with your goddess, but you decided in that clearing twenty years ago that you were friends instead)

Apparently on your suicide missions, you have been helping. Wherever you could, you changed the fate of entire cities and towns and prevented the wildfires of the Sun gods from ravaging the kingdom

The elven woman opens a portrait that has a nook behind it. You are sitting there - well, not you exactly. But a copy of you. You are a trickster and love mischief, and you love secret spaces and those who choose to look in them. That’s enough for a part of you to be present, looking sixteen and glowing with golden light

She speaks in the ancient language to you - and you speak it back without thinking. You tell her she’s just as hot as Will with a wink and it makes her laugh. Will cannot understand what you are saying, but you don’t care right now. He’s your best friend, but you aren’t his, and it hurts

He calls you immature, and the elven woman says you’re only sixteen. He snaps back that you are a thirty-six year old man. She shakes her head, and says that you haven’t been since you Awakened. Gods are different, after all

(Maybe it was the differences that drove you apart? Maybe it’s your fault? But if that is the truth then why was there already so much distance between you? You do not ask your goddess if there was a path where you still would have been close.)

You don’t feel like a god, you feel like a person who is just trying their best. You feel tired. You feel sad. Maybe that’s why you are the one who bends fate - you’re the only one that cares enough to try.

Anyway that’s when I woke up but I like my trickster - important to note that he is a redhead with a bit of a baby face

[millin21]

Brain two days after watching Nimona and slightly entering TMNT interest again:

You know…. Raphael would be VERY on board with how chaotic Nimona is…. And Michelangelo would just be so fascinated by her shapeshifting. Probably asked if she could breathe fire so they could cook insane meals together. (Don’t get me started on the amount of chaos they would get up to when they find what she transforms into. Every moment would be plastered on heavy metal albums)

Meanwhile Leonardo is halfway holding in his fanboying/genuine interest of Ballister being a real KNIGHT while Donatello is all up in admiring his robo arm and asking him loads of questions.

Ballister is very overwhelmed.

[musical-chick-13]

So the problem is. That I don't want to call Ten-cubed "fourteen." I think Ncuti should be. Fourteen. He IS fourteen.

But if I want to talk about Ncuti's specific incarnation of this character. And make it clear that I am talking about him. I will have to call him "Fifteen." But doing that means that everyone involved in this ridiculous naming decision wins.

[bluewithpurplepolkadots]

Honestly I’m fine with the idea of Leonardo having a crush on April in mutant mayhem.

I am however deeply concerned from clips that we’ll have something like 2012 Donatello.

I mean not only was that aspect very badly handled in that show anyway: but even if it had been well handled it’s simply boring to do the same old thing. Having it be a different turtle should at least mean a different take on it.

[corallapis]

turning it over in my mind.

[gayemoji]

az is so stupid dumb . fool. what is wrong with you . who ARE you even.

[flershnork]

The process of bouncing between, "Wow, this setting is so cool, I wonder what's happening next!" to, "Where's Vyranoth?" to "Wow! That cinematic was really cool but like, where was Vyranoth???"

Like you could have at least shown Fyrakk subdue her before going after Alexstrasza.

Like, the cutscene with all of the racial leaders and important characters showing up to defend the dream was awesome and everything, but it just felt a little too contrived.

Don't even get me started on the raid ending cinematic.

[michaelmilligan]

Looking back on the time I felt so guilty because the female characters of any show were never my unchallenged favourites, and I didn't identify myself with them.

Like, I still loved them! Samantha Carter from Stargate, my beloved. Teyla kicks ass. Leia Organa, girl, your hairstlye is either the next big trend or a fashion disaster. Also you kick ass AND get a love interest that doesn't reduce you to being the girl™.

But yeah, I never identified with them, and I thought for the longest time that I was doing feminism wrong. As a girl, I must have wanted to be like those women, right???

However, turns out I was just doing 'being a girl' wrong. Because I wasn't a girl. And I projected onto the guys because I wanted to be a guy.

[devotedlystrangewizard]

el helping astarion complete the ritual because he really does want to help those he cares about and astarion really is his friend, he just has a fucked up idea of what the best outcome would be

[certainkindofscientist]

who one earth put CLOTHING on this dog.