How would you say Tage and canon Sabo's personality differ?
I think the main point they differ on is that canon sabo knows who he is even after his amnesia, because the revolutionary army gave him so much motivation and direction, whereas tage doesn’t have a supportive community or any direction to point his anger and trauma at after waking up without his memories so he becomes a lot more directionless.
I think the reason why sabo looks like a noble in canon despite a very pronounced dislike for nobles is that he uses his history as a noble to propel his motivations as a revolutionary. I think dragon would have told sabo from meeting him before that Sabo was a noble, and from that, canon Sabo regained that strong hatred against the nobles and willingness to fight against them. Tage has none of that. Since he’s been along for so long, he fights primarily for his survival, and so he focuses a bit more than canon sabo on appearance and deception. He’s more cynical of the whole world as opposed to just nobles, and is more willing to fight anybody who crosses him specifically.
I don’t think they’re very different on the surface— canon sabo and Tage both do things independently and at their own pace and have the capacity to go absolutely feral but present a demeanor of calm confidence and strength to the people around them.
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In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.
The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.
And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.
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I swear to God, Twitter being able to accumulate so many brain-dead, malicious, pseudo intellectual low lives all in one place at the same time is a phenomenon worthy of being studied under a microscope in a science lab. And no, that is not a compliment.
Thankfully people have already spoken out against this bullshit-- the fact that people needed to is already maddening to think about-- but as someone who got the basic gist of what happened literally yesterday I'll also put my voice out there: Don't you fucking dare try to paint Hbomb as a murderer over this situation.
Somerton may be a lying, misogynistic plagiarist and conman, but he obviously doesn't deserve to die and while I do make fun of the guy, I genuinely hope that he continues to have a life after the dust has settled on everything. Not on YouTube or any social media platform for a long time at least, but just a life nontheless. I don't wish what he's potentially going through on anyone, and I hope that he makes it through this. But regardless of if he does or doesn't-- and God forbid he doesn't-- none of this is Hbomb's fault. It's not his fault, or Kat's fault, or Jessie's fault (because apparently there's people blaming her too cuz WHY NOT), or anybody's fault. All they did was call out his actions, hold him accountable for the harm he's done. They have done nothing to deserve having to carry this on their shoulders should the worst happen. They did nothing wrong. They didn't kill James (he's not confirmed dead yet either btw). They are not murderers. And to the people saying they are: say those words out loud, listen how they sound like, and re-evaluate. Just cease.
And to people like this:
''Oh I'm not blaming him for anything I'm just blaming him for what his audience did because according to HIM you're responsible for your audience'' Yeah, you people can shut your mouths too. Of course you're responsible for your audience, and that includes Hbomb too. However, your tiny, godless little monkey brain can't see why your argument is still rubbish even with that in mind. The difference between James, Internet Historian and Hbomb is that Hbomb never promoted problematic behaviour to his audience. If you promote problematic shit like harassment or misogyny or racism, then yeah, you're absolutely responsible for how your behaviour influences your audience. But that's not what he did. He made it very clear where he stood on those things, literally stating that ''if anyone were to harass Somerton on his behalf they are worse than him and will not see the light of heaven''. He's done his part in making it clear that harassment is wrong, so if someone went out of their way to go against that and harass James anyway that doesn't reflecf on him at all. Also, what the hell do you mean ''hatemobbed'' to suicide? I don't doubt there are people who went to extremes because those bad apples always exist, but most of the things I've seen are valid critisisms, memes and call outs about that guy. If holding people accountable for their actions and poking fun at them a little counts as 'hatemobbing'' (which has Filip calling his critics a ''lynch mob'' energy tbh) what the hell do you call actual hatemobbing then? Do we just let people continue being shitty because calling them out ''damages their mental health'' or ''drives them to suicide'' then? Is that a world you want to live in?
Same thing goes for people like this:
Criticing someone for their objectively bullshit content and wanting them dead are two seperate things. What the actual hell is wrong with you. The plagiarist in question is a person. Those ''harshest critics'' are still people. And because we're people, we care. I'd rather James pump out more plagiarised slop than commit suicide. I'd still hate him for it, but I'd prefer him being alive over the alternative any day. We all do. None of us would sleep easier knowing he's dead just because he wouldn't be ''committing the cardinal sin of putting out a 'pure content mill' video'' because someone taking their own life is horrific-- especially Hbomberguy, how dare you even try to imply that?
And this gets me to the reason I'm furiously typing all this out in the first place: Hbomb is the fucking victim here, so stop treating him like he isn't. He tried making things as right as possible by compensating those that were burned by James through a video where he revealed everything there needs to be known about the guy so that less people fall victim to his actions and lies. To just ignore the harm James was causing while he had the evidence to prove it and platform too big to threaten into non existence should he speak out would've been bad. So he didn't. He did the right thing by sticking with the people James had stolen from, giving them a voice and making them known after they've been scrubbed from the picture by decidedly being uncredited for their works or bullied into silence. He shouldn't have to deal with this for doing the right thing. He shouldn't be labelled a murderer for doing the right thing. He shouldn't have to have the death of a man on his conscience for doing the right thing. People claiming otherwise are obviously wrong, but I can't imagine what all this must feel like right now. Because even tho they're wrong, guilt isn't a rational thing, and I know that if I were in his position I'd still feel like a morally bankrupt individual were the worst to happen even if I knew that it was not my fault. This isn't a funny story. So to add to this dumpsterfire by using it as a prop to bash on a creator you don't like and immediately write Somerton off as dead even when he's not even been confirmed dead yet to do that shows how little these people actually care about the thing they're talking about. They don't care a guy potentially killed himself-- what they care about is using it to paint Hbomb in a bad light because they don't like him. Here they are, posting memes and ill jokes about this very delicate situation while barely a day since the news broke out had passed. It's opportunistic, it's sickening, and literally the exact thing he criticised in his video when talking about 'content mills'. Like, I know none of these clowns bothered to actually watch it, but have some self-awareness. And some shame too, while you're at it.
This long story short: I'm writing this to contribute to the narrative not getting twisted to make Hbomb out to be the villian. Same goes for everyone else. Don't let these people paint them as the villians. If I see another person pull this shit again I will literally bite you and shred you into salad and spit you back out because I hate you so much and I mean that wholeheartedly.
To Hbomb: you will never see this but if you do, take care of yourself.
To the asshats this post is about: Delete your account. Cease all together. Stop talking about this. Just leave him the fuck alone.
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I take issue with this idea of Link just "fucking off" and leaving Zelda completely alone before totk. Not even in just a shipping sort of way either, as close friends and him choosing to remain her knight, that makes zero logical sense? It is completely out of character for him?
Link doesn't ever leave Zelda's side. This is canon. "Fucking off" is just not something he does during peace time when he isn't on a heroic quest and being controlled by the player's whims
That's five times it's stated officially somewhere that he is by her side, and that's only the ones I can immediately recall. Botw's full ending and totk's opening together also show us that. We see them together when the story ends and we see them together when it picks back up in the sequel. At no point is it implied they ever parted.
And can we just remember for a second what happens when he's not there, for even a short amount of time, if she is unable to call upon her abilities and therefore defend herself?:
"Fucking off" is a fantastic way to get her killed. The Yiga worship Ganon, there is nobody they want dead more (besides Link), than the last living member of the royal family. They are also not opposed at all to going into villages. They snuck into Kakariko to assassinate Dorian's wife. We just don't see that reflected in gameplay.
Some people will say "it's just his job" to deny they even have a friendship or growth as characters, but want him to... not do the main part of that? "It's just his job" and "he fucked off to the wilderness" are simply not compatible ideas. Either you think Link is just a completely duty-bound mindless command robot or you think he completely doesn't care anymore about that to the point of endangering the person he's supposed to protect. It can't be both at the same time.
Thankfully, it's implied by the wording of master works, the cutscenes and the jpn version that he wants to protect and support her. That this is what he desires, even when the king is dead and he is immediately given the option to not do so anymore. That he is motivated by wanting to see her happy and safe. I'm pretty sure the only way to get him to stop trying to protect her or following her is death, and he has already proven that twice over.
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Entry to RoyEd Week 2023 August 2nd Day 2 - Soulmate AU
(Edited: Long fic ahead! Also I posted this on ao3 too :> thank you everyone for all the wonderful comments!! I am all giddy over them)
It was already late when they arrived at the Rockbell’s house, where villagers said they could find the Elric brothers if they were not home. The cottage was dim inside, only allowing the faintest trace of dusk to put shape to the helpless boy in the wheelchair, and the enormous suit of armour towering over him.
In the literal blink of an eye, Roy Mustang’s life was turned upside down.
Despite the darkness, Roy saw the boy in foreign vividness that he had never witnessed; colours exploded in front of his eyes like fireworks, rendering him speechless. The boy’s shade was accentuated by a distinct warmth— Roy would later learn the name of the colour that was gold, a pigment that he would come to associate with justice, passion, and everything that was pure and magnificent.
Before arriving at Resembool, Roy had rehearsed his recruitment speech for five different situations, but none of which took the current one into account. For the first time in a long while, he had no idea what to say.
At that moment, assaulted by colours he had yet to know, he only knew one thing— that destiny had cursed this little boy to be attached to him, Roy Mustang. A man who had far more enemies than allies, more nightmares than sleep— more dead than alive.
The boy did not give any visible reaction to Roy’s loud entry into the house, and his aimless eyes had already betrayed his state to Roy.
He could not afford to have a soulmate. Not when his soulmate sat defencelessly like this, deaf to the entire world. Being his soulmate meant putting a target on their back, meant always sleeping with an eye open, meant never finding peace till the day of his death.
He could not, in good conscience— with what little he had remained of it— put his soulmate through what his life entailed. Anyone sane enough would be able to see him from a distance and turn around immediately. Nobody deserved to be Roy’s soulmate to experience what he would inevitably put them through. No one would be tough and yet foolish enough to stay.
Ignoring the nausea this revelation has caused him, Roy bit his tongue and demanded an explanation for the situation instead. He listened, in slowly freezing horror, to the younger brother of the Elrics– Alphonse Elric– explaining how they ended up in their current bodies.
Roy looked at Edward Elric who was missing two limbs, and reminded himself that this young boy in front of him had committed the greatest taboo in alchemy and survived. Then, as if it was not enough, did it again to bargain his brother’s soul back. An improbable, stupid, and lethal decision—yet it was undeniable that he had done the unthinkable and survived the consequences. At such a young age nonetheless, when most alchemists' apprentices were still struggling with the most basic of elements.
Perhaps given time, this boy could grow into someone beyond Roy’s imagination. Perhaps given time, Roy could grow into someone strong enough to shield his soulmate from harm.
And so Roy told him, in an earnestness that surprised even himself, that when he was ready, he could find Roy in East City and Roy would provide him with resources that could put him back on his feet. That it would be a road filled with thorns and danger, but the rewards were worth the risk.
Against his better judgement, Roy had provided his soulmate a choice. Edward could choose to run after him into the shower of bullets and webs of lies, or he could choose to stay in the quiet countryside and never let their paths cross again.
Secretly, Roy wished that his soulmate would choose the latter, wiser option. But he also knew acutely that the world had a morbid sense of humour, and whoever that was tied with him could never have any good sense in them. If fate had decided that they were meant to be, then his soulmate must have been as much of a stubborn fool as him, if not more.
Roy bid the family goodbye, and walked out of the dark shadows of the cottage. He was greeted with an entirely new world, now coloured in radiant hues he could not put words to.
He examined his palm under the flickering street light. He could see his veins faintly under his skin, pumping blood into every corner of his body. It was purple and flesh and red and human. It was warm and colourful and alive.
Remember it, remember what I’ve said, and catch up to me. Roy thought. Those who cannot keep up with me cannot be my soulmate.
I’m putting my faith in you that, no matter which way you end up choosing, our paths will converge, and we shall meet again at a time when you and I are wiser and stronger and unmovable in the face of danger. I’m putting my faith in you that, regardless of the dangers on my journey, you will find me and stay beside me and not be frightened.
I’m choosing to believe, if fate has decided that I’m still worthy of a soulmate despite my sins, then there must still be something redeemable in me, and you must be someone with enough love to love me for the monster I am.
Please find me soon.
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And then Ed surprised him after a year when Roy expected to wait at least 5 more years lmfao
I wanted to play on the idea of “you only begin to see colour once you’ve met your soulmate” and thought VERY hard about how to visualise it without turning it into a long comic. My very stupid, no good brain came up with the idea of putting a colour wheel in the background :> in hindsight it’s very cringe but at that point it was already too late to give up or change it lmaooooo
I also put paint and paint brushes around as decoration which i think is kind of cute ^^ and special thanks to my sister who helped me fix the colouring because my usual way of doing it just… lacks the vibrancy this prompt asks for. She’s a goddess and 192729% better at this drawing business than me.
@royedweek2023
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