#anzac wallace

[mariocki]

The Quiet Earth (1985)

"We might not have been responsible. God may have just blinked."

"God blinked and the whole world disappeared. A world of noisy, brawling, wonderful human beings."

[clemsfilmdiary]

The Quiet Earth (1985, Geoff Murphy)

2/20/23

[swldx]

RNZ Pacific 0519 21 Apr 2023

15720Khz 0457 21 APR 2023- RNZ PACIFIC (NEW ZEALAND) in ENGLISH from RANGITAIKI. SINPO = 45434. English, "The Panel" with Wallace Chapman in progress with call-ins. Ends @0458z, then "Checkpoint" preview until pips and news @0500z anchored by Marama T-Pole. Victims of sexual assault will have greater legal protection with the help of a new law aimed at giving children and adults better support in the courts. The bill, which the government plans to introduce before the election, will provide the courts with greater powers to stop litigation abuse. It will also clarify the process of lifting name suppression in the criminal court and minimise the risk of child sexual assault victims being questioned about consent. Several hundred University of Otago staff may be made redundant and further job cuts are likely as the university grapples with a drop in enrolments. Acting vice-chancellor Professor Helen Nicholson told students in an email the university was considering a number of hard decisions to ensure it was sustainable into the future. Fire and Emergency has admitted it has known for two years about asbestos in its Auckland Central Fire Station, which had to be evacuated on Thursday after dust generated during renovation work tested positive for the deadly substance. Deputy chief executive Sarah Sinclair said Fire and Emergency was unable to say whether contractors were informed of the presence of asbestos nor why firefighters were allowed to stay in the building while renovations were underway. Race Relations Commissioner Meng Foon is in the gun after revelations he gave significant financial support to Labour MP Kiri Allan in the lead up to the 2020 election. Allan is also facing questions over whether she properly declared any conflicts of interest regarding the donations when she was promoted to Justice Minister. Marine invasive species are an ecological and economic threat to Pacific nations, the founder of a New Zealand-based ocean conservation and science organisation says. In New Zealand, Nikitine said the mediterranean fan worm and the Asian seaweed, undaria pinnatifida, were both invasive species. He said in French Polynesia, South African oysters were proliferating slowly. In the lead up to Anzac Day, key locations across the centre of Auckland will glow poppy-red in support of the RSA annual Poppy Day appeal. Sports. @0506z trailer for an RNZ news program @0507z Weather Forecast @0507z "Checkpoint" with Lisa Owen. Backyard fence antenna, Etón e1XM. 100kW, beamAz 35°, bearing 240°. Received at Plymouth, United States, 12912KM from transmitter at Rangitaiki. Local time: 2357.

[randomrichards]

UTU

[yeltsinsstar]

R.I.P. Anzac Wallace

[wiki-bio-age-net-worth]

Anzac Wallace Bio, Wiki, Age, Wife, Family, Death, Net Worth

Anzac Wallace Bio, Wiki, Age, Wife, Family, Death, Net Worth

Anzac Wallace Bio

Anzac Wallace was a New Zealand actor, who attracted worldwide attention despite never having acted before and went on to star in many other New Zealand films alongside well-known director duo Mereata Mita and Geoff Murphy.

Born: 1943 (age 76 years) Died: 8 April 2019

Anzac Wallace was born in 1943 and died on 8 April 2019. He has died at the age of 76. Anzac Wallacewas a New…

[gnashingmyteeth]

Utu (1983)

[mastersvisualjournalmclain]

Hall of Shadows Critical Review Report

Hall of Shadows: An exploration of Australian war crimes and missing information

“I am not going to pass any judgment on the policy of devastating the country. I obey orders, and perhaps it is a wise plan.” 

-RL Wallace, The Australians at the Boer War

WHAT:

Hall of Shadows is a mixed media exploration of war crimes by Australians during conflicts in Afghanistan as detailed by The Brereton Report, an extensively redacted investigation into the deaths of civilians and prisoners. Utilising wet plate collodion tintypes and printed materials taken from digital media, Hall of Shadows focuses on creating a visual mirror to our society to see the far-reaching human cost of these war crimes. The work is about reflecting upon the special operations soldiers who committed the crimes, the political and civil authorities who placed them in these situations on behalf of the civilian population and the media who report on the crimes and the report itself.

The work consists of a grid of 15 wet plate collodion tintype still lifes of toy soldiers in miniature dioramas constructed of wooden blocks, along with four A1 sized newsprint banners in various states of use and disrepair. The tintypes are an echo of, and inspired by, the Hall of Memory at the Australian War Memorial in Canberra, which houses 15 stained glass windows, each with a word that is a quality of Australians at war. The form of the banners was influenced by Chinese hanging scrolls, intended for short-term news and propaganda dissemination. The materiality, plasticity, texture, and imperfections of the toy soldiers I had used as subjects in creating the still lifes for my wet plates was underscored to draw the viewer's attention to in the banners. The banners are images taken directly from the pages of the heavily redacted report overlaid with pictures of plastic toy soldiers.

Both works are meant to evoke reflection in viewers. Where the original stained glass windows are lushly coloured and use a Deco font, the tintypes are monochrome and the words scratched into the surface of the metal. The banners are printed on flimsy, disposable newsprint, and with much of the text unreadable.

WHY:

Australia has an ambivalent relationship with military engagement. The Department of Veteran Affairs (DVA) estimates that approximately 2% of the population are veterans, yet there appears to be a disproportionate emphasis, even a reverence, for military action in popular culture. The large sections of military history and accounts which glamourise the military found in books stores reveals something about the popularity and hunger for information about this segment of our society. But much like sports figures whose poor or inappropriate behaviour is overlooked or excused, soldiers and military action are often elevated to positions above critique or reflection or only examined on Anzac Day then forgotten until the next year.

This work was created in hope of raising some questions for the viewer:

Who am I in relationship to these people and events?

How does my image of this history correspond to lived realities?

What agency, if any do I have relative to these events?

Factors that emerged during the creation of the work included the fact that the greater the temporal distance became between the report’s release (November 2020) and the present, the more of a collective and communal shrug there seemed to be about these crimes and any consequences for those who committed them. This seeming public lack of interest led towards processes and materials that were disposable, recyclable, non-permanent and dismissible, just as the acts which were the genesis of the report and the public response to it appeared to be a part of an ever-churning news cycle. The work was created to be both fixed in history with elements of discard and disposability.

WHO: 

This work occurs and is informed by a number of photographic, artistic, military and societal communities. Photographically, a historical process is employed in the tintypes and more modern, digital-descended processes for the scrolls. The incorporation of text to both sets of images is relative to the work of Duane Michals, while wet plate photography has been employed extensively by Sally Mann. The use of miniature diorama and tableaus akin to David Levinthal’s work using toy soldiers and dolls was an important example of how applying good technical skills to small subjects can heighten the impact of images. His series Hitler Moves East is a slightly  more abstracted work emulating black and white war photographs contemporary to the historical period of 1939-1945.

Returning to the work of Hiroshi Sugimoto and his photographs of diorama’s in museums also proved inspirationally fruitful. Sugimoto’s concept of photographing a faux re-creation of a time, place and event, had significant overlap and relationship to the work in creating the miniature dioramas as backgrounds I was staging seemed particularly relevant to my investigations. Of particular interest and insight is Sugimoto’s observation that “However fake the subject, once photographed, it’s as good as real.” 

Roy Lichtenstein’s pop art, particularly, his work Whaam! seemed to share a print-pixelated, quasi-comic book quality the the scrolls/banners.  While it initially felt that a connection might exist to the disposable aspect of Lichtenstein’s work, these images seemed less satisfying at communicating more realistic figures of the toy soldiers. The hope for more identification with soldier’s as the subject, rather than objectification simply wasn’t achieved, and so a more realist approach was adopted. (Note: the Lichtenstein Foundation’s website seems abandoned at this point and is available only through internet archives. I include his citation in Wikipedia for reference purposes.

Liz Wells observations about the truth or non-truth and historical uses of photography in commenting upon war continued to be a touchstone. Especially her observation about the uses of  photography in establishing and reinforcing communal sentiments about war.  “[T]here are no unequivocally great photographs of war, only those that structure or re-enforce feelings already extant within a particular culture.”

Additionally, the work of Alexander Rodchenko was examined, particularly the shift in his work from documentary photography to its use as propaganda. Rodchenko had good  reason to make this turn: survival. As  the young Soviet state went from photographic and cinematic playground to a more authoritarian state, photographers found ways to either praise Stalin and the new state or perish. In my work I was seeking to neither laud soldiers nor condemn them, but rather, hold up a mirror to the viewer to examine their own conceptions, pre-conceptions and mis-conceptions  about military action and those who carry out the policies of the state, especially in ambiguous environments.

How:

The work was realised through a close reading of the available documents, reflection on my own experience in the Afghanistan theatre of operations, and testing with select trusted voices about the efficacy of whether intended messages were being communicated. This last was a necessary counter-balance to a body of work that was grounded deeply in personal experience. The challenge in this path is getting lost in a personal echo chamber where what seems obvious to the creator is completely unreadable to the viewer. Listening to my supervisor, peers and close friend’s readings of the work was exceptionally helpful in maintaining this balance.

With regard to the wet plates, arranging and mounting the images as a call/response to the sacred and mythological tones of the stained glass windows in Canberra was done as a means to open a door to reflection about their own position relative to military engagement. The limitations and ‘defects’ inherent in wet plates was also a desired element of the work. Just as no plate can be clinically ‘perfect,’ so no military action is without casualties. 

The later-developed hanging scroll banners afforded an opportunity to use their materiality as fragile, disposable objects that, in their physical structure, reflected the ephemerality of the impact of the news cycle on our collective attention span. This, in turn, allowed for them to develop as a seperate, unified work on their own, standing along side, but different from the wet plate works.

  Best practices for health and safety, including mental well-being, were followed throughout the creation of the work. 

Test/Speculative Images:    

Finalised plate samples, prior to mounting & framing:     

  Bibliography

Batchen, Geoffrey. (2004.) Forget Me Not: Photography & Remembrance. 1st ed., New York: Princeton Architectural Press.

Laurent, Olivier. (June 15, 2015.) “A Photographer Turns Real-Life Soldiers Into Toys.” Time. Accessed March 10, 2021. time.com/3911329/a-photographer-turns-real-life-soldiers-into-toys/.

Levinthal, David. (1972-75.) “Hitler Moves East.” David Levinthal. Accessed May 28, 2021. davidlevinthal.com/artwork/hme.html.

Sugimoto, Hiroshi. (1994.) “Diorama.” Hiroshi Sugimoto. Accessed May 28, 2021. www.sugimotohiroshi.com/new-page-54.

Wells, Liz. (2015.) Photography: A Critical Introduction. 5th ed., New York: Routledge.

Wikipedia. (2004.) Hanging Scroll. Accessed May 30, 2021. en.wikipedia.org/wiki/Hanging_scroll.

Wikipedia. (2002.) Roy Lichtenstein. Accessed May 28, 2021. en.wikipedia.org/wiki/Roy_Lichtenstein.

Young, Marnin. (2016.) “Photography and the Philosophy of Time: On Gustave Le Grays Great Wave, Ste.” nonesite.org. Accessed March 18, 2021. https://nonsite.org/photography-and-the-philosophy-of-time/.

Zax, Talya. (2021.) “How Freedom Turned to Propaganda in Soviet Photography.” The Forward. Accessed May 28, 2021. forward.com/culture/322220/how-the-soviet-union-used-photography-as-propoganda/.

[shortlandstreetofficial]

Have you met Mo’s dad on #ShortlandStreet yet? Anzac Wallace joins #ShortlandStreet25 Here is a #BTS with @jarod_rawiri

[magnusmadssen]

Happy Easter from Wellington City Libraries!

Happy Easter from Wellington City Libraries!

We hope you enjoy the long, and hopefully sunny weekend with your friends and family – and enjoy all the yummy Easter eggs and hot cross buns!!

Libraries in Wellington are closed on Good Friday, (Friday 19th April), Easter Day, (Sunday 21st April) and Easter Monday, (Monday 22nd April).

We are open usual hours on Saturday 20th April and after the Easter break.  However all libraries will be closed again on ANZAC Day, (Thursday 25th April.)

We have an amazing collection of books on Easter – both a mixture of craft books and stories that will keep you amazed, entertained and give you ideas for Easter goodies!

Also check out another round of top 5 DVDs to watch over the Easter break!

Enjoy!

Easter.

This book explores the festival of Easter and the story behind it and features six simple origami projects for your own festive fun!

Easter stories by Enid Blyton.

Head off on an adventure this Easter with the world’s best-loved storyteller. From the boy who helps a lamb in trouble to the fairies hidden inside Easter Eggs, excitement and magic are never far away in this collection of stories to read and share.

Pete the cat : big Easter adventure.

Pete the Cat is appointed as an unwitting helper to a troubled Easter Bunny and races to deliver eggs before time runs out.

Santa Claus vs the Easter Bunny.

Santa has it so easy: a workforce of elves to make the presents, a team of reindeer to deliver them, even a hi-spec factory! The Easter Bunny has to make and wrap all the chocolate eggs in his garden shed, and deliver them himself on foot. No wonder you often find them thrown all over the place in your garden! Now Bunny has had enough – he hatches a genius, chocolately plan with unexpected results. 10 minute Easter crafts.

Using readily available, seasonally related materials, this series is packed full of fun crafts for special occasions. The projects are explained in easy-to-follow, step-by-step instructions, and are perfect for teachers looking for original ideas as well as time-poor parents. In 10 Minute Crafts: Easter, children can learn how to make an Easter bonnet, fluffy Easter chicks, a sparkling shower hanging and cute bunny egg cups for their Easter eggs, along with lots of other great Easter crafts for kids.

  A room full of chocolate.

Grace’s fun-loving Mum has found a lump. Her north London world of sleepovers, tap dancing and playing the clarinet fall apart when she is sent to live with her grumpy old granddad on his farm in Yorkshire while her mother goes into hospital to get better. Grace misses her mother so much it hurts, and doesn’t quite understand what is happening to her. And things go from bad to worse when she starts school and becomes the bullies’ latest target. But Grace is no longer alone when she meets Rainbow Girl Megan and her pig, Claude – when she’s with them she feels as if she can confront anything. At Easter time when Grace misses her mum the most, she knows she must find a way to get to London. With Megan’s help, she hatches a plan to run away that involves Claude, chocolate Easter eggs and a risky ID swap. But it’s all worth it if it means that she finally gets to see her mum.

Easter.

Learn about the diverse and vibrant festivals that are celebrated around the world. This series encourages children to consider religious beliefs and cultural practices via easy to read text and informative, full colour images.

Top 5 DVDs to watch over the Easter Break!

The Nutcracker and the four realms.

In search of a key to unlock a box from her late mother, Clara finds her way into a mysterious parallel world. She teams up with a soldier named Philip in order to brave the Fourth Realm to find the key and return harmony to the unstable world.

Hotel Transylvania. A monster vacation.

The monster family embarks on a vacation on a luxury monster cruise ship so Drac can take a summer vacation from providing everyone else’s vacation at the hotel. It’s smooth sailing for Drac’s Pack as the monsters indulge in all of the shipboard fun the cruise has to offer. But the dream vacation turns into a nightmare when Mavis realizes Drac has fallen for the mysterious captain of the ship, Ericka, who hides a dangerous secret that could destroy all of monster kind.

A wrinkle in time.

Although he has been missing for several years and the entire town thinks her father has abandoned her family, Meg steadfastly believes the best and protects her younger brother, Charles Wallace, from the brunt of the rumors and taunting. It is he, however, who convinces her to join him, the school sports star Calvin, and three unusual women on an interplanetary voyage to rescue their father from a vast evil.

Christopher Robin.

The young boy, who loved taking adventures in the Hundred Acre Wood with a gang of spirited and lovable stuffed animals, has grown up and lost his way. Now it is up to his childhood friends to venture into that world and help Christopher Robin remember the loving and playful boy who is still inside.

Coco.

Despite his family’s generations-old ban on music, Miguel dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector, and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

Happy Easter from Wellington City Libraries! syndicated from https://paintballreviewsgun.wordpress.com/

[clemsfilmdiary]

Utu (1983, Geoff Murphy)

2/18/19

[tones09]

Hall of Fame: Sheedy a legend, Scarlett, Neitz head class of 2018

A Tiger, a Bomber, a Giant, and now a legend. The Australian Football Hall of Fame has its 28th legend in Kevin Sheedy. Arguably football's greatest innovator, Sheedy was elevated to legend status in Tuesday night's Australian Football Hall of Fame ceremony. Sheedy made his mark on the game as a three-time premiership player with Richmond before coaching Essendon to four flags.

KEVIN Sheedy has become the 28th Legend to be inducted into the Australian Football Hall of Fame. Separate to his glittering contribution as a player and coach, Sheedy led some of the biggest innovations in the game, including the Anzac Day blockbuster and the Dreamtime at the 'G clash between the Tigers and the Bombers. He is also credited with leading the charge to recruit strongly from the game's indigenous talent. Sheedy's chapters in football folklore are as colourful as they are plentiful. From waving his jacket after a win against West Coast in 1993 or referring to umpires as 'Martians' to avoid copping a financial sanction for criticising the umpires, Sheedy was never far away from the headlines. Behind his eccentric demeanour, though, was a genius at work, as evidenced by his four flags during his time at the helm of Essendon. Dubbed a 'back pocket plumber' by-then Richmond coach Tom Hafey, Sheedy's hard-nosed approach was integral to the Tigers claiming the ultimate prize in 1969, 1973 and 1974. He featured in the yellow and black on 251 occasions before enjoying a 669-game coaching career at the Bombers and the Giants. Sheedy led the Dons to premiership glory in 1984, 1985, 1993 and 2000 before finishing up there in 2007 after a 27-year stint. "Only two people in the world did 27 years: Nelson Mandela and myself," said a typically deadpan Sheedy. He was appointed to the head role at Greater Western Sydney in 2012, partly due to his marketing abilities, and will forever be remembered as a revolutionary. Six players were also inducted into the Hall of Fame in Tuesday night's gala ceremony at Crown Palladium in champion Geelong defender Matthew Scarlett, Carlton great Wayne Johnston, Hawthorn and Footscray star Terry Wallace, Melbourne stalwart David Neitz and West Australian icons Mel Whinnen and Bernie Naylor. Scarlett flipped the script when it came to playing in a key defensive post. He racked up possessions at will and drove the champion Cats out of defence. So profound was his influence, opposition coaches would often send a man to Scarlett in an attempt to nullify his the playmaker's influence. It rarely worked, though, with Scarlett earning All Australian honours six times across the course of his 284-game career. A central figure in Geelong's triple premiership team of 2007 to 2011, Scarlett arrived at Kardinia Park as a father-son selection after his dad, John, also represented the club. Arguably the most famous moment of his decorated career was that toe poke in the dying stages of the 2009 premiership decided, when the Cats edged out St Kilda in one of the greatest Grand Finals of the modern era. "I'm still not sure why I did it. The ball was sitting up. I could've just grabbed it and handballed it off. Luckily enough, it went to a great player (Gary Ablett)," said Scarlett. His will to get the better of his direct opponent ensured he would go down as one of the best defenders of his era. "I was a little bit competitive at times. I loved playing on all the great forwards," Scarlett said. Neitz did it all, except raise the cup on the last Saturday in September. He played more games for the Demons than anyone else in the club's history and holds the record for most matches as Melbourne captain (175). Melbourne has had just the one Coleman medallist in its long history in Neitz who claimed the honour after kicking 75 goals in 2002. The heart of the Demons, Neitz - who started out his career as an athletic defender - will be remembered for his physical presence as much as his versatility. Among the incidents for which he will be remembered is a bruising and legitimate bump on Hawthorn's Luke McCabe in round one of the 2002 season that left the Hawk with a broken collarbone. The Dees were coming off a disappointing 2001 season and Neitz, who was captain by that stage, sent a message to his team mates of what was required that would remain with them throughout the season, which ended in a return to September action. Johnston entrenched his name in football history with his exploits in September, stepping up in key moments on football's biggest stage. Bestowing upon himself the nickname 'Dominator' during a night out with team mates, Johnston lined up in 209 games for the Blues. Johnston's appetite for the contest, hard-running and ability to play either in the midfield or up forward helped Carlton claim four premierships in nine years. No player in WAFL history has won more than Whinnen's nine best-and-fairest awards. A centreman, Whinnen played 371 games for West Perth. He was elite at evading would-be tacklers and would help West Perth win four premierships and was awarded the Simpson medal as best-on-ground in the 1975 decider. Wallace is one of football's great success stories, moving to Hawthorn from VFA side Camberwell for a 'set of steak knives' in a deal for Hawk Gerry McCarthy. Given the moniker 'Plough' for his unrelenting determination as an inside midfielder, Wallace went on to play 254 games. He won three premierships and two-best and-fairest awards with the Hawks, before crossing over to Richmond then Footscray, where he capped off his career with a further pair of best-and-fairests. Wallace's dedication to his craft was before his time in an era when players had a job outside of football. "I actually dedicated myself, for about a five-year period, to just playing," said Wallace. "The early part of the week was 100 per cent about recovery, getting yourself right, deep water running and doing all those sorts of things. Later in the week, working on extra running sessions, extra weight sessions to be able to get myself up." Wallace would go on to coach the Western Bulldogs for seven years, guiding the club to two preliminary finals appearances, but never capturing the holy grail. He then had a 99-game coaching stint at Richmond before turning his hand to the media, where his love for the game is apparent. West Australia's answer to John Coleman, Naylor kicked 1,034 goals in just 195 matches for South Fremantle. Naylor's speed, marking ability and capacity to convert from any angle helped him star. Despite once kicking 23 goals in a game in 1953, including 12 in a quarter, Naylor was an unassuming character. "We've been waiting for this for a long time and it's just a privilege and an honour," his daughter, Anne Lemmone, said of Naylor who died in 1993. "He was just a sportsperson that didn't speak a lot about his accomplishments." Read the full article

[wavenetinfo]

Posted May 25, 2017 10:10:06

Johnathan Thurston has been ruled out of State of Origin I because of his shoulder injury, with the Queensland Maroons making the call on his availability earlier than expected.

Thurston had been named as the Maroons’ 18th man when the squad was announced on Monday, with selectors looking to give the veteran playmaker as much time as possible to prove his fitness.

He has not played since injuring his shoulder in the Anzac Test in Canberra on May 5.

The decision to rule Thurston out of next Wednesday’s Origin opener at Lang Park confirms Anthony Milford will start at five-eighth for the Maroons.

“I’m devastated I won’t be playing next week, but the call needed to be made and it’s the right decision for the team,” Thurston said in a statement.

Thurston, who had been aiming to make his 37th consecutive Origin appearance, backed Milford to rise to the occasion in his Maroons debut.

“He’s a dynamic young player and I’m sure he will grab the opportunity with both hands and put in a performance that all of Queensland will be proud of,” he said.

Thurston will remain with the Maroons squad on the Gold coast to help Milford with his preparations.

“It shows a lot about Johnathan’s character, and what this team means to him, that he’s prepared to move on quickly and get behind Anthony, myself and the rest of the team during such a tough period,” Maroons coach Kevin Walters said.

“We knew Johnathan was going to be up against it, but because he has been such a great player for us over many years, we strongly believed he deserved to have that chance to prove his fitness.”

Jarrod Wallace has been added to the Maroons squad as the official 18th man following Thurston’s withdrawal.

Topics:

state-of-origin,

rugby-league,

sport,

nrl,

brisbane-4000,

sydney-2000

25 May 2017 | 12:10 am

Source : ABC News

>>>Click Here To View Original Press Release>>>

(adsbygoogle = window.adsbygoogle || []).push({}); May 25, 2017 at 06:40AM

[gnashingmyteeth]

Utu (1983)

[ykaoii-blog]

Watching The Quiet Earth Online

The Quiet Earth movie download

Actors:

Bruno Lawrence Norman Fletcher Pete Smith Alison Routledge Tom Hyde Anzac Wallace

Download The Quiet Earth

The government researcher wakes up. IMDb - The Quiet Earth (1985) Director: Geoff Murphy. . Netflix - Watch The Quiet Earth After surviving the apocalypse, scientist Zac Hobson (Bruno Lawrence) faces a dangerous and uncertain new world in this thriller. The Quiet Earth - Rotten Tomatoes Review: In a tour-de-force sci-fi story with only three main characters, Kiwi director Geoffrey Murphy creates an interesting dynamic nuanced with shades of... The Quiet Earth - Wikipedia, the free encyclopedia The Quiet Earth is a 1981 science fiction novel (ISBN 0-340-26507-8) by New Zealand writer Craig Harrison. The "last man on Earth" sci-fi sub-genre is reasonably well represented by director Geoff Murphy's The Quiet Earth , a 1985 film from New Zealand that earned plenty. Actors: Bruno Lawrence: Zac Hobson Alison Routledge: Joanne Pete Smith: Api Anzac Wallace: Api's Mate Norman Fletcher: Perrin. The Quiet Earth (1985) - Overview - MSN Movies In a tour-de-force sci-fi story with only three main characters, Kiwi director Geoffrey Murphy creates an interesting dynamic nuanced with shades of mysticism. The Quiet Earth (film) - Wikipedia, the free encyclopedia The Quiet Earth is a 1985 New Zealand science fiction post-apocalyptic film directed by Geoff Murphy and starring Bruno Lawrence, Alison Routledge and Pete Smith as. Quiet Earth Strange sound and vision from here to the end of the world. When. Starring Bruno Lawrence, Alison Routledge - In a tour-de-force sci-fi story with only three main characters, Kiwi director Geoffrey Murphy creates an interesting. The novel was adapted into a 1985 New Zealand science. Amazon.com: The Quiet Earth: Bruno Lawrence, Alison Routledge. The Quiet Earth | Moviefone - Movies | Movie Times | Tickets. The Quiet Earth Wtf-film: cult cinema and video reviews Celebrating the good, the bad, and the bizarre since 2003

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