VINNY APPICE On The Legacy Of DIO's 'Holy Diver': 'The Word 'Can't' Wasn't In The Vocabulary'
VINNY APPICE On The Legacy Of DIO’s ‘Holy Diver’: ‘The Word ‘Can’t’ Wasn’t In The Vocabulary’
VINNY APPICE On The Legacy Of DIO’s ‘Holy Diver’: ‘The Word ‘Can’t’ Wasn’t In The Vocabulary’
VINNY APPICE On The Legacy Of DIO’s ‘Holy Diver’: ‘The Word ‘Can’t’ Wasn’t In The Vocabulary’
Read the full article at Blabbermouth! https://www.facebook.com/233748106643860/posts/5833168880035060
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Have you noticed how much Goncharov fic is femslash? it's a lot. the whole phenomenon is wonderful, but this is probably the most fascinating thing about it (to me, at least)
I have noticed, and it is fascinating! To update some of my Goncharov stats from 3 days ago, now that the AO3 fandom presence has grown from 40 to over 500 fanworks (!!!):
With those smaller numbers a few days ago, I was really just goofing around (you can't conclude much about which ships are "winning" with only 40 fanworks, but I wanted to contribute some fun graphs to the Goncharov phenomenon anyway). Now that there are so many works, femslash is clearly leading the fic world, even though a lot of the meta and articles I see people sharing primarily mention the Andrey/Goncharov homoeroticism.
This is really interesting, and I wonder what all is driving it. Do the actors who play Andrey & Goncharov not speak as much to slash fans as the actors who play Katya & Sofia? is it the particular scenes that the women characters are in that speak to the fans the most? Was there some particularly inspirational early F/F fic or fanart that spurred more? Are "imaginary canons" (such a goofy genre name!) more likely to generate more femslash than other canons? And/or are there other reasons? Would love to hear theories.
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Round Two
Asia
Defeated opponents: Tesla
Formed in: 1981
Genres: Synth rock, art pop, prog rock
Lineup: John Wetton – lead vocals, bass guitar
Geoff Downes – keyboard, vocals
Steve Howe – guitars, vocals
Carl Palmer – drums, percussion
Albums from the 80s:
Asia (1982)
Alpha (1983)
Astra (1985)
Aurora EP (1986)
Propaganda:
Dio
Defeated opponents: Dog Police
Formation: 1982
Genres: Heavy metal
Lineup: Ronnie James Dio- vocals, keyboards
Vinny Appice- drums
Jimmy Bain- bass, keyboards
Vivian Campbell- guitar
Albums from the 80s:
Holy Diver (1983)
The Last in Line (1984)
Sacred Heart (1985)
Dream Evil (1987)
Propaganda:
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BLACK SABBATH
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Friday, April 12: Dio, "Breathless"
R.I.P. Ronnie James Dio (1942-2010), Jimmy Bain (1947-2016)
Ronnie James Dio sang with two major acts before striking out on his own, but the success of Holy Diver gave him license to fully unleash his id on The Last in Line. And while the second Dio album was mostly a logical continuation of its predecessor, there was enough randomness generated by the man going all-in on his preoccupations and tics that something like “Breathless”, which began with a simultaneously bluesy and gnarled Vivian Campbell riff before Ronnie barged in with “No No No No No!!!”, stood out in all sorts of ways, not all of them good. The track was a rocker driven by Vinny Appice’s blocky percussion and Jimmy Bain’s bass, with Campbell’s guitar more like window dressing (certainly a point of contention for the increasingly malcontent future Whitesnake and Def Leppard axeman), though of course there was no suppressing the power and passion of Ronnie’s growl, even if one was rarely sure about what he was really going on about. “Breathless” was awesome and ridiculous in equal measure, and nobody would expect anything less from prime Dio.
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"what if there was a monster coming after you in the woods" not as scary as "what if there was a man from new jersey with a weapon running at you full speed (also in the woods)"
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Vanilla Fudge - Mark Stein
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John. 🩵⭐️
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Super 7 is adding Dio to its ReAction Figures line with 3.75" retro-style toys of frontman Ronnie James Dio (with microphone) and mascot Murray (with chain). Ed Repka designed the backer card art (pictured below). Due out in July, they’re available to pre-order for $20 each.
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Jeff Beck performing with ‘Beck, Bogert & Appice’, April 1973, by David Redfern. Credit the photographer if reposting.
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