#arc: impel down

[everyroronoazoro]

straw hat gang drawn by Ponio from Aichi!

[andaniellight]

intergenerational equity or something..........

[summershouto]

todays edition features lots of nami because she is endlessly relatable to me and I love her more than anything

[eclown4hire]

RORONOA ZORO, THE FUTURE WORLD'S GREATEST SWORDSMAN

[beaulesbian]

Luffy & Zoro in Wano || One Piece ep. 897

[grumpyelf]

i just finished the impel down arc so have some of my favorite buggy screenshots from it. #1 cringefail loser

bonus :o) faces:

[aimbutmiss]

Just finished marineford with my mom. She cried (I did too) but that's not the point of this post. What I wanted to share was actually me telling her about the crocodad theory and she was INSTANTLY on board.

She was like "he must have had a love affair with Dragon 😏" and I didn't even say anything she just started shipping dragodile on her own.

Anyways that's it. I just think my mom is iconic.

[mugiwaraluv]

Too bad the former Emperors didn't see this to know these are the same beings that beat them

Luffy & Buggy:

And they're enemies 💀

[monthlymanga]

One Piece moments in my gallery that left me devastated

Some are understandable others might not be to y'all

Seeing Chopper in this state - ch.143

Tom's speech about loving your creations, bc at the very least if you don't love the things you make, who will? - ch.356

When Merry spoke her final words - ch.430

Brook regaining his will to live - ch.489

The beginning of their separation - ch. 512

Bon Clay in impel down - ch.536

Whitebeard and his fatherly love - ch.563

Whitebeard and Ace - ch.573

Universally agreed most devastating scene - ch. 574

The abducted kids from Punk Hazard - ch.688

[tinycurlyfry]

Thinking about how Buggy and Shanks parallel Zoro and Luffy but if Luffy dropped his ambitions. The agreement between Zoro and Luffy was that Zoro would follow Luffy, be his first mate, be his swordsman, the first member to join his crew and set sail to achieve Luffy’s dream of being Pirate King IF Luffy never got in the way of Zoro’s dream of being the Strongest Swordsman in the world.

Buggy and Shanks were “apprentices” to Roger (and really more or less they were his sons). They were learning from Roger and learning what being a pirate SHOULD BE. So as apprentices, it would go without saying (at least as far as Buggy is concerned) that that means they need to be the ones to carry Roger’s Legacy. That they should be the ones to get their captain’s treasure and carry out what he wanted for the world. We see it in what Buggy is CURRENTLY doing. That he wants to inspire people to achieve their dreams. Crocodile sees piracy as a business, and Mihawk sees his position as a power pirate as a means to live a peaceful, lazy life where no one would dare bother him. But they don’t have the  ROMANTICISM of a dream anymore. And all those years ago Buggy heard Shanks say he was no longer throwing himself into the romanticism of pirating and adventuring anymore. He’d be a pirate sure, but there was no drive, no DREAM behind it anymore. 

And then he asks Buggy to still be a part of his crew. I can only imagine what that request must have felt like to Buggy. For Shanks to tell him “I won’t be the pirate king you saw me as. I’m not seeking any dream. But come be a part of my mediocracy. Just settle for less, Buggy.”

Now of course, Shanks still went and became a HUGE big name pirate. One that achieved Emperor level. But in that moment? In that moment it felt like Shanks was asking Buggy to give up on his dream, settle for being a pirate simply to be a pirate, and betray what they had learned from Roger.

Luffy was never going to get in the way of Zoro’s dream. Zoro’s desire was Luffy’s desire and vice versa, because as they said themselves in the show- the pirate king shouldn’t have anything less than the best swordsman on his crew. But Buggy’s desire was not Shank’s desire. I’d argue it probably still isn’t! I know Shanks is now making his move for the One Piece, but I honestly don’t know that that is his true objective. I think he thinks his place is to BE THERE when the battle for the One Piece happens. He placed a bet on the new generation and he is going to be there to see that bet come to fruition.

And I think part of that conversation between Shanks and Buggy was how they were each grieving. They had both lost a captain, but also a father.

But Buggy has not given up. His own dream was rekindled this most recent chapter (yes partially because he believes Shanks finally wants to be pirate king too), but partially because he finds himself SURROUNDED by people who know longer believe in the child-like wonder of adventure and treasure and the DREAM of becoming PIRATE KING. I think Buggy HAD also given up down the line. I think we saw a Buggy who’d lost his way at the beginning of the series. I do think Buggy doesn’t have the... best morals... But whether it’s intentional or not Buggy is not who we saw at the beginning of the series and he’s rallying so many people under him, and giving them sanctuary, and honestly? Reaching a king’s status to so many people. 

But honestly? If Luffy suddenly went “You know what? I’m happy with what I’ve got here. I don’t need to be pirate king anymore. We don’t need to get the One Piece.” The Straw Hats would be SO LOST. Sure maybe they wouldn’t all get immediately angry or upset as Buggy had and asked “Well, what DO you want then?” But they are a crew made from the collection of DREAMS. And everyone’s dream is their own dreams. Zoro’s ambition became Luffy’s ambition, but that would never had happened if there was even a small chance that Luffy would be satisfied with anything that fell lower than reaching their dreams.

All this to say I’m proud of Buggy and support him as Leader of Cross Guild LMAO I hope he continues to fail upwards.

[eroguron0nsense]

The Mysterious Mysteries of Mr Sir Crocodile (Character Analysis)

(Apologies in advance for discrepancies from my usual tone and for holding off on everyone who voted for this on my last poll. Honest to God I hope y'all enjoy this in some capacity because I've been procrastinating on this meta so long it's derailed ALL my other One Piece writing and I only accomplished it through addy-fuelled mania)

This was such a fucking pain to write. I really wanted to say something about Crocodile and what makes him so fascinating that wasn't like, another fan theory or just a set of headcanons, but that's easier said than done?? We could boil it down to immaculate design, screen presence, attitude, or just the fact that he got brought back as an unlikely ally who shocked everyone by saving the protagonist, but I don't know that those factors in and of themselves make for a villain who's become such an object of fandom obsession.

Whatever it is, it's certainly not backstory or depth, because 24 years and hundreds and hundreds of chapters after his introduction, we still know nothing about Sir Crocowani's past beyond a vague confrontation with the Late Great Edward Newgate (that apparently like, ruined his dreams or something?), and some totally-not-just-a-threat-to-out-him-if-he-betrayed-the-alliance blackmail material the Queen of the Queers is holding over his sandy reptilian ass. I was born and grew into adulthood in the time it took Oda to tell the world fuck all about where he's from or his inner thoughts, or his actual honest motivations and traumas.

All we have about this character are questions. Why did he save Luffy and Ace –very conspicuously after both of their lineages were revealed to the world– against all logic and reason? Does he have ties to the revolutionaries? Is he the long-lost son of Rocks D. Xebec? Did he bounce on Comrade Dragon's Monkey D and squirt out the fucking Warrior of Liberation? I assume Oda's going to tell us more about him, but at this point, he's managed to keep a tighter lid on Sir Crocs, Inc.'s past than the fucking Secret History

You may be wondering, dear reader: what the fuck is my point? What is there, at this final stage of Long Running Pirate Manga, for me–Frankie EroGuroNonsense, OP Tumblr Community Z-lister with like, 7 mildly popular meta posts under my belt–to write about the legendary Sir Krokorok that hasn't already been said or theorized? What eagle-eyed observations did I make while rereading Alabasta and writing toxic Crobin fanfic? Am I going anywhere with this? Sorta. Yeah.

Let's start with listing things we actually know about Crockpot, in roughly chronological (??) order: –attended Gol D.'s execution way back when he was my age, along with anyone else who's anyone from his generation.

–At some point, met and was known well enough by Iva that she could effectively blackmail him

–Made it far enough on the Grand Line, somehow getting to the New World, and managed to pick up an 81,000,000 bounty (low end for a warlord, presumably scouted fairly early in his career)

–Wanted to be Pirate King until he gave up on it, not 100% explicitly confirmed but most likely due to getting his ass beat so badly by Whitebeard that he settled for picking off small fry and racketeering behind a government desk job. This makes him profoundly relatable to the rest of us depressed fucking losers who acquiesce to our own mediocrity.

–At 30, after presumably licking his wounds for a hot minute, sets up shop in Alabasta, comes up with a clever evil plan to quietly build up enough arms to conquer the world with a WMD, and then gets his years-long bioterrorist coup attempt foiled by a 17-year-old.

The rest we know: after a brief moment of glory as the unsung MVP of Impel Down/Marineford, he immediately reverts to Failguy Mode, gives all his money to a literal clown, and consequently gets roped into the neverending uncontrollable PR nightmare that is Cross Guild. It's still super vague and we know little to nothing about his past before the Alabasta Saga (for all we know he had a fling with King Cobra)

...Onto his personality and mannerisms. This shit's a lot more revealing. Superficially, he's everything: immaculate Bond villain levels of charismatic villainy, unbelievably ostentatious, dripped out like a Pimp, constantly smoking cigars, absolutely dripping with smugness and grease and disdain. Owns exotic pets and a giant casino, and spends every waking moment either grinning like a maniac when he's got the upper hand or storming around in a fucking mood when anything goes mildly wrong.

He's also pretty hardened underneath all that, obviously couldn't have lived a day on the grand line or survived Impel Down Torture otherwise. But even in Alabasta, Crockery gives off an air of being distinctly more grounded and willing to get his hands dirty than other flashy, established villains who flaunt their wealth and status. A big part of it is just his really hyper-masculine indomitable tough guy persona, but even early on he's very much micromanaging his operation, fighting people hand to hand in (as opposed to, say, Doffy, who literally puppeteers people while lounging around) and makes a point to keep almost all of his followers at a distance and rely on them as little as possible. He rants a bit about how dreams and whatnot are pointless follies, as One Piece antagonists tend to do, and repeatedly taunts Vivi about how her idealism can't save her, but with the context that he wanted to find Laughtale himself, it feels a lot like projection.

The character trait that's harped on a LOT in canon, and probably the most pertinent one to whatever demons he has, is Croconaw's profound pathological distrust for everyone around him. It's a huge part of what makes him a good early foil to the Nefertari family and the Straw Hats, whose collective strength is derived from organic human connection; Crocalor, by contrast, makes sure that up until the very last moment, he keeps most of his people so distant from him that they genuinely have no idea he's even their boss. His relationship with Robin is interesting, but he turns on her immediately when he realizes she either can't or won't give him the location of Pluton and has his dramatic stabbing/"I forgive you" lines about how he never trusted her or anyone from the start. He says the same shit to Mihawk when he suggests they join forces, even citing their mutual distrust as a kind of paradoxical justification for why they'd actually work well together.

Arguably the only exception is Daz Bones, but even that relationship is still a pretty reserved one; one of the few traits Daz exhibits is a similar avoidance of human connections to his boss and even though they've ironically formed a bond despite it, I can't imagine that they're emotionally close. I find these more explicit declarations of paranoia a lot less indicative of what's actually going on in Croconut's head than subtext, but I feel inclined to mention them just because it more or less tells us that his background/trauma has something to do either with betrayal or alternatively just being jaded and deprived to the point of self-isolation.

Krookodile's character gets a little bit more interesting when we get to see him again in Impel Down being a smug little manipulative rascal right up until he gets blackmailed by his endocrinologist, which is definitely medical malpractice but also funny as hell. I also appreciate that literally the first thing he does after getting out of his cell is change into a big coat and cravat to keep up appearances, but it's not until Marineford proper that things get really complicated. Saving Luffy and Ace is the first selfless thing we see Crobat do–while yelling at Luffy that he needs to protect what matters to him properly, no less– and he just keeps fighting for them after that, teaming up with his most hated rival crew to cover Luffy's retreat and telling the entire WG to go fuck itself multiple times over. He fights everyone on sight with no regard for his own safety, talks mad shit to Doffy, and demonstrates a genuinely compelling amount of honest to god chivalry.

For a short time, we see Crocomotive less as a really entertaining cartoon villain and more as a person with hidden, profound emotions and a confusing moral code that's seemingly incompatible with the vicious little creature we met in Alabasta. We come to understand, in a few very brief lines that give us way more questions than answers, that Cromagnon has deep-seated, emotional convictions he actively suppresses, and that whatever baggage he has is probably tied to wanting to or failing to save something of his own. His resentment of Newgate, who he really really wants to have a go at (despite theoretically no longer caring about the ambitions of his youth) is indicative of a desire to revisit the fight that probably ruined his dream and ego, but it's also tinged with a deep-seated grudging respect for a living legend.

Crock–Afire Explosion's obvious seething hatred of Doffy also gives us a few more insights into what's wrong with him. On a surface level, it makes sense that he dislikes a profoundly obnoxious, even flashier fellow warlord who achieved more or less the same goal he set out to in a shorter time, fucks with his business, and then mocks him/tries to recruit him right after his very public defeat and imprisonment. He postures a lot, especially with his lines insisting he's on a higher level and that Doffy could only ever join him as a subordinate, but he's visibly steamed in their initial encounter and clearly hasn't liked him for quite some time. I bring this up because if we stretch our interpretation a little (for the sake of my argument), Croc Holliday's distaste for someone who's (outwardly) so much like himself and embodies all of his villainous characteristics from back in Alabasta might also suggest that deep down, he doesn't actually like the things they have in common; he sees right through Doffy because he's done the same shit and he hates what he sees.

Having gone over all that, I've come up with some key characteristics of Crocomelon that I'll use going forward:

–Extremely performative: puts an ungodly amount of energy into maintaining a carefully curated persona, and projecting a certain amount of power, masculinity, and prestige. Not necessarily an unnatural or inauthentic one, but a constructed and purposeful one nonetheless

–Deep-seated paranoia, hidden secrets; probably intertwined. Keeps personal details on tight, tight lockdown, probably afraid of being known.

–Constant projection of his own insecurities and failures onto other people, making a point to be uniquely cruel in Alabasta to an idealist who loves her people and a dreamer who wants to be the Pirate King.

Ironically, he demonstrably respects and defends two people–Luffy and Whitebeard–who theoretically embody everything he hates or scorns (ambition, goodness, love, connection, romanticism, greatness in the traditional sense) and he intensely dislikes the villain most like himself, or at least the one who shares a lot of his worst characteristics (ostentatious manipulative scheming rat bastard backed by people stronger than himself) –The Grinch's heart grew three sizes at Marineford because of like, the compelling power of brotherly love and reminders of his youth or something

SPECULATION, CONCLUSIONS??

The difficulty with writing anything definitive about Crocko's Basilisk is that he's such a mystery, which functionally lets the fanbase project literally whatever weird personality traits, potential backstories, or anything else they could possibly come up with onto him. So I want to be clear that I have absolutely no interest in theorizing about the specifics of his past or secret identity or potential baby daddy or anything along those lines; I'm only interested in what we can infer about his personality by extrapolating from canon. And the conclusion I keep coming back to, the one that I'm convinced is true on some level, is that Crocodile is living a lie and he fucking hates himself. Everything he does, from how he acts to what he claims to believe, is a desperate effort to cope with his own insecurity and failure and cover up a past version of himself he's deeply ashamed of.

Now, unfortunately, Oda did not conceive of Crocodile as a trans man but stories belong to the people and we can do what we want let's forget about that and play it straight because he's constantly performing gender as a means of compensating for a deep-seated shame and self-loathing from whatever traumas and secrets he keeps hidden. Even assuming he's a cis man, he deliberately chooses a hypermasculine persona with a Capital V Villain moniker and pimp outfit and speech pattern he's carefully curated to project masculine power–physical, political, and financial–and we know it's performance because we see him break kayfabe and get legitimately fucking angry whenever he's confronted by a person like Luffy, who's crazy and brave enough to try and do what he couldn't and risk everything for love and hope that he cannot bring himself to feel for another person, or reminders of the past he tries so desperately to bury.

The lessons he's wrongfully obtained from his past are as follows: Idealism is a weakness. Dreaming is a weakness. Connections to other people and being known are crippling liabilities (If he is, in fact, trans and closeted, that's all the more reason to be existentially disgusted by what he used to be). All the hope he brought to the Grand Line, all the excitement of trying to carry on where Roger left off, needs to be purged and buried because all he got to show for it was loss and humiliation. But he can't stop wanting more, and ironically, after he gives up on conquering the Grand Line, he ends up chasing the same fucking poneglyphs and weapons because his ambition's still there; it's just compromised and much more jaded.

Everything he does that's seemingly contradictory makes sense when you realize that Crocodile resents his failure and wants to avenge himself. He makes a big show of talking down to Luffy and Vivi's petty ideals and shit-talking Newgate and his family, but he still wants to fight Whitebeard like he did way back when and help Luffy protect what matters to him. He hates Doffy, who's honestly just a more successful schemer than he is because it's a constant reminder of what he settled for when he took that warlord post and fucking gave up. He claims to trust no one, but he keeps Daz by his side and rewards his loyalty because he can't help but trust someone who respects him so deeply and follows him to the ends of the fucking earth long after losing the material incentive to do so. He claims to look down on people who aim for the stars and fight for love and joy and freedom and yet, in his most vulnerable moments–not in the face of violence or imprisonment, but when he's emotionally compelled to defend a child and help save his brother–we see how badly he wants that for himself.

TLDR: Crockman Holic is deeply insecure in his masculinity, desperately needs psychological help, and his character/potential redemption arc in One Piece is just dealing with his midlife crisis.

[everyroronoazoro]

fun new style

[maximumqueer]

An aspect of Luffy as a character that I don't think gets talked about enough is the way in which he makes alliances with potentially questionable individuals (Law during Punk Hazard) or temporary truces with antagonists form previous arcs (Rob Lucci during Egghead.)

Because it would have been so easy to just have this aspect of Luffy's character be a result of him being too trusting. But it's not that. Luffy doesn't necessarily believe that the aforementioned people are going to keep their promise to him, even if in that moment he takes their word at face value. His trust instead lies in the belief that him and his crew are fully capable of handling any potential betrayal of an ally (temporary or otherwise) if they do end up going back on their word. He is fully willing and ready to beat the shit out of a former ally if the situation calls for it.

And what I love about this is that we have a example in Impel Down where Luffy is forced to actually contend with the potential fallout of a betrayal in the form of him freeing Crocodile. Luffy doesn't have the benefit of his crew in Impel Down to help with the fallout of Croc turning against him, nor does he have the time to simply deal with Croc himself due to them needing to get to Ace by a certain time. And yes, part of Luffy's hesitance is due to him hating Croc for what he put Vivi through, but I also interpret it as Luffy not having the benefit in that moment of making his usual reckless decision of working with a person that can't fully be trusted and simply dealing with the (potential) fallout of that later. Because he is alone (in the sense that he does not have is crew and is instead being aided by people he only recently met). And while he does end up freeing Croc, it was in no way an easy decision on Luffy's part, and definitely not one he was happy with making.

I just really love these type of aspects of Luffy's character. Because on the surface it just reads as a typical "dim-witted" shonen protag who maybe trusts in people (antagonists) a bit too much, but when dug into a bit more, it upholds the themes of community and found family of the series. Because it is heavily implied (if not just outright stated) that Luffy's willingness in making these reckless alliances is - in part do to trust in his own strength, yes - but more importantly in the strength and judgement of his crew.

(it's also just funny to see the "too trusting" trope subverted in a way that has the protagonist be ok with dubious alliances not because he trusts them implicitly, but because he and his friends can just beat the shit out of them if they do end up betraying them)

[biscuitboba]

Had some thoughts about impel down arc

Like, i can't help but to think about impel down arc when bon clay changed their appearance to appear as zoro, like WHAT WAS THE REASON??? They could've easily impersonated usopp or chopper (them two plus luffy being the only SHC who were immediately impressed with bon clay's ability back then), or heck maybe even sanji (cuz of the meaningful fight between the two of em), and maybe even nami (cuz.. woman<3), but nope, bon clay decided to go and roll with zoro.. and honestly i can't figure out why? Lucky random choice perhaps??

(Like yeah maybe it actually ain't that deep, but then again, i overthink pretty much everything)

Also, please take a look at luffy's face?? he looked very surprised but also very delighted to see zoro. If you look at the manpu (the yellow (tho it's white here) spiky thing near luffy's face, just under the "ZOLO?!" text bubble) it emphasizes his surprise, because of course he didn't expect to see zoro here like, at all???

And then please pay attention to luffy's reaction as the realization sinked in. "!!! That's not zolo." He really said it with his face looking subtly dejected...

"I was so disappointed cause you are not zolo", ohh luffy:(... honestly, he just wanted to see his first mate again (and the rest of the crew ofc!)💔

(But still, thank you bon clay for being there for luffy like, honestly i love you sm!!!🥲💖)

[dittobooty]

I'm over halfway through One Piece finally so it's time for another set of textposts as characters now that I know more. This one is gonna be a two parter because I made too many for Tumblr to allow in one photo set.

[lowqualityonepiece]

This is my formal request for any ivankov screeners that you have pretty please