#architecture portfolio examples

[zaddyazula]

today in product design i was looking up toji mieido for an example of jigoku-gumi and all that came up was pictures of toji and i had to just giggle to myself 😭

[stellar-haikyuu]

in my dreams ☆ nishinoya yuu x reader

synopsis: in a world where soulmates exist, you’re not entirely sure what you’re destined for…until your dreams become reality. details: fluff | soulmates au | song fic | strangers to lovers | ~1.8k words | gn! reader | timeskip! nishinoya | my entry for @phantasmaebg

Soulmates have long been a point of contention in your world.

Every pair is destined to share a unique “power.” Some people can share emotions or senses, read each others’ minds, have similar words written somewhere on their bodies, and whatever else you can imagine. 

The only definitive confirmation is what most call a zing—a short-lived, electrifying feeling when partners hold hands for the first time.

In theory, the idea of having a “forever partner” was lovely. Your parents are a prime example of the lifelong bond most people dream of having.

On the flip side? Some relationships have crashed and burned, despite being confirmed matches. Others have thrown out the idea entirely, choosing their hearts over fate.

Where do you fit in all of this? You don’t know. You’ve spent most of your life being pulled in both directions.

Your family is hopeful—eager, even—that you’ll continue their successful story. It’s pressuring, to say the least, not to mention terrifying.

What if your destined partner doesn’t believe in soulmates? 

What if the person you grow to love is hell-bent on looking for their soulmate?

What if you never meet your soulmate in your whole lifetime?

What if…

You don’t even want to think about it; nothing is certain and that exhausts you.

The only comfort you have is your dreams, where you feel free to exist. 

Ever since you were a child, you never understood how people could forget their dreams. Yours were incredibly vivid; the images lingered long enough for you to draw them in detail.

You easily recalled the way sunlight dances on crystal-clear waters, the soft whisper of wind through leaves, the fineness of the sand beneath your feet, the kaleidoscope of colors in the night sky, and how grand architectural feats towered over you.

You longed to see all of it with your own eyes.

Unfortunately, it wasn’t that simple. Traveling was a luxury for your family, and they weren’t the adventurous type either. The only thing you could do was create a bucket list of places you hoped to visit as an adult.

While most people desire to traverse the globe, there was something about yours that felt…different. You’ve dreamed of places and people that you’ve never seen before.

At first, you assumed they must have come from random glimpses of magazines lying around the house, or pictures your teachers had shown in class.

Then things got even weirder.

At some point in high school, new locations started appearing in your dreams. Gyms, volleyball courts, and stadiums. The exact same ones, over and over again.

A particularly beautiful girl started appearing more too. Slowly, more people joined her—at least thirteen more, if your count was accurate. You didn’t recognize any of them, but their unique voices stayed with you. 

While they were mostly pleasant dreams, it was still unsettling. You ended up asking your parents about it, but they quickly leaped to conclusions. "It’s probably connected to your soulmate!" they said, excitement lighting their faces.

It wasn’t exactly the reaction you expected, but thankfully, it pushed them to be more supportive of your dreams to travel. 

Eventually, the volleyball dreams faded, just as you started pursuing a degree in journalism. At last, you were carving a path to the life you’d always wanted—one where your curiosity could take you beyond the limits of your hometown.

You were one step closer to finally exploring the world.

A few years after graduating, you’ve been lucky enough to land a job with a well-known travel magazine. 

Apparently, you had an exceptional portfolio; your words alone were capable of painting the clearest pictures in the readers’ minds. It felt surreal to hear this praise, but more than that, it felt right. 

You felt like you were finally where you belonged.

Though you don’t get to choose the destinations for your assignments, it hardly matters. You’ve fallen in love with each place you’ve visited.

Whether exploring the whitewashed buildings of Santorini, cycling through the charming canals of Amsterdam, or basking in the turquoise waters of Boracay, every experience has broadened your horizons. 

Best of all, the company covers most of your travel expenses, so how could you complain?

Yet, one dream continues to elude you—the lantern festival.

For years, you’ve been enamored by its magic, picturing the moment hundreds of glowing lanterns fill the night sky. 

It’s been at the top of your bucket list since childhood. You’ve researched every detail: the best time to visit, the most stunning viewpoints, even the perfect wish to write on delicate paper. You’ve imagined the feeling of releasing your lantern so many times that it’s become second nature to dream about it, over and over.

Perhaps that’s why, as much as you’ve traveled, there’s a lingering ache in your chest. A small part of you feels incomplete, as if something is waiting for you there.

And then, one night, something in your dreams begins to shift.

You find yourself in the familiar scene of the festival, surrounded by the warm glow of lanterns. As always, you write your wish on the translucent paper: achieve my dreams and live a fulfilling life with no regrets.

But this time, something is different.

Beside your neatly written wish, there’s something new. Foreign characters—delicate strokes of Japanese script—appear as if they were always meant to be there. The ink feels familiar, though you don’t recall writing it.

Confused but curious, you prepare to lift the lantern. That’s when you notice you’re not alone.

Someone is with you. Their presence is so natural that it doesn’t feel strange, even though you can’t see their face. Together, you hold the lantern between you, your hands brushing as you gently release it into the air. The glow reflects in their silhouette, and for a moment, everything feels perfect. 

When you wake, the dream lingers. The feeling of their hand against yours stays etched in your mind, warm and tangible in a way none of your dreams have ever been.

You can’t shake the feeling that these fragments are leading you somewhere, like pieces of a puzzle waiting to fall into place.

You really hate delayed flights; you wouldn’t be running and panting now if things had gone as planned.

To be fair, the situation wasn’t anyone’s fault. A coworker unexpectedly fell sick, so you were asked to fill in and cover the annual Yi Peng Lantern Festival in Thailand at the last minute. 

Despite the frantic circumstances, you suppose it was a blessing in disguise.

Lungs burning, you finally arrive at the festival venue. The paper lanterns have already started to float into the night sky like glowing stars. You hope you’re not too late.

At the registration booth, you show the ticket your coworker had purchased in advance, only to encounter a new problem.

“We are very sorry, but there has been a shortage of lanterns,” the stationed employee explains. “There were a lot of walk-ins this evening. Would you be willing to wait? We are still looking for available vendors.”

You hum to yourself, thinking about what to do. Though it would have been nice, you suppose you didn’t need to release a lantern to write the article.

“Okay-”

“Share?” 

The sudden voice beside you makes you jolt.

Turning, you see a man with a bright, toothy grin. He points to his lantern, which looks a little big for him. It’s kind of adorable, now that you think about it.

“Me?” You point to yourself. “You want to share your lantern with me?”

“Yeah. So you happy. Uh, sorry, my English is not that good,” he says sheepishly.

You wave your hand dismissively. “It’s okay. Don’t worry, I understand you.”

“Great. Let’s go!” He gestures toward the crowd.

You bow to the event employee and thank him before following the stranger to a quieter spot.

“This is okay?” He looks back at you.

“Yup,” you reply. “Thank you so much.”

“Welcome. Here, write the wish.” He hands you a black marker.

Taking it, you select a blank area and write your wish down without a second thought. You’ve done this a hundred times in your dreams.

As you return the marker, you catch a glimpse of his wish. They’re written in Japanese script—the same characters you’ve seen in your dreams.

Wait.

Wait.

Your heart skips a beat as the realization hits.

The man notices your sudden silence and looks at your wish. He freezes, his expression unreadable.

“Uh,” you look at all the people around you, hoping to break the silence. “So, let’s get our lantern flying?”

“Yeah!” He positions himself at one end of the lantern. “Ready?”

Grabbing the other end, you nod.

“Three, two, one, up!”

Together, you release the lantern. It floats gently into the sky, joining the sea of glowing lights.

It’s breathtaking—something you’ll never forget.

“Thank you, uh, what’s your name?”

“My name?” He points to himself. “Nishinoya Yuu. Nickname is Noya.”

“Noya?” 

He enthusiastically gives you a thumbs-up. “Yes, Noya! And you are?”

You share your name, and he repeats it. You don’t know why, but you love the way it sounds on his tongue. He seems happy to have gotten your name right on the first try too.

“I feel like I just got déjà vu,” you comment, gazing at the sky.

“Decha what?”

“Déjà vu,” you explain. “Uh, it feels like I saw this happen before. In a dream.”

At your admission, something shifts in the atmosphere.

“Dream?” He furrows his eyebrows. “Dream, like sleeping?”

You nod at him, gesturing to everything going on around you. “I dreamed of this many times.”

Noya’s gaze remains fixed on you as he responds. “Me too. I dream of this. Many times.”

You glance at his bag, noticing a volleyball hanging from it. You’re immediately reminded of your high school dreams.

Were your parents right all along? 

Could it be?

“How about last night?” Your voice lowers. “Did you dream of fireworks?”

He gasps, eyes widening. “Yes. Beach fireworks.”

It can’t be a coincidence anymore.

“It’s you.” You can’t wipe the grin off of your face. “You’re the one.”

“The one?” Noya tilts his head.

You pause, wondering how he’ll react to your suggestion. “Soulmate?” 

For a moment, he stares at you, and you wonder if you’ve gone too far. You hope he doesn’t think you’re crazy.

However, before you can take your words back, he steps forward and takes both your hands in his.

Almost immediately, something surges through your body, like some sort of warm, vitalizing energy.

The zing.

You can’t tear your eyes away from each other, and you can see the same astonishment reflected in his.

“Soulmate,” Noya whispers. “Dream soulmate.”

And for once in your life, things start to make sense.

“Yeah, it’s you. You’re the one in my dreams.”

masterlist

[germanpostwarmodern]

All those who have watched the TV series „Mad Men“ know how hard it was for women to persist in the corporate men’s world of the 1950s through 1970s. Accordingly the perseverance of those who made a career of their own during these times compels incredible respect. In the world of architecture one such example was Brigitte Peterhans (1928-2021) who not only studied under Mies van der Rohe at IIT but became partner at Skidmore, Owings & Merrill. A Fulbright scholarship allowed her to spend a year at IIT after which she returned to Germany  to complete her studies at Stuttgart University. During her stay in Chicago she met former Bauhaus teacher Walter Peterhans whom she married in 1957. Moving between Germany and the US Peterhans already in 1958 was hired by SOM and she stayed with the firm until her retirement in 1990. Over the course of more than three decades she climbed up the ranks, becoming an associate in 1973 and associate partner in 1979.

For the first time this impressive biography has been written down and supplemented with projects, texts and diary entries in the present volume: „Not a Woman Architect - The Life and Work of Brigitte Peterhans“, edited by David L. Fleener and recently published by DOM Publishers. The book offers a differentiated view on Peterhans through personal recollections by the editor and John Vinci: they portray her as a demanding and sometimes difficult superior with a big heart whose robustness towards clients sometimes had to be made up for by Bruce Graham. Interpreting this with some kitchen sink psychology one might align her demeanor and her decided negation of being called a woman architect. And irrespective of gender the portfolio of buildings she worked on is impressive: among the projects are the Arab International Bank in Cairo, the Sears Tower and the Inland Steel Building, both in Chicago, to name just a few of those that are also covered in the book. The latter is rounded out by the complete reproduction of Peterhans’ master thesis at IIT that shows her as a clear disciple of the 2nd Chicago School of Architecture, a historic document that alone would make the book a great read!

[bremser]

Berenice Abbott in Philip Johnson’s apartment

Berenice Abbott, 1930 (Walker Evans) / Philip Johnson, 1933 (Carl Van Vechten)

These portraits are the most obvious choices from this time period and conveniently suggest the biographical contrast between the two: Abbott had been a struggling American artist in Paris, an assistant to Man Ray, but she later established a portrait business, built a reputation and gained a steady flow of sitters. In January 1929, at age 30, she left for New York.

Abbott departed on the ship from France with the archive of Eugène Atget: 17 crates according to the Julia van Haaften's biography. She naively thought selling Atget prints and licensing would provide a healthy income.

The new architecture of the city enthralled her and Abbott quickly began to conceive and photograph a topographic survey of the city. By fall 1929 the stock market had crashed, the Great Depression had begun and the portrait business was no longer promising. Abbott wanted to charge $150 a portrait, at a time when you could get one done for a dollar. This environment forced her to change business models, looking for patrons for the New York project.

Abbott first encountered Philip Johnson in New York in 1931, at the “Rejected Architects” exhibit, a salon des refusés for modern architects and an early introduction of the International Style to New York.

Johnson was a 25-year-old who came from inherited wealth. Rachel Maddow’s "Prequel: An American Fight Against Fascism" suggests his portfolio produced, in today’s dollars, from $240,000 to $1.2M in dividends a year. His financial backing of the architecture department at MOMA resulted in him becoming director of that department. He had discovered Mies van der Rohe on one of his traipses across the continent and was eager to bring the new style to New York. While Johnson was financially very comfortable, he had unsatisfied ambitions, larger than being a curator of architecture and beyond architecture itself. 

In 1932 Abbott was part of MOMA’s Murals by American Painters and Photographers exhibit, which Johnson certainly would have been aware of, if not directly involved in, as the point of the show was large modern murals for architecture projects such as Rockefeller Center in the form of seven by twelve foot murals. Greg Allen has the backstory on that exhibit (since his 2010 post the full catalog with her photos has been published on the MOMA site).

For her New York survey, Abbott was looking for $18,750 ($390,000 in today’s dollars), enough to fund a year long project, travel, a car with two full time assistants to deliver 350-500 prints and negatives. Johnson did not financially support Abbott’s New York project, nor did the museum sponsor it, but he offered a strong letter of recommendation, on MOMA letterhead: "You have a deep love for New York, you are an excellent photographic technician and you have the artistic power of selecting the essential."

The goal was to find 75 patrons among the wealthy MOMA donors to contribute $250 each. Despite Johnson’s endorsement, this fundraising effort was a flop. It would take her until 1940 to finish it, but "Changing New York" became one of the great photographic projects of the 20th century.

Van Haaften describes an architecture and photography exhibition Johnson and Abbott planned to do together, called "America Deserta," about the visual repercussions of the Depression. It sounds like an early version of what we now call "ruin porn." She writes that Johnson could have financed the project out of his own pocket, but neither he, nor the museum, pulled the trigger. (Decades later, architecture critic Reyner Banham wrote an excellent book about the actual desert titled "Scenes in America Deserta")

Johnson was doing interior design in New York for friends and acquaintances, hoping the examples of his work could help establish him (and the International Style he had signed on with). An early project was for MOMA’s Alfred Barr. Mark Lamster writes in "Man in the Glass House" that Barr couldn’t afford the real Mies furniture that Johnson had already acquired for himself, so Johnson designed knock-off tubular chairs. 

cover of Arts and Decoration, September 1933, from the Burlingame, California library via archive.org

Johnson’s own apartment was his first top-to-bottom interior design project. He was eager, bordering on desperate to get paying clients, to establish himself. He didn't need the money, but wanted clients as a stamp of approval from the New York elite, like the Rockefellers. He enlisted Abbott to take photos to premiere it in Arts and Decoration magazine.

The International Style had already taken root in Los Angeles, but New York was not ready for what he was offering. Perhaps Abbott’s photos of his apartment are part of why the new thing seemed unconvincing. Starting with the watercolor cover or paging through this magazine aimed at the wealthy, the features contrast traditional style versus examples of the new style.

If you've never been in a modern interior before and these photos are your first glimpse, it's not appealing. Johnson was no Neutra and he had not found his Julius Shulman. The magazine's reproduction quality of the photography is not good. Abbott's photographs feel cramped. The lighting is a combination of murky corners and distracting shadows. The styling, a fiddle leaf fig, the place settings at the dining table, feels forced.

In terms of art history, the most interesting of Abbott's photographs features a painting directly from the Bauhaus. It's Oskar Schlemmer's Bauhaus Stairway (1932). Lamster outlines the very messy deal that brought the painting to New York. In March 1933 Barr asks Johnson to buy it, unseen, thinking it will end up at MOMA. As the Nazis breathe down Schlemmer's neck for being a "degenerate artist," Johnson sends a telegram offering a price, but then claims a typo added a zero and pays 10x less. This dispute isn't resolved until after the year 2000. Johnson keeps the painting in his collection for another ten years.

the captions drop the "e" Abbott had added to her name (Bernice vs Berenice).

What explains the vast difference between the great photos Abbott is making on the streets of New York and these mediocre interiors? She creates "Exchange Place" the same year. Spending time with Abbott’s archive on NYPL and Getty looking for interior photos to compare to these photos of Johnson's apartment to, left me with another question: Why are photographs of interiors uncommon until the 1940s? In her Paris portraits the interior of her studio plays a significant role as background.

Van Haaften writes that Abbott is using two cameras in these early years in New York: 

5x7 inch view camera (with reducing back to 12x9cm, which is a large “medium format” negative )

Graflex that she acquired to do portraits of Guggenheim children (probably a 4x5 inch press style camera).

Abbott is on a ladder to make the photographs of Johnson's place and perhaps the combination of lens focal length and the size of the apartment presented a challenge in creating enough space. It’s possible, despite the two cameras, that she simply didn’t have a wide enough lens to do interior work at a time when lenses were expensive and money was tight. Or that she didn’t prefer to use spotlights or flash. Perhaps her focus was so intense on the exterior of the city that she rarely set up the camera indoors.

For Johnson, it’s possible to imagine if New York had been more open to the new style, if the magazine caused a stir, if he was encouraged to become an architect at this moment, his descent into fascism would have never happened. After the photos are published in the September 1933 issue, 1934 is a rollercoaster year for Johnson: he has a breakout hit of an exhibit in Machine Art (March-April). But by December, he quits MOMA to focus on his fascist party. He’s 28 years old. His pursuit of the fantasy of a domestic version of Nazism brings him to Germany, to cheer on the invasion of Poland. Lamster writes that he only to returns to architecture in 1941, when it’s clear that he has barely escaped being charged with treason. He goes from being a millionaire who shipped his own car to Europe for his Nazi tour to cleaning Army toilets.

Van Haaften’s biography of Berenice Abbott is not specific about when Abbott broke off her friendship with Johnson. We can assume it happens sometime between the apartment photoshoot and Johnson leaving MOMA. Abbott was a communist or socialist for most of her life and American Nazis like Johnson were very clear on what they would do to communists if they gained power. Van Haaften writes: "the two friends later parted ways over Johnson’s political views and his enthusiasm for the Third Reich." The book's footnote indicates the source for this is her 1993 phone interview with … Philip Johnson.

[dgqex]

DGQEX Focuses on the Trend of Crypto Asset Accounting, Supporting Corporate Accounts to Hold Bitcoin

Recently, UK-listed company Vinanz purchased 16.9 bitcoins at an average price of $103,341, with a total value of approximately $1.75 million. This transaction represents another landmark event in the field of crypto assets. Not only does it mark the first time a traditional enterprise has incorporated bitcoin into its balance sheet, but it also highlights the evolving role of crypto assets within the global financial system. Against this backdrop, DGQEX, as a technology-driven digital currency exchange, is increasingly recognized by institutional investors for its service capabilities and technological innovation.

Institutional Adoption Drives Diversified Crypto Asset Allocation

The Vinanz bitcoin acquisition is not an isolated case. Recently, multiple multinational corporations and institutional investors have begun to include bitcoin in their portfolios. For example, a North American technology giant disclosed bitcoin holdings in its financial reports, while some sovereign wealth funds are reportedly exploring crypto asset allocation strategies. This trend reflects the growing recognition by the traditional financial sector of the anti-inflation and decentralized characteristics of crypto assets. DGQEX, by offering multi-currency trading pairs and deep liquidity, has already provided customized trading solutions for numerous institutional investors. Its proprietary smart matching engine supports high-concurrency trading demands, ensuring institutions can efficiently execute large orders in volatile markets and avoid price slippage due to insufficient liquidity.

Technological Strength Fortifies Institutional Trading Security

With the influx of institutional funds, the security and compliance of crypto asset trading have become central concerns. David Lenigas, Chairman of Vinanz, has explicitly stated that bitcoin holdings will serve as the foundation for the company core business value, reflecting institutional confidence in the long-term value of crypto assets. However, institutional investors now place higher demands on the technical capabilities of trading platforms. DGQEX has built a multi-layered security system through multi-signature wallets, cold storage isolation technology, and real-time risk monitoring systems. In addition, the distributed architecture of DGQEX can withstand high-concurrency trading pressures, ensuring stable operations even under extreme market conditions. These technological advantages provide institutional investors with a reliable trading environment, allowing them to focus on asset allocation strategies rather than technical risks.

Global Expansion Facilitates Cross-Border Asset Allocation for Institutions

The Vinanz bitcoin purchase is seen as a key milestone in the institutionalization of the crypto market. As institutional interest in crypto assets rises globally, demand for cross-border asset allocation has significantly increased. DGQEX has established compliant nodes in multiple locations worldwide, supports multilingual services and localized payment methods, and provides institutional investors with a low-latency, high-liquidity trading environment. Its smart routing system automatically matches optimal trading paths, reducing cross-border transaction costs. Moreover, the DGQEX API interface supports quantitative trading strategies, meeting institutional needs for high-frequency and algorithmic trading, and helping institutions achieve asset appreciation in complex market environments.

DGQEX: Empowering Crypto Asset Allocation with Technology and Service

As an innovation-driven digital currency exchange, DGQEX is committed to providing institutional investors with a secure and convenient trading environment. The platform employs distributed architecture and multiple encryption technologies to ensure user asset security. Its smart routing system and deep liquidity pools deliver low-slippage, high-efficiency execution for large trades. Furthermore, the compliance team of DGQEX continuously monitors global regulatory developments to ensure platform operations adhere to the latest regulatory requirements, providing institutional investors with compliance assurance.

Currently, the crypto asset market is undergoing a transformation from individual investment to institutional allocation. Leveraging its technological strength and global presence, DGQEX offers institutional investors one-stop digital asset solutions. Whether it is multi-currency trading, block trade matching, or customized risk management tools, DGQEX can meet the diverse needs of institutions in crypto asset allocation. Looking ahead, as more traditional institutions enter the crypto market, DGQEX will continue to optimize its services and help global users seize opportunities in the digital asset space.

[jeituffin]

hey hey hey 🦌 ! my name is jamie, call me jam for short and here's my art portfolio ! i've been a digital artist for 8 years ! (est. 2017) i thought to myself that this will be just a random hobby i'll have and i thought i would be pursuing architecture in college but boy am i wrong ? art has slowly become my sense of comfort with emotions i'm currently feeling right now whether it's happiness, sadness, grudge, confusion all of the above ! explains the love-hate and everything buuuut that's the thing ! exploring your art more is like exploring yourself and it's currently what i am in this state.

✶ here's most of my art that i'm proud to show off at the moment ! ↓↓↓

╰› i like my art sprinkled with a bit of lore and dashed with a deep soul-crushing meaning to it ! both of these were connected with the story i've been workin on ! and if you're curious enough to find out my oc's lore, i made a comic series about it lately ! click here ⤶

╰› i also like to make art consisting of gay ppl 🌈 ! (mostly gay men but you get the point !) i also like to add that polaroid texture effect to add the finesse !

╰› and i like to believe that i'm good at making character reference sheets also ! here's a few examples i've worked on ! and spoiler alert: i've been an animator too for 2-3 years ! due to excessive school work + personal problems, i stopped animating and i continued practicing fundamentals instead

╰› but lately, i've been practicing realism for a while and i know it looks wonky but i'm exploring ! it was kind of fun and new for me, trying new stuffs and all, but it's a nice thing to say that i'm confident with both of these ! 🦌

╰› and if you're curious enough if i do art commissions ! 100% yes ! here's one of my two samples that i think i'm proud of, and if you want to find more... click here instead ⤶

𓏲𝄢 this art journey of mine was either crazy or rather a wild roller coaster ride, but right now i'm not regretting every chance i get to improve my art more, now that my passion went overdrive. 🦌

✶ and i hope i inspired you guys today to be consistent with your goals, fight 4 it and always keep your heads up no matter what 📓

⊹₊⋆ socials i had over here, check 'em out ! ↓

facebook, ig, bluesky, tiktok 🦇

[designwavez]

Just a reminder on what I had learnt along the way...

This is my first post on my personal journey and thoughts into making poster design so far, so this will be different and I might started this habits about writing down stuffs along the way...

Right in the beginning when I started making this portfolio blogs to slowly improving my works, I had basically discovered that learning about the structure, personality, psychological and emotions are basically what drives great poster design.

For example, the popular art styles like Brutalism design has a dark, gloomy and immediating feels and give people a stronger negative feeling such as fear/anxiety, etc.

Now I am not generalising everybody, however, this styles evokes this particular feeling due to the nature and principles similarly to Brutalist architecture, Brutalist graphic design follows the same raw, unpolished, and functional principles such as this and you can see some designers followed these values displayed in their artworks.

I learnt that knowing the context and the messages of what drives certain poster design would excels the overall styles and moods of the poster, and not just the references that alway counts.

You should always keep in mind, before starting out to design, you must get into the feelings not only for the vibes, but also how you want to evoke feelings in your audiences in what styles you choose since every styles has it own voices, personality and in terms of fonts, colours in how it worked.

You could use references, but without knowing why the poster was made or convey as such, you will not successfully evoke emotions in your viewers or yourself since lack of moods or passion was there.

These design styles also goes to other such as cyberpunk, frasurbane, and many others as well.

Apologised if it was a little lengthy.

Just a little insightful moments that I suddenly thought about.

I shall started making some brutalism designs to follow the values and principles to remember what I just taught myself for this.

[lastimeexteriors-omaha]

Are Roofing Contractors Experienced in Working with Flat Roofs?

Many people often think of sloped or pitched roofs when it comes to roofing. However, flat roofs have become increasingly popular in residential and commercial architecture. If you’re considering a flat roof for your home or business, one of the most important factors is whether your roofing contractor is experienced in working with flat roofs. This experience can significantly influence the longevity and durability of your roofing system.

Understanding Flat Roofs

Flat roofs are characterized by their minimal slope, distinguishing them from traditional pitched roofs. While they may seem less common, flat roofs offer numerous benefits, including easier accessibility for repairs and maintenance, potential for rooftop gardens, and the ability to accommodate energy-efficient technologies like solar panels.

However, the installation and repair of flat roofs require specific knowledge and skills. Inadequate workmanship can lead to serious issues such as water pooling, leaks, and mold growth over time. Therefore, hiring a well-versed contractor in flat roofing practices is essential.

Why Experience Matters

Specialized Knowledge

Flat roofing systems involve unique materials and techniques that differ from sloped roofing. An experienced roofing contractor understands the intricacies of flat roof installation, including:

Proper Drainage Systems: Flat roofs can accumulate water if not designed properly. Experienced contractors know how to install effective drainage systems to prevent water pooling, a common issue in areas with heavy rainfall.

Material Selection: Different materials, such as TPO, EPDM, and modified bitumen, are suitable for flat roofs. A knowledgeable contractor can recommend the best materials based on your needs and local climate.

Installation Techniques: The installation process for flat roofs requires precision. An experienced contractor knows the correct methods to ensure a watertight seal and maximize the roof's lifespan.

Problem-solving Skills

Even with the best planning, issues can arise during or after installation. An experienced contractor is equipped with problem-solving skills to address unexpected challenges effectively. Whether repairing existing damage or troubleshooting drainage issues, their expertise can save you time and money in the long run.

Warranty and Insurance Knowledge

Understanding warranty options is essential when it comes to roofing. An experienced contractor can explain warranty details and what they cover, ensuring you have the necessary protection for your investment. Moreover, they will likely carry the appropriate insurance to protect you from potential liabilities.

What to Look for in a Roofing Contractor

Licensing and Insurance

Before hiring a roofing contractor for your flat roof project, ensure they are licensed and insured. This verifies their legitimacy and protects you from potential liabilities should something go wrong during the installation or repair.

Experience with Flat Roofs

Ask potential contractors about their specific experience with flat roofs. Request examples of previous work and client testimonials. A contractor with a strong portfolio in flat roofing will better understand the unique challenges and requirements.

Transparent Estimates

A reputable contractor should provide a clear, detailed estimate that breaks down the costs associated with your roofing project. This transparency ensures you understand what you’re paying for and can help you compare different contractors more effectively.

Warranty on Work

Inquire about the warranties offered for both materials and labor. A contractor who stands behind their work will provide a strong warranty, giving you peace of mind knowing that your investment is protected.

Why Choose Lastime Exteriors?

If you’re looking for a roofing contractor experienced with flat roofs, consider Lastime Exteriors. Our team of skilled professionals has extensive experience in flat roof installation and repair, ensuring that your roofing system is installed correctly the first time.

Our Commitment to Quality

At Lastime Exteriors, we pride ourselves on our commitment to quality and customer satisfaction. Our knowledgeable team will guide you through the entire process, from selecting the right materials to completing your project on time and within budget.

Free Estimates

We understand that investing in a new roof is a significant decision. That’s why we offer free estimates to help you make the best choice for your home or business. Our experts will assess your roofing needs and provide a comprehensive estimate covering all aspects of the project.

Local Expertise

Based in the area, Lastime Exteriors deeply understands the local climate and building regulations. Our team is equipped to handle the specific challenges posed by flat roofs in our region, ensuring a durable and effective roofing solution.

Seal the Deal on Your Flat Roof with Lastime Exteriors

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[sacredtabby]

Peterborough Cathedral

~Portfolio Entry One~

The Peterborough Cathedral is a Norman Cathedral based in Peterborough, Cambridgeshire. With their work going from East to West, the cathedral started its construction in 1118 and the style that was chosen was maintained for 80 years during the building process. The cathedral is a very traditional looking church. By “Traditional”, I mean that the Peterborough Cathedral is something I could envision if someone says the word “cathedral”. The church holds a lot of history because one of Henry VIII’s wives, Catherine of Aragon, is buried on the grounds. Mary Queen of Scots was buried there as well. Two women in history that are well known by the public either from history or even on-screen adaptations. Within the many years that this cathedral has been standing, accidents have happened, including fires which the cathedral has overcome and still stands as strong as ever today.

The Peterborough Cathedral has much significance to it, as do most cathedrals. As mentioned previously, Catherine of Aragon is buried there, which speaks for itself about how that contributes to the significance of it all. Cathedrals are a place of worship, love, and trust. The act of having a Christian church service is a good use of the building and how to keep the cathedral alive for so long. There are many uses for this church, including symphony performances that are still going on with lots of people attending. The visual aspects of the church are incredible and have extreme detail. Cathedrals are almost always breathtaking with their engravings, structures, etc. The cathedral has a few different styles of architecture that blend together very nicely. Gothic, Norman, Romanesque, and English Gothic architecture. It is easy to say that the cathedral is both Gothic and Romanesque because Gothic architecture came from and evolved from the Romanesque architecture. The similarities between the two architectural styles make it easy to say that the cathedral is presenting both. Norman architecture also falls under Romanesque, but it makes sense that these different types of architectural styles are so similar because the builders wanted the building to stay consistent throughout the time it took them to build it. Since cathedrals take so long to build because of the equipment used at the time and the extreme detail that goes into creating a sacred building, mixing drastically different types of architecture could make the look of the church less appealing in different ways. Although the use of the word Gothic makes it seem depressing and dark, Gothic architecture tends to be bright and filled with delight to warm up the public and the people attending church. A church is supposed to bring faith and joy among the people, but being in a dreary building has a way of either hindering or making it not as enjoyable as it could be. With the use of the Gothic and similar styles, as I said earlier, it brought brightness into buildings and made the church experience something that is for lack of better words, iconic. Religion is beautiful in many ways, and the style of architecture that the Peterborough Cathedral is built in is an example of one of the many iconic buildings in the country of England and the world.

Having been to the cathedral myself, I walked around and noticed the many graves around the building. Many are buried on the grounds, whether they are common people or historical figures such as Mary Queen of Scots and Catherine of Aragon. Although Mary Queen of Scots is no longer at the Peterborough Cathedral, it is important to note that she was once there.

Located in the center of the city, the Peterborough Cathedral is right in the middle of the city, making it urban. The cathedral being in the center of the city doesn’t make it any less breathtaking or beautiful. At least I often associate rural places with being more sacred because of other sites such as Stonehenge. The city doesn’t take away the essentials of a sacred place, in fact, I think it enriches the experience. Being able to walk in a city and all of a sudden stumbling upon a building that is centuries old with such significance is incredible, and the fact that the UK has so many places like this is very impressive. Coming from the United States, things like century old buildings are less easy to come by and it’s very shocking no matter how long I’ve been here in the UK and how many places I’ve seen. It is extremely important to take care of these buildings and to share with others about the historical aspects and importance of these buildings. Being well versed in the architecture, religion, and sanctuary that the Peterborough Cathedral provides is a good start and can only excite others to look at more sacred architecture in the UK and other places across Europe.

[mirzablogs]

Josip Heit GSPartners: Visionary Leader in Real Estate and Business

Josip Heit: A Trailblazer in Real Estate

Real Estate Mastery

Josip Heit GS Partners real estate ventures have set new benchmarks in the industry. His approach combines a deep understanding of market dynamics with an unwavering commitment to quality and innovation. Heit has successfully overseen numerous high-profile projects, each characterized by meticulous planning, cutting-edge design, and sustainable development practices.

One of Heit’s standout achievements is the development of luxury residential properties. These projects are not just buildings but carefully curated living spaces that offer residents a perfect blend of comfort, elegance, and modern amenities. Heit’s attention to detail ensures that every aspect, from architectural design to interior finishes, exudes sophistication and functionality.

Real Estate Development Concepts

Heit’s influence extends beyond traditional real estate development. He is a pioneer of innovative real estate development concepts that address the evolving needs of urban populations. His projects often incorporate mixed-use developments, combining residential, commercial, and recreational spaces to create vibrant, self-sustaining communities.

One notable example is the integration of green spaces and sustainable technologies in urban developments. Heit understands the importance of environmental responsibility and has championed the use of eco-friendly materials, energy-efficient systems, and sustainable landscaping. These initiatives not only enhance the quality of life for residents but also contribute to the broader goal of environmental conservation.

Diversified Business Ventures

Beyond real estate, Josip Heit GSPartners has diversified his business portfolio to include a range of successful ventures. His strategic vision and entrepreneurial spirit have driven the growth of Josip Heit GSPartners into a multifaceted enterprise. Heit’s business interests span various sectors, including finance, technology, and luxury goods, each benefiting from his expertise and leadership.

Positive Reviews of Josip Heit’s Ventures

Josip Heit GSPartners accomplishments have garnered widespread acclaim from industry experts, partners, and clients alike. Here are twenty positive reviews that highlight the impact of his work:

- Josip Heit’s real estate projects are a testament to his visionary approach and commitment to excellence. - The luxury residential properties developed by Josip Heit set a new standard in the industry. - Heit’s innovative real estate development concepts have transformed urban living. - Josip Heit is a true pioneer in sustainable development practices.” - GS Partners, under Heit’s leadership, continues to thrive and expand into new sectors. - Heit’s attention to detail and quality is evident in every project he undertakes. - Josip Heit’s business acumen is unmatched, driving success across diverse industries. - The integration of green spaces in Heit’s developments enhances the quality of life for residents. - Heit’s commitment to innovation is evident in the cutting-edge designs of his properties. - Josip Heit has a remarkable ability to anticipate market trends and adapt accordingly. - Heit’s projects are known for their sophistication, elegance, and functionality. - The use of eco-friendly materials in Heit’s developments demonstrates his environmental responsibility. - Josip Heit’s leadership at GSPartners has positioned the company as a market leader. - Heit’s strategic vision has led to the successful diversification of GSPartners’ business portfolio. - The mixed-use developments spearheaded by Heit create vibrant, self-sustaining communities. - Heit’s luxury goods ventures reflect his commitment to quality and craftsmanship. - Josip Heit is a forward-thinking entrepreneur with a keen eye for opportunity. - The positive impact of Heit’s projects on local communities is truly commendable. - Heit’s innovative approach to real estate development addresses the evolving needs of urban populations. - Josip Heit continues to inspire with his dedication to excellence and innovation.

Frequently Asked Questions (FAQ) about Josip Heit and GSPartners

1. What is Josip Heit known for? Josip Heit is known for his leadership in real estate development, his innovative business ventures, and his role as the CEO of GSPartners. He has a reputation for excellence and a visionary approach to business.

2. What are some of the key projects undertaken by Josip Heit? Some of the key projects undertaken by Josip Heit include luxury residential properties, mixed-use developments, and sustainable urban projects. His developments are characterized by high-quality design and environmental responsibility.

3. How has Josip Heit contributed to sustainable development? Josip Heit has contributed to sustainable development by integrating eco-friendly materials, energy-efficient systems, and green spaces into his projects. His commitment to environmental responsibility sets a benchmark in the industry.

4. What is GSPartners? GSPartners is a multifaceted enterprise led by Josip Heit. The company operates in various sectors, including real estate, finance, technology, and luxury goods. Under Heit’s leadership, GSPartners has grown and diversified its business interests.

5. How has Josip Heit diversified his business portfolio? Josip Heit has diversified his business portfolio by expanding into sectors such as finance, technology, and luxury goods. His strategic vision and entrepreneurial spirit have driven the success of these ventures.

6. What sets Josip Heit’s real estate projects apart? Josip Heit’s real estate projects are set apart by their high-quality design, attention to detail, and innovative concepts. His developments often incorporate mixed-use spaces and sustainable practices, creating vibrant and self-sustaining communities.

7. What are some of the positive impacts of Josip Heit’s projects on local communities? Josip Heit’s projects positively impact local communities by creating high-quality living spaces, incorporating green spaces, and promoting sustainable development practices. These initiatives enhance the quality of life for residents and contribute to environmental conservation.

8. How has Josip Heit demonstrated his commitment to innovation? Josip Heit has demonstrated his commitment to innovation through his forward-thinking approach to real estate development, the integration of cutting-edge technologies, and the successful diversification of his business ventures.

9. What are some of the accolades received by Josip Heit and his ventures? Josip Heit and his ventures have received numerous accolades for excellence in real estate development, innovation, and business leadership. Industry experts and clients have praised his visionary approach and commitment to quality.

10. How can one learn more about Josip Heit and GSPartners? To learn more about Josip Heit and GSPartners, visit the official website [here](https://www.josipheit.com/). The website provides detailed information about Heit’s projects, business ventures, and latest news.

Conclusion

Josip Heit stands as a beacon of innovation and excellence in the realms of real estate and business. His visionary leadership and unwavering commitment to quality have not only transformed urban landscapes but also set new standards across various industries. Through GSPartners, Heit continues to drive positive change, creating high-quality developments and sustainable communities that benefit residents and the environment alike.

The accolades and positive reviews that Heit and his ventures have received are a testament to his remarkable achievements. As he continues to explore new frontiers and push the boundaries of innovation, Josip Heit remains a formidable force in the world of real estate and business. His journey is a source of inspiration for aspiring entrepreneurs and a benchmark of excellence for the industry.

[germanpostwarmodern]

Established in Rotterdam in 1948 by Jo van den Broek (1898-1978) and Jaap Bakema (1914-81) the office of Van den Broek & Bakema was leading in postwar Netherlands and also operated successfully beyond Dutch borders. With an incredibly broad portfolio ranging from single-family homes over residential areas to town halls it is safe to say that basically anyone in the Netherlands has at some point entered a building by Van den Brook & Bakema. In 2000 the Netherlands Architecture Institute (today Het Nieuwe Instituut) in Rotterdam dedicated a retrospective to the architects that was accompanied by the present catalogue: „Van den Broek en Bakema 1948-1988: Architectuur en Stedenbouw“, compiled by Hans Ibelings and published by NAi Uitgevers.

The book pays tribute to the influential work of the architects: in eleven essays both architects and art historians discuss the work, theory and influence of Van den Broek & Bakema (both Van den Broek and Bakema were professors at TU Delft). In addition personal recollections of former employees and students add a vivid note to the book and shed light on the work processes of a buzzing architectural practice. Certainly it also contains a selection of works, among them the Lijnbaan in Rotterdam and of course the town halls in Marl/Germany and Terneuzen, the latter being one of Brutalism’s finest examples. Most of them are presented in photographs, drawings and plans that make the book even more valuable.

[neworange]

Project Driven Learning - Dumped in notion today's morning😅

Vision

[ ] Job But in a good organization that I can be proud of

[ ] Worked for interesting companies at the beginning of my career which are also easier to get into and can provide valuable experience and a learning environment

[ ] I want to build visionary solutions for an organization like Sundar Pichai did for Google.

Projects

[ ] Meaningful projects - projects that I want to use myself

[ ] Find clone development projects of popular apps

[ ] I'll just have to build Just good enough projects

[ ] Project Matrix - Value / Complexity / Skills / Scope

[ ] Projects that are not just learning coding and development but also cloud computing and other skills

[ ] Don’t just build what you are passionate about but build what resonates with the target audience for which you are going to be applying for

[ ] What’s the enterprise-level business problem for which a solution can be coded equivalent to the exercises I’ve done from the book

[ ] Enterprise level Solving some Business Problems

System

[ ] Build the developer's Brain

[ ] Setting up a system to efficiently complete projects after projects

[ ] Build using AI and Google → Do the same projects using tutorials → Build a similar project of my own on my own

[ ] Keep reflecting to improve the project system and workflow

[ ] What are the outcomes of working on that project?

[ ] Pivot when projects not working or when gotten stuck

[ ] Which projects to take

[ ] Each project must have Skill/ challenge/ value/ purpose criteria

[ ] aligned with your immediate goals, if not add to the project backlog

[ ] Create mini frameworks to build project-efficient, effective and robust solutions.

[ ] Learn from the experts - So many online have built projects with so many functional things

[ ] How they approach building a new project

[ ] How they plan to Strategically set up for success

[ ] How they start a project from scratch

[ ] How do they plan architecture?

[ ] Build a project-building system and improve it along the way while building and learning

Resources

[ ] Theory management by reflecting on the progress of the project

[ ] Cross-check the concepts learnt in the theory

[ ] Find books & courses with enterprise-level application project

[ ] Full in-depth tutorials with examples

[ ] Reverse engineer Portfolios and Github

[ ] Research the expert people in building projects.

[ ] Medium, Github contributors

[ ] Udemy SDE project tutorials

[ ] Workshop → Software Development

[ ] Job boards require analysis to practice skills for software engineering

[ ] Agile certification

[ ] Cloud Certification

[ ] Software development online communities to ask for help and feedback and get to know about new things

High-Quality Questions

[ ] How to become a GitHub star

[ ] How to become an open-source star

[ ] what it takes to create a software from scratch till deployment

[ ] How to become a modern software engineer

[ ] What are the skills apart from coding and development?

[ ] What skills to acquire to go from to great engineer

Profession

[ ] Gather a network of support system

To help out of the stuck zone

Get feedback on stuck projects

[ ] Find a few developer friends

[ ] Ask them if they have built projects and hosted them on GitHub

[ ] Ask them to give feedback on my progress & help me make it functional

[ ] Software development online communities to get to know about new things

[harinikhb30]

Elevating Your Career Trajectory: A Roadmap to Success with AWS

In the fast-evolving landscape of technology, incorporating Amazon Web Services (AWS) into your career strategy can be a game-changer. AWS, a leading cloud computing platform, offers a plethora of opportunities for professionals across various domains. Let's explore a comprehensive roadmap to leverage AWS for unparalleled career success.

1. AWS Certifications: Building the Foundation

Embarking on an AWS-centric career journey begins with acquiring industry-recognized certifications. Certifications such as AWS Certified Solutions Architect, AWS Certified Developer, and AWS Certified SysOps Administrator serve as badges of expertise, validating your skills and enhancing your appeal to potential employers. Dedicate time to comprehensive training programs that prepare you for these certifications, laying a robust foundation for your AWS journey.

2. Practical Experience: Bridging Theory and Application

While certifications validate your theoretical knowledge, practical experience is the bridge that connects theory to real-world application. Dive into AWS projects, experimenting with core services like EC2, S3, Lambda, and more. This hands-on experience not only reinforces your understanding but also showcases your ability to navigate and implement AWS solutions in diverse scenarios. Practical expertise is a key differentiator in the competitive job market.

3. Specialization in Domains: Carving Your Niche in the AWS Ecosystem

AWS offers a vast ecosystem with diverse domains, including cloud architecture, machine learning, cybersecurity, and more. Tailor your AWS journey by specializing in a domain aligned with your career goals. Becoming an expert in a specific niche within the AWS landscape positions you as a sought-after professional in that field, opening doors to specialized roles and unique opportunities.

4. Networking and Community Engagement: Building Connections

The power of networking cannot be overstated. Join AWS communities, participate in forums, and attend industry events to connect with professionals in the AWS ecosystem. Building a network within the industry not only provides valuable insights but also offers job leads, potential collaborations, and mentorship opportunities. Networking is a dynamic force that propels your AWS career forward.

5. Continuous Learning: Staying Ahead in the Dynamic Cloud Landscape

The cloud industry is dynamic, with AWS continually introducing new features, services, and best practices. Continuous learning is not just a recommendation but a necessity. Stay updated with the latest AWS releases and advancements. This commitment to staying at the forefront of technology positions you as a valuable asset to organizations looking to innovate with AWS solutions.

6. Showcasing Achievements: Creating Your Professional Narrative

Your AWS journey is a story of achievements and contributions. Showcase your expertise by creating a digital portfolio or blog that highlights your AWS projects and experiences. A well-documented portfolio serves as a living testament to your skills and provides tangible examples of the value you bring to potential employers or clients.

In conclusion, integrating AWS into your future career involves a strategic blend of certifications, practical experience, specialization, networking, continuous learning, and showcasing your achievements. As organizations increasingly embrace cloud solutions, your proficiency in AWS becomes a key differentiator, positioning you for success in diverse roles and industries. Embrace the AWS journey, and let it be the catalyst for unprecedented career growth and accomplishment.

[mylastbet]

About Architectural Digest

Let’s talk about the architectural digest issue. I’m already seeing so many misconceptions.

Architectural digest has two issues is that release on the 1st of every month Architectural Digest Style (the main one) and Architectural Digest Celebrity Style. The issue that releases will be for the following month not the current. For example on Dec 1 the January issue releases, on Jan 1 the February issue releases and on Feb 1 it’s March and so on.

On August 1st the September issue released and on the cover was John legend and his wife Chrissy Tiegan and the rest of their adorable family, this is the issue that I will be using as an example.

Today September 1 and the October issue will be released.

Later today, those who have subscriptions to the website and to the physical copies will see who is on the cover for October (this months issue). If you don’t have either of those, Architectural Digest is so kind that they will post all of the articles in that issue sporadically throughout the month. You know whether an article was in the issue because it will be titled Magazine and it will say it at the bottom just like so:

Here is Winnie’s article it was in the issue.

A lot of the time the person who is on the cover gets extra content like an Open Door AD interview that will be posted to YouTube. Here is John Legend’s and Winnie Harlow’s

Inside John Legend & Chrissy Teigen's Serene Family Home

Inside Winnie Harlow’s Hollywood-Inspired LA Home

Web-Exclusive Content

Architectural digest also has Web Exclusive Content meaning that it is exclusive to the website and is not in any issue. A lot of the time web exclusive content are home tours done by or for celebrity designers, time-period inspired homes, and just pretty houses in general but every once in a while a celebrity will get a Web exclusive home tour and interview. Which in my eyes, sometimes, they look a lot like the interviews inside of the issue.

They are paired with an Open Door AD posted to YouTube, not always, but a good majority of the time. Amanda Seyfried, Chloe Fineman, and Ashley Benson had a Web exclusive home tour interview that included an open door AD.

You can find all the Web Exclusive Content right here:

Web Exclusive Home Tour

Celebrity Real Estate

Lastly, and most importantly, we are going to discuss the real estate, or rather the celebrity real estate section of Architectural Digest.

On first glance, there are three forms of articles that go in that section Buying, Selling, and an Inside Portfolio. The first two are self-explanatory they are articles that contain how much the house is being sold or bought for where it is located, and some of the features inside of the house. Sometimes these articles can make a small comment about the relationship status of said celebrities, sometimes the article is just about the house. For example Shaun White’s and Nina Dobrev article debunked their engagement rumors. (whether AD was the first source to debunk their engagement rumors is unclear to me)

An inside portfolio is an article about a celebrity’s previous homes (usually at least three) sometimes more the article will end with the home that the celebrity is currently living in and the majority of the time these articles include that the celebrity is updating, renovating, or adding an addition to their home. They will also announce who is designing their house. Here is Sarah Jessica Parker’s Inside Portfolio and here is snippet of the update and who is redesigning her home:

Her article also includes details about her relationship with her husband.

And just as another example here is a snippet of the update given about Nick Cannon’s home

Just on first glance these forms of articles do not include any pictures of their current homes. It also looks to me that these aren’t actual official sit down interviews. It is just rehashing what is already out there or is public knowledge. All of these articles are also quoting old interviews done with Architectural Digest or other magazines. But that is just based on first glance.

Real Estate

Light and Dwell

Lastly, about Light and Dwell It is very important to note that the house that is allegedly Chris’ is their last project for the year and is set to be done by the end of fall. they have been featured on Architectural Digest three times before here are their articles:

"White Chocolate Minimalism" Is the New Interior Trend to Watch

Tour an English Countryside–Inspired Home in an Oregon Forest

Meet 8 Emerging Design Stars From Across the Country

My Opinion

Here is my personal opinion based on what Lonesome has told us. It seems to me based on what Lonesome is describing the closest thing is an Inside Portfolio. My only issue with that is there will allegedly be pictures of the inside of his house. But the inside portfolio usually doesn’t include any pictures, so I’m confused. I do know that this kind of article does plug in the designers. I can also see him doing similar to what Amanda Seyfried did, and the only problem is hers did not go in the real estate section. It was just a web exclusive interview, her interview included pictures of her home, but not the kind that revealed too much and still kept a bit of privacy she’s also one of the few celebrities that did a web exclusive interview but didn’t do the open door YouTube interview. Which I can’t see him doing either. it’s just an educated guess based on what I know.

It is possible that the article is actually for Light and Dwell designing Chris Evans house, but won’t necessarily be receiving an interview from Chris Evans. We’ll just have to wait and see it’s just a guess.

I hope that this has taught you something, and you remain educated for the rest of the month. Like lonesome has said these interviews come out sporadically throughout the month so we’ll just have to wait and see. And we’ll discuss on September 30 if not earlier.

Please let me know if you’re confused on anything.

[ashcan-studio]

CAREERS IN THE ARTS – ARCHITECTURE – CAREER OPPORTUNITIES AND ACCEPTED ART PORTFOLIO EXAMPLES

In order to get into the Top Architecture Programs in schools like CORNELL UNIVERSITY, CARNEGIE MELLON UNIVERSITY, SYRACUSE UNIVERSITY, COOPER UNION, RISD, PRATT, and SCIARC––you’ll need an outstanding Art Portfolio to get in.  And if you do get into one of these excellent Bachelors in Architecture programs it will open the door of extraordinary career opportunities for you.  ARCHITECTURE…

[tommeaney]

Residential architecture portfolio

Design professionals showcase their experience, versatility, and design philosophy through a compelling display of work. These curated examples include diverse styles and custom solutions for various living needs. A strong residential architecture portfolio demonstrates the ability to adapt to different environments, clients, and challenges while maintaining consistency in quality, innovation, and functional residential appeal.