The Gasteiner Valley in Fog, Anton Romako, 1877
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Emil Jakob Schindler - Waldfräuleins Geburt, 1868.
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Paco Knöller, Aufwachraum, (pencil and colored pencil on paper), 2015 [Galerie Thomas Schulte, Berlin. © Paco Knöller]
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Céleste Boursier-Mougenot, "Chorégraphie" (Choreography),
Stones Installation, Galerie Xippas, Paris, France
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Ann Glazyrina (Анна Глазырина , Anna Raise , Indiana A)
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"June 21 2022 We transitioned in what we surmised to be near Gaza City in the mid 1800s. This was ottoman Palestine. Wali noticed it right away. "
— Tom
" Thus it began... The possibility of being able to escape gaza permanently without moving. There was something deeply, profoundly attractive about this option.
On one hand, the desire to escape the bitter and violent perpetual occupation was strong, and the fact that in essence they were not really leaving Gaza seemed to offer a possible solution to the quandary of feeling that one must stay, that somehow one could never live with oneself, having left people behind, That one had failed to stay and stand up for palestine. "
— Narrator
Gaza City Mid 1800s from " The Journeys of Tom and Nancy " (2024) by Will Eizlini 12 " x 9 " Acrylic, Posca, and Sharpie on kraft paper.
The Journeys of Tom and Nancy will be performed in Montreal at the Galerie du Viaduc, October 26, 2024, on the final day of the Exhibition "Hidden in Plain Sight" featuring works of Will Eizlini and Serene Daoud.
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ALICJA KWADE // "REVOLUTION (GRAVITAS)"
@ KÖNIG GALERIE [HONG KONG, 2018]
[stainless steel & stone | 235 x 240 x 200 cm.]
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Christophe Verfaille, "Untitled" (August 1990–April 1992),
Acrylic on wood, 43 1/2 x 41 1/2 x 3/4 inches.
Courtesy Galerie Buchholz
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Kunsthalle Hamburg, Galerie der Gegenwart, Hamburg
https://www.hamburger-kunsthalle.de/
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