#asian clothes online

[dazzleandblooms]

Unveiling the Exquisite World of Asian Clothes Online with Dazzle and Bloom

In the realm of fashion, there's a magnetic allure surrounding Asian clothing. With its intricate designs, vibrant colors, and deep-rooted cultural significance, Asian attire has garnered admirers from around the globe. At Dazzle and Bloom, we're proud to present a curated collection that encapsulates the essence of Asian fashion, all available at your fingertips through our online platform.

Exploring the Diversity of Asian Clothes Online:

The term "Asian clothes" encompasses a vast array of styles, each with its own unique heritage and aesthetic appeal. From the graceful elegance of a traditional kimono to the dazzling intricacy of an embroidered saree, the diversity of Asian attire is boundless. At Dazzle and Bloom, we celebrate this diversity by offering a comprehensive selection that spans across cultures and centuries.

Traditional Elegance Meets Modern Sophistication:

One of the most enchanting aspects of Asian fashion is its ability to seamlessly blend tradition with modernity. Our collection at Dazzle and Bloom exemplifies this fusion, featuring timeless silhouettes crafted from luxurious fabrics, alongside contemporary interpretations that add a fresh twist to classic designs. Whether you're drawn to the understated charm of a traditional qipao or the bold allure of a fusion-inspired gown, our selection caters to every taste and occasion.

Craftsmanship and Quality:

At the heart of every garment in our collection lies a dedication to craftsmanship and quality. We partner with skilled artisans and designers who are masters of their craft, ensuring that each piece is meticulously crafted to perfection. From hand-sewn embroidery to intricate embellishments, every detail is carefully executed to uphold the highest standards of excellence. When you shop for Asian clothes online at Dazzle and Bloom, you can rest assured that you're investing in pieces that are not only beautiful but also built to last.

A Cultural Journey Through Fashion:

More than just clothing, each piece in our collection tells a story—a story of heritage, tradition, and cultural identity. When you adorn yourself in Asian attire from Dazzle and Bloom, you're not just wearing a garment; you're embodying a centuries-old legacy of craftsmanship and artistry. Whether you're attending a cultural celebration or simply expressing your personal style, our garments allow you to connect with the rich tapestry of Asian culture in a meaningful way.

The Convenience of Online Shopping:

With the advent of online shopping, accessing the world of Asian fashion has never been easier. At Dazzle and Bloom, we've streamlined the shopping experience to ensure maximum convenience and satisfaction for our customers. Our user-friendly website allows you to browse our collection from the comfort of your own home, with detailed product descriptions and high-resolution images to help you make informed choices. With just a few clicks, you can select your desired pieces, place your order, and have them delivered straight to your doorstep.

Customer Satisfaction Guaranteed:

At Dazzle and Bloom, we prioritize customer satisfaction above all else. From our hassle-free ordering process to our prompt and reliable customer service, we strive to exceed your expectations at every turn. We understand that purchasing clothing online can be daunting, which is why we offer flexible return and exchange policies to ensure that you're completely satisfied with your purchase. Our commitment to excellence extends beyond the products themselves; it's about providing you with a shopping experience that is seamless, enjoyable, and ultimately, unforgettable.

Conclusion:

As you embark on your journey through the world of Asian fashion, let Dazzle and Bloom be your guide. With our curated collection of Asian clothes online, we invite you to explore the beauty, elegance, and cultural richness of this captivating sartorial tradition. Whether you're searching for a statement piece for a special occasion or simply looking to infuse your wardrobe with a touch of Asian flair, we have something for everyone. Experience the magic of Dazzle and Bloom today, and discover a world where tradition meets innovation, and elegance knows no bounds.

[diyaonlineofficial]

Diya Online: Buy Asian clothing for Women, Men, Girls and Boys online

Palazzo suits are rightfully the flavour of the moment! Palazzo suits are currently a hot favourite among women of all age groups since they are amazing and super comfortable. Gorgeous for their ability to give legs the much-needed breathing space – they are comfortable, look great and are extremely versatile. Palazzos and other loose pants are super fun to style. 

[mod2amaryllis]

What's cosmic depression?

when you're depressed but in the cosmos

[kleefkruid]

Every fun post on here that encourages people to have hobbies/be creative always gets an avalanche of "Some people are poor Karen" type reactions and respectfully, you're all super annoying. I've never lived above the poverty line and this is a list of hobbies I have that were cheap or entirely free:

Read books: Go to the library, lend a book from a friend

knitting, crochet, embroidery: Get some needles from the bargan store and ask around, people have leftovers from projects they'll happily give you. Thrift stores also often carry leftover fabric and other supplies. And talk about your hobby loud enough and an old lady will show up and gift you their whole collection, because there are way more old ladies with a closet full of wool than there are grandchildren who want to take up the hobby.

Origami/paper crafts: get some scrap paper and scissors, watch a youtube tutorial

walking: put on shoes open door

pilates/yoga/etc: get a mat or just use your carpet, watch a youtube tutorial

Houseplants: look online for people that swap plant cuttings. There are always people giving out stuff for free to get you started. If you're nice enough you'll probably get extra

gardening: You're gonna need some space for this one of course but you can just play around with seeds and cuttings from your grocery vegetables.

aquarium keeping is a bit of an obscure one but I got most of my stuff second hand for cheap or free and now I have a few thousand euro worth of material and plants.

drawing/art: You get very far just playing with bargan store materials. I did my entire art degree with mostly those.

writing: Rotate a cow in your head for free

cooking: again one you can make very expensive, but there are many budget recipes online for free. Look for African or Asian shops to get good rice and cheap spices.

Join a non-profit: Cities will have creative organisations who let you use woodworking machines or screen presses or laser cutters or 3D printers etc etc etc for a small fee. Some libraries also lend out materials.

candle making: You need some molds (cheap), wick, two old cooking pots for au bain marie melting and a ton of scrap candles, ask people to keep them aside for you.

a herbarium, flower pressing: Leaves are free, wildflowers too, ask if you can take from peoples gardens.

puzzles: thrift stores, your grandma probably

Citizen science: look for projects in your area or get the iNaturalist app

And lastly and most importantly: Share! Share your supllies, share your knowledge. Surround yourself with other creative people and before you know it someone will give you a pot of homemade jam and when you want to paint your kabinet someone will have leftover paint in just the right color and you can give them a homemade candle in return and everyone is having fun and building skills and friendships and not a cent is exchanged. We have always lived like this, it's what humans are build to do.

And all of it sure beats sitting behind a computer going "No stranger, I refuse to let myself have a good time."

Anyway I'm logging off bc I'm making some badges for a friend who cooked for me and then I'm going to fix some holes in everyones clothes.

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[aashniandco]

Luxury Women's Clothing | Aashni + Co

Shop Aashni + Co. for buy women's luxury Indian clothes. Explore our collection of designer lehengas, sarees, kurtis, dresses, and other clothing for ladies.

[tangibletechnomancy]

The (Personal) Is (Political)

~7 hours, Dall-E 3 via Bing Image Creator, generated under the Code of Ethics of Are We Art Yet?

Or, Dear Microsoft and OpenAI: Your Filters Can't Stop Me From Saying Things: An interactive exercise in why all art is political and game of Spot The Symbols

A rare piece I consider Fully Finished simply as a jpeg, though I may do something physical with it regardless. "Director commentary" below, but I strongly encourage you to go over this and analyze it yourself before clicking through, then see how much your reading aligns with my intent.

Elements I told the model to add and a brief (...or at least inexhaustive) overview of why:

Anime style and character figures - Frequently associated with commercial "low" art and consumer culture, in East Asia and the English-speaking world alike, albeit in different ways - justly or otherwise. There is frequently an element of racism to the denigration of anime styles in the west; nearly any American artist who has taken formal illustration classes can tell you a story of being told that anime style will only hinder them, that no one will hire them if they see anime, or even being graded more harshly and scrutinized for potential anime-esque elements if they like anime or imply that they may like anime - including just by being Asian and young. On the other hand, it is true that there is a commercial strategy of "slap an anime girl on it and it will sell". The passion fans feel for these characters is genuine - and it is very, very exploitable. In fact, this commercialization puts anime styles in particular in a very contentious position when it comes to AI discussions!

Dark-skinned boy with platinum and pink [and blue] hair - Racism and colorism! They're a thing, no matter how much the worst people in the world want you to think they're long over and "critical race theory" is the work of evil anti-American terrorists! I chose his appearance because I knew that unless I was incredibly lucky, I would have to fight with this model for multiple hours to get satisfactory results on this point in particular - and indeed I did. It was an interesting experience - what didn't surprise me was how much work it took me to get a skin color darker than medium-dark tan; what did surprise me was that the hair color was very difficult to get right. In anime art, for dark skin to be matched with light hair and eyes is common enough to be...pretty problematic. Bing Image Creator/Dall-E, on the other hand, swings completely in the opposite direction and struggles with the concept of giving dark-skinned characters any hair color OTHER than black, demanding pretty specific phrasing to get it right even 70% of the time. (I might cynically call this yet another illustration against the pervasive copy-paste myth...) There is also much to say about the hair texture and facial features - while I was pleased to see that more results than I expected gave me textured hair and/or box braids without me asking for it, those were still very much in the minority, and I never saw any deviation from the typical anime facial structures meant to illustrate Asian and white characters. Not even once!

Pink and blue color palette - Our subject is transgender. Bias self-check time: did you make that association as quickly as you would with a light-skinned character, or even Sylveon?

Long hair, cute clothes, lots of accessories - Styling while transmasc is a damned-if-you-do, damned-if-you-don't situation, doubly so if you're not white. In many locations, the medical establishment and mainstream attitude demands total conformity to the dominant culture's standard conventional masculinity, or else "revoking your man card" isn't just a joke meant to uphold the idea that men are "better" than women, but a very real threat. In many queer communities, especially online, transmascs are expected to always be cute femboys who love pink (while transfems are frequently degraded and seen as threats for being butch), and being Just Some Guy is viewed as inherently a sign of assimilationism at best and abusiveness at worst. It is an eternal tug-of-war where "cuteness" and ornamentation are both demanded and banned at the same time. Black and brown people are often hypermasculinized and denied the opportunity to even be "cute" in the first place, regardless of gender. Long hair and how gender is read into it is extremely culture-dependent; no matter what it means to you, if anything, the dominant culture wherever you are will read it as it likes.

Trophies and medals - For one, the trans sports Disk Horse has set feminism back by nearly 50 years; I'm barely a Real History-Remembering Adult and yet I clearly remember a time when the feminist claim about gender in sports was predominantly "hey, it's pretty fucked up that sports are segregated by sex rather than weight class or similar measures, especially when women's sports are usually paid much less and given weirdly oversexualized uniforms," but then a few loud living embodiments of turds in the punch bowl realized that might mean treating trans people fairly and now it's super common for self-proclaimed feminists - mostly white ones - to claim that the strongest woman will still never measure up to the weakest man and this is totally a feminist statement because they totally want to PROTECT women (with invasive medical screenings on girls as young as 12 to prove they're Really Women if they perform too well, of course). For two, Black and brown people are stereotyped as being innately more sporty, physically strong, and, again, Masculine(TM) than others, which frequently intersects with item 1...and if you think it only affects trans women, I am sorry my friend but it is so much worse and more extensive than you think.

Hearts - They mean many things. Love. Happiness. Cuteness. Social media engagement?

TikTok - A platform widely known and hated around these parts for its arcane and deeply regressive algorithm; I felt it deserved to be name/layout/logodropped for reasons that, if they're not clear already, should become so in the final paragraph.

Computers, cameras and cell phones - My initial specification was that one of the phones should be on Instagram and another on TikTok, which the model instead chose to interpret as putting a TikTok sticker on the laptop, but sure, okay. They're ubiquitous in the modern day, for better and for worse. For all the debate over whether phones and social media are Good For Us or Bad For Us, the fact of the matter is, they seem to be a net positive-to-neutral, whose impacts depend on the person - but they do still have major drawbacks. The internet is a platform for conspiracy theories and pseudoscience and dangerous hoaxes to spread farther than ever before. Social media culture leaves many people feeling like we're always being watched and every waking moment of our lives must be Perfect - and in some senses, we are always being watched these days. Digital privacy is eroding by the day, already being used to enforce all the most unjust laws on the books, which leads to-

Pigs - I wrote the prompt with the intention that it would just be a sticker on the laptop, but instead it chose to put them everywhere, and given that I wanted to make a somewhat stealthy statement about surveillance, especially of the marginalized...thanks for that, Dall-E! ;)

Alligators - A counter to the pigs; a short-lived antifascist symbol after...this.

Details I did not intend but love anyway:

The blue in the hair - I only prompted for platinum and pink in the hair, but the overall color palette description "bled" over here anyway, completing the trans flag, making it even more blatant, and thus even more effective as a bias self-check.

The Macbook - I only specified a laptop. Hilariously ironic, to me, that a service provided through Bing interpreted "laptop" as "Macbook" nearly every time. In my recent history, 22 out of 24 attempts show, specifically, a Macbook. Microsoft v. OpenAI divorce arc when? ;) But also, let us not forget Apple's role in the ever-worsening sanitization of the internet. A Macbook with a TikTok sticker (or, well, a Tiikok sticker - recognizable enough) - I can think of little more emblematic of one of the main things I was complaining about, and it was a happy accident. Or perhaps an unhappy one, considering what it may imply about Apple's grip on culture and communications.

Which brings me to my process:

Generated over ~7 hours with Dall-E 3 through Bing Image Creator - The most powerful free tool out there for txt2img these days, as well as a nightmare of filters and what may be the most disgustingly, cloyingly impersonal toxic positivity I've ever witnessed from a tool. It wants to be Art(TM), yet it wants to ban Politics(TM); two things which are very much incompatible - and so, I wanted to make A Controversial Statement using only the most unflaggable, innocuous elements imaginable, no matter how long it took.

All art is political. All life is political. All our "defaults" are cultural, and therefore political. Anything whatsoever can be a symbol.

If you want all art to be a substance-free "look at the pretty picture :)" - it doesn't matter how much you filter, buddy, you've got a big storm coming.

[catpriciousmarjara]

Tell me: Is He Gay or In a Sherwani?

Imposition of western norms in fandom analysis of Asian characters

With the rising popularity of Indian cinema sparked by the recent success of RRR on international platforms as well as the easy availability of multiple streaming services, in addition to the appearance of South Asian characters in prominent roles in western, particularly US media, I've begun to see some concerning 'analysis' posts online. So I thought I'd address something I found common in most of these takes.

Guys, characterizing your blorbos as queer is great and all, love it, but you're making a fundamental mistake by making their clothing choices the foundation for your queer headcanons, especially when it comes to male characters. Do not apply existing western cultural ideas regarding male clothing onto South Asian characters and their dressing please.

The vast majority of the clothes being used by people in various online spaces as 'evidence' of a character being queer(gay or bi mostly) are just normal Indian clothing for men, like daily wear. A top being pink or a character's wardrobe being mostly pastel means absolutely nothing...cos Indian clothing tends to be colourful in general and the tendency to ascribe colours masculine and feminine qualities is considerably less in the subcontinent. I'm not saying it doesn't exist, but generally not a concern.

There's also this pervasive idea that colourful clothing = flamboyance = queer and that itself is something many people have already pointed as a deeply flawed way of thinking and a stereotype. Furthermore, even if you do lean into the archetype of queer men being flamboyant, subscribing to the 'stereotypes exist for a reason don't they?' school of thought perhaps, there's also the fact that ideas of what is considered flamboyant change dramatically across different cultures. What is 'flamboyant' for someone might just be normal for others. Like maybe pink or purple or yellow might be considered too much, unmanly, emasculating etc in the US or something but they're just perfectly normal colours for men to wear in many, many cultures.

It's the 'Is he Gay or European?' principle. Did you characterize this Indian character (or any South Asian character really) as queer because of their canonical behaviour and portrayal, or did you just see their clothing and decide they're queer because being well groomed and having a colourful wardrobe is a character trait you exclusively ascribe to being queer?

Like guys, I like Chaipunk like the rest of you, but if you consider Pavitr queer just because his costume is a lot fancier than the others' (An actual take I've seen multiple times) without taking into account his cultural background....¯\_(ツ)_/¯

Let me make this clear, I don't think people need a ten page analysis to imagine their fave as queer. Headcanoning a character as queer can have any reason ranging from 'I said so and so it is' to 'this is my light character analysis that makes a masters thesis look shabby' and they're all valid and an integral part of the fandom experience. What I am annoyed at are these so-called 'well-researched' theories that did not make the slightest effort to look into South Asian culture and simply transposed their western bias onto Indian media and confidently make flat out wrong judgements and mislead other people. Clothing based sexual identity determinism is the least of it. That I can at least understand through the lens of a habitual process built through years of analyzing crumbs of queer representation available only through queer coded characters and symbolism such as clothing choices being the only way to see an aspect of yourself portrayed in an aggressively heteronormative media ecosystem. I do that too, because media is tragically heteronormative everywhere. But the rest? Its just straight up misinformation and misrepresentation touted as truth.

Its the same with relationships between men. There are plenty of cultures where skinship between men is not unusual and dynamics and nuances tend to be vastly different from western representations of male friendships. In xianxia and wuxia fandoms you can see this same problem in a different font when outsiders, most often the western side of the fandom, try to apply their own standards and morals onto the original work and try to interpret it through a lens it was never supposed to be interpreted through in the first place, except maybe for comparative analysis. This practice itself isn't a major problem, its natural for people to apply what is familiar to them to try and understand something new. But when this is also accompanied by them foisting their personal interpretation and analysis as the 'correct' one and trying to impose it on the fandom as a whole, it escalates into a powder keg situation as you can imagine.

Again, not saying that western parts of fandoms are the root of all evil or anything like that, gods know how toxic netizens can be. But in this specific situation, where people try to impose western ideals on to non-western content and assumes the universalism of their own principles and value systems? Indeed an issue to be addressed.

[art]

Meet the Artist: @alienturnipp​

Hi! I’m Jura online, but I also go by my name – Hao – or my handle @alienturnipp​. I am a Vietnamese artist based in Canada, currently working full-time as a Graphic & Web Designer but also dipping my hands into other creative projects. On Tumblr, you will probably see me posting a lot of Dragon Age fan work and personal art as well :”D

Many of my art inspirations come from western dark fantasy, but I’m slowly reconciling my artistic expression with my own culture through various means. Designing Vietnamese clothes in high fantasy settings has a special place in my heart, and I hope to learn and grow in the future.

Nice to meet you, Jura! She has picked out some of her artwork to share with you all here.

Check out more of Jura’s art over at her Tumblr @alienturnipp!

-

We are highlighting some of Tumblr’s talented artists of Asian descent all month as part of Asian American and Pacific Islander Heritage Month! Check them out here.

[dazzleandblooms]

Dazzle And Bloom: Discover Exquisite Asian Long Dresses for Every Occasion!

Dazzle And Bloom" presents a stunning array of Asian long dresses, blending timeless charm with contemporary flair. Our dresses boast intricate details and luxurious fabrics, capturing the essence of Asian elegance. Perfect for any occasion, these dresses are designed to make you feel confident and exude effortless style.

[diyaonlineofficial]

[art-that-fucks-you-up-tournament]

SET SIX - ROUND ONE - MATCH ONE

"The Kama Sutra of Vatsyayana" (2019 - Victo Ngai) / "Portraits" (2023 - Sin Wai Kin)

THE KAMA SUTRA OF VATSYAYANA: adoreeee the art style in each (vedev)

PORTRAITS: It makes me go soo feral bcs the actual piece is a video, and there are only extremely subtle movements. Its so so cool, bcs it looks and feels like the subject of the piece looks like they’re being watched/knows they’re being watched. Its honestly kind of creepy when you see it, and it gives the same feeling as if the fourth wall has been broken, even though it technically hasn’t been. Its a genuinely really cool piece, especially as someone who is online a lot, and for me it felt like it was about that feeling of being watched, especially the pressure. (azurecake16)

("The Kama Sutra of Vatsyayana" is a cloth-bound, gold-tone gilded book by Chinese-American artist Victo Ngai. There are 750 copies in existence, each signed.

"Portraits" is a video by queer Asian-Canadian artist Sin Wai Kin.)

[paganimagevault]

The Kargaly/Wusun diadem 2nd C. BCE - 2nd C. CE. Note, Katheryn's article below is much longer and has more info, I just took snips of what I found most interesting. It can be found online.

"According to Chinese archaeologists, the excavated skeletal remains presumed to be Wusun are of the short-headed Europoid Central Asian interfluvial type (Mallory Mair 2000: 93-94). On the basis of six skulls from the last centuries BC/first centuries AD found in Semirechye and presumed to be those of the Wusun, Soviet archaeologists have described them as ranging from primarily Europoid with some Mongoloid admixture to pure Europeans (Mallory Mair 2000: 93-94). Evidence from ancient Chinese texts is contradictory about the appearance of these peoples and only DNA and other types of scientific testing will bring clarity to this issue.

Although gold artefacts and inlay can be found dating from the Late Neolithic through to the Bronze Age in China, it was most prevalent in its borderlands (Bunker 1993: 27-46) until the Qin and Han, when it found preference on a broader scale.

In addition, the lost-wax lost-textile casting technology was developed and used (Bunker 1988: 222-27) in the area adjacent to the very tombs from where the iconography and style of the diadem hails. Observations about the inlay technology used on the diadem are important clues as well. Inlay appeared on Chinese-produced objects almost exclusively where a cell was created into which the stone was placed and adhered with some fixative (Bunker 1993). This is not the technique used to produce the diadem, where the gold was hammered into a matrix-template, then engraved (or chased) on the surface. Many of the cells for inlay were created in the hammering process and after the stones were in place, secured by hammering the bezels surrounding each stone. In addition, there were pierced cells filled from behind with stone and secured with the addition of a gold sheet adhered behind the stone. Items produced using such techniques would probably not have been created in Chinese foundries.

Moreover, gold animal plaques known from earlier Xiongnu tombs (third century BC) use inlay to enhance the natural conformation of the beasts (Figure 5). By placing inlays at the points of movement such as at the haunches of quadrupeds or at the wing joints of birds, the potential of movement and thereby the power of these wild creatures is underscored. Inlays also mark such features as eyes. On the Kargaly diadem, however, circular inlays are used decoratively as a patterned design, still often at the haunches, but also throughout the clouds. They no longer emphasize the natural form or movement of the animals or the clouds, but create an overall pattern. This recommends a later date for the diadem, perhaps late first or second century AD.

But why would such models be used in south-eastern Kazakhstan at this time? This is a unique piece—its style and iconography were nor known before or after in the region. The models for the iconography were taken from types known near Han imperial military outposts in a place where the Chinese hoped their troops could contain barbarian incursions and where peace and stability were difficult to maintain. Those units often included conscripts whose allegiance was opportunistic. The models for diadems (Stark 2012: 134) or for applications to adorn carts or clothing come from further west.

So, was this piece made in the Western Regions, in the territory beyond the Jade Gate of the Great Wall (in present day Gansu) that marked the boundary of Han hegemony, and then carried west? Was it perhaps made as a gift for an embassy to present to a Wusun or Yuezhi leader far outside of Han territory, such as in Wusun? Or, alternatively, was it carried by a regional princess to her place of exile and burial as the partner of one of those 'foreign' leaders?"

-Katheryn Linduff, Immortals in a foreign land: the Kargaly diadem. 2014, Antiquity, Vol 88, issue 339

[anti-spop]

do you think the creators of spop managed to make each character look like their assigned ethnicity/race? because when i first heard that glimmer was supposed to be asian, i was quite surprised. apart from her VA being asian, i don't see anything in her character design or culture, and i'm asian myself.

same goes for the other characters. i guess netossa and bow being black is a bit more obvious because of their complexion and hair texture, but the other characters all had pretty similar features, save for one or two small differences. characters like mermista and entrapta especially seemed to fall into the classic "ambiguous brown character" trope. maybe that's just me though.

i think glimmer being asian is more "obvious" when you see micah and castaspella, but glimmer ended up having her mother's eye and hair colors, so i also had the same impression as yours when they confirmed glimmer to be asian-coded. i heard sea hawk and scorpia were also meant to be half-asian according to the character designer of the show - which i ALSO didn't see coming. and you have to dig these up online to find out.

i had no idea mermista was supposed to be indian-coded until the fandom pointed it out, i think they hint at it with her clothing in the princess prom iirc? and entrapta then is VERY ambiguous.

i've criticized this before, but i just think the characters' facial features - ESPECIALLY their noses - and i guess their body shapes are not that diverse. to me none of the characters rlly seem to be from different ethnicities save maybe for the black characters (and even then, there's a lot more to black ppl than just african-american).

the spop cast may have diverse skin colors, but in the end they don't look THAT diverse, especially if you count the body diversity. which is a shame, i'm sure a lot of fans must look up to this show and see themselves represented in it, but sadly i only see the characters being drawn with more appropriate features in fan art.

while i do not want to sound like an angry dudebro that hates spop for adding diversity, the diversity itself isn't even that developed. especially considering most of the characters' ethnicities were "confirmed" by the character designer OUTSIDE of the show, and canon doesn't rlly support the statements.