sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
120 notes
·
View notes
priest: i don't, ah, quite know what to say to you. if you are in such terrible danger, why are you taking it all so calmly?
constantine: hmh! i dunno, father. i had a bloke beaten to a pulp earlier this evening. that sound calm to you?
priest: you did what...?
constantine: i must've been off me bleedin' rocker. i've never done anything like it before in me life, y'know?
constantine: but there's header gets his guts blown out, and george is stickin' his head in the noose, and helen gets ... jesus, then friggin' sarah bites me head off — ! everything's coming to bits in me hands and it's so easy to just see red and now, shit, they could've killed the tosser for all i know!
and now i'm just like the bastards i've hated all me life! kill him! fire him! close them down! piss all over him! screw you, i can do whatever i want! i so much as blink and you're dead, pal! i'm in charge!!
...
constantine: 'scuse me, father. i'm always like this when i don't get me own way.
— hellblazer #81, "rake at the gates of hell pt. 4"
babygirl you are just....so, sooooo offputting. (and grieving, and guilty, and terrified, but yeah: offputting.)
anyway, it's issues like this one that remind me why i kind of hesitate over some of the retcons in the recent spurrier runs, like the one with him now having opened dream's pouch of sand and stolen some before they even met. because like, it's easy enough to look at john constantine now — with 70 years of worst possible choices and unresolved trauma crystallizing underneath his skin to cover up all the soft, hopeful bits where he's used to getting hit — and assign him arbiter of ill intentions, magus of wasted potential, saint of shit choices, but man . . . he was new to this, once. he was still new to this 80 issues in.
80 issues in, and he's not used to losing friends yet; he even has time enough between catastrophes to grieve each individual one. still has enough left to live for at this stage to necessitate running and hiding, instead of bodily throwing himself at the problem like he learns to later, or sitting apathetically by to do nothing except smoke and watch the world fall apart when he finally gives up. fuck, he still apologizes.
and you're telling me this guy, this soppy wet cat motherfucker hiding from the devil in a church basement, so guilty over not knowing what happened to the guy that he paid people (paid chas, so chas could pay people) to attack that the bottle he's holding in this scene isn't even his second or third........this guy's past, more innocent self lied right to the face of DREAM OF THE ENDLESS and got away with it?
hm. i just don't know about all that.
20 notes
·
View notes
What color character are you?
TOBIAS: yellow character.
Yellow characters tend to be positive and upbeat people, who try to see the bright side in most situations (although the older a character is, the less likely they’ll be as openly positive). They’re friendly and energetic much of the time, and while often genuine it can become a cover for their more negative feelings. They tend to have a lot of skill in one specific area which they have to work hard to harness and use properly. Because of this skill they can be put up on a pedestal and have high expectations placed on them to perform. Often these expectations also come from themselves. They have a strong sense of responsibility and duty placed on them that can cause them to develop a bit of a savior complex, blaming themselves for not being able to protect everyone around them.
They are diffusers and peacemakers, preferring to be in harmony with everyone, sometimes making it confusing when others around them are not this way. They’re pretty cheerful and bubbly and usually the light of their friend group. They care about their friends a lot, and go out of their way to show it, although it can cause them to be jealous when they feel as if they aren’t being included. While kind people, they also have a competitive streak and like to win. They love fun and are likely to get sidetracked and drag their friends along with them. Others are able to relax in their presence and enjoy themselves, and it’s hard not to like a yellow character. While these characters may be warm and diligent though, they also have a hard time taking risks, generally preferring to stay in their comfort zone.
They can have a bit of both a main character and a savior complex because of how much responsibility they put on themselves, and while well meaning it can irk other characters. Sometimes they go too far trying to help and interfere with others, and when they don’t want to do something they will often shut down and distract themselves from it. They are surprisingly mature for how innocent they seem, and when in a healthy place they always give their best effort. They are wise and interpersonal and really tie their friend group together. Yellow characters need to be given a safe space to release negative emotions without letting them build up, and they need people in their life who will help them keep a healthy balance of work and play without pressuring them too much.
TAGGED BY: @inhaunts THANK UUU!!!
TAGGING: You 🫵
3 notes
·
View notes
vent post. There are two stories i was told in my teenage years that even before i had a real concept of trans issues made me uninterested in discussing the supposed sacredness and safety of separated sex-based spaces.
First, when i was like 13 or 14 my PE teacher told us about a time she went to a women's public restroom, some guy was hanging out outside the bathrooms, she didn't think anything of it, went to the bathroom, and he walked in after her and like, creeped on her over the top of the stall. She was ok, she wasn't telling us this to scare us, just telling us what to do in situations like that (and iirc she was telling the whole co-ed class this, not just girls, bc it's useful for everyone), but this taught me immediately and forever that there's nothing actually keeping these spaces separate really, that anyone can be a creep in any space, and that establishing a space like that as for women only isn't actually particularly useful for safety.
Second, when i was 16 i was at an anime convention, a friendly acquaintance of mine and i ended up in conversation outside, and he showed me his bare wrist and told me he'd been kicked out. A female friend of his had stepped in dog poop outside, and between that and the stress of the convention she'd had a bit of an emotional breakdown, so being her friend, he started comforting her and ushered her into the women's restroom so they could wash the poop off her shoe together. And because he was a man who went into the women's bathroom, he got kicked out, no matter that he was doing something that was actually beneficial to a woman. Punishing a woman's friend for supporting her was supposed to... protect her somehow? This made it clear to me that a no-exceptions rule separating the sexes like that wasn't actually inherently good for everyone.
And this isn't even getting into me as a child needing to accompany my younger sister to the restroom when we were out with just my dad because she had certain support needs past the age he felt comfortable bringing her into the men's room with him. And what if I'd been born a boy, or she'd been the first born? Who's helping her then?
And of course even putting all this aside, we should always prioritize compassion and support anyway. But i never even needed to meet a trans person to know that "keeping men out of women's bathrooms" is silly nonsense. But trans people also need to pee anyway and as humans they have that right, so leave them the fuck alone. your precious women's restroom is just a fucking room with a door, holy shit give it a fucking rest, if someone is attacking you in the bathroom that's bad and if someone is in there to pee that's good and it doesn't fucking matter what their junk is or was when they were born.
a woman could have done the exact same thing to my PE teacher and it would have also been bad no matter how "supposed" to be in the restroom she was, and no one should ever be punished for helping a crying friend wash their shoe.
Anyway i know I'm speaking to like-minded folks here, i just think about those two stories literally every time bathroom gender shit comes up and it pisses me off.
18K notes
·
View notes