god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.
charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.
edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.
the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).
i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.
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mickeymickEYMICKEY I DONT KNOW IF YOU SAW BUT THIS. OH MY GAAWWHSHSBDKNFKG
JIASDJSDSFHEFEHJ SCAR. THAT'S SO FUCKING INSANE I JUST RB'ED IT TOO BUT LIKE. GOD I LOVE FANARTISTS SOOO SO MUCH THAT'S SO FUCKING STUNNING I WANT IT ON MY WALL FRAMED AND EVERYTHING!!!!!!!!!!!!!!!!!!!! FEM!DAZAI I LOVE YOU SO BAD SHE'S SOOO SO MURKY AND DARK AND SHE DEFINITELYLIKES THE TASTE OF BLOOD BUT IT'S WHATEVER YOU KNOW (I WILL MARRY HER.)
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im so sleepy-pilled rn, very much about to be snoozemaxing
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i think i can predict the future i literally wrote an archer mafuena fic a few days ago and now that archer gacha comes out (that mafuyu card has me going a bit insane ngl) - ❄
Man, that's insane... Write something related to Kanade in a suit I'm begging, I need a card like that in my life.
Also, archer mafuena fic??? I have no words to describe how perfect that concept is, I'm gonna be thinking about it for the rest of the day <3
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maybe i’m just feeling really sad and stuff right now (i am, at least when this is queued, but that’s not the point) but i really REALLY wanna write something that just. makes someone sob. like yeah i joke that “i can never write happy stuff if it’s not upsetting it’s not mine sorry” but i feel like i never nail the raw emotion. i feel like i either lean too much or not enough into the “cliches” for it to work right. i wanna write something that just hits in the chest so hard so naturally, like i’m reading you perfectly at your worst. i want the sob to be genuine. and i wanna make it worth it. does that make sense??? idk. i know i’m still a “beginner” (haven’t been dedicated to writing poetry for even a year yet tbh; it was a hobby until my first class last semester) but like. this is my ultimate goal tbh. if i write something that resonates so strongly with someone that they cry and/or carry it for the rest of their life in a way that either hurts or haunts or relieves or maybe all of the above, then i guess i was a good poet.
or smthn idk
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