Only one person has the power to make Stolas cry
And I'll keep the intrigue just a little bit longer so you can try to guess for yourself and experience the kind of satisfaction I had once I pieced it all together. And, oh boy, did it click!
Okay, so today, after a rather passionate conversation with @tealvenetianmask about how fandom seems to perceive Stolas as overly emotional and soft demon, we started rummaging through all the scenes where Stolas actually cried. We were blown off by some revelations.
First note: it's actually not much. Our owl appears to be very sturdy and often bites back when attacked, rather than shutting down as one might expect.
Second note... Better let me show you. Let's walk through all the 'Stolas cries' scenes and see what is happening there, and answer the question, "What, or rather who, sets him off the rails?"
This is your last chance to place your bets and educated guesses. Because below are big clues, and, eventually, answer.
Circus
We follow up on Stolas shortly after the disastrous date at Ozzie's - arguably, a couple of hours later. He looks absolutely miserable. He has boozed himself to unconsciousness. His eyeliner is ruined from earlier tears. He groans, either from headache or emotional turmoil, grabs three Happy pills, and shoves them down his throat.
Whatever happened at this club ruined our bird, to the point he's looking for anything to avoid being alone with his thoughts.
Western Energy
One shed tear. That's all Stolas allows himself. That's what I am talking about when I claim he is actually very tough. He is being tortured, mutilated, and by this point, he has a pretty good understanding that his demise is likely inevitable.
And you know what he does in response? He talks back. He cuts through Striker's bullshit about royals taking everything from him and points out that his killer took a contract from a royal. He literally humiliates Striker with sex jokes and mocks his oversized dick on the statue ego. Figuratively, he spits death in its face.
The Full Moon
Stolas is destroyed.
This meeting was nerve-wracking even before it happened - all the preparation, insecurities, misunderstandings of the past, and lingering, terrifying questions (He loves me? He loves me not?).
It takes weeks to set everything in motion. He planned it meticulously. He scripted every word, every movement of his body, every subtle tone in his voice.
But he forgot that there was another party in this play. The party who was not given the script and is burdened with his own trauma. One shitty assumption, one poorly-thought-out action, and here it is - mockery, avoidance, a fight... and tears. His first meltdown he wasn't able to conceal.
His worst nighmares came true, or so he convinced himself. He loves me not.
Apology Tour
Our last stop on our 'we-love-being-tortured-by-crying-Stolas' tour is here.
The wound is still fresh, bleeding even, and here he comes, rubbing salt into it. Someone Stolas still desperately wants. Someone who was infinitely brash, rude, and aggressive just this morning. Someone who doubled down on statements that made Stolas believe this particular someone hates him.
That someone tries to talk. To explain. To apologize. Wonders how Stolas could actually care about him. Says the prince is better off without him.
Fuck... The prince came here to forget, to wipe that someone (okay, it's getting increasingly hard to pretend it's not obvious yet) from his memory, at least for the night, and he still won't let Stolas go.
He breaks into tears, crushed, reassured he can't have anyone who would hold him, who would say he is the only one, but recuperates shortly after - he was taught better than this.
Okay, are we ready for the shocker of the year?
It's Blitzø.
It was his date with Blitzø at Ozzie's, where he was ignored, humiliated, and was told that their relatioship was only about sex, and that he was the one who made it clear.
It was Blitzø turning down (or so he thought) his distress call, leading him to believe he was left alone to die.
It was Blitzø mocking his confession and assuming it was just a fucking roleplay.
Finally, it was Blitzø haunting him since that very morning and, albeit with better intentions, still hurting him beyond his abilities to recover.
The only person who tore his soul apart enough to break his inpenetrable mask - built up by decades of gritted teeth, restraint, and bravery - was the one he probably cares about the most.
It was not Octavia, whom he holds close to his heart but couldn’t allow to see him depressed. He had to be strong for her; he needed to raise and support her.
It was not Stella, whom he endured for years, yet did not satisfy her wish to see him whimper. He talked back, argued, ignored, and seethed. But he never gave in.
It was him. An imp who stole his grimoire and gave him the best time of his life, however sad that may sound.
Now, thanks for joining this drama in four acts. You may pull out your handkerchiefs and ugly cry right here, in your places. Don't hold it in.
Because I don't.
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Chapter 105.5 Thoughts: Control, Manipulation and Partnership
Or, how Chuuya is actually the most qualified character to land a victory over Dostoevsky.
I just want to preface this with: I think Chuuya has woken from the brainwashing. We can't see his eyes, he's holding his hat again, and look at the progression of his face and expression from the last few chapters with him (these are in order btw from left to right).
I'm not completely sure how he did this, but I chalk a lot of it up to sheer stubborn determination on Chuuya's part, mostly because it's funny and he was clearly fighting back before Dazai's speech. However, I find it likely the speech did contain some kind of code - others have pointed out how "Goodbye!" might be a reference to the original author's last unfinished book and we know skk's codenames for things generally are based off their real counterparts' works so, maybe he'd already broken out of it, maybe there was something in there that gave him the final push - who knows at this point honestly? Either way, it means Chuuya had the capacity to break out of the vampire curse on his own and that's incredibly funny to me for many reasons but mostly:
Fyodor: "Bold of you to assume Chuuya's ability can't overcome flooding."
Dazai: "Bold of you to assume Chuuya's personality can't overcome brainwashing."
But really, this highlights something interesting here, both in what Chuuya's role is ultimately intended to be in this arc, and in the way Fyodor and Dazai manipulate and value others in very different ways.
I've said it before but it bears repeating: we already know that Fyodor is an excellent long-term planner, while Dazai is effectively able to counter him because Dazai shifts into thinking like his opponent. They're foil characters for a reason; they're both highly intelligent, manipulative, and willing to play the long game for the sake of winning against their opponent.
Thing is, I also stand by the idea that personality-wise, they're not similar at all - and that has serious implications for the people they are connected with. The build-up to the prison escape arc really highlights this. Some examples:
Chapter 46: Fyodor believes that all people are sinful and foolish and that his goal is to remove sin. Dazai believes that all people are sinful and foolish but asks what's so wrong with that.
Chapter 64: They decide to have a "super-happy chit-chat" about their problems. Dazai's solution to Fyodor's issue with his lazy subordinates is to get them to think lazing around is a bad thing so they will put in effort of their own. Fyodor's solution to Dazai being unable to woo the waitress is to isolate her from her job, house and family so that she can only rely on Dazai.
Chapter 77: Fyodor believes god is perfection and harmony, and thus that the people capable of change are the superior ones with most control. Dazai believes god is the accidental and illogical and believes it is the ordinary people who fight and live in that uncertainty who create the greatest change.
So, what's happening here? Fyodor's manipulation is shown to be very exacting and direct. He leaves no room for error and regards people on a hierarchy - God above all, himself as a servant of God's will, and the sinful and foolish humans he has little regard for. Dazai's manipulation involves manipulation of the situation, and is often indirect. It involves people coming to the conclusion he intends for them to on their own. And from his later dialogue with Sigma, we see he doesn't regard the world in that same kind of hierarchy.
Now, look at the way Fyodor picks an item and Dazai picks a person when starting the game. Look at the way Fyodor refers to Chuuya respectfully but brainwashes him entirely and mocks Dazai for not being worthy of "using" his ability. Look at the way Dazai is a complete ass to Chuuya but ultimately lets him make his own choices (begging people to take note of that moment in Stormbringer where Dazai cuts himself off to correct his referring to Corruption as Arahabaki's true power to Chuuya's true power).
So, the actual strength Dazai has over Dostoevsky then, is not really his strength at all, it's the strength of others and their choice and willpower to act in the way they believe is best. It's the only means of getting a leg up on Dostoevsky, otherwise they will continue to go around and around in circles forever.
And Chuuya is the best candidate for finally throwing Fyodor off his game.
Firstly, let's just establish something: no matter how mad he is at Dazai, he's not going to side with Fyodor, not willingly. Fyodor threatened the Mafia in the Cannibalism arc by attacking Mori, first of all. I doubt he's forgiven him for that. Secondly, Fyodor embodies everything Chuuya can't stand about Dazai, at the very least, younger Dazai - the manipulation, the lack of consideration and connection with others, the callousness and lack of regard for life.
Well, perhaps he's not quite as irritating. +1 point for Dostoevsky I guess?
But lastly, it is more advantageous for Chuuya at this point to help fight against Fyodor, especially since most of the Mafia has been vampirized by his organization. Helping the Agency stop the terrorist plot will help the Mafia by extension by undoing that. And we know from Stormbringer that no matter how much Chuuya is personally hurt, he considers taking out the threat to his people a higher priority. Always.
(You could make the argument that he was told whatever Teruko told Atsushi and decided to join, but not only do I find this wildly out of character, but if that was the case then there would've been no reason to brainwash him.)
That said, I don't think this was preemptive "Dazai's master plan #3057", and in fact, I stand by the idea that Dazai had no idea Chuuya was going to be in the prison. It is very, very important to me that for the rest of this arc, no matter what Chuuya does, that his actions are his own. Not Fyodor's, not Dazai's, but his. And not just because I hate that he's being controlled right now and that freedom of choice has always been important for Chuuya.
But because it makes narrative sense.
The vampires are a bit silly, yes, but they represent the way Fyodor and Fukuchi think - humanity will commit atrocities. They cannot be trusted to make their own decisions. They want to make a world that is free by... mind-controlling people so their plans work without a hitch. In short, they choose, on behalf of others, to sacrifice human autonomy for peace. So, if we are going to turn this arc around, we need to have characters breaking out of that control and thinking for themselves, in spite of the uncertainty of the outcome.
We already see this with Atsushi in the last chapter! He finally takes initiative and makes that choice to leave the room when he doesn't exactly know what the right thing to do is. And this is also why I don't think Teruko is wholly convinced by the DoA either - she lets him go. She gives him the freedom to choose what he does with that information.
Another one of the focus characters here is Sigma. Sigma is a guy who has no past, whose humanity is questioned, who keeps being used by organizations for his valuable ability, who has no home but desperately wants one... oh wait. Remind you of anyone's younger self? This could go one of two ways: Chuuya fails to assert his autonomy, leaving Sigma to learn from that failure, or, Chuuya succeeds in asserting his autonomy, leaving Sigma to learn from his success.
I think it, by necessity, has to be the latter. Sigma's at a tipping point right now, and I think seeing someone try to assert their freedom only to fail would damage him greatly. And I think it's a waste of Chuuya's character honestly.
Chuuya needs to assert his autonomy in this arc. Not just for thematic reasons but because I can think of no one else who can effectively break the "super-genius stalemate".
I keep hearing "Dazai knows Chuuya" in response to Fyodor calling their bond shallow, and that is absolutely true! But Chuuya also knows Dazai. Incredibly well. Odasaku knew Dazai's soul, but Chuuya knows Dazai's mind, knows his strategies and ways of thinking without even needing words. What's more, Chuuya has thrown off Dazai before and done what he didn't expect him to.
Which is nifty, because Dazai and Fyodor think a lot alike. Chuuya is in a unique position to thwart Dostoevsky because he may actually be able to predict him to a degree. Chuuya can absolutely land a victory against him, and it's excellent because it would be completely unexpected to Fyodor, who apparently thinks Chuuya's strength lies only in what his ability has to offer and not much else.
But listen. This also can't be skk's plan. I need Chuuya to sideline both of them. Both for the sweet, sweet catharsis of putting those two idiot geniuses in their places and also because I need Dazai to have screwed up. He wasn't wrong about people making their own choices in uncertainty. People need to assert their autonomy to create change. Dazai can't be wrong in this regard.
But with going ahead with the trap to drown Fyodor despite also having to drown Chuuya when he promised not to let him get killed... this needs to have been a mistake, otherwise the value of Dazai's emotional speech to him is diminished.
I want Dazai to try to laugh it off. I want him to say he always knew Chuuya would escape and then for Chuuya to deck him because "no, the fuck you didn't".
I really think Dazai hoped Chuuya would make it. Do remember that Chuuya was one of the first reasons young Dazai decided to try giving life a chance. The fact that he flashbacked to all his key memories with Chuuya says a lot. But his survival was no guarantee and it seemed very unlikely.
So, Chuuya is faced with the fact that Dazai nearly sacrificed him to kill Dostoevsky and save his new Agency friends.
And I hope he finally gets mad. I hope he finally expresses hurt on his own behalf for once. I hope they are forced to break their status quo that they have carefully maintained by not talking about anything ever. I hope they are pushed to uncomfortable places and that it is Chuuya who finally spurs this development.
Let Chuuya break the stalemate between Dazai and Dostoevsky. Let him shatter the status quo that him and Dazai have kept going for year after year.
Autonomous action in the face of uncertainty is necessary for change.
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love the idea that post The Situation thomas is just increasingly obtuse when it comes to jimmy's feelings.
so when one day mrs hughes mentions in passing at how much easier it is to handle james now he's settled down, thomas is incredibly confused. and a little bit heartbroken too of course.
it gets even stranger when on valentine's day alfred sulkily asks jimmy how many cards he's sent that year and jimmy merely shrugs and smirks. mrs patmore chastises them for gossiping and announces that surely, jimmy's only got one to be sending.
then one night, most of the staff are enjoying a rare night off in the pub. as usual, a host of pretty girls surround jimmy, and one particularly brave one asks jimmy if he's got any plans on one of his half days. jimmy throws her a cheeky wink and says "sorry, darling, but i'm spoken for."
thomas starts feeling really rather hurt. he's known all along that this would happen eventually - that jimmy would eventually move on and find a nice village lass, but it still stings to hear it. somehow, it hurts even more knowing that clearly jimmy has fallen for someone but he hasn't even told thomas.
thomas puts on a brave face and elbows daisy in the side. "d'ya hear that? jimmy's kept that quiet 'asn't he?"
daisy looks at him with a frown and cocks her head to the side. "well, not really--" but before she can say anything else she's swept up into the rowdy conversation of the table.
a few weeks later, thomas and jimmy are alone in the servants hall, with thomas reading the paper in his rocking chair and jimmy tapping out melodies on the piano. the tune he's playing is sweet and gentle, and thomas finds himself swaying his head along. as the song draws to a close, a gentle round of applause sounds from the doorway.
baxter stands smiling. "let me call you sweetheart is one of my favourites. it was beautiful, jimmy."
jimmy blushes prettily and stands, closing the piano lid. "thank you, mrs baxter. good night."
after he's gone from the room, baxter enters to fill herself a glass of water. she smiles fondly at thomas. "he's so smitten you know. head over heels." she rolls her eyes affectionately.
it takes months until thomas finally figures out the truth of what's going on. well, to say he figures it out is somewhat generous.
he's in the servants hall again, this time feeling a little despondent with a cup of tea. jimmy had gone to the pictures with alfred of all people, their friendship seemingly improved since jimmy's given up on chasing ivy's skirt. thomas is resolutely not waiting up to make sure jimmy gets home safe. anna is the only other person still up, and she sits opposite thomas stitching one of lady mary's hemlines in companionable silence.
thomas dwells on his own thoughts for a while, until anna rests her sewing on the table and fixes him with a worried look. "are you quite alright, mr barrow?"
"hm? oh, yes anna, i'm very well thank you." he takes a sip of his tea to hide his moue.
anna looks unconvinced. "thomas," she says seriously, "is it-- have you and jimmy had a falling out?"
that genuinely surprises thomas. for all his worry and sadness over jimmy's as yet unknown love interest, they'd never fallen out. "no, no, of course not. he's just busy, that's all, which is to be expected now he's, you know," thomas waves his cup vaguely in the air, "courting the mystery lady."
anna chokes on a laugh. "the mystery lady?"
"yes. he's-- he's courting someone, isn't he? everyone keeps saying that he's... or suggesting that he's taken with someone." Thomas adds somewhat bitterly, "seems quite serious if you ask me. not that he's told me anything about it of course."
anna stops giggling and looks at him oddly. "thomas you-- you can't mean--"
"-- do you know who she is, anna?" thomas interrupts a little desperately. he's becoming tired of it all and he just wants to know-- how bad it is, for how long he's going to have to tend to his broken heart.
"thomas. thomas, jimmy's sweetheart is-- well, it's you."
"me?" thomas has a brief, sickening memory of his feelings before, and how miss o'brien toyed with them so badly. but he knows in his gut, that anna would never, and could never do that. he knows she's being honest, as confusing and terrifying as the statement may be.
"yes." anna smiles. "he's like a little puppy when he's with you. surely you've noticed? he gazes at you with stars in his eyes. he wants to do everything you do, and it seems like every other conversation is all about what you've been telling him this week. he only ever plays love songs on the piano when you're in the room. he laughs at all your jokes and he's not even glanced in the direction of a girl since last year." anna shakes her head. "i thought you knew and were just letting him get used to it."
"no i didn't -- i didn't know, i thought," thomas can feel himself blushing, "i don't know what i thought."
anna stands with a stifled yawn. "you make each other very happy. if you really didn't know, i think you ought to talk to him. good night, mr barrow."
"good night anna. and thank you."
thomas is left in the still and quiet of the room, watching the steam spiral up from his cup. a private and hopeful smile spreads across his face. yes, he thinks, nodding his head, perhaps we should talk.
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