#because love doesn't inherently teach you how to treat other people well

[simptasia]

jokes aside, i genuinely don't know what christian's problem with jack is

[phoenixyfriend]

I'm having thoughts about the Jedi and romance and UGH

Listen to me

Listen

(This is a shitpost, please do not reblog to argue with me, it's not for that. This is me, an a-spec individual with a lot of feelings on how society affects the things we view as important, venting in stream of consciousness.)

"Missing out on love" isn't something that matters as much when your society isn't amatonormative

"But they aren't allowed to get married" what if they don't want to?

"But they aren't allowed to romance" what if they don't want to?

When your culture is one that emphasizes compassion for all, and the most important bond is that of child and teacher... Don't you think that people might just not think of marriage as something worth striving for?

And from @jebiknights:

Honestly the only reason it bothers Anakin is bc he already met Padmé when he became a Jedi tbh i bet it wouldn't even bother him as much if he hadn't met her and already had visions of marrying her In general though yeah lol, that's one of the things i kind of miss about legends, is they didn't always deal with the attachment/romance/marriage thing well but you consistently had obi wan exes even before satine where they were like yeah we love each other and always will but we have no need or desire to get married or continue this

When the world around you doesn't emphasize marriage and romance and all that, then wouldn't you view cultures that do as a tad odd? Not weird in a bad way, just different.

I just keep thinking about the real world and how so much of the obsession with marriage and so on is a sociocultural thing. You don't want a big white dress because it's a bit white dress: you want it because it is the symbol that your culture has been pushing on you since you were two. Girls are taught to fantasize about weddings and marriage and to like A Certain Look for it, sometimes to such a degree that they can spend decades in denial about things like their sexualities.

And we're unlearning that as a society, people are being more critical of the institution and how they engage with it, are starting to question what it is that our media teaches us, asking 'why is marriage the most important thing in a girl's life, or in anyone's life' and generally moving towards a world where marriage exists but is not treated as a universal life goal

But the Jedi are just. Already doing that. They are already Not Teaching their children 'you should want this.'

And when you aren't pressured into wanting something like marriage... why would you be offended that your community says "you can have that Legal And Religious Status, but not with us. We'll still be your friends, but we as a community are not compatible with that legal and religious status barring a handful of specific and necessary exemptions."

Just

Marriage is not an inherent human/sapient want

Companionship is! We are biologically wired to be social creatures! We are biologically wired to, on the average, want sex, as well! That's how a species continues!

But marriage? A signed sheet of paper? That's not... inherent.

Fidelity and monamory? Sure, maybe. Plenty of species mate for life. But... humans have been proving that's a choice for most of history.

Other species are other things but anyway

Even if we remove marriage, specifically, and go to discuss attachment as being fidelity and exclusivity and devotion to another...

IDK how to talk about this without just going "devoting your life to a single person for companionship, romance, and sex is not only not necessary, but actually kind of mentally draining and a bad way to support yourself, we all need support systems and if you value one person's friendship or companionship more than others, that's not inherently a bad thing, but if you define yourself around each other or start doing shit like Covering Up Major Crimes That Hurt Real Innocent People (or committing said crimes) then. Uh. That's a problem."

[bestbeest]

Service Dogs and Prong Collars

While I personally am a very hippy-dippy +R trainer, and do not use a prong on my dog, I wanted to make a post in response to the common notion that "no real service dog uses a prong collar." I've seen this sentiment several times in the last week or so and it's worth discussing, especially given how harmful 'fake-spotting' can be to service dog teams.

Let's start with some context about the prong, first. Unlike some training tools, it's not an inherently aversive tool, in that if no pressure is applied to it (i.e. the leash is not pulled at all), it doesn't pinch or poke. A certain level of force has to be applied for the prongs to pinch the dog. I am NOT saying that prongs are not typically used aversively or that they do not ever hurt the dog. What I'm saying is that the prong itself is just a magnifying tool, which magnifies small amounts of pressure from the leash by focusing them on very small specific points.

I also want to note that some professional service dog trainers do use prongs as aversive training tools, and while I am personally of the opinion that if your dog is service-dog quality, you should not NEED aversers to train it, other valid professional trainers in the field do use them to turn out well-bshaved effective service dogs. And of course, many unskilled owner-trainers rely on them to bridge the gap between their lack of training experience/skill and the extremely high behavioral standards required of service dogs (yes, you CAN very slowly train a dog not to sniff other people by reinforcing it each time it chooses not to and then fading out treats; you can also just do a quick leash pop when it leans over to sniff someone, and the dog will get the memo much more quickly and without the level of skill at timing needed). So this post is not intended to denigrate balanced trainers who use the prong as an averser, either.

That in mind, here are a few reasons that that service dog you just saw might be perfectly legitimate AND wearing a prong collar!

The dog was initially trained on a prong and now associates it with going into 'work mode.' Service dogs need some kind of cue to tell them when to be extremely professional and serious, and when they're okay to just be a regular old dog. My dog loves going up to people and saying hello, but obviously he can't be doing that kind of thing when he's on duty. Knowing that, I decided from the beginning to teach him that the signal was wearing a certain vest, and being 'naked' meant he could goof off. Other handlers use different signals, and if the dog was initially trained using a prong, that may be its de facto signal to get serious.

The handler's disability gives them hand strength issues and even a very small pull can cause them to drop the leash. In this case the prong provides noticeable pressure much earlier than a flat collar would and reminds the dog to be very gentle with their person.

The handler's disability gives them balance issues and even a very small pull can cause them to fall over. See above.

For some reason (cerebral palsy, wheelchair user, grip strength issues, etc), the handler needs a communication tool that can magnify very small movements of the leash into something the dog can notice and understand. I actually considered using a prong for this reason, so that I could just put a small amount of directional pressure on the leash to signal to my dog that we were turning one way or the other, but ended up going with a different method. Because the prong condenses the total amount of leash pressure into smaller, stronger points, instead of distributing it broadly the way a flat collar does, much smaller or subtler movements of the leash or the handler's hand can communicate a cue to the dog!

This is just one example of why it's so important not to assume that a service dog team is fake because they don't look the way we normally expect service dogs to look. There's an incredibly wide range of disabilities out there that affect people in a myriad of ways, and even more ways they navigate and manage those disabilities. Taking photos of people and posting them online, talking about them behind their back, or even harassing them about their legitimacy in person can be incredibly harmful and can lead to disabled people not getting the support and resources they need. Think about that the next time you see a service dog that doesn't meet your expectations!

[i-write-hurt-not-comfort]

in the defence of Ruki Mukami - why Ruki's trauma has just as much influence on his actions as everyone else

i am sitting in the chemistry library at uni right now and am going to spend my time on the most useless task ever to avoid doing anything impactful. please don't take this too serious because i can't write meaningful character analyses.

so i've seen a ton of stuff around, because i know Ruki's not one of the best loved characters in the western fandom. well, of all the characters, i see nearly the most Ruki hate. and obviously everyone is entitled to their opinions, whatever. but what DOES bother me is the reason.

a lot of people say that Ruki's trauma doesn't correlate to his actions, or explain abusive behaviour in the same way that the other characters' do. and i would die for Ruki and we know this, but i've thought about it a lot and i have a Theory as for why some people seem to view his character this way. (i have also studied neuroscience at degree level and learnt about trauma and synaptic plasticity)

to summarise for those who perhaps haven't read all the games (my sources for all this is basically Ruki's MB, DF, and LE), Ruki was born as an only-child in Romania to a rich family, and his father was revealed to be a politician during the Ceaușescu period in Romania. they had a lot of servants, all of whom Ruki learnt from a young age to abuse. he admired his father very much and looked up to him, and his mother was good to him and was close to his father. it would seem like a very good, perfect family - although i'll briefly discuss later why this wasn't necessarily the case.

unfortunately, in the DL universe lore, Karlheinz and Ceaușescu were buddy-buddy politicians, and Ruki's father was eventually chased out of his position. during his downfall, Ruki's father became an alcoholic and began abusing Ruki's mother, verbally and physically. Ruki saw a lot of this as well: somebody he looked up to, admired and trusted, becoming an abusive monster in a very short period of time. i think that's part of why Ruki overlooks Karlheinz's crimes and sees him as a good father anyway.

not only that, Ruki's mother - once again somebody who nurtured and cared for him - turned out to be having an affair. and shortly after that, his father committed suicide: something Ruki actually walked out on.

that in itself is a lot more traumatic than i think people consider. a lot of the DL characters have long-term trauma, but intense sudden trauma, such as your "perfect" life falling apart due to an alcoholic, abusive father killing himself and his mother having an affair, has similar psychological impact. remember, these are people who were supposed to care and nurture him, he trusted them a lot, and they both abandoned him abruptly in very extreme ways. that's the number 1 root of Ruki's trust issues. he's been seen to cut Yui off entirely because he's scared of becoming his abusive father.

similarly, living in a "perfect" household as a spoiled only child can be inherently traumatic. i don't know about you guys, but i've met some (only some, not the majority) of very, very emotionally constipated spoiled only-children. a lot of children showered with materialistic affection are missing key emotional maturity developments. their outlook on life is very narrow and they lack the emotional components of attachment; this is part of why Ruki is quite emotionally immature.

not only that, but growing up as an abusive sociopath to "lower" members of society such as servants is a form of abusive on his parents' behalf. they did not teach him proper world awareness. some children are born as psychopaths etc, true, but the majority of "sociopaths" (diagnosed as ASPD) are that way because they were not taught remorse as a child. Ruki would've learnt to treat his servants that way because that was how his parents did (and we see his father being a dick to the servants in LE too i think), and that in itself is inherently traumatic too.

imagine then, with very little capacity for remorse or a concept of societal hierarchy, being thrown into an orphanage. Ruki is a dick to everyone, yes, but the shock of having everything you know challenged suddenly and without explanation or support is going to cause further trauma. i think people just don't like to consider the fact that a lot of "sociopaths" (again, ASPD is the correct label there) were victims too. he went from being the "master" to being "livestock" and that's going to very rapidly alter your young brain chemistry, entering a "master" mindset as a defensive mechanism. that's why he gets angry/upset/confused when it's challenged.

Ruki has a fuck ton of PTSD as well - he's the only character who i've seen literally throw up MULTIPLE TIMES when experiencing flashbacks.

but i think people generally know that, perhaps not thinking about it as deeply. my Theory as to why people don't seem to see this as being as "extreme" as the other boys' trauma goes further than that.

diabolik lovers follows this dynamic between the Sakamaki's vs Mukami's, whereby Yuma, Kou and Azusa (Yuma and Kou more strongly) have this mindset of "the Sakamaki's can't have trauma because they were rich" and obviously as readers, we're supposed to be like "um, no, the Sakamaki's can have trauma too" because they do.

with that said, Kou and Yuma do successfully get to Subaru/Laito and Shu's heads respectively with this narrative. especially Subaru and Shu who get really fixated with this "i was a spoiled, privileged kid" and because of that, naturally we, as readers, lean towards feeling sorry for the Mukami's especially.

obviously, Ruki is the odd one out when it comes to the Mukami's. he had a sheltered upbringing whereas the other brothers were fighting for their lives in poverty/on the streets, victims and witnesses of the civil war and orphan crisis. Yuma particularly pushes this "Ruki had it easy" notion too, and i've definitely noticed that a lot of people who don't particularly like Ruki tend to fall towards that.

this idea of "not enough" trauma has enough to unpack as it is and we won't do that to, but personally i think that all of Ruki's abusive actions are justified. no, they are not an excuse. none of the diaboys' behaviour is excusable, but i think Rejet did quite a good job of giving them enough fucked up backstory to make us as readers at least understand why that might be how they act.

and from what i see, it seems to be Ruki who people think is the exception to this the most, because his trauma isn't in the same vein as the rest of the Mukami's. the "rich people can't have trauma" narrative gets pushed so hard that i think people forget 1) it isn't true and 2) Ruki went through a ton of fucked shit as a kid, and i don't think any of his actions made me feel any differently than the other diaboys' awful behaviour towards Yui.

you can find Ruki boring, not interesting, or just not your type. but he very, very much has "sufficient" trauma to explain his toxic and dominating actions. thank u for coming to my TedTalk.

[andreal831]

The Depiction of the Werewolves in TO

Once again, I made a quick, I thought funny, tiktok, which has upset some people because of my, you could say, lack of sympathy for the wolves in TO. But don't blame me, blame the writers.

If you know anything about me, you know Hayley Marshall is a top favorite character for me. I love her growth and the journey she went on to find her family. Which is why, when she did find them (excluding the whole betraying Tyler thing), I was upset by how they treated her. You have Jackson telling her he was disappointed in their interaction, you have Oliver taking advantage of her hospitality and betraying her, and then the rest of her family doesn't even greet her/talk to her. She is supposed to be this "princess who is promised," and yet they can't even take a second to get to know her. I get, they have been cursed and are just trying to enjoy their human moments while they can, but it just didn't give me anything to bond with.

Except Eve. I loved Eve. She welcomed Hayley, not as some long lost royal, but as family. Eve is the first, and really only, werewolf/family that we, as the audience, get to see Hayley bond with. We see her helping Hayley prepare for her baby as well as teaching her about their culture. It's implied others are helping as well, but we never get to see it. It all happens off screen. I just know, if Eve had been alive, she would have been by Hayley's side after she "lost" Hope.

Which makes it so much worse when Oliver kills Eve. And all for power. This is where my dislike for the New Orleans werewolves comes in. Any other time we meet wolves, there is a strong sense of loyalty. You hear, Tyler and Jules and even Hayley talk about the packs they have been with and you see them working together to avoid/fight off Klaus. But then we get to the Crescent wolves and learn that they have been trying to kill each other for power. Not just in the past, we actively see Oliver get his own pack members killed and then kill Eve with zero consequences. Yes, Oliver does die, but not because of that. He is still given a proper burial, something we don't even get to see for Eve.

Now, an argument people use a lot with the wolves is that they are the oppressed. But this argument, to me, comes more from the historical portrayal of werewolves and less from the sources material we are discussing. Throughout much media, the wolves are meant to represent the oppressed -- the poor and downtrodden -- who have been taken advantage of by the blood-sucking aristocrats, the vampires. But in TO, Jackson tells us that the werewolves were at the top of the food chain until in-fighting got the better of them.

And we see this in flashbacks to 1919. Lana Lebonair is working with the Mikaelsons and they are able to create peace in the city with the witches. After the Mikaelsons flee, we don't know exactly what happened, but we know leading up to the 1990s there had been enough in-fighting that the Lebonairs and Kenners had set up an arranged marriage in hopes to quell the civil war that had broken out.

Unlike in other depictions of werewolves, the wolves were not inherently oppressed. The first werewolf we ever meet is Tyler Lockwood, who was by no means strapped for cash. In 1919, the Crescents were living in the Quarter, partying right alongside everyone else. It wasn't until their own members made power grabs did they have issues.

In hindsight, we are told these power grabs are due to the Hollow and someone implied that Marcel should have investigated the werewolves civil war before cursing all of them. First, I don't necessarily support Marcel in everything he does. To me, in Season 1, he was very much like Klaus and it was not my favorite version of him. Should he have cursed an entire pack for the actions of a handful, probably not. But the way Marcel talks about it, it was not just a handful, the entire pack was at war with itself. And the curse only applied to those who had triggered the curse or did trigger the curse, so no children. Again, was there a better solution, maybe, but was it up to Marcel to realize a ancient spirit had possessed one of their leaders when not even his wife had realized? That may be asking too much. Especially after he was watching them try to butcher a baby.

Due to this curse, the werewolves do end up isolated in the bayou. The curse lasts for about 20 years so many of the young members miss out on much of their early adulthood. This is something the show should have gone in on more. In my story, I try to explore this idea that, because of the curse, the werewolves are really disenfranchised. However, in the show, we don't get that. The only wolves we deal with are the leaders who are essentially using their pack as a power play. Aiden is the only leader who seems to be aware that these decisions are impacting the entire pack, and he gets reprimanded for speaking out. Aiden is so desperate to save his pack that he goes to his enemies (Elijah and Marcel) to protect the children from the decisions of his own pack members.

To me, the beauty of the werewolves comes from their loyalty, from how they work together and support each other. The depiction of the Crescent wolves flies in the face of everything I typically love about packs. The leaders abandon each other, have little respect for each other, and for some reason they have a monarchy. Hayley and Aiden are the only leaders we truly see fighting for the pack, and they are often disrespected by the very members they are trying to help.

In Season 1, Hayley is torn between the people who took her in and the pack that she always wanted to find. She ends up in the middle of the conflict and the pack (Oliver) often throws that in her face and uses her as a pawn to try and manipulate the Mikaelsons while also disrespecting her over and over again. But the thing is, they didn't need a pawn. They never tried to open discussions. Hayley marches into a faction meeting angry that the werewolves were not included in the discussion, but they had never asked to be included. As Elijah points out, the meeting was to divide up the Quarter and the wolves do not live in the Quarter. If you are familiar with New Orleans, you know the nearest bayou is about an hour drive away. But when Hayley asked (demanded) to be in the conversation, she was immediately included. She then signed a treaty saying the wolves would help create peace, only for her to go back to the bayou to discover Jackson and Oliver were both working behind her back to make a side deal with Klaus for more power. Instead of building peace, they were again lobbying for power. The very thing that got them cursed in the first place.

Someone argued, 'of course they are trying to get power, they don't want to be cursed again.' And sure, but even when they get their power from Hayley, it doesn't stop them from being cursed by Dahlia. But maybe if they had made friends with the witches, they would have been able to get help from Davina earlier than they did.

It's easy to look at each faction and point out how they've been wronged, but as Hayley points out, they've all harmed each other. If they all wanted reparations for that harm, it would never end. The wolves seem to get the short end of the stick a lot, because, as Jackson says, they were never unified. The witches were and the vampires were. It's not up to the other factions to cut them a break because they couldn't get it together. At the end of it all, they needed to move forward and worry about the future of their people. Which is what Hayley and Lana do leading up to Season 5, when New Orleans was able to actually achieve peace. Not surprising it took women being in charge before the pack found unity.

I would also like to point out that in my post I had also called out Klaus and Marcel. I am not solely blaming the werewolves for the war in New Orleans. But it is incorrect to say the werewolves were innocent bystanders in it. Their history is just as bloody as the other factions. The only faction that was innocent was the human faction who truly did not get a seat at the table. And of course, in any war, the people who ended up paying for these power moves were good people like Sophie and Eve.

[purgemarchlockdown]

Mercy and Amane Momose

(Also Known As: I'm so normal about Amane Momose, lets talk about the conflation of love and pain.)

(CW: Child Abuse, Cults, Discussion around Death and Child Death)

So, recently the 0708 interrogations have answered T2 Question 09:

Q: What does love mean to you

Kazui has a really interesting response that I'll talk about some other time but what I want to focus on is how Amane answers it.

This Translation of her answer is provided by @/milgram_en over on twitter:

A: To spread mercy with no limits

(@/prisoner-000 has there own translation of it over here, it doesn't change my opinion on this, I just thought it would be important to mention.)

Now that's not exactly the clearest answer but we can put it together with T2 Question 02 to get a clearer picture of what she means:

Q: Do you believe you were loved? A: Very much deeply.

Now, as we know, Amane was abused and judged sinful by her parents and punished because of that, this constant punishment and abuse causing her to hate them so much she wanted to kill them.

Amane: Furthermore, isn’t it condescending of you to assume that just because I happen to be a child, I am incapable of hating someone enough to kill them?

Mercy is defined as compassionate treatment of someone you have the power to hurt, clearly what they did to her isn't mercy in the dictionary sense so why does Amane consider it mercy when the actions done towards her were so painful and traumatizing that it really could have killed her? Most people aren't exactly equipped to survive torture, much less a twelve year old who isn't allowed any sort of aid.

Well, here's the thing. Amane Momose was Told and Treated as sinful for her entire life. She was Taught to believe in her own horrible self. She grew up believing herself to be impure and unholy.

She portrays herself as weak and childish in Magic, she punishes herself in Purge March for making small mistakes. No matter how much she says otherwise, Amane Momose doesn't consider herself to be "good."

Magic very heavily features the concept of being a good girl but it's important to note that Amane never Calls herself that. She says that she could be or she's going be. Not she is a good girl.

I swear! I'm going to be a good girl now! That's it!

I promise! I can only become a better girl!

Purge March's good girl theming isn't as intense as Magic's but it is present, especially in this line.

If you become a bad girl, monsters will come out This is the magic that stops that from happening

This line is during The Cat Scene, a scene where she was "weak" and stole away the cat's trial.

Amane: Both pain and illness are trials. According to our teachings, those who run from them are the worst evil there is. That’s one of the four great principles. No matter who you are, that cannot be forgiven. Es: What are you…? Amane: Oh – speaking of which, there is one among the prisoners right now. An evil existence that’s trying to steal people’s trials away from them.

Evil you say?

Amane doesn't believe herself to be good, or even capable of being good and hates that about herself. If she could be good none of this would have happened. Everyone would be happy.

Only if, only if, only if I could be a good girl I hope, I hope everyone can be happy and smile Forever, forever together would be a dream

This is what makes her parent's actions mercy. If Amane is unable to change who she is and Amane is inherently sinful and impure then her parents trying to "cleanse" her using punishment is...mercy. They could do So Much Worse, but they don't, because they think she could be "better."

It's painful yes but their only doing it to help her. And isn't pain a trial anyway? Really her want to get away from it is just a sign of her weakness.

Dear wise one, Is this ok? Is it ok to be weak sometimes?

And this training, is Supposed to make her less weak. They believe there's still a chance for her, a glimmer of hope that she could be better. That with enough time she won't be Amane Momose anymore. She'll be someone better.

And what's more merciful than that really?

Amane: I’m happy that I was born to my parents! It was a bit difficult, and it could feel restrictive sometimes, but I’m really happy that I could grow up on such beautiful teachings! I want to live this way!

[honeybeekao]

okay take everything with a grain of salt because im not the izumi expert but here's my madness with izukao i was half asleep (slightly edited i had to fix typos and add a Little. for my sake.)

it's impossible for me to be normal when izukao exist. like Good lord theyre such a messsss

because okay. Izumi's like this guy who conceals his emotions and avoids sentimentaiity through Working and reaching his own standards. and his attitude is the embodiment of tough love. he's mean and nice at once and holds himself so highly because he has no choice. at least that's what he thinks. and it keeps his sense of self intact. without his faux confidence he may very well be nothing. i digress, he's not easy to love. he also has this deep seated fear now of ruining people so theres that..

kaoru's a normal guy going through the process of figuring out what he needs exactly. i think smth important about him is that friendship and connection is inherently vital in his existence. he learns to be loved for real by becoming closer to kanata and through that love he learns what it's like to not be so lonely. or at the very least, what being lonely together can mean. his intense loneliness doesn't have to plague him forever, maybe growing up is about learning just that.

he's a sweetie he's thoughtful and cares a lot for certain people.. he's always trying to brighten a room no matter what. knows holding himself to his dad's expectations is fruitless but he kinda does it anyway . god his self worth for awhile was so bad

i think izukao work because neither of them are perfect, they're so messy and complicated. in different And similar ways it's just so. whfhg they cant Fix eachother, i'd hate if that was how they were. but they definitely can help a lot. while also navigating this weird limbo of trying to learn who the other really is.

at first they have a friendly rivalry. being yumenosaki's Pretty People and all. (socially they've got Reputations) i think izumi really benefits from lighthearted carefree ppl interacting with him. again it's not easy to love izumi.. so the fact that kaoru does start treating him like a friend means something. kaoru's so good at tearing ppl's heads out of the clouds. cough rei cough

and basically zumi can learn So much from him. how to appreciate more, maybe feel more. Yeah. just feel. stop being stoic and face your fears idiot. once youve worked yourself to the bone til all your emotions run dry, it won't even be worth it.

izumi helps kaoru with self confidence in his own roundabout izumi way. it's like..basic skills Be more sure of yourself you're being a pushover, don't be naive— oh that was a stupid thought pattern i see.. thanks. and at first kaoru can't tell if the guy even likes him (he rants to rei abt this and rei finds it amusing but helps regardless) but eventually he decides on "he likes me he's just weird"

izumi and his bottled up emotions, he also conceals Any fear with a wall of stone. and so him not communicating this is an issue (not that kaoru is the best with communication early on either. they're both scared)

they teach eachother how to stop hiding so much.. and izumi learns to like the sound of the ocean

they hold hands and take candid photos of eachother! they kiss passionately and go on suffocatingly romantic dates. they hang out indoors when it's raining as if it's their last day on earth. thank you for reading

[sk1fanfiction]

the many faces of tom riddle, part 4

-attachment, orphanages, and yet more child psych: time to add yet another voice to the void-

FULL DISCLAIMER THAT THIS IS JUST MY OPINION OF A CHARACTER WHO DOESN’T HAVE THE STRONGEST CANON CHARACTERIZATION, AND THUS ALL THIS IS BASED ON MY CONCEPTUALIZATION.

I'm going to be super biased, because my favorite portrayal of Tom Riddle is actually Hero Fiennes-Tiffin as eleven-year-old Tom Riddle, in HBP and I get to chat about child psych in this one, sooo here we go.

First of all, I’m just so impressed that a kid could bring that much depth to such a complex character.

This is the portrayal, I feel, that brings us closest to Tom’s character. Yes, Coulson’s brought us pretty close, but by fifth year, the mask was on.

We don't really get to see Tom looking afraid very often, but it's fear that rules his life, so it's really poignant in our first (chronologically) introduction, he looks absolutely terrified.

The void being the fandom's loud opinions on a certain headmaster. I wouldn't call myself pro-Dumbledore, but I'm certainly not anti-Dumbledore, either. (Agnostic-Dumbledore??)

Since I'm not of the anti-Dumbledore persuasion, I decided to poke around in the tags and see what the arguments were, so I don't make comments out of ignorance.

Most of the tag seems to be more directed towards his treatment of Harry and Sirius, but a few people mentioned that Dumbledore should have treated Tom with ‘exceptional kindness’ and tried to ‘rehabilitate’ him.

As I said in Parts 2 and 3, I am 100% in favor of helping a traumatized kid learn to cope, and I don’t think Tom Riddle was solidly on the Path to Evil (TM) at birth, or even at eleven. Not even at fifteen.

Could unconditional love and kindness have helped Tom Riddle enough for the rise of Lord Voldemort to never happen? Possibly, but...

Yes, I'm about to drag up that Carl Jung quote, again.

“I am not what happened to me, I am what I choose to become.”

The problem with this is that if you’re going to blame Dumbledore for this, you also have to blame every other adult in Tom’s life: his headmaster, Dippet, his Head of House, Slughorn, his ‘caretakers’ at the orphanage, Mrs. Cole and Martha, and possibly more. In fact, if we're going to blame any adult, let's blame Merope for r*ping and abusing Tom Riddle Senior, and having a kid she wasn't intending to take care of.

Furthermore, you cannot possibly hold anyone but Tom accountable for the murders he committed. (I should not have to sit here and explain why cold-blooded murder is wrong.) And if you like Tom Riddle's character, insinuating that his actions are completely at the whim of others is just a bit condescending towards him. He's not an automaton or a marionette, he's a very intelligent human being with a functioning brain, and at sixteen is fully capable of moral reasoning and critical analysis.

I've heard the theories about Dumbledore setting the Potters up to die, and I'm not going to discuss their validity right now; but he didn't put a wand in Tom's hand and force him to kill anyone. Tom did it all of his own accord.

And while yes, I have enormous sympathy for what happened to Tom as a child, at some point, he decided to murder Myrtle Warren, and that is where I lose my sympathy. Experiencing trauma does not give you the right to inflict harm on others. Yes, Tom was failed, but then, he spectacularly failed himself.

We also have no idea how Dumbledore treated Tom as a student.

In the movies, it’s Dumbledore who tells Tom he has to go back to the orphanage, but in the books, it’s Dippet. We know that Slughorn spent a lot of time around Tom at Slug Club and such, yet I don’t really see people clamoring for his head.

I regard the sentiment that Dumbledore turned Tom Riddle into Lord Voldemort with a lot of skepticism.

But let's hear from the character himself -- his impression of eleven-year-old Tom Riddle.

“Did I know that I had just met the most dangerous Dark wizard of all time?” said Dumbledore. “No, I had no idea that he was to grow up to be what he is. However, I was certainly intrigued by him. I returned to Hogwarts intending to keep an eye upon him, something I should have done in any case, given that he was alone and friendless, but which, already, I felt I ought to do for others’ sake as much as his."

Now, assuming that Dumbledore's telling the truth, I'm not seeing something glaringly wrong with this. No, he hasn't pigeonholed Tom as evil, yes, I'd be intrigued, too, and it's a very good idea to keep an eye on Tom, for his own sake.

“At Hogwarts,” Dumbledore went on, “we teach you not only to use magic, but to control it. You have — inadvertently, I am sure — been using your powers in a way that is neither taught nor tolerated at our school."

Again, it seems like he's at least somewhat sympathetic towards Tom, and is willing to at least give him a chance.

More evidence (again, assuming Dumbledore is a reliable narrator):

Harry: “Didn’t you tell them [the other professors], sir, what he’d been like when you met him at the orphanage?” Dumbledore: “No, I did not. Though he had shown no hint of remorse, it was possible that he felt sorry for how he had behaved before and was resolved to turn over a fresh leaf. I chose to give him that chance.”

Now, I think Dumbledore is pretty awful with kids, but I don't think that's malicious. Yeah, it's a flaw, but perfect people don't exist, and perfect characters are dead boring. I am not saying that he definitely handled Tom's case well, I'm just saying that there's little evidence that Dumbledore, however shaken and scandalized, wrote him off as 'evil snake boy.'

It's also worth taking into account that it's 1938, and the attitudes towards mental health back then.

Why is Tom looking at Dumbledore like that, anyway? Why is he so scared? What has he possibly been threatened with or heard whispers of?

"'Professor'?" repeated Riddle. He looked wary. "Is that like 'doctor'? What are you here for? Did she get you in to have a look at me?"

"I don't believe you," said Riddle. "She wants me looked at, doesn't she? Tell the truth!"

"You can't kid me! The asylum, that's where you're from, isn't it? 'Professor,' yes, of course -- well, I'm not going, see? That old cat's the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they'll tell you!

Tom keeps insisting he's not mad until Dumbledore finally manages to calm him down.

I'm really upset this wasn't in the movie, because it's important context. Instead we got these throwaway cutscenes of some knick-knacks relating to the Cave he's got lying around, but I just would have preferred to see him freaking out like he does in the book.

There was extreme stigma and prejudice towards mental illness.

'Lunatic asylums,' as they were called in Tom's time, were terrible places. In the 1930s and 40s, he could look forward to being 'treated' with induced convulsions, via metrazol, insulin, electroshock, and malaria injections. And if he stuck around long enough, he could even look forward to a lobotomy!

So, if you think Dumbledore was judgmental towards Tom, imagine how flat-out prejudiced whatever doctors or 'experts' Mrs. Cole might have gotten in to 'look at him' must have been!

Moving on to the next few shots, he is sitting down and hunched over as if expecting punishment or at least some kind of bad news, Dumbledore is mostly out of the frame. He’s trapped visually, by Dumbledore on one side, and a wall on the other, because he’s still very much afraid. uncomfortable, as he tells Dumbledore a secret that he fears could get him committed to an asylum (which were fucking horrible places, as I said).

It brings to the scene that miserable sense of isolation and loneliness to that has defined Tom’s entire life up to that point (and, partially due to his own bad choices, continues to define it).

And, when Dumbledore accepts it, his posture changes. he becomes more confident and more at ease, as he describes the... utilities of his magical abilities. 

"All sorts," breathed Riddle. A flush of excitement was rising up his neck into his hollow cheeks; he looked fevered. "I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to."

Riddle lifted his head. His face was transfigured: There was a wild happiness upon it, yet for some reason it did not make him better looking; on the contrary, his finely carved features seemed somehow rougher, his expression almost bestial.

I do think Harry, our narrator, is being a tad bit judgmental here. Magic is probably the only thing that brings Tom happiness in his grey, lonely world, and when I was Tom's age and being bullied, if I had magic powers, you'd better believe that I'd (a) be bloody ecstatic about it (b) use them. And, like Tom, I can't honestly say that I can't imagine getting a bit carried-away with it. Unfortunately, we can't all be as inherently good and kindhearted as Harry.

Reading HBP again, as a 'mature' person, it almost seems like the reader is being prompted to see Tom as evil just because he's got 'weird' facial expressions.

So... uh...

Nope, let's judge Tom on his actions, not looks of 'wild happiness.'

To his great surprise, however, Dumbledore drew his wand from an inside pocket of his suit jacket, pointed it at the shabby wardrobe in the corner, and gave the wand a casual flick. The wardrobe burst into flames. Riddle jumped to his feet; Harry could hardly blame him for howling in shock and rage; all his worldly possessions must be in there. But even as Riddle rounded on Dumbledore, the flames vanished, leaving the wardrobe completely undamaged.

Okay, one thing I dislike is Tom's lack of emotional affect when Dumbledore burned the wardrobe, in the books, he jumped up and started screaming, instead of looking passively (in shock, perhaps?) at the fire. Incidentally, I can't really tell if he's impressed or in shock, to be honest. I think they really tried to make Tom 'creepier' in the movie.

This is one of the incidents where Dumbledore's inability to deal with children crops up.

I think he was trying to teach Tom that magic can be dangerous, and he wouldn't like it to be used against him, but burning the wardrobe that contains everything he owns was a terrible move on Dumbledore's part. Tom already has very limited trust in other people, and now, he's not going to trust Dumbledore at all -- now, he's put Tom on the defensive/offensive for the rest of their interaction, and perhaps for the rest of their teacher-student relationship.

Riddle stared from the wardrobe to Dumbledore; then, his expression greedy, he pointed at the wand. "Where can I get one of them?"

"Where do you buy spellbooks?" interrupted Riddle, who had taken the heavy money bag without thanking Dumbledore, and was now examining a fat gold Galleon.

But I'm not surprised Tom is 'greedy.' He's grown up in an environment where if he wants something, whether that's affection, food, money, toys, he's got to take it. There's no one looking after his needs specifically. I'm not surprised that he's a thief and a hoarder, and I don't think that counts as a moral failing necessarily, and more of a maladaptive way of seeking comfort. It would be bizarre if he came out of Wool's Orphanage a complete saint.

Additionally, I think given that the Gaunt family has a history of 'mental instability,' Tom is a sensitive child, and the trauma of growing up institutionalized and possibly being treated badly due to his magical abilities or personality disorder deeply affected him.

And there are points where it seems that Dumbledore is quick to judge Tom.

"He was already using magic against other people, to frighten, to punish, to control."

"Yes, indeed; a rare ability, and one supposedly connected with the Dark Arts, although as we know, there are Parselmouths among the great and the good too. In fact, his ability to speak to serpents did not make me nearly as uneasy as his obvious instincts for cruelty, secrecy, and domination."

"I trust that you also noticed that Tom Riddle was already highly self-sufficient, secretive, and, apparently, friendless?..."

And while this is all empirically true, these are (a) a product of Tom's harsh environment, and (b) do not necessarily make him evil. But the point remains that child psych didn't exist as a field of its own, and psychology as a proper science was in its infancy, so I'd be shocked if Dumbledore was insightful about Tom's situation.

But I've gone a ton of paragraphs without citing anything, so I've got to rectify that.

Let's talk about Harry Harlow's monkey experiments in the 1950-70s.

If you're not a fan of animal research, since I know some people are uncomfortable with it, feel free to scroll past.

Here's the TL;DR: Children need to be hugged and shown affection too, not just fed and clothed, please don't leave babies to 'cry out' and ignore their needs because it's backwards and fucking inhumane. HUG AND COMFORT AND CODDLE CHILDREN AND SPOIL THEM WITH AFFECTION!

I will put more red writing when the section is over.

This is still an interesting experiment to have in mind while we explore the whole 'no one taught Tom Riddle how to love' thing and whether or not it's actually a good argument.

Andddd let's go all the way back to the initial 1958 experiment, featured in Harlow's paper, the Nature of Love. (If you're familiar with Maslow's Hierarchy of Needs, him and Harlow actually collaborated for a time).

To give you an idea of our starting point, until Harlow's experiment, which happened twenty years after Dumbledore meets Tom for the first time, no one in science had really been interested in studying love and affection.

"Psychologists, at least psychologists who write textbooks, not only show no interest in the origin and development of love or affection, but they seem to be unaware of its very existence."

I'm going to link some videos of Harry Harlow showing the actual experiment, which animal rights activists would probably consider 'horrifying.' It's nothing gory or anything, but if you are particularly soft-hearted (and I do not mean that as an insult), be warned. It's mostly just baby monkeys being very upset and Harlow discussing it in a callous manner. Yes, today it would be considered unethical, but it's still incredibly important work and if you think you can handle it, I would recommend watching at least the first one to get an idea of how dramatic this effect is.

Dependency when frightened

The full experiment

The TL;DW:

This experiment was conducted with rhesus macaques; they're still used in psychology/neuroscience research when you want very human-like subjects, because they are very intelligent (unnervingly so, actually). I'd say that adult ones remind me of a three-year old child.

Harlow separated newborn monkeys from their mothers, and cared for their physical needs. They had ample nutrition, bedding, warmth, et cetera. However, the researchers noticed that the monkeys:

(a) were absolutely miserable. And not just that, but although all their physical needs were taken care of, they weren't surviving well past the first few days of life. (This has also been documented in human babies, and it's called failure to thrive and I'll talk about it a bit later).

(b) showed a strong attachment to the gauze pads used to cover the floor, and decided to investigate.

So, they decided to provide a surrogate 'mother.' Two, actually. Mother #1 was basically a heated fuzzy doll that was nice for the monkeys to cuddle with. Mother #2 was the same, but not fuzzy and made of wire. Both provided milk. The result? The monkeys spent all their time cuddling and feeding from the fuzzy 'mother.' Perhaps not surprising.

What Harlow decided next, is that one of the hallmarks being attached to your caregiver is seeking hugs and reassurance from them when frightened. So, when the monkeys were presented with something scary, they'd go straight to the cloth mother and ignore the wire one. Not only that, but when placed in an unfamiliar environment, if the cloth mother was present, the monkeys would be much calmer.

In a follow-up experiment, Harlow decided to see if there was some sort of sensitive period by introducing both 'mothers' to monkeys who had been raised in isolation for 250 days. Guess what?

The initial reaction of the monkeys to the alterations was one of extreme disturbance. All the infants screamed violently and made repeated attempts to escape the cage whenever the door was opened. They kept a maximum distance from the mother surrogates and exhibited a considerable amount of rocking and crouching behavior, indicative of emotionality.

Yikes. So, at first Harlow thought that they'd passed some kind of sensitive period for socialization. But after a day or two they calmed down and started chilling out with the cloth mother like the other monkeys did. But here's a weird thing:

That the control monkeys develop affection or love for the cloth mother when she is introduced into the cage at 250 days of age cannot be questioned. There is every reason to believe, however, that this interval of delay depresses the intensity of the affectional response below that of the infant monkeys that were surrogate-mothered from birth onward

All these things... attachment, affection, love, seeking comfort ... are mostly learned behaviours.

Over.

Orphanages, institutionalized childcare, and why affection is a need, not an extra.

His face is lit the exact same was as Coulson’s was in COS (half-light, half-dark), and I said I was going to talk about this in Part 3. I think perhaps it's intended to make Fiennes-Tiffin look more evil or menacing, but I'm going to quite deliberately misinterpret it.

Now, for some context, Dumbledore has just (kind of) burned his wardrobe, ratted out his stealing habit, and (in the books only, they really took a pair of scissors to this scene) told him he needs to go apologize and return everything and Dumbledore will know if he doesn't, and, well, Tom's not exactly a happy bugger about it.

But interestingly, in the books, this is when we start to see Tom's 'persona,' aka his mask, start to come into play. Whereas before, he was screaming, howling, and generally freaking out, here, he starts to hide his emotions -- in essence, obscure his true self under a shadow. So this scene is really the reverse of Coulson's in COS.

And perhaps I'm reading wayyy too much into this, but I can't help but notice that Coulson's hair is parted opposite to Fiennes-Tiffin's, and the opposite sides of their faces are shadowed, too.

Riddle threw Dumbledore a long, clear, calculating look. "Yes, I suppose so, sir," he said finally, in an expressionless voice.

Riddle did not look remotely abashed; he was still staring coldly and appraisingly at Dumbledore. At last he said in a colorless voice, "Yes, sir."

Here's an article from The Atlantic on Romanian orphanages in the 1980s, when the dictator, Ceausescu, basically forced people to have as many children as possible and funnel them into institutionalized 'childcare', and it's absolutely heartbreaking.

There's not a whole lot of information out there on British orphanages in the 30s' and 40s', but given that people back then thought you just had to keep children on a strict schedule and feed them, it wouldn't have a whole lot better.

The only thing I've found is this, and it's not super promising.

The most important study informing the criteria for contemporary nosologies, was a study by Barbara Tizard and her colleagues of young children being raised in residential nurseries in London (Tizard, 1977). These nurseries had lower child to caregiver ratios than many previous studies of institutionalized children. Also, the children were raised in mixed aged groups and had adequate books and toys available. Nevertheless, caregivers were explicitly discouraged from forming attachments to the children in their care.

Here's a fairly recent paper that I think gives a good summary: Link

Here, they describe the responses to the Strange Situation test (which tests a child's attachment to their caregiver).

We found that 100% of the community sample received a score of “5,” indicating fully formed attachments, whereas only 3% of the infants living in institutions demonstrated fully formed attachments. The remaining 97% showed absent, incomplete, or odd and abnormal attachment behaviors.

Bowlby and Ainsworth, who did the initial study, thought that children would always attach to their caregivers, regardless of neglect or abuse. But some infants don't attach (discussed along with RAD in Part 2).

Here's a really good review paper on attachment disorders in currently or formerly institutionalized children : Link

Core features of RAD in young children include the absence of focused attachment behaviors directed towards a preferred caregiver, failure to seek and respond to comforting when distressed, reduced social and emotional reciprocity, and disturbances of emotion regulation, including reduced positive affect and unexplained fearfulness or irritability.

Which all sounds a lot like Tom in this scene. The paper also discusses neurological effects, like atypical EEG power distribution (aka brain waves), which can correlate with 'indiscriminate' behavior and poor inhibitory control; which makes sense for a kid who, oh, I don't know, hung another kid's rabbit because they were angry.

Furthermore...

...those children with more prolonged institutional rearing showed reduced amygdala discrimination and more indiscriminate behavior.

This again, makes a ton of sense for Tom's psychological profile, because the amygdala (which is part of the limbic system, which regulates emotions) plays a major role in fear, anger, anxiety, and aggression, especially with respect to learning, motivation and memory.

So, I agree completely that Tom needed a lot of help, especially given the fact that he spent eleven years in an orphanage (longer than the Bucharest study I was referring to), and Dumbledore wasn't exactly understanding of his situation, and probably didn't realise what a dramatic effect the orphanage had on Tom, and given the way he talks to Tom, probably treated him as if he were a kid who grew up in a healthy environment.

In case you are still unconvinced that hugging is that important, there's a famous 1944 study conducted on 40 newborn human infants to see what would happen if their physical needs (fed, bathed, diapers changed) were provided for with no affection. The study had to be stopped because half the babies died after four months. Affection leads to the production of hormones and boosts the immune system, which increases survival, and that is why we hug children and babies should not be in orphanages. They are supposed to be hugged, all the time. I can't find the citation right now, I'll add it later if I find it.

But I think it's vastly unrealistic to say that Dumbledore, who grew up during the Victorian Era, would have any grasp of this and I don't think he was actively malicious towards Tom.

Was Tom Riddle failed by institutional childcare? Absolutely.

Were the adults in his life oblivious to his situation? Probably.

Do the shitty things that happened to Tom excuse the murders he committed, and are they anyone's fault but his own? No. At the end of the day, Tom made all the wrong choices.

And, for what it's worth, I think (film) Dumbledore (although he expresses the same sentiment in more words in the books) wishes he could go back in time and have helped Tom.

"Draco. Years ago, I knew a boy, who made all the wrong choices. Please, let me help you."

[etheriadearie]

Shadow Weaver’s Death, Her True Abusiveness, And Her Final, Beautiful, Gift To Catra

::The resistance fighters stand in the failsafe chamber. Catra has just called Shadow Weaver out on her manipulation. Shadow Weaver reluctantly explains the danger of the failsafe, and then implores Adora to take it: even if she fails, Shadow Weaver says, she will save her friends, and the universe. As literally every other person in that room cries out against Adora taking the risk, Adora turns and says she will do it. Catra, dismayed, runs to her telling her that Shadow Weaver is sacrificing her, and demands to know why she's letting her do that. Adora tells Catra "Because even if she is, it's better than Prime getting the Heart and destroying the universe." Catra trembles in deathly fear, her face consumed in terrible realization: if Adora does as SW wishes, she will die. Shadow Weaver is trying to kill Adora. She knows this to her very soul, because... she is Shadow Weaver... And Adora is letting it happen…

Hi there, my name is Joel, and in this segment I'll be looking at Shadow Weaver's death, her being a child abuser, her terrible manipulations of Catra and Adora and the monstrous pains the two girls have to conquer to save themselves from her.

The main premise I'll be trying to explain here is that, like Horde Prime, Shadow Weaver is a villain of utmost seriousness. And, like Horde Prime, the girls will treat her as one, surpassing and defeating her once and for all. But it won't be with violence, but instead with love, creating a beautiful story of two people transcending their trauma and hurt through coming together over their love for one another.

I feel obliged to warn readers: this post will cover child abuse, even predatation (*not sexual, ie). It may be hard to read. Also warning: tl;dr, please consider at least sitting down to read this!

Finally, I know there are Shadow Weaver fans out there; that's good. Shadow Weaver is, at times, cool af. But, definitively a terrible person within the plot of the show.

So, even if you're a fan of Shadow Weaver, I still encourage you to read along because as we reveal her truth and the damage she deals to Catra and Adora, it makes her final moment so, so much more beautiful… and it gives entirely new meaning to her final... two… words….

Disclaimer time: Taking on Shadow Weavers death is ambitious for a first post, I know. But understanding her is crucial to understanding most of the major moments in this show. Still, I should say here that while this may seem a bit ‘head’ canon-y, I assure you my conclusions come from watching the show carefully and referencing the entirety of the rest of the show back to this one moment. I'm instead positing these as theories, and let's just say I feel I have the data, and Data Never Lies! Please *do* ask questions or seek calcifications in the comments or Ask me anything (I'm new to Tumblr).

----Part 1: Catra, Micah, and the Truth----

To start this journey we will travel backwards in the series to investigate the what and why of the terrible child abuse Catra suffered growing up under Shadow Weaver's care. We will be looking chiefly at the Light Spinner episode in the 2nd season. We will cover Catra's confrontation and SW's -supposed- explanation for her abuse, then the tale of Micah and Shadow Weaver's manipulation of him, and then the terrible truth of why Catra -really- was abused.

>A terribly alone Catra asks her abusive mother why she did it. Why did she treat her so badly ?

Shadow Weaver answers: "Because you remind me of myself. You always have. Nothing was ever easy for me either. I wasn't born to power like Adora and... others. I had to earn my power, fight for it. Why should it be any different for you?"

This is a very typical reason for an abuser to feel they are acting out their abuse on others: no one in this world understands my pain, so therefore I will inflict my pain upon a child so that they will know my pain as well. For many people this is essentially the truth of their abusers. I can't see any other reason for MY abusers to do what they did, other than this. It is, however, not the truth about Catra. We will discuss this in detail later.

We then watch as Catra does a very strong and eloquent job of rejecting and condemning it. She shows great emotional pain as she does so, and we know that her trauma is severe from watching her. Catra exclaims, her face full of emotional hurt and pain at Shadow Weaver's betrayal: "I was a child when you took me in. What could I have possibly done to deserve the way you treated me? I am nothing like you. You are old, and bitter, and weak."

Everything she says is perfectly true. As a child, there is no way she could have deserved the abuse Shadow Weaver inflicted on her. There never is. And she's also right when she says she's not anything like Shadow Weaver. Where Shadow Weaver is an unfeeling monster (as we will see), Catra feels deeply. Catra is inherently good, and while she will make terrible mistakes to come, she feels intense remorse. Shadow Weaver simply does not.

So, Shadow Weaver gives Catra a believable reason for the abuse, which, again, is a lie. But... there is meaning which we need to take from her choice of words: Shadow Weaver feels others, like Adora and Micah, are given an unfair advantage over people like herself. We will come back to this important insight soon...

Before we get to the real, harsh truth of why Catra was abused, we need to understand the tale of Micah and ‘Light Spinner’-‘s manipulation of him to get power.

>The story of Micah seems to be full of whimsy and childlike innocence. A young boy is talented beyond his years, a true prodigy. SW trains him, giving him access to teachings beyond what a sorcerer of his age should have. She tells him he's special, a true talent, like her. When she tells him "the guild needs talents like OURS more than ever before" she manipulates him, making him feel apart, better than all the other students and teachers, and that only SW can understand. It's SW's greatest talent: dividing people against each other, and this is part of her lifelong manipulation of Catra and Adora. Note: Castaspella accuses SW of mind controlling Micah (s5e8) to which SW responds "My gifts were always far subtler than that” - SW controls young Micah through mind games.

>SW hints of something of great importance, but then says "you're not ready". Micah demands to know, he's a special boy after all, right? He's so incredibly naive and innocent, doing things like chewing on magic crystals and acting out in class. He is, in fact, exactly the kind of privileged child who SW so greatly hates. This is where we get real meaning out of SW's supposed explanation for abusing Catra: Micah has inborn power that SW feels he is unworthy of possessing...

She preys upon his naiveness, showing him the Horde army. He, of course, demands they be stopped, and he's playing right into her hands. When she tells him the plan and of the upcoming meeting she tells him "I only hope that Norwyn and his followers can see the threat as clearly as YOU do." Again, she is making him feel apart, as though he's better than others. After all, he's a special little prodigy, right ?

SW gives her presentation at the council, trying to prey upon their fear by saying that the Horde have a rune stone. As she speaks of the spell of obtainment, her eyes are full of lust at the idea of so much power. But it is forbidden, and for good reason. As she looks over her shoulder at Norwyn her look is severe, accusing. She has no respect for him. And he's right to say that the problem will be handled: the war, in fact, does become a stalemate and stays that way all the way up until we are first introduced to Catra and Adora. Angrily, greedily, she demands they get power so they can 'have a planet to protect'.

She fails to convince them, but of course Micah sees her leaving the meeting, angry and frustrated, so he comes to her aide. "They never listen to me. After all I've done I still haven't earned their trust". Again, SW is set apart from them. When she says "they just want to hold the rest of us back" she's including Micah, making him feel separate, better, like her. She's indoctrinating him in her plan.

>We get a scene between Catra and SW here, where Catra tries to get SW to give her a reason to save her. All SW wants to know is when she's being sent to Beast Island: she realizes she has to escape that night. She sets out to manipulate Catra into giving her the reagent she needs to escape. SW talks up how weak and powerless she is, preying on Catra's lingering pity, desire for connection. A emotionally desperate Catra unfortunately gives it to her. Catra tells her "you don't get to ask things of me anymore" but she's desperate and depressed, feeling totally alone after so recently seeing Adora and consequently nearly dying the episode before, only to be saved by Scorpia's caring about her.

>And apprehensive Micah asks SW if she's sure this is a good idea. She tells him "WE need this power, it's the only way to protect our people". It's a lie, but Micah thinks he's special because he's SW's apprentice, and so he agrees to do it.

As the spell begins to work, we see a terrifying eldritch horror type of creature summoned. It soon breaks free even as Micah helps SW try to contain it. SW acts surprised to see it, but she always knew this spell. Micah runs, and SW stays, yelling angrily at Micah for leaving. She experiences fear as it consumes her, but she knows it's part of getting her power. This is the price she pays to become powerful. She tells Micah he betrayed her by abandoning her and yet, what other possible outcome was there but for them BOTH to be destroyed or corrupted? Norwyn tries to stand up to her, telling her "bringing you into our ranks was a grave mistake". She counters calling him a fool. "You're all weak. None of you deserve my help".

I often see people say this show doesn't show death, but what happens next is undeniably so: it is murder. She annihilates two sorcerer's in one hit, consumes the head sorcerer to give her more magical power. It is pure evil. As she realizes her new power she exclaims "The spell worked. I am stronger than ALL of you." She menaces Micah.

This. Was. Always. The. Plan. The spell worked, she says so herself. Micah tries to defend himself weakly against her, he's entirely at her mercy. He expects death, but instead she caresses his cheek, touches his ear. Then she gives him a look of disdain. It's no mistake she covers half her face even at this point in her history, so we can't know her full emotions. But it's clear, she condescends to him: he was a naive little pawn, not meant to survive, or at minimum, he was supposed to become corrupted like her. But it doesn't matter. She got what she wanted. So she leaves him to live knowing what he's done. The tale of ‘Light Spinner’ has ended: her better persona was just an illusion, useful in her goal of obtaining more power. An empowered Shadow Weaver then shows up at the Fright Zone, killing the guard as a demonstration of power. She declares herself for Hordak, and at least a partial truth is apparent: she wanted the vampiric power so she could channel the Black Garnet. Changing sides bothers SW not at all.

I point out SW’s violence because it is the only time they show any graphic death in this show, and it's therefore meant to show that SW is different, and dangerous. There really was no ‘Light Spinner’, as at multiple moments during her time at Mystacor her true emotions show through (such as pic1, top) and they are both vile and malicious, to put it lightly. Furthermore, note that SW going to the Horde doesn't end up ensuring their victory over the princesses, so yes, in fact, SW was lying to Micah all along. Last, keep in mind Micah’s opinion of her later on: SW is never to be trusted.

Now it's time to get back to the real reason Catra was abused and it's important implications for Adora's abuse as well.

>The scene following Catra's confrontation with SW, we see baby Adora having just arrived in the Fright Zone. SW walks past her, not particularly interested... and yet she sees something in her. And so she takes interest. She knows, in some way, that Adora will wield powerful magic, and since it also becomes clear to us that SW knows all about the past history of She-ra and the Heart of Etheria, it's a logical jump to say she probably thinks Adora is She-ra. Either way, Adora is a powerful orphan child with inborn talent beyond any normal expectation.

Sound familiar? The tale of Micah is there to inform this moment: SW meeting baby Adora. She is in a position to wield ultimate control over a magically privileged child. And the implications are not good...

Apologies to readers here, this next part is intense. Just a quick warning. The total implication of this is that SW never loved Adora, just like she didn't care about Micah. It is all manipulation, and it should be noted that at this point SW has switched to a full mask, conveniently hiding all emotion except a sliver of her eyes (as well as hiding her corrupted features). It's now almost entirely impossible to accurately read her emotions. I don't think she wants you to, as she really has no feelings of actual compassion. She only sees Adora as a privileged child she will use and then discard for her own power.

This means she is, in fact, a child predator. In this case, she's a predator of children of privilege, but the effect is the same: she sees such children as easy targets for her to manipulate for her own gain. Worse, the strong emotional feelings which Adora naturally feels towards those around her makes her easier to control, and SW manipulates this vulnerability against her, as a child and then again as they are headed for the failsafe.

So, returning to the real truth of why SW abused Catra. Let's take a look back at Catra’s condemnation of SW's explanation for her abuse, and it's just one line we need to understand: "I was a child, what could I have possibly done to deserve the way you treated me?" As it turns out, Catra -did- do something, and you have to adore and appreciate this show because we don't get this answer until the very end. Before season 5 was available, it would simply be impossible to understand Catra's story fully. The creators want you to come full circle of so many understandings, the story is that deep.

It's that one, beautiful, follow on line when Catra confesses her love to Adora- She says "I always have"...

Adora was Shadow Weaver's tool, her next prey. So, along comes Catra, who experiences romantic love for Adora right from the start. Beautiful, total love and devotion. SW sees this, and she decides that she can't let Catra be a hindrance to her plans. And yet she knows she can't kill Catra outright or risk losing Adora's affection. So she hurts Catra, tries to make her weak, to diminish her. She is trying to crush Catra's spirit, her will to live, all while making sure to instill a sense of duty and ambition in Adora which makes her less available to Catra. The abuse works, but not on Catra. Catra stays loyal to Adora, and is so secretly strong within herself in such a way that SW fails to destroy her spirit, although Catra has such incredible trauma from it that we see her struggle with it throughout the rest of the series.

But the abuse does work on Adora and so she grows apart from Catra in such a way that Catra eventually comes to feel Adora doesn't love her. And when Adora so clearly breaks the final half of the promise she made to Catra, Catra too, grows apart from Adora.

Catra therefore represents a person in this story who would have been so entirely below SW's notice that had she not loved Adora the way she did, SW would never have taken the time to hurt her. It wouldn't have been worth her time, and Catra would have had a happy(ish) childhood if not for loving Adora. By the way, this truth of SW's abuse of Catra is indeed confirmed in the show, but we don't have time to cover it here and it deserves its own theory post, anyways.

Before we get back to s5 let's take a brief moment to address SW's abuse of Adora: Adora is the kind of person who can't help but empathetically feel the pain of others when they feel it, and it's what makes her to be so unable to balance her own needs against those of others who are hurting. And so SW making Adora have ambition, to want to win at the expense of others, is actually a frightening manipulation. SW teaches Adora to believe she has to do this in order to be the leader, and then as the leader she must protect everyone else from harm. Adora goes on to show great emotional confusion over this, as she doesn't really feel she’s qualified to be that leader. It makes her feel alone from everyone else, and makes Adora worry about every decision she makes. SW essentially saddles Adora with a lonely burden of leadership, one which she's not well suited for. Adora has a very ADHDish (I’m no expert on ADHD) response to this where she bounces around trying to satisfy everyone else’s feelings, such as within their unit, and so her relationship with Catra suffered because of this.

To sum up, the abuses SW inflicts on the two of them results in their division from each other, and it's a division which tries to tear down both girls spiritually throughout this series. They each have specific traumas relating to Shadow Weaver's abuse of them. These are different, damaging fears SW instilled in each of them to make them easier to control. Because of this, both girls contribute to their separation to the two different sides of the war, and it's only through the great emotional learning of each of them that they are able to start putting it back again in season 5. And so, we will see that when SW returns in season 5, she immediately tries to pick up where she left off… to drive them apart from each other and manipulate them, once again, for her own gain.

Side note #2 before we get back to season 5: SW has a complete and total lack of love for Catra as well. Her callous manipulation of Catra, followed by leaving the fright zone like she did, was a spiritual blow and then a death sentence for Catra. SW would know this and yet she simply did not care. Furthermore, when they meet in Moment of Truth (s3ep4), SW again tries to kill Catra, only stopping short because Glimmer can't withstand the magical drain SW is taking from her. She's just not good people... And if she has such a total lack of love or compassion for Catra, it's a logical jump that she has just as little love and feeling for Adora.

Anyways... let's work on that season 5, phew, I know this is long. We're not done yet, though...

----Part 2: The present up till SW’s Death----

Alright, so returning back to season 5 where we began...

Catra is certain that SW is killing Adora. And the reason Catra is so certain of this is because she understands this fundamental truth behind the childhood abuse of of her and Adora. She knows that SW intended to use Adora, and was grooming her in order to use her to gain more power. And, she knows the true nature of SW’s abuse of Catra herself, that it was meant to destroy her so she wouldn't get in the way of SW using Adora.

How exactly Catra knows this I won't cover here, it would take too long and it deserves its own theory post. But, it is pretty well confirmed in the show as well. No distractions! Moving on...

So… when Adora tells Catra she will take the failsafe even though SW is killing her, it's Catra’s knowledge that SW is for certain doing this to Adora which leads Catra to shake in fear, and then refuse Adora once she returns with the failsafe. This moment goes much deeper than just Catra knowing she can't live without Adora, although that is also true.

Ok so here it is, the big theme we will now delve into, that explains so much:

The all important, crucial thing that Catra isn't seeing is that in order for SW to sacrifice Adora, it is entirely dependent on abusive manipulations is SW doing to both of them, starting from the moment they first see SW in season 5, which are intended to make sure Adora doesn't survive deploying the failsafe.

I know it's a tough implication to accept, but I promise to explain. So why? Why would SW not want Adora to survive? This, atleast, should be obvious: She-ra could stop SW once she has the power, so She-ra is an enemy that SW needs to eliminate to achieve ultimate power. So, SW's goal is to get Adora to bring the failsafe to the heart, but then be too weak to survive the process... leaving SW the uncontested champion by her magical vampiric powers. And so... SW manipulates the two girls, doing her most familiar trick: driving them apart, making them feel isolated from each other.

Her manipulations begin from the very moment Catra and Adora see her in season 5, and they continue up until Adora accepts the failsafe and a bit beyond.

So let's lay this out from the beginning, shall we? Episode 10: When SW walks into the room, saying she knows where the failsafe is, Catra is at first surprised at her appearance, she's thrown off guard. Catra very much wanted to stop SW once and for all, but never got the chance. And now, the new, more feeling Catra is faced with her oldest enemy: she can't hide her hatred and anger at her. It pretty much takes everything she's got not to violently attack her right there and then. But this new Catra isn't going to sink to that low. And yet... SW will intentionally aggravate and attack Catra to reactivate her trauma.

What I find very interesting about that scene, though, is that both Glimmer and Adora immediately look to Catra, knowing she will be upset, both trying to help her. And yet, it's Glimmer who looks first.

Even though Glimmer never says it out loud, Glimmer knows SW played and manipulated Glimmer herself, and that her manipulations were ultimately the reason that Glimmer made the mistake of activating the Heart, which brought Horde Prime's fleet down upon Etheria. Glimmer also watched SW torture and almost kill Catra in s3ep4, so I think Glimmer knows very well how dangerous SW is and how badly she's hurt Catra in the past. Instead, we can take the story of Glimmer and SW as another stand out example of how, once again, we saw SW manipulate someone, Glimmer in this case, with no concern for her well being.

>Adora is also thrown off by SW's reappearance, she doesn't enjoy seeing her either. But then, she also sympathetically looks to Catra, knowing this is a hurtful moment for her. All of this is to say that Catra actually has strong allies against SW, unlike in the past. And it's very important that Adora is such a staunch ally to Catra against SW, in fact it's everything. But, Adora doesn't quite do a good enough job in showing Catra how strongly aligned she, too, is against SW. Unintentional though it may be, as we will see.

>Episode 11: Continuing on, Glimmer immediately opposes SW's desire to use the heart's power. Castaspella tries to say SW is the lesser of evils, but of course, Castaspella is just a pawn. Catra jumps on Casta's words, calling SW evil... SW taunts her back mockingly and we see Catra's anger start to get out of control. But, Adora knows, one way or another, that SW is the root of all of Catra's pain, and so she comforts her, showing her that she sees her pain, and that she's got her back.

Again, it's very important that Adora is Catra's greatest ally against SW, as she has learned to treat SW as a de facto enemy because she has seen the pain and torment Catra experienced because of SW’s abuse; in addition to her own knowledge of how SW manipulated herself as a child.

>Adora confronts SW, asking why she even needs their help getting the failsafe. SW answer is a lie, but plays to her manipulation of Casta, who she needs: she says she can't get past Micah. (Note: who she actually needs is Adora.) As SW tells her plan she leans into Adora's emotional fears of letting others get hurt and reminds Adora she has to be the hero, SW even touches Adora, which we see Catra react angrily to. But, SW successfully manipulates Adora into accepting her plan, and Catra can't stand to watch it as she knows it must somehow be a dangerous manipulation. Catra quietly leaves to try to process her anger. We then see Adora slap SW's hand away, showing defiance, but as Catra has left, she probably doesn't see that. Adora looks around and sees that Catra is gone, which SW responds to by trying to manipulate her into leaving Catra behind, as she knows Adora is more vulnerable without Catra around. But Adora is wary of SW's manipulations, and goes after Catra. SW is aggravated by this.

>The two girls have a very good, emotional talk about SW. Catra is dismayed, but Adora is always brave for others, so she tells her she's got to try. Adora acknowledges Catra's pain, their pain, from SW's abuse. Ultimately Adora convinces Catra to come. Together, Adora says SW can't hurt them anymore. Catra reminds Adora how dangerous SW is, but the girls have reaffirmed their bond, their promises to each other. Which is important later, as this will come up again.

>As they infiltrate Mystacore, Catra is apprehensive and stays at the back. But as the mission progresses she drifts towards the front, trying to be the lookout so she can protect Adora. This, unfortunately, puts her in physical proximity to SW when they check the ritual chamber. Catra checks the chamber, but then a sorcerer appears out of nowhere (literally, how??) and SW grabs her in a way that's very reminiscent of s1ep2, traumatizing her.

I can't help but conclude SW is being intentionally hurtful in order to unnerve Catra. She could have just pointed, or put her hand to Catra's mouth, after all. Catra throws herself away from SW, demanding she not touch her, and makes the mistake of dropping the spell and revealing their presence. Look closely at this scene and you see Adora actually shows great anger, even violent intent towards SW for doing this to Catra, but it's so quick Catra probably doesn't see it, as she's staring down SW instead.

Under a track, Adora tries to become She-ra, but she's too emotionally conflicted since the episode before when they returned to the Fright Zone and Adora started to realize she's been letting Catra down, leaving her hanging. And SW's hurting of Catra also blocks Adora, she's trying to help Catra and yet she's accepting SW's guidance again, which she knows Catra hates and doesn't trust.

>As they pass through the door and continue down a corridor, Adora sees Catra is in emotional pain and holding herself, so she lends her emotional support. She knows SW touching her was incredibly abusive. She tells Catra that it'll be ok, and to trust her, hitting her with her dearest look of love and care for her. She knows SW is Catra's enemy, and she's got her back. Catra looks back, trying to trust her, to put her fear aside. But the moment is cut short when SW interrupts them, guilting Catra for revealing their presence. Adora walks on, saying they have to keep moving, and her face says she's doing it to stop SW from talking to Catra, but again, Catra doesn't see Adora's face. Catra feels left behind, that the moment was cut short. It's by the barest off margins Catra is missing how strongly Adora is coming down against SW for her sake.

> We get more information about SW's corruption next, that it's a way to bypass the crystal of Arxia and get at Heart of Etheria's energy, and we know this because it's discussed immediately after Castaspella tells them about the crystal of Arxia. So, if the magic is released, SW will have practically unlimited power. SW just mocks Casta when she tries to guilt SW over using the spell, she gives no apology. We see both Catra and Glimmer seemingly have a deeper realization about SW and her powers and that both of them look disturbed by it.

>Continuing on, we get the scene where Catra saves Adora from fire, which is so cute but I'll skip the romantic implications: as Catra walks through the fire, Adora stops and frets over not knowing what to do about Catra, how to give her what she wants. Adora is worried she's going to fail, that she could die. It's Adora's biggest, lifelong fear as the bearer of She-ra, and she struggles with it continuously throughout the series. To her, it therefore doesn't make sense to her to get Catra's hopes up too soon.

>Adora's thoughts naturally turn to her inability to transform... and SW pounces on the opportunity in order to exploit it.

Consider now, if Adora's problem is becoming She-ra, why does SW immediately give her a hard time about Catra, instead? Adora rejects SW's criticism, but SW flips the conversation telling Adora she can't be a weak She-ra and seemingly blaming it all on Catra. She tells Adora that her weakness means she's letting everyone else down. SW tells her she has to focus, and Catra makes her weak. This is terribly the opposite of the truth and SW knows this. What she’s really doing is a deep manipulation of Adora that leans on her early abuse of her: Adora has to be perfect for everyone else, and as she's the only one who can do it, she's totally alone in this burden. The truth is that Adora has always needed other people, that's where she draws strength from. Catra loves Adora simply for who she is: she represents the strongest, smartest and most dedicated person, ie, she's the most powerful person to help Adora with her emotional need for support.

Which SW knows, so she does her best to try to separate them, to make Adora think she's alone. SW does this by grouping Catra with everyone else: save everyone, or no one. Then she delivers a direct assault of Adora spiritually by saying "the world needs She-ra right now, not Adora". She's telling Adora that she doesn't matter, only She-ra matters, and she needs to be willing to give it all up to be that hero. We see Adora search SW's face, she's not satisfied and then she does her best to reject her, pulling her hand away in anger while saying she will stop Prime “no matter what.” Catra is eavesdropping on this, but can't see that Adora stands up to SW so strongly... as usual. Catra knows SW is up to no good with it, though. Doubt takes root in Adora, and it aggravates her fears that she's not good enough to be She-ra.

>Arriving at the failsafe chamber, SW gives away just how much she already knows about the Heart. SW explains the failsafe, and so we know she always planned on getting Adora to accept the failsafe, risking it all. Adora approaches, trying to be brave for everyone else.

One of Catra's most important moments follows: she stops Adora from accepting the failsafe, and calls SW out for her bullshit. She's not going to let Adora walk into a trap when she knows better. Catra flips it on SW, telling her to take the failsafe, making SW tell them why it's dangerous, why SW won't do it herself. She points out how SW knows too much, yet didn't pursue the power of the failsafe. Catra is totally certain that SW wants to hurt Adora, and so she's calling her out to get SW to reveal her manipulation of Adora.

SW instead tries to guilt Adora, saying she alone understands that this is the only way to stop Prime. But Catra stands firm, she protects Adora from SW's manipulation as best she can.

Confronted and trapped by Catra's having seen through her plan, we see literally every person in the room ally themselves against SW. SW is forced to admit the truth: using the failsafe will mean death even for She-ra, if she isn't strong enough.

And so Adora realizes what's coming, that She-ra is the only one who can do it. She's terrified and sad at the thought that this could, will, be her end; that she really will have to give it all up for everyone else. She's always thought she'd have to. It's a deep held belief that she's alone in her burden as She-ra.

Adora asks the obvious question: What happens if I die? SW's next words prey upon Adora's every weakness, her lack of belief in her self worth, and innate need to protect others: "Then the magic will be restored to Etheria, through your sacrifice. You will give us the power to bring us to victory. Prime will be defeated. Your friends will be free." SW is listing out every last thing that will happen if Adora doesn't do it, and each is a part of her greatest fears. Adora is unable to resolve between her distrust of SW and need to protect and be brave for everyone else's sake. SW has her trapped by her own emotions.

Catra looks on, watching the manipulation, seeing the consequences of Adora attempting this. Everything about this moment speaks to manipulations SW has used on Adora before: she preys on emotional need and weakness, she isolates Adora in her burden, she even does the dreaded ear touch. If Adora does what SW says, Catra knows it'll be the death of her.

As SW completes her manipulation, everyone in the room cries out against the unfair decision Adora must make. And yet, Adora doesn't see a choice. Catra puts it best, saying: "you don't care about Adora, Adora can't even care about herself!"

But Bow's words also have meaning: "Theres no way we're risking Adora like that." For all that Bow and Glimmer have done for Adora, she's still supposed to be the champion that's going to save them. They need things from her, not simply Adora as herself. All in all, Bow and Glimmer did their absolute and kindest best to help Adora, often emotionally supporting her through her depressions and fears of not being a good She-ra. But in the end, they still needed her to be She-ra.

But Catra is different, all she wants is Adora, and for her to be safe and loved, and ideally, to be with her. Catra's opinion in this moment is the true one, the most honest. But Adora can't overcome the thought of failing everyone, and so she pushes forward, saying she will take the failsafe.

Adora is feeling alone, trapped by fate. Catra runs to her, literally shaking her in order to try to convey how sure she is that Adora is going to die if she does this. But Adora can't let the universe die, and she's She-ra. She (Adora) doesn't matter. It's only what she can do to try to fix things for others that matters, her hero's burden. Adora pushes Catra's hands off her, in a lifetime of pain and sorrow Catra has never looked so sad. Adora really is pushing her away, not seeing how seriously Catra feels, how badly she needs Adora to understand her in this moment. A dissociated Adora looks internally, accepting her fate, alone again, isolated.

Maybe Catra could have found a way to get through to Adora, but they run out of time. A chipped Micah shows up and begins to systematically defeat them, and Adora has no more time to choose. SW is easily taken down by Micah, it shows his anger at her. He taunts her, she's got nowhere to hide. This is interesting, but not our focus..

Adora again tries to summon She-ra and fails. She simply can't resolve between her sense of failure to Catra and her need to be brave for everyone else. She looks to Catra, decides to do the brave thing as herself, not as She-ra, even if it means she will fail, and hurt Catra. After all, since she’s She-ra, she has to try, right? This is her burden.

As SW turns to Adora and says "the failsafe... we... we can't" Adora is pressed by urgency, doing what she can. Catra tries one last desperate plea: "Please. It doesn't always have to be you!" Adora can't accept this, internally she is certain she has to save everyone. Even if this includes SW herself, and so when Catra later says Adora chose SW, not her in this moment, Catra is right, except that Adora believed she had no choice. Adora is also the only one in this moment who can reach the failsafe, and so it seems like fate is against her. Adora knows she's probably choosing to die, and if she does, she knows Catra will probably die of a broken heart as well. She really does choose SW over Catra, in a way. It's a tough moment, but taking the failsafe is the right thing to do, given the circumstances.

Receiving the failsafe is intense, and as Adora tries to withstand it, Micah binds the entire party with dark magic. Interestingly, this means SW indoctrinated Micah more than we're shown, and now that he's chipped, he is uninhibited.

Adora sees everyone is in danger, if she doesn't come through now it's all over. It gives her that singular focus she needs, summoning She-ra is easy because if she doesn't, Catra, all of them, are about to die.

Failsafe achieved, Micah vanquished, Adora offers Catra her hand, she's trying to show Catra she's there for her, they are together. But Catra rejects her, she's too sure that SW has won, that Adora will die. In this moment all the old trauma Catra carries is too strong, and SW has unnerved her too greatly. As Catra runs from her, Adora realizes that Catra was trying to tell her something deeper, but somehow she's missed it.

>Catra watches Adora sleep, she's emotionally distraught at the thought of her dying. So, she tries to sneak away. Adora finds out, and manages to confront Catra before she can leave. This is one of the most heartbreakingly beautiful scenes about love in this show, but I'll just cover how SW's manipulations come into play...

>Adora tackles Catra, and demands she explain why she’s leaving. Catra throws SW's words back at Adora, that she's a distraction, that she makes Adora too weak to be She-ra. Catra knows this was a unfair manipulation by Shadow Weaver, but she couldn't see, only hear, what happened between Shadow Weaver and Adora. She doesn't know that Adora rejected Shadow Weaver so strongly, both spiritually and by violently pulling away from her. Adora tries her best to get Catra to see that she's not doing this because of Shadow Weaver's manipulation, that she's trying to rise above SW's control of her. But Catra pushes her away, instead trying to speak to a more central truth: Adora's need to serve everyone else's needs, her inability to regulate her desire to make things better for others who are hurting or will get hurt, and balance that against her own needs and safety. She's speaking to the part of Adora which Shadow Weaver is exploiting to get what she wants from her, to control her. It doesn't really matter in this moment to Catra whether Adora is doing it for Shadow Weaver or not, because either way Adora is allowing Shadow Weaver to win. Catra wants Adora to be better than a slave to her emotional need to help others no matter the cost or danger. She's asking Adora to be strong in herself in a way Adora has never been able to be. She challenges her, asking "What do you want, Adora?" The obvious answer, Catra believes, is her. But Adora is too worried she will die and let Catra down to let her romantic feelings about Catra manifest and make it real between them, and taking the failsafe has made Adora all the more doubtful of her own survival. Adora counters "I have to do this Catra, I'm the only one who can." It's all to say that Adora is alone in her burden, and she accepts it and its consequences because she's She-ra. Adora doesn't believe she has value, or deserves happiness unless she can save everyone, including Catra.

Adora believes as She-ra, she is totally alone in her burden. This is wrong of course, Catra does see her and understands her burden, and is the one person in the world who wishes to share that load with her, unlike the other princesses who need Adora to be a hero and save them. But both girls are weak from their deep traumas which Shadow Weaver has reaggravated, and they can't overcome them. Catra resigns herself to the belief that Adora is unable to rise above her most basic emotional need to serve others, telling her "Then do it. That's what you want, that's what you'll always choose." She can't stand to watch Adora kill herself so willingly to serve everyone else, all while letting SW win. She rejects Adora, and turns to leave. Adora desperately begs Catra to stay, wanting her to uphold their promise and telling her she needs her, but is unable to vocalize her desire to be with Catra romantically. Meanwhile, in Catra's mind, Adora is just going to let herself die, and if she does, then Adora never really needed her after all... all Adora cares about is being She-ra. It's harsh, but true... even if what she's doing about it is so wrong.

It's a painful moment for both of them, and it's horrible because Catra is so clearly breaking their promise, the one that Adora restored to Catra she came to rescue her from Horde Prime. And yet, her leaving will work in the end. Catra gets Adora to see how crucial it is that she not let Shadow Weaver win, to let Shadow Weaver get whatever she wants by taking that cost from Adora's own life. And it's how Adora finally becomes too strong for Shadow Weaver to ever manipulate again.

>As Adora returns to camp, still crying from Catra's abandonment, Shadow Weaver tries to swoop in and make her manipulations of Adora take their final hold. She tells Adora she "made the right choice, don't let Catra convince you otherwise, she's never understood." Dreaded ear touch and all. By saying Catra can't understand, Shadow Weaver tries to make Adora feel alone in her burden as She-ra, seeking to weaken her spirit. But we see a total shift in Adora's attitude as she rejects SW’s cruelty and manipulations entirely. Her words carry incredible weight and speak to how she's so clearly seen through SW's malicious manipulations of the two of them. "Stop. I will never forgive you. You ruin people. You ruin any chance they could ever be happy." Adora just watched Catra reject her and abandon her because she couldn't stand to lose Adora again over SW's manipulations. It's by knowing Catra's pain that Adora is able to finally deny Shadow Weaver any sliver of control over her. As always, Adora couldn't do it for herself, she couldn't resolve between her deeper need to save everyone and SW's plans to use her for her own gain. But Adora is strong for others, and so she's strong for Catra. By leaving, Catra has given Adora the ability to rise above any manipulation Shadow Weaver can do to her.

Adora stands up to Shadow Weaver once and for all in her next words: "I'm going to take the failsafe to the heart, and I'm going to save Etheria. But I am not doing it for you. I'll do everything I can to make sure you never get your hands on the magic." (pic1, fyi) Note the exact words Adora speaks here as we will return to them later, they are important. While Adora has seen past SW’s manipulations, and seen that Shadow Weaver only ever desired power, she doesn't realize how SW's childhood abuse of her and attempts to manipulate her in the present are making her too weak to survive deploying the failsafe. To get past that, Catra must help Adora.

EPISODE 12: We watch as Adora struggles to become She-ra, but eventually manages it. She's seen through SW's plan after all, and so she does her best to believe she is strong enough to win on her own, to survive the heart. But she misses Catra desperately. She rallies her people, and ends her speech by saying resolutely that she will take the failsafe to the Heart and destroy it. It's an incredible speech, Adora has become a wonderful leader, but then she looks up and sees Shadow Weaver hiding in the back. As SW meets her gaze, She-ra's form falters and we see Adora's face for a split second. She's furious at her, that she hurt Catra so badly that she ran away.

Adora moves away from the group so they don't see her lose her She-ra form because of the turmoil she feels over Shadow Weaver and losing Catra. Bow and Glimmer check on Adora, knowing she has a tendency to try to sneak away so people won't see her risk her life. Glimmer is perceptive and asks about Catra, she knows it's Catra that Adora needs, that her being gone is tearing Adora up inside. Glimmer is a great friend to the both of them. Adora voices concern for their safety if they come with her, but Bow and Glimmer know Adora needs support. And so they will try their best, even though they know Adora is heartbroken from Catra leaving her.

>Buoyed by their support, Adora goes to the ruins to try to face her final task, to overcome it through her own strength alone. Bow and Glimmer take her hands, we see Adora does her best to set her fear aside. And yet, as they enter she wonders where Catra is, whether she will come back to honor their promise.

>Catra looks back, also experiencing pain over their separation. She has not been able to overcome her trauma, and manage her feelings. Well isn't it just nice to have a telepathic therapy pet! Melog stops, and forces her to actualize her feelings and process them. At first Catra tries to deny them, saying she won't go back, but Melog sits on her. She cries, saying out loud her deepest feelings. Let's take this one in steps. "You saw what happened, A-Adora chose Shadow Weaver, not me". In a very real sense Adora did do this, she pushed Catra away in the failsafe chamber. She ignored Catra's warnings and, in Catra's mind, committed herself to death at the hands of SW's manipulation. The next line is one of the most important in the series, but we will only cover it briefly as it's romantic implications are best discussed elsewhere: "Adora doesn't want me, not like I want her." We get to see one of the most honest truths about Catra: she is an intensely romantic person, and has always had the most incredible dreams of them being together. But a lifetime of pain has told Catra that it can't be real, or atleast, not for her. It is deep seated trauma that blocks her, trauma Shadow Weaver started and then aggravated against her, making her leave Adora just moments before. Catra is, in a word, furious that she's come this far, having dared to dream once again that the two of them could be together and in love, only to have SW come in and take that from her once again.

Let's take a moment to consider how Catra is doing as she adapts to her new emotional way of dealing with the world, as she has shifted her perspective since rejoining Adora: The old Catra might have simply struck SW down, maybe even killed her to remove the threat. But now, Catra doesn't want to do that but is expected to trust in Adora’s ability to overcome the threat through her inner strength, and the through the strength of her community. But, as far as Catra could see, Adora just accepted her death as necessary rather than fighting SW’s manipulations. And this worries her, and it's why it's so important to Catra that she not let Shadow Weaver win, so Catra leaves to make sure Adora gets the message. She's wrong to do this, and she realizes this after opening up to Melog. Adora needs Catra to have faith in her, because without her support, there's no chance Adora overcomes what Shadow Weaver is trying to do to her.

>Glimmer watches the doubt play across Adora's face. She doesn't know how to make it better, since Catra isn't with them. She asks her if she's scared, and Adora answers back as truthfully as she can: "No, I just really hope this works." She's putting on a good face while trying to believe there's a chance, but when Bow tells her it's going to be a whole new world when she's done, Adora doubts. Can she even survive? Will Catra be gone forever? The next scene is, of course, very romantic. We see that Adora has always loved Catra, just like Catra loves Adora. The magic is trying to remind Adora of her own desires, her wants. Let's not get too distracted though: as Adora moves on, vowing to not let the magic distract her, we see her She-ra form falter, she's still fighting despair and loneliness. Bow and Glimmer don't know what to do...

>Catra sees Horde Prime begin hacking the planet and knows Adora is in grave danger of not succeeding in her last, unselfish mission before Prime stops her. Catra can't let this happen, also, since Melog has helped her process her emotional pain, she's ready to support Adora in any way she can, even if it means her hopes and dreams of them being together will be unfulfilled. She tries to rush to her side.

>Adora is panicking and unable to resolve her feelings of failure to Catra, She-ra is in danger of fading again. She sees the sword as she saw it back when she first left Catra, her hand goes to the failsafe on her chest, the thing that made Catra reject her after she accepted it. She tells Bow and Glimmer she can't escape her destiny. The words "I'm losing her" speak to a deep held belief by Adora that she's not worthy of survival because she feels that she has never been able to help the one person she truly loves, making her no hero. All of the manipulations of Shadow Weaver, Horde Prime, even Light Hope are crushing down on her. She believes she has to accept her fate, to die to fulfill her duty as She-ra. It's the price she has to pay for not being good enough, for hurting Catra when she left her to become She-ra. She thanks Bow and Glimmer for their love and support. "I never could have done any of this without you." Bow and Glimmer did everything they could to prop Adora up, get her out of her depressions when she felt she wasn't good enough to be She-ra. But they still needed her to be She-ra, and therefore they can't help her get past her deepest insecurities. To do that, she needs someone who has unconditional love for her. She needs Catra. Adora leaves Bow and Glimmer behind, trying to protect them, so that only she will have to die.

>Catra finds Shadow Weaver patiently waiting to receive her power, to be able to achieve dominion over everyone else. SW tells Catra "She's gone to the heart of Etheria to free the magic and become the hero she was born to be." The dead hero, that is. As SW tries to guilt Catra, calling her selfish, she glares back. She stands up to SW, rejecting the manipulation: "Enough! This isn't about you and your messed up power trip anymore!”

In this moment, Catra shows us how clearly she understands SW's goal. She calls her out perfectly. She tells SW that Prime is infecting the planet to take the heart, which changes everything, including for SW.

>As Catra leads SW, having forced her to cooperate, they see Prime's broadcast and Catra knows they have to act. She demands SW take them to Adora, and doesn't accept her lies. She knows SW can do it with magic, and demands she comply. Her words hit home "So do something good with it for once and help me save Adora before it's too late." Notice the similarity to when Glimmer asks Catra to be better on Horde Prime’s ship. SW is trapped, she has to comply. If Adora doesn't reach the heart, no magic for SW, universe ends. Catra accepts SW's hand, though it hurts her to do so.

>Catra and SW arrive in the corridor. As Catra gets the truth from Glimmer, she's dismayed. "Of course she's gone, that's what she does, isn't it?" She knows in this moment that Adora is consumed by fear, her inadequacies. As she finishes briefing Bow and Gimmer on the situation, she tells them she will stay to help Adora, and she invokes their promises to each other. It's an important moment, as it is the two of them together, their promises to each other, that gives them the strength to surpass SW's manipulations of them. Glimmer knows Catra is in love with Adora, so she leaves Adora in Catra's care. Bow’s words are important as well, speaking to the power of the Best Friend Squad. It gives Catra a boost to her morale, a belief that maybe there's a chance she and Adora can overcome the odds they face.

>Adora looks out over Etheria, seeing its beauty. Mara joins her. Adora tries to promise Mara that she will save the world, everyone, at any cost. Mara flat out rejects this as wrong, she doesn't let Adora promise. Mara confronts Adora on her decision to die for everyone else. When Mara asks her what she wants, Adora says it doesn't matter, that she's She-ra. Again, an isolationist view, a lonely burden, just like SW wants her to believe. Mara tells Adora that she, Adora, has value as a person, not only as a hero, and that she deserves love, too. As Mara tells to not lose hope, Adora is emotionally moved but you can tell she's still struggling to accept Mara’s words because of her feelings of inadequacy and loneliness. Mara manages to pass some courage to her, but then Horde Prime cuts them short.

Prime leans into Adora’s fears, threateningly. Like SW, he knows how to exploit her. He was in Catra's head and so he knows what Catra knows. He tells her that her failure is imminent, that she is already defeated, like the other She-ra's. The guardian monster then strikes and infects Adora, and she finally loses her grip on her She-ra form. He tells her even her own people didn't want her to make it to the heart, telling her the whole world is against her, and that she's totally alone. She tries to counter this with defiance, but the virus has her. She knows she's in trouble.

----Part 3: Final Moments, and Death, of SW----

>Episode 13. Adora is in pain, trying to understand the nature of the infection. The monster towers over her, it has only to reach out to deal the killing blow, she's defenseless. Suddenly Catra shows up, engaging the monster. Adora's only concern is for Catra's safety, telling her to leave her because it's too dangerous. But Catra has decided: she will do whatever it takes to give Adora her chance to save the universe, if that's what she wants. Even if it means Adora has to die. She tells SW to get Adora to the heart, which Adora objects to. SW is looking closely at Adora and seeing her illness, evaluating. As Adora begs for Catra to not leave her, Catra tells Adora she'll catch up. After all, they are the best friend squad. Bow's words have given Catra a small amount of hope that maybe it'll be ok. Adora, now that Catra has finally shown up, is desperate to not lose her again, and knows fighting this monster is too dangerous for her alone. But she's sick, and unable to help her. SW takes Adora unwillingly towards the heart.

>Catra is doing her best, but the monster is too much, even for her. She tries to slip away, seeing the virus continuing to spread. She's trying to get to Adora, who’s alone with SW. Horde Prime stops her (no keep running!!) and she gets caught. He mocks her, telling her he expected better. But Catra has already surpassed his greatest expectations, and she'll stop him yet... as the monster catches her, she cries out in anguish. It seems the cruelty of the universe has caught up to her again, after all...

>As SW tries to bring Adora to the heart, Adora's sickness is rapidly advancing. She demands SW wait, but she's too weak to resist. The thought of losing Catra again is weakening her spirit and allowing the virus to take over. SW tells her not to lose her focus, she's still hoping Adora will deploy the failsafe before dying. But then the virus seemingly attacks Adora's heart and SW watches the failsafe nearly fade out. SW looks up, she's close enough to already siphon power from the heart. Her lust for power is apparent.

As Adora hears Catra’s scream, she forcefully pushes herself from SW, and starts to go back for Catra. SW calls for her to wait, but Adora leaves her behind.

This is it, the turning point. The great moment of truth: SW now realizes, in utter totality, that she's never going to get to have the power. It's one of the most important moments in the series, and what happens next is the culmination of all of the hard emotional growth the two girls have been doing.

>>Quick interjection: we’re about to get emotional here... (well, I do). Just a light suggestion to check your surroundings. <<

Shadow Weaver now realizes that, even if she were to drag Adora to the heart, she would be too sick and heartbroken to deploy it. It's over for SW, either she dies now, with everyone else in the end of the universe, or she dies giving everyone else, including the girls, a future.

Remember as well, Adora has told SW that she would do everything she can to make sure she never gets the power. Adora is too strong against SW's manipulations, something Adora learned from seeing the pain Shadow Weaver caused Catra through her abuse. I mentioned that the exact words Adora used when she rejected SW the night before were important, so let's return to them: Adora told SW she would deploy the failsafe, and also that she will block SW from getting the power for herself. But as she said all of this, about saving the world, the universe, she doesn't say one, very important, word.

Promise.

Adora may have dedicated herself to being She-ra, but somehow in that moment she knew not to promise to SW that she would deploy the failsafe to save the universe, instead only saying that she was going to find a way, while making sure SW doesn't get the power. We saw that Adora later tried to make this particular promise to Mara, but Mara threw that out, telling Adora to be better, to rise above her lack of self belief.

A promise was made, though. She promised Catra. Their beautiful, childhood promise, the one she so casually broke way back when, her greatest mistake. And so Adora goes back for Catra, to be there for her, to try to help. If this Catra's end, she will be there for her... even if the cost is this high. She can't just let her die alone. She is honoring their promise...

And so… Adora finally… after all this time, puts Catra above her duty as She-ra. Her love for Catra is more important than fulfilling her heroic duty, and so SW can no longer manipulate her into giving up her life so SW can get the power. The girls have, in fact, transcended her manipulations, and as Adora leaves SW standing by the heart, SW is totally alone and without anything, anyone, left. She is, in fact, defeated by the girl’s love for each other... and so as SW looks towards the heart, she finally... makes... the right... choice. She gathers enough power from the heart to fight the monster...

>Horde Prime mocks Carta as she tries in vain to resist being pulled towards her death. When he invokes Adora's name, saying she will die, Catra shows her sadness, disappointment, at having come so close to being with her. He mocks her again, asking her if it was worth it. Catra shows defiance, then sorrow. The answer is yes, of course. Catra was willing to lay it all down to give Adora her shot at saving the universe, she's honoring their promise as best she can even if this is Adora's final act before her, and their, deaths. Catra has total belief that in this moment, that she needed to sacrifice herself for Adora. It seems like the natural outcome of fate, of the cruelty that is SW's and the universe's betrayals of the two of them their entire lives...

Heroic. Fucking. Music. SW shows up, charged from the Heart to take Catra's place. She's going to do one heroic and worthy thing of remembrance before she goes, since she is defeated and knows she won't get to have the heart's power.

Carta's disbelief is total, she can't understand how SW would ever do this for her. Her manipulation of them their whole lives was so total, so unfeeling. And yet, here she is. SW tells Carta to get to Adora and run. She forces Catra back and blocks the door. Catra still can't understand... and we finally... see Shadow Weaver show some actual real remorse for how empty her life is. She begs Catra to take Adora to the heart, to set the magic free. The one thing SW is dedicated to is magic, and she knows releasing the magic will restore the planet. Catra points out the obvious, that SW will die. Part of the reason Catra is so broken up by SW doing this is because Catra had just accepted her fate of dying in order to give Adora her chance to save everyone: Catra was willing to die for Adora even if Adora never found the courage to want Catra the way Catra wants her. And now SW takes her place? It doesn't make sense to her, as SW is a greedy person.

Shadow Weaver’s next series words are some of the most important in the entire series. And this is also the one redeeming quality she has... that she is a teacher. And she’s about to tell Catra something very, very... important.

She says: "It's too late for me." All her manipulations towards getting the power at the cost of the girls lives have been torn down, they've completely moved past her, she has no place in their lives anymore. The girls have learned to love each other so loyally that SW is done, finished.

"But you... this is only the beginning for you." Catra listens to this, searching for the deeper meaning... "I'm so proud of you, Catra." I think we all agree SW being 'proud' of Catra is a devastating line, Catra doesn't need or probably even want her abusers approval. I also think it is a lie, everything about SW says she's unable to feel actual compassion. But SW is a mastermind, and I think she's telling Catra she has respect for her. Catra ended up being the greatest enemy SW ever faced, she was so smart that she saw right through every manipulation SW made, and in the end, SW couldn't touch her. But theorizing aside, we see Catra cry... somehow, someway, SW finally seems to be showing Catra some amount of good in her, and so she cries, wondering where it comes from…

As Catra brings her hand back to uselessly flail at the barrier, Adora catches it. Catra looks back at Adora, surprised at her reappearance...

… right then we see Catra suddenly look away from Adora. It's quick, but we're seeing a dissociative moment: this is Catra realizing something very deep, and very meaningful...

Catra realizes, that in this moment, SW has chosen to do something that is much more than just dying in Catra's place.

She has given Adora to her.

All of Catra's life, Shadow Weaver has stood between her and Adora, love was a thing Catra was not allowed to have. But the girls, together, have transcended all of her abuse and manipulation. They have seen through her plan and risen above every cruelty, and have blocked SW's manipulations to use them for her own gain. And so, a defeated SW chooses now, to give Catra the most beautiful of gifts...

Catra puts it all together, filled with clarity: SW is telling her that Adora doesn't have to die, she can survive this. That they can survive the Heart!!! And Catra is the key, as SW has told her: "This is only the beginning, for you."

Catra is now given this knowledge freely by SW, and thus given hope. SW stands before them, totally defeated, in awe of Catra's incredible growth and cunning and that she was able to see through her plan, and how strongly the two girls have come to love each other. So, SW is giving Catra her fullest respect, and as a last act before her death she is passing Catra newfound hope that the two of them can overcome this, that they can survive...

Shadow Weaver removes her mask, showing Catra her face. It's not a face of manipulation, as we expect, no, there's respect, even, dare I say, gratitude. SW didn't have to do this, Catra knows that. And yet, Catra managed to show SW something she never expected to see. And so, by outthinking and so totally defeating her, by making SW see that all her manipulations were discovered and therefore wouldn't work no matter which way she turned, and by getting Adora understand the urgency of not letting SW win, Catra has won this final, beautiful gift…

“You're welcome…”

As Catra watches SW make her final sacrifice... her one good deed... she looks on, stunned. Life is never quite so simple as you think it is, and since returning to Adora, Catra has seen so many acts of generosity she didn't really believe were possible... and now... this...

Catra lets Adora cry for a moment, then tells her they have to go. Catra is filled with new urgency... they will face this final challenge together. As she resolutely carries Adora towards the heart, she knows she's now in charge of their fate... and as they face this final task, Catra is searching for a way to save Adora, and to save their love once and for all...

~

All of this has huge implications for what then happens with the girls when they reach the heart chamber, but that's a topic better discussed another time…

Some final notes here. It's my belief that Shadow Weaver is the overarching villain of the story, who spans all seasons of She-ra, and is far more important to the plot than Horde Prime is. Furthermore, understanding Shadow Weaver as this kind of villain is a stepping stone to explaining many other important plot points in the series, and we can build on it to understand a lot of the most important moments in the show.

My personal belief about this story is that the writers had such a diverse room of people of LGBTQIA+ and other backgrounds, each with their own trials and pains they had to overcome, that as a team, their goal was to bring to light as many of these struggles that they could. But as for this most central story, my guess is they wanted to tell us a story about overcoming real darkness that exists in our world, as well as Etheria, because sometimes that's how it is. And so the right thing, the only thing to do is to overcome and move past such people, to not let them control your life.

All this is to say that I think the moral of Shadow Weaver in the story isn't about finding the good in her, but about rising above her and the fundamental darknesses that we all sometimes face. And our girls do this through love, at no point do they use violence. And that makes this story very, very... special.

Thanks for reading. Until next time…

~EtheriaDearie

P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛

[ginmo]

...This response took me a million years, because there’s so much textbook abuse and mislabeling that I was like where do I even fucking start and how do I come at this. I’m still not happy with my approach but here we go. Sorry. This is going to be long. 

Why do people abuse?

Domestic violence and abuse stem from a desire to gain and maintain power and control over an intimate partner. Abusive people believe they have the right to control and restrict their partners, and they may enjoy the feeling that exerting power gives them. They often believe that their own feelings and needs should be the priority in their relationships, so they use abusive tactics to dismantle equality and make their partners feel less valuable and deserving of respect in the relationship. [x]

Abuse is habitual. Everyone on the planet has either intentionally or unintentionally done an abusive act, emotionally or physically, in one of their relationships at some point in their life, but that doesn’t mean that relationship was abusive or that the pair was mutually abusive.

It’s also not uncommon for an abusive relationship to have a degree of abuse from both parties involved. Many victims will unconsciously do something abusive as an attempt to bring balance to the relationship and gain some control, but those incidents are isolated and not “habitual,” which puts them in the overall victim category. 

In this abusive relationship: 

Jaime is the main victim. Cersei is the main abuser. There’s nothing “mutual” about it.

“lmaoooo Jaime CHOSE to be in this relationship”

I’m aware that GRRM probably intended Jaime to totally jump in 100% by his choice, but that doesn’t change the fact that literally every person in an abusive relationship appears to have chosen to remain in that relationship. Hell, I knew my abuser was abusive before I even got into a relationship with him, but I did it anyway because, man, he was charming and persuasive. He unconsciously used that charm, manipulation, and seduction to keep me hooked while chipping away at my identity. Victims of abuse all have a choice, in theory, but the reality of it is messy, because there’s manipulation at play and a great degree of delusion.

Cersei is guilty of narcissistic abuse. 

It’s perfectly valid to view Cersei as a narcissist. She obviously isn’t diagnosed with anything, but I’m reading her as a textbook narcissist so… let’s play. Before I dive into all the abuse, I’m going to dig into Cersei’s narcissism, because it plays into the interpretation of their dynamic. 

“You can argue, well, does she genuinely love her children, or does she just love them because they’re her children? There’s certainly a great level of narcissism in Cersei. She has an almost sociopathic view of the world and civilization.” (Also look up: malignant narcissism and sociopathy)

GRRM then immediately makes a comparison to Jaime, contrasting their abilities to love. 

“At the same time, what Jaime did is interesting.”

He goes on to describe Jaime’s action of pushing Bran, implying he did it out of genuine love for others (since he used the word genuinely for Cersei and then compared). [x]

“LMAO BUT JAIME IS A NARCISSIST TOO” 

No lmfao. Someone can appear narcissistic at times and swing on that spectrum, but that doesn’t make them a narcissist or show they have “a great level of narcissism.” One of the main defining characteristics of a narcissist is a lack of empathy. I’m not even going to dig up all of the empathy examples, because the above comparison from GRRM should be enough to tell you he isn’t writing Jaime as a narcissist and going that route would take this way off topic. Just… read his chapters lol. You don’t even have to get far into his POVs to see empathy and how his thought process is intentionally written to be different than Cersei’s. 

Anyway, my level of sympathy for Cersei is entirely wrapped around her narcissism. To me, what’s sad here is the idea she can’t experience true intimacy and is completely unaware of it. She loves Jaime, and I truly believe she believes she loves Jaime, but in reality it’s only at the capacity that narcissism allows. 

Narcissistic Abuse: 

“Narcissists don’t really love themselves. Actually, they’re driven by shame. It’s the idealized image of themselves, which they convince themselves they embody, that they admire. But deep down, narcissists feel the gap between the façade they show the world and their shame-based self. They work hard to avoid feeling that shame.

Many of the narcissist’s coping mechanisms are abusive — hence the term, “narcissistic abuse.” [x]

I mean… that’s kinda sad? I feel for her in that sense, but, as the article says, “Abuse is abuse, no matter the abuser’s diagnosis.” 

Needs to Look Like Her

There are several examples of Cersei commenting on his changed appearance and how she doesn’t like it. That isn’t too weird, since people have their own personal preferences and hey, maybe she just doesn't like beards? But no. That’s not the case. She doesn’t like the changes, because it means he looks less like her. It 100% is about Jaime being male Cersei - an extension of herself. 

“Nor did Jaime help her mood when he turned up all in white and still unshaven, to tell her how he meant to keep her son from being poisoned. - AFFC

“his face was thinner, with hollows under his eyes and lines he did not remember. I don’t look as much like Cersei this way. She’ll hate that.” - ASOS

(and lol so tempted to go into how Jaime’s facial hair is symbolic of his identity shift and how that relates to the separation with his twin). 

“Jaime likes looking like Cersei too”

Oh does he? If that’s still so then why isn’t he shaving his beard for her? 

Has he ever been disgusted by her looks? Does he ever look at siblings and get irritated if he thinks they look more alike? When he noticed his change in appearance did he think, “I hate that we look different” or did he think, “Cersei will hate that”...? (Also, when he thinks that he would be Cersei in fucking ASOS - *pre-handchop which is pre-arc-* that’s a laughably obvious set up for the identity aspect of his arc with that belief being destroy, you dense- ...*deep breath* moving on)

I’m sure he romanticized the looks to an extent, but it’s been made clear that it’s far more important to Cersei than it is to him, since she often makes note of his change in appearance. This is even shown in a scene where Cersei is observing Loras and Margaery and getting annoyed that they look more like twins than she and Jaime do. 

For some context, Cersei was watching them dance.

“They could be twins, Cersei thought as she watched them. Ser Loras was a year older than his sister, but they had the same big brown eyes, the same thick brown hair falling in lazy ringlets to their shoulders, the same smooth unblemished skin. A ripe crop of pimples would teach them some humility. Loras was taller and had a few wisps of soft brown fuzz on his face, and Margaery had a woman’s shape, but elsewise they were more alike than she and Jaime. 

That annoyed her too. -AFFC”

Narcissistic abuse includes emotional and physical and is used as an umbrella term for the two when they’re done by a narcissist, therefore slightly changing the context of the abuse. 

I’m not going to pretend that GRRM sat down with a sexual narcissist checklist, created from the hours of research through his dinosaur computer, BUT he clearly is aware of basic narcissistic and abusive dynamics. It’s… really not that hard. And even if you don’t think he consciously did it, her behaviors are still aligned.

“LmAo CeRsEi’S ‘EvIL VaGiNa’ - MiSoGyNiStS!”

…manipulation through sex is an actual fucking thing that’s genderless.

Right lmfao this is going to be long.

“A sexual narcissist is a person who uses sex as a tool to emotionally manipulate their victims to get what they want.”

People admit that she uses sex as a tool to get stuff done, claiming its her form of power in the patriarchy. What they fail to consider is that Cersei does this frequently to Jaime - a person who is meant to be her lover - which… makes him a victim of narcissistic abuse. Don’t believe me? 

I’m going to be using this article to break apart sexual narcissism. If you want more just research. They all pretty much say the same thing, but I chose this one because I prefer the structure. The article breaks examples into categories: 

Sex is used to manipulate/persuade

Excessive focus on physical over emotional

You Exist to Serve the Narcissist’s Needs

Constantly Puts You Down

Reacts Negatively When You Don’t Give Them What They Want

Treats You Poorly / Neglects You After Sex

Infidelity, Violence, and Sexual Addiction  

This whole post has been a nightmare to organize. Tbh most of the examples I’ll use fall under MULTIPLE categories. The scenes are like fucking Russian dolls of abuse. Or like… Abuse Inception. Abuse within abuse within abuse, so I had to just pick and choose which ones to put where. 

Charming and Romantic – But with a Catch 

“Many sexual narcissists can come across as alluring and attractive, especially during the initial stages of a relationship, when they’re trying to win you over. Like a master salesperson, they use charisma to get your attention, flattery to make you feel special, seduction (flirting, gifts, dinners, get-aways, etc.) to lift you off your feet, and persuasion to get you to give them what they want. Some sexual narcissists are very good in bed (at least they think they are), for sex is used as a tool to impress, entrap, and manipulate.

While there’s absolutely nothing wrong inherently with being charming, romantic, and a good lover, the narcissist crafts these traits in order to use others. He or she is not really interested in you, but only what he wants to extract from you (often to fulfill an inner emptiness due to the inability to create true intimacy).”

You can even find some meta that almost word for word says what’s described above, but they erase her doing this to Jaime - her partner- and frame these actions as feminist lol. 

Eel Alley. 

“But,” Jaime said, “there’s Casterly Rock …” 

“Is it a rock you want? Or me?” 

She then starts to seduce him to show him what he can have, to have the scale weigh in her favor. Manipulation through sex.

“He remembered that night as if it were yesterday. They spent it in an old inn on Eel Alley, well away from watchful eyes. Cersei had come to him dressed as a simple serving wench, which somehow excited him all the more. Jaime had never seen her more passionate. Every time he went to sleep, she woke him again. By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest.” - AFFC

There's no indication whatsoever that Jaime had any intent to NOT wed and be Lord of Casterly Rock. He wasn’t really into Lysa but he never straight up refused to take on the role he was born into. In fact, he even kinda fancied Catelyn lol.

“Lord Hoster kept me for a fortnight whilst mulling his reply, and sat me beside his daughter Lysa at every meal.” 

“Small wonder you took the white. I’d have done the same.” 

“Oh, Lysa was not so fearsome as all that.” She had been a pretty girl, in truth; dimpled and delicate, with long auburn hair. Timid, though. Prone to tongue-tied silences and fits of giggles, with none of Cersei’s fire. Her older sister had seemed more interesting, though Catelyn was promised to some northern boy, the heir of Winterfell …”

And lol

“but at that age, no girl interested Jaime half so much as Hoster’s famous brother, who had won renown fighting the Ninepenny Kings upon the Stepstones.” - AFFC

He doesn’t even say, “but at that age, no girl interested Jaime so much as Cersei.” No. The Blackfish. Had Catelyn been unbetrothed, it’s not a stretch to think that Jaime would have been entertained by the idea of their betrothal. This was before Cersei seduced him at Eel Alley.

“hE GaVe HiS ConSenT”

Yeah, after she manipulated him through sex LOL. IT’S RIGHT THERE. 

“Jaime always wanted to join the KG!” 

“He had joined the Kingsguard for love, of course”.-ASOS

(HEY! Just like that tall, blonde, “beauty” he’s been hanging out with HHMM)

He wasn’t going to join the KG before Cersei gave him “love,” which is why he was asking about Casterly Rock and talking about Tywin, as if this was an idea he hadn’t thought of before. (Knight and KG are not synonymous). He joined “for love” AFTER she gave him intimacy, showing him what he could have if he agreed to stay by her side forever. 

She even murdered Melara -HER FRIEND- for saying she wanted to marry Jaime one day. She kept trying to rob Jaime of a life outside of her, and yes I use the word “rob,” because it was through narcissistic abuse. She literally turned up the passion and kept waking him up with sex until he gave his consent. 

And “by morning” Casterly Rock was “a small price to pay.” A SMALL PRICE TO PAY. That means it was worth something of value to him and then “by morning,” after she woke him up over and over and over until he agreed, it became a “small price.” 

Also keep in mind that when Cersei was begging Jaime to join the KG to be close to her, she was legitimately crushing hard on Rhaegar not long before... she’s allowed to fantasize about marriage with Rhaegar, but Jaime isn’t allowed to fit his role and marry?

“once she had drawn a picture of herself flying behind Rhaegar on a dragon, her arms wrapped tight about his chest. When Jaime had discovered it she told him it was Queen Alysanne and King Jaehaerys. [...] By night the prince played his silver harp and made her weep. When she had been presented to him, Cersei had almost drowned in the depths of his sad purple eyes. He has been wounded, she recalled thinking, but I will mend his hurt when we are wed. Next to Rhaegar, even her beautiful Jaime had seemed no more than a callow boy. The prince is going to be my husband, she had thought, giddy with excitement, and when the old king dies I’ll be the queen.” -AFFC

Like… fuck… 

Later on, when Jaime is developing into his own being and becoming aware of the bs, the Eel Alley scene is brought up again.

“Cersei.” He spoke slowly, like a man waking from a dream, still wondering where he was. “What hour is it?” 

“The hour of the wolf.” His sister lowered her hood, and made a face. “The drowned wolf, perhaps.” She smiled for him, so sweetly.” 

There’s the use of charm. Normally you could argue that she was honestly happy to see him. But what does she say next and what does he associate with that encounter? 

“Do you remember the first time I came to you like this? It was some dismal inn off Weasel Alley, and I put on servant’s garb to get past Father’s guards.”

 “I remember. It was Eel Alley.” She wants something of me. “Why are you here, at this hour? What would you have of me?” His last word echoed up and down the sept, mememememememememememe, fading to a whisper. For a moment he dared to hope that all she wanted was the comfort of his arms.”

And he wasn’t wrong. She did want something from him. So no. It’s not in his head. 

“Jaime, Kevan has refused me. He will not serve as Hand [...] “You must be Tommen’s Hand.” -AFFC

This time he realizes what she’s doing. Using her outfit, she’s causing a recall to a past manipulative event that worked, exposing her intent, which is why Jaime immediately recognizes it as something she wants from him. This also implies that he now views their encounter at Eel Alley as Cersei wanting something of him since the two encounters were directly associated.

Here’s another moment of manipulation by a sexual narcissist.

“My sister wanted the girl to lose a hand. The old penalty, for striking one of the blood royal. Robert told her she was cruel and mad. They fought for half the night … well, Cersei fought, and Robert drank. Past midnight, the queen summoned me inside.”

Failing to get Robert to side with her and do something, she then summoned Jaime to give him the attention she knows he wants. You see where I’m going here?

“The king was passed out snoring on the Myrish carpet. I asked my sister if she wanted me to carry him to bed. She told me I should carry her to bed, and shrugged out of her robe. I took her on Raymun Darry’s bed after stepping over Robert. If His Grace had woken I would have killed him there and then. He would not have been the first king to die upon my sword … but you know that story, don’t you?” He slashed at a tree branch, shearing it in half. “As I was fucking her, Cersei cried, ‘I want.’ I thought that she meant me, but it was the Stark girl that she wanted, maimed or dead.” The things I do for love. - AFFC

This isn’t Jaime interpreting the incident incorrectly. This is character growth. 

GRRM is speaking through Jaime by destroying the illusion and becoming aware of the reality he has been living. Because the lights are turning on for him, the things I do for love can take on a new meaning here. It’s more like the things I do to earn intimacy. He’s jogging down memory lane and realizing that every time (shown or told about in the books) she approached him she was trying to get something from him or trying to get him to agree with her. There was always a motive apart from a genuine desire to give and receive love, no strings attached. 

Excessive Focus on Physical Over Emotional 

“The sexual narcissist’s style of love-making is often focused on appearance and image, with a keen dislike for flaws and weaknesses from oneself or the partner. The love-making is less about two human beings connecting, and more about measuring up to idealized expectations. Try as the sexual narcissist might at physical grandiosity, there’s inevitably something missing in their performance: genuine human emotions.”

Mm yes.Going back to this as an example:

“his face was thinner, with hollows under his eyes and lines he did not remember. I don’t look as much like Cersei this way. She’ll hate that.” - ASOS

“The Targaryens wed brother to sister for three hundred years, to keep the bloodlines pure. And Jaime and I are more than brother and sister. We are one person in two bodies. We shared a womb together. He came into this world holding my foot, our old maester said. When he is in me, I feel … whole.” - AGOT

“I need you. I need my other half.” He could hear the rain pattering against the windows high above. “You are me, I am you. I need you with me. In me. Please, Jaime. Please.” - AFFC

People use Cersei’s romanticized twin comments as evidence to show that she genuinely loves Jaime. This also can connect to the GRRM quote mentioned above about her genuine love capabilities which can be argued as “lol no”. 

She does not have “genuine human emotions,” because her words and feelings are from a narcissistic desire to be whole through the idea that Jaime is an extension of herself. So… yeah, if she thinks Jaime is herself as a male (“you are me, I am you”), then she’s missing half of her until he’s inside her, making her whole. Her, her, her, her. 

Also, that’s a move to try to strip him of his own identity, his own person, and is a fucking massive red flag that this is how the relationship began. Does he ever try to persuade her to do shit by reminding her that they’re the same person? Like ffs. 

She does this while trying to manipulate him using sex. He’s not listening to her, so she begs him to be inside her. Hey, why not? We’ve seen this work before. 

“Every time he went to sleep, she woke him again. By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest.” - ASOS

You Exist to Serve the Narcissist’s Needs. 

“After the initial courtship period during which he or she tries to impress and please, a sexual narcissist may begin to demand that you cater primarily to his own selfish needs. He may expect you to be “on call”

Okay I bolded that “on call” bit, because she does go to him when she wants something, and then gets hella mad when he refuses. But I know some people will use this to be like BuT JaImE TaKeS hEr WhEn He WaNts and like.. Yeah, fair enough, you can make that argument, but… that’s leaving out context. He goes to her because she’s withholding intimacy and only initiates when she wants something from him. I’m going to play devil’s advocate and say it does fit. Remember what I said in the beginning that it’s not uncommon for victims to act in ways that are problematic (hate that word) to try to get back some control? Yeah. Apply this here. His unhealthy response is a reaction to her using intimacy as a tool.

“and satisfy sexual desires at his pleasure, require you to engage in sexual acts which only he enjoys [doesn’t really apply], or demand that you limit your other activities to be more available. Rather than being an individual with your own thoughts, feelings and priorities. The sexual narcissist expects you to exist merely as an extension of his or her wishes. ” 

Cersei resents Jaime for disagreeing with her and thinking on his own. Literally the “you are me” bs and how she gets really angry when he begins to challenge her and goes against her wishes. She views him as someone who needs to cater to her, All he’s doing for her to slap and throw nasty words and cups at him is just... not doing what she asks him to do... his existence in Cersei’s life is simply to cater to her. 

Constantly Puts You Down 

“In order to put up a facade of superiority, and disguise hidden insecurity and inadequacy, some narcissists will constantly put other people down, to boost their own desirability and acceptability. In a sexual relationship, some (but not all) narcissists may also target their partners for ridicule, blame, shame, sarcasm, and overall marginalization. By subjecting the partner to an inferior psychological position, the narcissist is able to exercise a greater degree of dominance and manipulation.” 

I mean… Do I really need to provide examples here? This is actually similar to the next one, so I’m going to put my examples there.

Reacts Negatively When You Don’t Give Them What They Want

“Since many sexual narcissists can't stand disappointment or rejection, they will frequently react negatively when you don’t give them what they want, in the way they want it. Some of the common responses include:

Anger – Tantrum. Negative judgment. Personal attacks. Ridicule.

Passive-Aggression – The cold shoulder. The silent treatment. Withhold of love and affection [which ties in to withholding intimacy examples I provided above]. Sarcasm. Calculated separation.

Emotional Coercion – Blame. Guilt trip. Calling the partner ungrateful. Threaten to withhold love and intimacy (such as it is). Pretend narcissistic victimhood.

None of these responses are those of a mature, reasonable adult. The sexual narcissist, by acting like a petulant child or a bully, hopes the drama and manipulation will hook you back in, so you’ll once again “belong” to him or her.”

Some of this is physical abuse too, so I’m sticking those under here. And yes, slapping counts as physical abuse and it doesn’t matter who the hell does it.

“Rule? I said naught of ruling. I shall rule until my son comes of age.” 

“I don’t know who I pity more,” her brother said. “Tommen, or the Seven Kingdoms.” She slapped him. Jaime’s arm rose to catch the blow, cat-quick … but this cat had a cripple’s stump in place of a right hand. Her fingers left red marks on his cheek. - AFFC

Keep in mind that every time Jaime’s reflex goes to his face to block a blow it’s a sign that this is a behavior he’s used to. Sometimes people use the, “I don’t know who I pity more” line as well for “mutual abuse.” Context and… where’s the lie? Lmao. 

Most of the time he’s being straight with her. Snarky ass? Sure. Abusive? No. Intent is key. She puts him down to shame him and attempts to decrease his self-worth. This is a control move, because she throws cruel words at him when she is unsuccessful in getting what she wants. He sometimes calls her a fool and one time asks if she’s drunk or stupid, because she’s legit spiraling into a paranoia and he’s going wtf lol. He’s not trying to make her dependent on him through the use of his poor language. 

Anyway, back to physical.

Jaime felt his anger rising. “True, Loras does not leer at your teats the way Ser Osmund does, but I hardly think—” 

“Think about this.” Cersei slapped his face. Jaime made no attempt to block the blow. 

“I see I need a thicker beard, to cushion me against my queen’s caresses.” He wanted to rip her gown off and turn her blows to kisses. He’d done it before, back when he had two good hands.”

People love to use this against Jaime. Ffs. He’s literally trying to fucking defend himself from physical abuse by trying to diffuse the situation through sex, turning “blows to kisses.” This is one of those messy situations where it’s a victim trying to gain back control in an unhealthy, arguably abusive way. Does that make them anywhere near “mutually” abusive as if they’re 50/50? LMFAO no.

“Would Your Grace honor her white knight with a dance?” She gave him a withering look. “And have you fumbling at me with that stump? No. I will let you fill my wine cup for me, though. If you think you can manage it without spilling.” - AFFC

She turns him down with her disgust over his missing hand and then allows him to fill her cup I- 

“Get out, I said. I am sick of looking at that ugly stump of yours. Get out!” To speed him on his way, she heaved her wine cup at his head. She missed, but Jaime took the hint.” - AFFC

Alright this big one… 

WST:

“You mustn’t let Father take him from me. Jaime, please. 

“I can talk to him, but he will not listen …” 

“He will if you agree to leave the Kingsguard.” 

“I’m not leaving the Kingsguard.” His sister fought back tears. 

“Jaime, you’re my shining knight. You cannot abandon me when I need you most! He is stealing my son, sending me away … and unless you stop him, Father is going to force me to wed again!” 

Guilt tripping and playing up the loving language. 

Also, off topic, but I just want to point out that it’s funny Cersei came to him in Eel Alley to persuade him to join the KG to be with her. Jaime said they can’t get Tywin’s approval, so then she fucks him all night and he agrees. They played as lovers before that moment, but that was the night that sealed their affair to one another, to remove himself off the market and stay by her side forever. In this scene, she’s coming to him to ask him to LEAVE the KG, knowing Tywin would approve, and when he’s questioning the idea she tries to have sex with him, BUT he refuses her so her plan doesn’t work, making this moment the solid beginning of their downfall lmao. The opposite of Eel Alley. 

“It makes no matter who they wed me to, I want you at my side, I want you in my bed, I want you inside me. Nothing has changed between us.” 

Increasing the level of manipulation through intimacy since her previous persuasive strategy wasn’t working.

“Let me prove it to you.” She pushed up his tunic and began to fumble with the laces of his breeches. Jaime felt himself responding. 

“No,” he said, “not here.” They had never done it in White Sword Tower, much less in the Lord Commander’s chambers. “Cersei, this is not the place.” 

“You took me in the sept. This is no different.”

She drew out his cock and bent her head over it. Jaime pushed her away with the stump of his right hand. “No. Not here, I said.” He forced himself to stand. For an instant he could see confusion in her bright green eyes, and fear as well. Then rage replaced it.

Angry reaction due to refusal of sex. Childish reaction from not getting what she wants which quickly turns into bullying.

Cersei gathered herself together, got to her feet, straightened her skirts. “Was it your hand they hacked off in Harrenhal, or your manhood?” As she shook her head, her hair tumbled around her bare white shoulders. “I was a fool to come. You lacked the courage to avenge Joffrey, why would I think that you’d protect Tommen? Tell me, if the Imp had killed all three of your children, would that have made you wroth?” 

Lol people thinking she was there to hang out with him. She admits to only being in there to ask something of him. “I was a fool to come.” Don’t miss out on the angry, nasty response because she was rejected and couldn’t use her favorite go-to manipulation tactic. 

“You great golden fool. He’s lied to you a thousand times, and so have I.” [...]

“You had best go, Cersei. You’re making me angry.” 

“Oh, an angry cripple. How terrifying.” She laughed. “A pity Lord Tywin Lannister never had a son. I could have been what he wanted, but I lacked the cock. And speaking of such, best tuck yours away, brother. It looks rather sad and small, hanging from your breeches like that.” 

She’s trying to establish superiority by attempting to break him down, using his disability against him and attacking his manhood. 

More?

“Gold? Or silver?” Cersei plucked a hair from beneath his chin and held it up. It was grey. “All the color is draining out of you, brother. You’ve become a ghost of what you were, a pale crippled thing. And so bloodless, always in white.” She flicked the hair away. “I prefer you garbed in crimson and gold.” - AFFC

I mean…I think that’s enough. 

 lol jk 

“Tell him what has happened, and write … write …” 

“Yes, Your Grace?” She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” 

“As you command. ‘I love you’ thrice?” 

“Thrice.” She had to reach him. “He will come. I know he will. He must. Jaime is my only hope.” 

“My queen,” said Qyburn, “have you … forgotten? Ser Jaime has no sword hand. If he should champion you and lose …” 

We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” - AFFC

!!!!!!!!!!!!!!!!!!! 

SHE

FUCKING

THOUGHT

ABOUT 

HOW TO WORD IT

TO GET HIM TO COME BACK

SHE CONSCIOUSLY, FORMULATED A PLAN TO WRITE “I LOVE YOU” 

SPECIFICALLY THREE TIMES 

TO “REACH HIM.” 

SHE. LITERALLY. ADMITS. TO MANIPULATING HIM. THROUGH EMOTIONS. 

“Come at once,” she said. “Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.”

 Vyman was hovering by the door, waiting, and Jaime sensed that Peck was watching too. “Does my lord wish to answer?” the maester asked, after a long silence. A snowflake landed on the letter. As it melted, the ink began to blur. Jaime rolled the parchment up again, as tight as one hand would allow, and handed it to Peck.

 “No,” he said. “Put this in the fire.”-AFFC

And Jaime had so much character growth by that point that IT DIDN’T FUCKING WORK LMAO. Her game isn’t working anymore. And not only is she trying to manipulate him through loving words, she’s also NOT GIVING A FUCK ABOUT HIS LIFE OUTSIDE OF HERSELF, because she’s acknowledging that if she’s going down then she’s taking him with her. T

he loving thing to do would be, “Jaime, I won’t allow you to be my champion. You’re missing your good hand and can’t win. I don’t want to be the one to cause your death.” But Cersei never gave a shit about his life outside of her so... not a shocker. (Also I just lmao that around the same time Cersei is trying to get Jaime to come back for his death sentence, Brienne is out there willing to literally hang by a noose to save him. Great contrast.)

On to Jaime… 

I did a bit of research to see why the fuck people think Jaime is abusive towards Cersei. Almost all of the examples involve their type of sex play, his thoughts (WHAT LMAO), and… not understanding the difference between toxicity and abuse. Abuse is always toxic, but toxicity isn’t always abusive. 

I’ve been in both an abusive and toxic relationship and the difference was that my partner in the toxic one wasn’t trying to establish constant control through various different methods. He wasn’t using me for his own gain or trying to make me feel like garbage about myself. He didn’t become physical when I went against him. In my non-abuse toxic one, we were like each other’s “drug.” Extreme highs and lows, propping each other up on a pedestal, losing ourselves within the relationship by wrapping our happiness around the other. The twins are definitely toxic, mutually, but some of Jaime’s unhealthy behaviors are confused with abuse and, ironically, his more questionable actions stem from Cersei’s abuse on him. 

Quoting this again since it’s like a million pages up:

Why do people abuse?

Domestic violence and abuse stem from a desire to gain and maintain power and control over an intimate partner. Abusive people believe they have the right to control and restrict their partners, and they may enjoy the feeling that exerting power gives them. They often believe that their own feelings and needs should be the priority in their relationships, so they use abusive tactics to dismantle equality and make their partners feel less valuable and deserving of respect in the relationship. [x]

There is a difference between UNHEALTHY/TOXIC and ABUSIVE. 

Don’t come at me about the patriarchy being the reason why Cersei can’t be abusive towards Jaime (yes… I’ve actually seen that hot take). Within their own personal dynamic, Cersei has power over Jaime just by the nature of him being in the KG. She literally uses her position to tell him where to go and what to do, and even oversteps her boundaries sometimes by giving orders for him. 

As stated above, she manipulated him into joining the KG with implied promises of being together always. She then had affairs behind his back, used intimacy to persuade him, and cruelly put him down when he didn’t want to do the things she asked of him. That’s Cersei trying to maintain control of their dynamic. This is a “pattern of behavior” that dates back to at least Eel Alley. 

Unhealthy/Toxic

There isn’t a clear line when a relationship becomes unhealthy or abusive. This means it might be hard to figure out what kind of relationship you’re in. Remember that abuse is all about power and control. An unhealthy relationship might involve a power imbalance, being mean, ignoring boundaries [x]

Unhealthy behaviors can appear to be abusive behaviors, and certain toxic acts can turn into abusive over time, but they’re not the same thing.

For Jaime’s side of the “abuse,” he falls more often into the “unhealthy” category. I’m going to respond to a meta I came across recently.

“Jaime has channelled all his sexual desire into Cersei for most of his life (even thinking “I’ve been too long away from Cersei” when he experiences some arousal upon seeing Brienne naked), and that is not something one partner should put upon another. He judges the attractiveness of other women in reference to Cersei: Brienne, once, and Hildy the sex worker in ADWD. Cersei is a person, not a standard of idealised beauty.”

People twist the entire context to make him appear to be somehow abusive in a situation that actually…. sounds like a victim. Cersei wants that level of devotion from Jaime (and so do some of her stans), which is literally exactly why they don’t think Jaime and Brienne are a love story and why Cersei is like LMAO HER? Jaime would never leave me for that creature! SHE’S UGLY. 

She lived her whole life knowing that Jaime only had eyes for her, and the irony of “not a standard of idealised beauty” is that Cersei wants to be the standard of idealised beauty. He’s not “putting” anything on her. He’s reflecting what she wants and what has been reinforced since childhood. 

Besides that, I don’t see why it’s so wrong for Jaime to think Cersei is the most beautiful woman on the planet lol. And way to miss the entire fucking point, because the point is that YEAH, their entire relationship is superficial. Superficiality is unhealthy to an extent, but it’s not “abusive.” Jaime has only been with one woman his entire life and now he’s finally starting to encounter women away from his sister, so of course he’s going to compare. It’s like if you never left your town but one day decided to venture out into the world outside of it. You’re going to compare the buildings, the culture, etc because your mind is going to be expanding. 

“ Until late in ASoS, he does not value his Kingsguard vows except as they allow him to be close to her. (Again, mutually abusive relationship; Cersei’s actions were vital in getting him into this position where he has nothing but her.)”

HOW IS THIS ABUSIVE ON JAIME’S END? And I already discussed how she manipulated him into that situation with Casterly Rock being something of value to him. 

“Cersei has no meaningful relationships with anyone or anything outside of Jaime and her children. This is bad for both of them. So much of their emotional energy goes into each other, fostering the sense that they are not independent, whole people, and reinforcing the sense that the relationship is the only thing of value in their lives.”

Yeah! It is! And since Jaime is in the KG because Cersei convinced him to join, and she literally murdered her friend because the girl expressed wanting to marry Jaime, I WONDER WHY JAIME HAS NO FUCKING LIFE OUTSIDE OF CERSEI? As for Cersei, she CHOOSES to limit herself to Lannisters. Jaime isn’t forcing her to not have friends what the actual fuck. Cersei murders her friends lmfao. 

This is unhealthy, not abusive, on Jaime’s end. HE isn’t the one “fostering the sense that they are not independent, whole people.” As explained above, CERSEI is the one repeating this over and over, using it to convince him, to control, to attempt to rob him of his identity when he tries to stray. So on Cersei’s end, yeah, that’s abuse.

“For all his idealisation of her and their relationship, Jaime’s trust in Cersei is also a very brittle thing. When Tyrion tells Jaime “she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know,” while still believing Cersei’s declaration that Tyrion has “lied to you a thousand times, and so have I” was “a clumsy attempt to hurt him,” he doesn’t do what someone in a healthy relationship would do, and ask her. Whatever trust he has in her vanishes in two sentences, one about Cersei’s honesty, one about her fidelity.”

And… his… lack of trust was justified anyway? LMAO. He even thinks at some point that Tyrion IS lying. And when he’s away from Cersei in ASOS, he doesn’t imagine her fucking other people while he’s gone, because he trusted her. He genuinely believes that she’s faithful to him (which is precisely why he felt so betrayed). But he also trusts Tyrion, so he went back and forth, wondering wtf was the truth.

AND HOW THE FUCK IS LACK OF TRUST ABUSIVE? This is another case of IT’S UNHEALTHY to have little to no trust in your relationship. Not abusive ffs (!!!)

“Jaime is abusive because he coerces her into sex”

BTW, a person who laughed at me and said this also is a huge twincest shipper which… why… do you… romanticize it and claim their love to be True.. If… you think… he does that?!

Pretty much everyone brings up “sexual coercion.” And you know what? Fair. 

But... Jaime and Cersei are drawn to a messy push-pull sex play. She says no and then “weakley” pushes him away. 

There were soft, wet sounds. Bran realized they were kissing. He watched, wide-eyed and frightened, his breath tight in his throat. The man had a hand down between her legs, and he must have been hurting her there, because the woman started to moan, low in her throat. “Stop it,” she said, “stop it, stop it. Oh, please …” But her voice was low and weak, and she did not push him away. Her hands buried themselves in his hair, his tangled golden hair, and pulled his face down to her breast. -AGOT

This is GRRM trying to clarify that this is their messy sex dynamic. I mean, he has a fucking little kid observe this all “oh hey but she isn’t pushing him away guys! It’s all good, guys! That’s just them!” Like he’s taking down notes. The 4th wall being broken here is almost jarring. 

This sounds a lot like the scene at WF. 

“No,” she said weakly when his lips moved down her neck, “not here. The septons …” 

“The Others can take the septons.” He kissed her again, kissed her silent, kissed her until she moaned. Then he knocked the candles aside and lifted her up onto the Mother’s altar, pushing up her skirts and the silken shift beneath. She pounded on his chest with feeble fists, murmuring about the risk, the danger, about their father, about the septons, about the wrath of gods. He never heard her. He undid his breeches and climbed up and pushed her bare white legs apart. One hand slid up her thigh and underneath her smallclothes. When he tore them away, he saw that her moon’s blood was on her, but it made no difference. “Hurry,” she was whispering now, “quickly, quickly, now, do it now, do me now. Jaime Jaime Jaime.” Her hands helped guide him. “Yes,” Cersei said as he thrust, “my brother, sweet brother, yes, like that, yes, I have you, you’re home now, you’re home now, you’re home.” She kissed his ear and stroked his short bristly hair. Jaime lost himself in her flesh. He could feel Cersei’s heart beating in time with his own, and the wetness of blood and seed where they were joined. - ASOS

In both scenes she’s weakly protesting which implies it’s a form of their sex play, and she’s being turned on by him “taking” her. This depiction of sex was actually really trendy in the media not too long ago, so honestly the sex scenes for this “edgey couple” just exposes his age. That push-pull, yes/no, “he can’t resist me” wasn’t nearly as controversial as it is now. He was literally writing what used to be seen as hot. It obviously did not age well. 

And GRRM never meant for Jaime to be interpreted as a rapist.  

"If the show had retained some of Cersei's dialogue from the books, it might have left a somewhat different impression – but that dialogue was very much shaped by the circumstances of the books, delivered by a woman who is seeing her lover again for the first time after a long while apart during which she feared he was dead. I am not sure it would have worked with the new timeline. That's really all I can say on this issue. The scene was always intended to be disturbing … but I do regret if it has disturbed people for the wrong reasons." [x]

“Jaime thinks of her as a whore”

WHY IS THERE A THOUGHT POLICE? How is it abuse that he thinks a word with zero abusive action attached to it?? And like fuck LMAO Cersei is the one that goes off with the word “whore” quite often, in a misogynistic way. 

What’s even stupider is when Jaime thinks of her as a “whore,” he’s just reciting what Tyrion told him, word for word. The words came from Tyrion, so Tyrion’s words are playing out in his mind.

“Cersei is a lying whore, she’s been fucking Lancel and Osmund Kettleblack and probably Moon Boy for all I know. And I am the monster they all say I am. Yes, I killed your vile son.” - AFFC

Oh, how Tyrion was sniggering.… a lying whore … fucking Lancel and Osmund Kettleblack … - AFFC

And he even removes the whore bit. 

“If so, we might have coaxed the truth from them.” … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Ser Osmund Kettleblack paced beside them in his white enamel plate and white wool cloak. “… she been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know …” - AFFC

Jaime could feel his phantom fingers itching at the sight of him.… fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Strong and vigorous and handsome, Jaime thought.… she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

He wanted to kiss her, carry her to her bedchamber, throw her on the bed … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy … - AFFC

That only made her laugh. “We all have secrets, brother,” she replied. … she’s been fucking Lancel and Osmund Kettleblack and Moon Boy for all I know … - AFFC

Now there’s this time where he says, 

Jaime gave a shrug. “My apologies if I mistook you for something you’re not. My little brother has known a hundred whores, I’m sure, but I’ve only ever bedded one.” -ADWD

OMG EVERYONE STOP WHAT YOU’RE DOING NOW IT’S TIME TO OFFICIALLY STAMP HIM AS A MISOGYNIST AND THIS AS MUTUAL ABUSE towards someone who isn’t even fucking there and for bitterly thinking of his cheating partner as a whore in a world that throws that word around like it’s candy at a parade. 

Since “whore” in Westeros is more loosely thrown around than it is in our world, the incredibly hurt and angry Jaime thinking she’s a whore for sleeping with multiple people behind his back is not that fucking wild. Do I think that's sexist? Yeah. Do I think it’s healthy? No. Do I think it’s a realistic response that a very hurt person would think, especially in a world where it’s a common term? Absolutely. 

“He dreams about hurting her though so lol he’s clearly violent against her”

(yes I’ve unfortunately seen this a lot)

Hey all... I have a confession to make... 

I dreamed about pushing a certain politician in front of a bus and bashing D&D’s teeth in. I also had a dream where I kicked my sister because she ate my last piece of cheesecake. I’m so sorry. Please lock me up and throw away the key until it’s time for me to be executed. 

Last night he dreamed he’d found her fucking Moon Boy. He’d killed the fool and smashed his sister’s teeth to splinters with his golden hand, just as Gregor Clegane had done to poor Pia. -AFFC

… he DREAMED it. 

PEOPLE ARE FUCKING USING THIS AS EVIDENCE FOR MUTUAL ABUSE BECAUSE HE DREAMED IT.  

You know partly why? Because they THINK he’s going to murder her or harm her, so they’re prematurely calling him abusive and removing literally all the context because... IT HASN’T HAPPENED. They’re essentially accusing a man of doing something before he even does it without even knowing FOR SURE if he’s even going to do it, USING THIS DREAM TO ACCUSE HIM LOL. 

god THIS FUCKING FANDOM I- 

DREAMS. ARE NOT. ABUSE

I’mcryingwhydoIhavetosaythat

Not only is it in a dream, but like, idk, why do you think he’s having those violent dreams? Did she do something to really hurt him so his pain is manifesting in his subconscious as violence? IDK just a wild guess! Maybe he specifically thought about smashing her teeth in, because just previously they were speaking about how Ser Gregor did the same thing to Pia. You know... kinda like me dreaming about angrily pushing my cheating ex down the stairs after I watched a murder mystery documentary where someone was pushed down a flight of stairs. (Oh but my ex was a man, so it’s just viewed as a dream). 

… the cringe of the thought police... 

Yeah. I’m done. I didn’t even dig up all of Cersei’s instances of abuse and this thing is like fucking 20 pages long. So even IF you view Jaime’s thoughts (!!!!) as abusive and IF you believe he was full on coercing or raping her, they still aren’t nearly MUTUALLY abusive, as in 50/50 abuse, and I’m just going to circle back around to what I said in the beginning about the main victims reacting in problematic ways. 

Anyway. I always start these as calm and cool and then end with all caps and a glass of wine to chill me out. All I have left to say about whatever that “mutually abusive” meta was is

[atozfic]

Love when people reveal themselves as being so obviously online and insulated in leftist/progressive circles that they seem to forget that the rest of the world is not nearly as accepting or supportive of not conforming of gender roles as these spaces are. Like when did you say the reason anyone likes femsub or the reason it's popular at all is because they're young or don't know anything about sex? To me it's pretty clear you were talking about it as a larger trend and why it's so much popular than everything else overall. And to be completely frank, what is the reason femsub is so much popular than anything else OVERALL (not why any individual person likes it or it has any kind of appeal), if not gender roles? Are women just naturally more submissive than men (not saying you think this)? Because I have seen people say this, yes even so-called "feminist" men and women, that my preferences are unnatural because men evolved to be sexually dominant and women evolved to be sexually submissive, and that I'll never be in a happy or satisfying relationship unless I make myself more submissive and change my preferences because men just naturally don't like dominant women. I'm pretty sure you would not like if I took those hurtful and negative experiences and said any woman is submissive is that way is because they're misogynists who just think it's all women's nature to be submissive. And I'm pretty sure of this cause of the way that you freaked out when you even THOUGHT somebody might be implying that when they weren't. So why the fuck is it okay for you to say dom women are the way that we are because we think we're "enlightened" or more strong or better than everyone else and only like what we like because we want to be ~not like other girls~ for attention because of your negative experiences? And I like how they only talk about submissive or vanilla women getting shamed, so true bestie, dom type women, sexually or otherwise, never get shamed for their preferences. Nope, never ever. It's not like people always joke about women "wearing the pants" in the relationship and how it means she doesn't respect her partner. It's not like assertive or aggressive women are called a "bitch" but when men act that way it's sexy. It's not like religion teaches women they have to submit to men or no man will ever love them or they'll never be happy. It's not like people say that women that want to be dominant are "acting like men" or "want to be men" and therefore are unattractive, as if dominance is inherently masculine thing. It's not like a lot of men genuinely believe that all/most women want to be dominated in bed and so they don't even have to ask, they just do things to you and try to dominate you without your permission or consent or without ever having talked about that kind of thing before. Nope, we must have it sooo easy because we've got grrrrllll powerrr on our side, all women love us cause they think we're such cool independent and empowered women, and all men love us cause they think we're just so cool and not like the other girls. Like honestly, I don't assume to know what they experience of submissive women is like or that they must have it so easy because they're preferences are in line with gender roles, because I'm not one and i know they don't always have it easy because I've heard of women in the irl bdsm community being treated badly by shitty men who think it's okay to abuse them or do whatever they want to them because they're sub identified (or sometimes just because they're women). So why is it okay for you to assume what are experience is like?

I'm not involved in any real life bdsm community because corona and I'm anti-social bitch but I do like to lurk on online communities for fun (something I should probably stop doing cause it's not good for my mento health luv lmao). This whole thing reminds me of these weird ass screeds I sometimes come across by straight male doms on reddit where they go on and on trying to reconcile their desires with feminist politics either because a) they're genuinely a misogynistic piece of shit and people call them out on it or b) they're genuinely progressive/humanist men who have some difficulty reconciling their desire to be dominant with feminism for whatever reason. And so they do this weird thing where they project these worries and insecurities outwards, and manufacture a situation where anyone who criticises gender roles at all is against them personally, and it would be so much easier if they were just a female dom instead, everyone would apparently have no problem at all with them then, cause grrrrllll powerrr.

I don't like to engage in armchair psychology but the follow-up ask from that anon made it pretty clear to me that they have some insecurities around reconciling their preference for submission with feminism because of some negative and hurtful experiences, and so they deal with it by projecting it onto anyone that suggests that gender roles might be why SOME people gravitate more towards it and why it's so much more popular than everything else. I'm sorry that those people said those things to you anon, they're wrong, but a) most of those people tend to be against all bdsm in general, not just femsub and b) you need to work out those insecurities by yourself. You can't lash out at anyone who tries to talk about the relationship between societal norms and preferences at all, it's not helpful or productive.

Also how do they know those people unfollowed you for that reason? Is that an assumption or a verifiable fact? I'm not necessarily saying they didn't either, I'm not a mind reader, but like, some people are just sexist and think women are naturally submissive, sexually or otherwise. I've met them before.

to quote my therapist: that was alot to unpack.

i'm gonna give a longer reply under the cut but i just want to state here i'm not posting this ask to offend or hurt, or even "one-up", the original anon who sent that ask regarding sub!females. i have no issue with them and, again, think they're in every right to send their original ask. i'm posting it because i do think this anon made some very interesting points and brought up alot of worthy of being discussed topics.

let me also put a disclaimer here that i am not a genius nor someone very well-versed in gender politics, i'm simply a twat on the internet with a negative mindset.

"Love when people reveal themselves as being so obviously online and insulated in leftist/progressive circles that they seem to forget that the rest of the world is not nearly as accepting or supportive of not conforming of gender roles as these spaces are."

this. omfg, t h i s. i see this so much, especially in my younger cousins/relatives who are just now beginning to develop their own political opinions. let's take the conversation away from dom/sub for one second and just focus on gender in society. one of the clearest examples of gender affecting the way someone is treated/viewed is something i've experienced first-hand: i was misdiagnosed four times before i was correctly given my diagnosis for ASD, because most of the studies regarding it center around boys and, therefore, most women go undiagnosed. in fact, for years it was believed only men could have it which is why there has been such a surgence in the past few years of adult women being diagnosed with autism. i remember hitting high school, experiencing academic burn-out (thanks to everything moving too fast + my classmates catching up to me intellectually) and having my teachers treat me like i was an imbecile, or i was lazy, rather than just someone with neurodivergence. (this isn't me implying tjat men with ASD have it easy or that society accepts them anymore than women, it's only easier for them to get diagnosed.)

"it's not like people always joke about women wearing the pants."

this applies to both the shaming of dom women and sub men. the amount of men who get treated like they're "losing their manhood" for letting a women(or anyone else) dom them is ridiculous.

honestly, I think at the end of the day (and to close up this whole issue-that's-not-really-an-issue), we're unfortunately always going to live in a world where people have opinions against either side of the dom/sub spectrum, or the whole bdsm community in general. the best thing we can do is try lessen the internal conflict, especially between dom and sub women. we gotta stop treating each other like the enemy when all we really are is people with a differing preference. at the end of the day, what someone chooses to do in their bedroom is no one else's business (unless it harms anyone) and we need to take away the importance we seem to put on it. we're on a floating rock in space, who cares if becky likes to peg her boyfriend on a sunday morning or if stacy likes to be tied up on a thursday evening?

also, anon, i like the way you worded this whole ask. despite it being long, it was easy to read and you made some great points. sorry my reply isn't more exciting, i just in general agree with most of what you've said.

[cishetsokka]

Hello! Just found your account and thought this is a good place for this: For someone who is not from America nor European countries, Tumblr is... an experience. The obsession over race, gender, sexual orientation and how far things are strecthed through is just bizarre.

I have seen stuff about Hama and Jet, how they are portrayed in the show is apparently racist. It's just... Honey, if you look at a character and only see their skin color to excuse their actions; other than seeing them as actual characters, WHY they turned out like that from their own traumas, their personality, then I am not sure if you are looking at the right place for the problem.

I understand people are hungry for good, accurate representation (and as a Muslim, I feel the same too) or that actual real people go through awful stuff and are affected greatly (the LGBTQ+ rep in my country varies from non-existent to hate speech. While the experiences are not, cannot be the same with someone in America or other countries dealing with different stuff, I'm trying to empathize. We do not NEED to belong to a certain group to have opinions on a matter or to have a say as long as we also listen to other people too.

What we need: education. What we have: *screams*

There is a nice saying in my mother tongue: There is no shame in not knowing, but not to learn, there is. The more we exclude majority of people from certain things, more harm we do. I am not saying to tolerate, but you know... Nobody is perfect and instead of attacking when you see something ACTUALLY wrong, you can POLITELY have a conversation about it, or direct to an accurate source on that matter, you are not obligated to teach. If the person is a scum, well, bad for them but if they are not, they can actually learn something.)

Another mind boggling thing is how apparently being a community can't coexist with respecting others. It sure can, and it does. Just bound with people who share your ideas, you don't have to attack others because they have different interests and opinions which *apparently* makes them inherently [insert racist/sexist/internal misogny/homophobic]. You don't have to prove that you are on a higher morality to justify why you like it, you can just like it.

Same shit goes for woman who WANT to be traditionally feminine things, no, they do not have internal misogny, they are CHOOSING what THEY want and I thought that was the whole fucking point. While I personally did not like some aspects of LoK's portrayal of Katara, what I didn't like more was what some fans said: as if being a mother, a wife, a healer is somehow makes her less and Katara obviously wouldn't want to have the peace and family enviorement she lost in a war torn world, her wants matching with traditional stuff: misogny!!! Because apparently women has to kick asses 7/24 to be powerful, because apparently they HAVE to prove themselves to others constantly, instead of following what they want.

There is also another side of the fandom that does only portray -especially females- within their love interest and reduce the rich characters when their work is about those characters (you don't, can't portray everything in one single piece. not including if the focus is not on that character =/ *insert internal stuff*) If someone points this out and they listen, than yay, someone learnt something! I sure did learn a lot from my internet experience and still do. I am a minor, but adults are not know it all either, no one is. Screaming doesn't solve one single problem, nor changes other's views. You can just scroll through or have a civil conversation. If they did not listen, are a jerk and continue their ways, well then, time to move on, we have nothing but to hope that they'll change.

So many extremes exist and they crash with each other, it's crazy. People get offended over nothing and treat a world where people shoot fire out of their mouths as if it's the real world. Everyone needs to chill a little and enjoy the fandom.

Lol this turned out longer than I expected. Thank you for coming to my Ted-Talk.

Just gonna leave this here untouched. Excellent take anon!

[coquelicoq]

okay, i broke down and made another rec post of wangxian fics i haven't seen on tumblr before. it started out as a list of really short fics, so about half of these are around 2k, but i just couldn't resist adding in a couple of slightly longer ones that i really really love...i'm sure i'll thank myself later. onward!

The Face You Hide by arcadenemesis (G, 2k): for a-yuan's first qixi in gusu, lan xichen tells him the story of chang'e and hou yi. lan wangji listens in and maybe draws a parallel or two with his own situation. reading this made me think about the moonlit scenes in cql in a new light (pun unintended).

Rules of Similarity by incendir (T, 8k): glimpses throughout the first life of lan wangji falling in love with every new aspect of wei wuxian's personality as it is revealed to him. i love fics that retell canon scenes to fill in the interiority of one of the characters and this one does it so well, especially in its exploration of how lan wangji's growing love broadens his understanding of the world to encompass truths not addressed by his clan's teachings. i'm also always here for exploration of wei wuxian's feelings about his body, which this gets into a bit at the very end.

Bloom by queensmooting (NR, 5.6k): during the years wei wuxian is dead, lan wangji turns every suitor away. he cultivates his patience as he cultivates his garden, and eventually his waiting bears fruit. this somehow managed to make me feel the weight of his years of mourning without actually making me sad? what is this sorcery?? lovely prose, happy ending.

if, on the other hand, you would like to be sad, why not try where the shore meets the sea by pale_and_tragic (T, 14k)? beautiful, insightful, heartwrenching modern au in which lan wangji develops agoraphobia after wei wuxian's death. when it turns out that wei wuxian didn't die after all, lan wangji thinks he'll get better, but he doesn't. i appreciate that this fic achieves a happy ending while staying true to the reality of having an anxiety disorder. it also gave me a lot to think about re: the many ways you can hurt yourself and the people who love you by believing the worst of yourself. read this fic if you like 1) thinking about self-worth and 2) getting your heart smashed into itty bitty pieces.

i love you, i'm glad i exist by binghecarer (G, 2k): wei wuxian and lan wangji meet on a mountaintop. oranges are peeled. words of love are exchanged. i hope you like tenderness because this here is some tender shit.

if that made you crave more fic feat. orange peeling as love language, you're in luck, because i could drink a case of you and still be on my feet by failedcharismacheck (T, 7k) is another worthy exemplar (and here is another orange peeling fic! i'm glad so many people recognize the inherent tenderness of peeling someone an orange). in this one, a drunk lan wangji not only peels an orange for wei wuxian but also feeds it to him by hand, which is too fucking cute because he keeps missing wei wuxian's mouth!! i am weak for the way wei wuxian adores him.

My chain hits my chest/When I'm bangin' on the radio by x_los (T, 2k): lan wangji and his team of juniors may be slightly overwhelmed on this nighthunt, but never fear! wei wuxian is here to save the day with his boombox and some sick beats. lan wangji finds it very attractive, jin ling is jin ling, and sizhui just wants them to keep it PG. delightfully funny, and it's always a treat to see the hypercompetent badass yiling laozu do his thing.

After Dark by flowersheep (G, 2k): wei wuxian, necromancer, is hanging out in the cemetery in the middle of the night, texting his husband a bunch of random, totally hypothetical questions about digging up corpses and wearing their clothes. lan wangji is used to it at this point but still feels the need to remind wei wuxian that he can't go around disrupting graves just for the sake of scientific inquiry. this fic exists at the perfect intersection of humor and domesticity.

last (and shortest) but not least, List Making by firesonic152 (G, <500 words): lan wangji is having dinner with wei wuxian. at a restaurant. there are candles. and flowers. including a rose (wei wuxian's awareness of the romantic connotations of roses: unknown). is this a date? lan wangji does the math.