#because she deserves it and they both do

[eerna]

me explaining why Will/Elizabeth/Jack love triangle was a perfect little one-movie arc that wasn't present in the final movie because it was never about choosing and instead just about dynamics and character development so they all outgrew it by then

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[heartinhyacinth]

I care.

But do I care like Xie Lian cares for the common people—care as an action, a verb?

I love.

But do I love like Hua Cheng loves Xie Lian—love as an action, a verb?

Xie Lian teaches me kindness and compassion. He reminds me to be considerate, selfless, and merciful. In tough situations, especially those concerning people I don’t love, I ask myself what he would do and if this is how he would handle it. If the answer is no, never…I try to do better.

Hua Cheng teaches me love. He reminds me to be present, patient, respectful, and gentle. In tough situations with those I love, such as moments of impatience or frustration, I ask myself what he would do and if this is how he would treat Xie Lian. If the answer is no, never…I try to do better.

[shire-ivy]

Who in Bridgerton deserves sm better and why is it Edwina Sharma: an essay

[druidonity2]

My last two brain cells being investigated for identity theft and corruption.

[moonilit]

Thinking about these two beautiful strong ladies becoming best friends 💙🤎

*psst* chapter 19

[rainbow-cheshire]

☆ℓσνє ιѕ ιη ɓℓσσм☆ (dr wedding collab - kirukiyo) (I HAVEN'T POSTED IN SO LONG I FORGOT TO POST ON OTHER SOCIAL MEDIA PLATFORMS)

happy valentines day everyone! i am still single (taken by my bed actually) but it still doesn't stop me from joining two valentine collabs! this is one of them hosted by @sploinky-doinkly-shrooms in which we draw dr ships in weddings! and of course i have to draw my fav goths (that i ship for some reason) in a goth wedding! i remember being really proud of this when i finished and honestly it's still a pretty good piece, sadly because of the angles not a lot of the outfit designs showed but hey at least i have a concept sketch lol, and i followed a hack on yt for the stained glass window which actually looks pretty good so yay! hope you guys like this lol i'm here to feed the smol but amazing kirukiyo nation

and uh sadly no full drawings from me until i get a new laptop because i ran out of storage there i can not draw, thank god at least 2 other collabs will be released soon so at least i won't ghost you guys or just post reels for another month

💙if you are planning to repost my drawings/edits, etc either ask for permission in the comments/private message me, or mention my username in the caption AND tag me, or else i will ask you to remove the post for stealing thank you💙

[moodlemcdoodle]

Read some Dark/Chaos Avatar Zuko AU fics a while back and those AUs are VERY GOOD but then I had a brain blast so. Dark/Chaos Avatar Toph AU

[yourgamemasterthewhiterabbit]

Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.

I don't have external meltdowns.

I could. I don't let it happen.

I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.

So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.

She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.

Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].

It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.

They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.

I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.

I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.

I couldn't understand what made her like this.

But it's the same problem I have with everyone else multiplied by a factor of 10.

If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.

And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*

And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?

My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.

Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???

And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.

I couldn't figure out what made her *like this*

She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.

I am going to be the quiet calm one. You are going to have to let me use my words, bitch.

So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.

But I told her hundreds of times.

I probably should have just screamed at her.

[lovecoredeity]

fun scene idea that I’ll probably never get around to drawing: someone grabbing a wanted poster from a board or wall only to reveal a missing persons poster featuring the same person as on the wanted poster underneath it (also the reward for them as a wanted person is higher than the reward for returning them when they were missing)

[dragonborndigitalart]

Guess who has been playing Baldur’s Gate 3 lately

[chirpsythismorning]

This is a continuation in exploring why I think Mike's character regression over the seasons can be explained in part by guilt, which he has yet to confront

Original post

Now we're onto s2, which jumps us ahead in the timeline a bit.

Mike has been calling out to El on the walkie for approx. 252 days now, under what he views as the false hope she might actually be alive. This is mostly based on the fact that Mike thought he saw El outside of his house a few hours after she 'died' (he did see her, bc she was there...) and so a part of him does think there's a chance. And yet this is also isn't something Mike seems to be comfortable talking about the others with.

Which brings us to the crazy together scene. Although this scene has a lot going on, there's one aspect of it in particular that I want to focus on, as it's the driving force for what is going to be discussed, which is that Halloween night was also the last night Mike called El, aka day 353.

I just want to preface what follows, with the fact that I do not personally think Mike giving up calling El, as a concept on its own, means that he couldn't possibly love El romantically or something. It's not even about that idea from an audience perspective. And this is because any average person, in reality, mourning someones' death, should not be calling out to that person for almost a year. Letting go doesn't make you a bad person, whether it was romantic, platonic or even familial. It's called healing and accepting what is and trying to move on and live your life.

Neither does Mike giving up after that night make him heartless or a bad character in my opinion. It literally just makes him human. But that also doesn't mean that's how Mike feels about it, nor does it mean that the manifestation of this guilt isn't going to affect his behavior over the course of the series, causing some very unfortunate choices on Mike's part to then lead to some very unfortunate events for everyone...

Where it starts to get sort of complex is that I think the whole point of the crazy together scene and where it ended up was to for it to showcase how Mike and Will were both willing to accept each other, despite these secrets they've been keeping to themselves.

Will revealed the truth to Mike about how he could still see into the UD, with the addition of seeing this big 'shadow in the sky', followed by asking Mike to not tell the others because they wouldn't understand. Mike then responds by saying El would understand, followed by confiding his own secret to Will that he's been keeping from the others, which is that he thinks he's seen signs that El could still be alive.

The scene then ends with them in agreement that if they're both going crazy, they'll go crazy together, with it arguably being their most incriminatingly romantic moment to date, as it juxtaposes other uncannily similar romantic mentions on the show involving that same word.

But no matter what happens, they're promising to support each other, specifically the weird shit they have going on and could presumably continue to explore that weirdness, without telling anyone else who might judge them for it or misunderstand their feelings entirely...

This is why Mike had no problem with Will going crazy in s2 because as promised, he was going to be right there with him. Also meaning, Mike COULD have had no problem continuing to test out his theory that El was alive, because Will would have supported him.

Obviously, Will sort of had his hands tied in s2 (literally?), but the point still stands. It's not like this was something Mike HAD to give up, because that conversation between him and Will instilled that they would support each other and what makes them feel crazy.

I think the issue though, is that what's causing Mike so much grief daily for almost a year now, is the guilt that came with El's death and him feeling responsible. And so, in contrast to Will's slightly more justified assumptions that what he's seeing could actually be real based on what's happened to him, it's like Mike is asking himself whether he's actually seeing El because she's still alive OR is he just imagining she's still alive because he wants to forgive himself?

A kid deducing that in their head would make them feel pretty awful, don't you think? Maybe even lead them to calling out to that person for almost a year in hopes that they might still be alive?

Meaning Mike choosing that night to walk away, to give up, is likely a result of his conversation with Will making him feel more comfortable with finally letting go of some of that guilt in order to actually start the process of moving on. Because a big part of why he didn't want to move on was because of guilt in the first place.

Also confiding in Will and only Will, not the others, who were hell bent on interpreting all of Mike's feelings for El as romantic, was maybe Mike's way of avoiding the pressure to associate his whole relationship with El as strictly romantic. With Will, maybe Mike knew he wasn't going to spin it into something like that. And he would’ve been right, because Will didn't.

October 30th, Halloween Night (Day 353 - Last call)

You cannot tell me that day 353 isn't framed as the last call. Like Mike is literally walking away dramatically, leaving El alone, with her now just a tiny dot surrounded by darkness. The way it's framed leaves the viewer genuinely feeling heartbroken because there's some very evident finality to what is being presented. And we even see that El feels it too, hence the episode cutting off dramatically with her tear filled eyes.

And so why did Mike choose THIS moment to give up? Why did he choose now to put his 353 day streak to rest? Like, that was impressive as hell. He could have easily kept that going, but instead he decided that this was going to be the last time he was going to try calling out to her...

November 1st (Day 354)

El is still pretty bummed that Hopper came home late last night, but I'm guessing she's even more bummed still processing what might have very well been Mike finally giving up that night too.

Although I don't think El would blame Mike for giving up, still, she too throughout all of this had been building up hope herself. El's been clinging onto the bond she made with Mike, specifically the romantic moments, to the point where she has been watching shows with romantic themes, putting herself in the position of the love interest.

So him not giving up, to El, has been a signal that what they are feeling between each other is very deep and... romantic. Him keeping this going this long is a sign to her that these feelings are pretty much guaranteed. And if he doesn't continue, that hope would obviously dwindle.

At breakfast that morning, Hopper acknowledges the TV cord peaking out of El's room, which is the device she uses to visit Mike from the void, all the way from the cabin. Without it, she is not able to 'communicate' with him, let alone see if he actually didn't give up after that night she feared he did...

Unfortunately her and Hopper have an argument after this, leading to her storming off to her room. And after Hopper is gone, El finds herself being so impatient to see Mike after almost a year of waiting, that she decides to take fate into her own hands. She isn't willing to wait until the evening, which is roughly speaking the usual time Mike uses the walkie to call her every night. She needs to see him now.

And lucky(?) for her, she does!

Finally! A SIGN! After almost a year of no signs that El is alive, since the night she went missing, Mike is getting a sign El is alive!

And he runs after it! He goes to check to confirm his (valid) suspicions, only for her to not be there, with Mike looking disappointed, but also kind of like he's accepted it's a lost cause at this point.

Mike's hope that El is alive and okay and the relief that would come with finally letting go of this massive weight of guilt, is not within reach. He just needs to accept it and let it go. He needs to forgive himself and move on.

On top of all of this, Will is experiencing his own version of crazy. And Mike seems more concerned with focusing on this and supporting Will, than holding onto this hope that El is alive.

So even though Mike just got a sign that El is alive (which parallels to the initial evidence of her being alive outside his house, what literally initiated him to call out to her for almost a year), he doesn't revert back to his approach of not giving up. He sticks by his decision.

The irony of what happens with El the same night that Mike doesn't call, for the first time, is not lost on me...

Tragically, El doesn't know Mike actually gave up (just like she feared he did) because she lost her ability to communicate with him that night.

I wonder how differently things would have played out if she new the truth. Would she have held onto this really romanticized idea of her and Mike's relationship because he never gave up? Or would she have maybe reassured Mike that it was okay that he gave up and moved past it and still hoped and tried to make it work? Honestly, I think the later.

Because again, it's not Mike giving up that makes him a bad person or something that refutes his ability to love her romantically, it just means that it's not true that he never gave up.

And Mike being the only person to know this fact... Um... Cannot be good for him.

October 2nd (Day 355)

As El is trying to revive a modicum of hope that she can see Mike again through the void, to confirm her hopes that he didn't give up, by using the TV like she usually does, she discovers that the cord is broken. It's a lost cause.

On the other side of town, Mike is entirely focused on Will. The previous night, he did not reach out to El. He gave up. And El is none the wiser.

The writers made the choice to have one more night that Mike could have called El because he was at home that night on day 354, a day that actually involved an incident that you'd think would have reignited his hope that she was alive, before he inevitably jumped head first into focusing on Will, with him not being home for the rest of the season. They could have shown us Mike calling out to El from the other side of town, and then cut to her in her room not knowing... And yet, they didn't...

This is where I jump to the end, because the focus primarily when it comes to El and Mike's arcs for the rest of the season are with El trying to find her mom and discover more about herself, while Mike is trying to be there for Will in any way he can.

The sad part is that despite Mike giving up and trying to move on from El's death, that guilt is never really going to go away. He gave El expectations that she had to risk her life to find Will, and all of that built up and inadvertently led to her death.

But maybe Mike can right the wrongs he had El endure by following through on his focus of not letting Will die too? Maybe if Mike can save Will, El wouldn't have died for nothing?

But with this guilt and Mike trying to overcorrect it all, he's also experiencing very real and emotional moments with Will. Will is his best friend, and just a year ago Mike risked everything to get him back. A lot of those moments he experienced with El in s1, moments mixed with romantic expectations, are now also lingering here with him and his friend in s2. Except these aren't forced expectations. Everything Mike’s feeling and doing the entire time comes naturally to him, with none of it requiring pushing or advice from those around him. It's just pure instinct.

In the end, Mike's beside Joyce and Jonathan, who are sharing memories they have with Will to him in hopes it will prove to them he's still in there and able to be saved.

This emotional sequence builds up to Mike using his own memory of Will to try to reach him, one that comes off as platonic in every sense of the word, but visually, and when looked at in the grand scheme of things, especially with what is about to follow and those romantic expectations with El soon being thrust back on him... Well... Shit is about to get real messy.

Upon reuniting with El, Mike was quick to want to tell her that he never gave up, only for her to interrupt him with the exact number of days he called (before he gave up).

This is news to Mike for an abundance of reasons. It means he's not crazy and that El actually was alive those two times he saw her. All this (survivors) guilt that's been building up over the last year could have been avoided if he'd known that she didn't die, that she was okay.

It also means that for some reason, El heard him, and yet she doesn't know that he gave up...

And here Hopper is, revealing that he's been hiding her the whole time aka the perfect person for Mike to take all of this pent-up emotion out on.

Hopper then tells Mike that they will discuss this privately, which I find to be very interesting because it offers a chance for the viewer to see just a glimpse into Mike's emotional state at this moment, without everyone around to affect his ability to truly open up about how he's feeling. And not alone just anywhere in the house, but in Will's room...

Mike is understandably upset because El is alive and Hopper knew this whole time and didn't tell him.

While Hopper didn't technically lie to Mike, at least not in canon because we never got an outright scene on-screen of Mike asking Hopper if El was alive with him denying it (all while knowing she was), it's at the very least a lie of omission...

But the thing is, if Hopper not clueing Mike in on El being alive qualifies as a lie of omission (off-screen), so does Mike not telling El he gave up (on-screen).

If anything Mike's lie of omission also qualifies as a plain old lie, because he outright told El he didn't give up (lied) and didn't correct her when she informed him she knew he didn't. She fully believed it, despite him knowing deep down that it wasn't the full truth.

So while Mike is taking all of his anger out on Hopper as this fighting match comes to a head, it takes a turn.

Hopper is fine with Mike blaming him, he says it's 'okay'. But it's not. Nothing about this is okay to Mike, seeing as this isn't even the whole problem. It's not the problem Mike's actually hiding within his outburst in the first place.

Suddenly Mike starts screaming to Hopper that he's a 'disgusting, lying, piece of shit', chanting LIAR over and over and over again, shoving him repeatedly, only for him to fall into Hopper's arms and start crying, with Hopper reassuring him that he's okay.

Something tells me Mike's emotions here aren't all about Hopper...

Something tells me that Mike's fixation with the word liar doesn't apply to Hopper here as much as it applies to Mike himself (in his eyes)...

The main reason why I think this is what's actually going on here, is because there was no reason to put so much emphasize on this concept of Mike literally walking away that last time he called her.

Why go through the trouble of creating this misunderstanding, by having the TV not work, with El not being able to go into the void to see Mike, THE very night he gave up, if to not plant the seed that this misunderstanding was going to bear some significance? That this misunderstanding (lie? lie of omission?) was going to lead to El assuming Mike didn't give up, all while Mike knows he gave up, but going along with the story that he didn't, for both El's sake and his own?

BECAUSE it's a surprise tool that will help us later!

I also think it's interesting that they decided to have Will go off and dance with a girl at the snowball BEFORE Mike decided to devote himself to El here on out. Like... that is quite the choice after a season of highlighting this bond between Will and Mike where they promise to go crazy together, which is a moment we know Will took romantically.... So, is it possible Mike also took it romantically? We know Will also took Mike's speech to him in the shed romantically, so is it possible Mike did too, with that experience only heightening his emotions and confusion over his feelings for El when he found out she was alive shortly after, leading to his outburst? But then Will is going and dancing with the girl, and here we have Mike's own version of falling behind (the Time After Time lyrics were more literal than you think).

What if they didn't do all of that? Would things have maybe panned out slightly differently if Mike wasn't under the (incorrect) assumption that Will didn't take those moments romantically?

While Mike's guilt might have started in s1, when he played the biggest role in pushing expectations onto El to help them find Will, only for her to 'die', it doesn't end there. Mike's guilt only builds when he holds the knowledge that he did give up hoping she could be alive, all while allowing El to believe the opposite based on what she saw, which was a guiding force for not only her love and dedication to him flourishing, but also for him to then shift his own version of expectations onto himself going forward to make it up to El by trying to be who she wants him to be.

We see how romanticized 353 days is interpreted exclusively as meaning Mike has to be in love with El. But he did give up. So what does that mean for all of this? For their picture perfect love story?

What does it mean for Mike to hold onto this truth, a truth that makes him feel immense guilt, only for him to spend the next year or so making it up to her...?

It means either Mike has to come clean, or he has to deflect and double down.

What option do you think a guilt-ridden, repressed homosexual kid in the 80's is going to choose?

Answer? Deflect and double down.

In s3, Mike is so focused on worrying about El (giving her what he thinks she wants) so he can right all the building up of wrongs he has done at her expense since he met her, and as a result loses Will in the process (where have we heard this before...?)

Instead of Mike having a moment in s3 where he acknowledges that he himself was the first to ever refer to El as a weapon in the first place, to try to save Will in s1, he's now turning around and blaming the others for using El as a weapon 'for no reason'...

No reason? Really Mike? Is it for no reason, or is it just not a good enough reason to you this time?

Or maybe has Mike just actually spent enough time with El now to truly feel a bond with her in order to see her as a full person, slightly outside of this imaginary superhero he's cooked her up to be when he met her that day in the woods, the day his life started because she was his first and only hope of finding Will? (I say slightly bc... I mean we all saw what happened in s4?)

I honestly think it's a mix of both...

I also think it's not a coincidence that Mike doubling down instead of facing the truth about this manifestation of guilt only makes things worse for him. And El. And Will.

Because suddenly he's choosing this moment to blurt out that he loves and can't lose her again, in front of everyone, even to his own dismay and shock. And when El walks in and gives him a chance to say it to her himself, like any person whose in love with someone would want to do, to make them feel loved, he looks terrified.

And when the season ends and Mike is given another chance to say it finally, to El directly, in roughly the exact same spot he had his emotional outburst in the previous season over finding out she was alive at the same time he was still grappling with losing Will again, IN WILL'S ROOM, he freezes. He just lets what happens, happen.

Because after everything, with El right now in front of him, telling him she loves him while being fully convinced he loves her too after everything they've went through, how could he possibly take it back, or try to make her understand his complicated feelings about all of this?

Answer? He can't.

As hard as it is to believe (not that hard honestly based on his track record), Mike's deflection and stalling era is just beginning...

[chaos-bringer-13]

Jazz's little. Her parents are super cool. They're ghost hunters! It sounds like something from a movie about future and scientists and supernatural beings and cool-looking tech. They have cool-looking tech at home. It's even cooler than tech in the movies.

Jazz also has a little brother. He's stupid but he's hers, and she will protect him from anything. Her brother is very small, he needs someone to protect him and teach him about the world.

She knows about the world. She understands their parents much better than him, and she can tell her brother when they shouldn't be distracted. She knows when they're upset and irritable, and she knows when they're too excited and being near them is dangerous because of all the inventions.

Jazz does a very good job keeping her little brother safe.

---

Jazz goes to school. Her teachers say that she's very smart, the best student in class, and very mature. Her parents are proud of her - when she manages to distract them from ghosts. Her brother is still kinda stupid and doesn't know how to properly fight food, but she's always there to protect him, because that's what older sisters do.

Her classmates seem to think that she's weird though. Some of them say mean things and call her a teacher's pet and a show-off. Jazz isn't sure why they think so because she's always trying to be friendly but maybe she's doing something wrong. She goes to the school library and finds a book about people and their communication.

It's a very interesting book.

---

Jazz is almost a teen. She's gotten better at communicating with people. The school library ran out of psychology books, and Jazz now has to go to the city library but that's fine. Human brain fascinates her.

She's been feeling like something is wrong about her though. She even thought that she was going crazy for a little bit. That probably wasn't true because she didn't match any symptoms but she was still worried.

Someone told her that being so good at lying and faking face expressions is not okay. That's probably not true, Jazz is pretty sure almost everyone can do that. Or maybe she's just being a prodigy again. It's a very good thing to be able to do after all. She can hide her emotions from her family when she's feeling sad. She wouldn't want to worry them, would she?

She'll have to research it.

---

Jazz is a teen. She now knows that her parents aren't actually that good. It's something that was really hard to accept but it did explain everything. Her parents are kinda bad at being parents, and they also don't really listen when she tries to explain it to them.

It's okay. She's almost an adult and Danny has her. She can take care of herself and her brother.

She learns everything she can about being a parent and a therapist and tries to use her knowledge. It's hard, but she's a Fenton, which means that she's very smart and determined. She pushes through, and trains on her classmates and herself.

In the evening she writes about her feelings in a journal. It's very important to be aware of her feelings because that's the first step to dealing with them.

She's experiencing sadness. And anger, actually, even though she doesn't like to admit that.

She writes "this family is a fucking mess" in her journal and then covers the paper with ink until the sentence is absolutely unreadable.

---

Jazz is sixteen, and her stupid parents opened the stupid portal, which means that they're even worse than usual. It's pretty much okay when they're just stuck in their stupid lab, making some stupid weapons. It's not that okay when they're out of the stupid lab, because they get their stupid inventions all over the stupid house, and stupid food comes to life, and she has to protect Danny from both their stupid weapons and stupid hotdogs, and oh god everything is so stupid.

She's experiencing anger.

She's also acting perfectly calm and almost cheerfully.

Jazz hates how perfect her fake smile is in the mirror.

---

Jazz is seventeen. She wants to put her headphones on and listen to some loud music. Jazz can't do that, because she gets anxious if she can't hear what's happening around her. She needs to be fully aware of her surroundings because she needs to be able to protect herself and her brother if weapons against ghosts become weapons against children again.

She thinks that it's not okay.

The house smells of ectoplasm, so she'll be extra careful when opening the fridge.

She thinks that she shouldn't know how ectoplasm smells.

Jazz should probably also warn Danny: her little brother's gotten better at fighting food but doesn't notice the smell of ectoplasm. Funny, considering his ghost sense.

Funny, considering that her brother is a half-ghost.

That her brother died.

That she failed at protecting him after all.

Jazz stops breathing to prevent herself from crying, and doesn't need oxygen for a few minutes too long.

Maybe she failed at protecting herself too.

---

Jazz is turning eighteen next month. Her parents are all of a sudden more attentive and caring, as if that can change their almost-absence during her whole life. She doesn't like their attention because she doesn't know how to deal with it. She doesn't even really think of them as parents anymore.

She thinks of them as a threat.

Once she's eighteen, she's gonna try to move out, and she's going to take Danny with her because it's not safe to leave him here. Maybe after she gets a good job and saves some money, she'll even get into therapy.

Jazz thinks that she needs therapy.

She's been having Bad Thoughts lately, and she doesn't write them down in her journal. Jazz stopped writing anything in there ever since she found out that Danny is a ghost. She just couldn't risk anyone finding that journal.

Jazz isn't sure if she should call those Bad Thoughts intrusive. They scare her, and they're Bad, but it could be just her normal thought process.

It's still definitely not normal.

---

Jazz is eighteen. Her parents are very excited, whispering to each other about how they found a perfect present for her, some surprise that she's gonna love.

She doesn't care.

Her little brother is late from school, and it's weird, because he was also super excited about giving her his present.

She's worried.

Her parents brush off her concern, say that Danny probably just got distracted talking with his friends. They don't listen when she says that Danny wouldn't get distracted like that on her birthday because he's not them, he actually cares about her, he doesn't forget her birthdays, and something has to be wrong for him to be that late.

They don't listen to her at all.

She's angry.

Her parents are excited and talk loudly about how they wanted to find a perfect gift for their favourite daughter, and how they managed to do it because they love her so much. She hates when they're excited. It only leads to problems.

They bring her to the lab because of course they do, why would they make a gift that is normal and isn't kept in the lab, right? They usher her in, so obviously proud of themselves.

She hates them.

And she hates them much, much more the next second, because the gift is her little brother in his ghost form, strapped to a table, unconscious and injured, and the smell of ectoplasm is strong in the lab because of his green blood dripping on the floor.

There's a cold part of her that analyses her feelings and tells her what emotions she's experiencing, and that part is very aware of thick black smoke of wrath twirling and twisting under her skin. It's suffocating, and she stops breathing as it invisibly fills her lungs, scared of letting it out.

There's a perfectly fake part of her that keeps the smile on her face as her parents gush about how hard it was to catch the ecto-scum, and what they can do to it - together with Jazz because they wanted to share this with their amazing daughter.

Jazz is black smoke of rage under perfect glass of calmness when she grabs Fenton anti-creep stick. The smile she learned to fake under any circumstances doesn't falter when Jazz brings the baseball bat down on her father's head. It grows a little bit wider when she hits her mother, because Jazz learned to smile brighter when she's hurt or sad or scared or angry - experiencing any "bad" emotion actually.

Jazz is angry when she grabs her weapon.

Jazz is furious when she kills her parents.

Jazz is worried when she checks her brother's wounds.

Jazz feels nothing when she rigs the portal to blow, walks out of the house and presses the button.

She is her parents' genius daughter after all, and she did listen when they were telling her about their inventions. Maybe it would have taken longer to do, but she had Bad Thoughts, and they probably weren't just intrusive after all, because she did what they told her and made it very easy to make a bomb out of a portal. Just in case. Her parents were a threat, and Jazz was smart enough to prepare to dealing with threats, and she was smart enough to make it look like the threats dealt with themselves.

She really hoped she wouldn't have to use that button though.

---

Jazz is nineteen. Her sort-of-friends at uni offer to go to a restaurant, and she tells them that she doesn't celebrate her birthdays. There's a noise of all of them saying that maybe she should try, noise that she really should have expected, because humans are always so excited about any holidays, it's hard for them to understand that someone might not like them. It's not hard to stop that noise though. They shut up very quickly when Jazz says that she had "a very traumatic event" on her birthday.

Good. She doesn't like loud people.

Jazz goes home to her little brother. He's sad because his parents died in an awful explosion a year ago. He's still trying to smile because it's also her birthday, and Jazz is very happy that he's bad at faking a smile.

It means that he won't end up like her.

Jazz hugs her little brother, and he gives her a little present that she adores, and then they sit in silence and eat some takeout. It's very nice.

She never tells Danny that their parents died before the explosion, and that the explosion wasn't an accident, and that their ghosts did form after that because of all the ecto-contamination they had, but she made sure this wouldn't become a problem. She never tells him what she's done, because that would hurt her little brother, and she would never let anything hurt him.

Jazz will protect her little brother from anything.

[winepresswrath]

what louis did to lestat and what louis did to armand are connected and that's important to the story but also. it is simply not the same. nothing louis did excuses armand's behaviour, that's not how anything works, but he did not "cross a line" or "poke at armand," he weaponized armand's history of abuse to belittle and demean him. nothing armand said to louis came close- the equivalent would have been "oooh, i'm such a stupid bitch that my husband can beat me half to death and i'll keep crawling back for more even when it endangers my daughter!" it's retraumatizing and deeply destabilizing to hear that shit from your partner. and in response armand should have been like "well this man sucks when he's high and he's high all the time, so i'm bouncing" but if he'd done that we wouldn't have a story, would we?

edit: i've come back to give armand credit for "claudia didn't love you like we did/do. ps. u used her to distract from your own hurt feelings" that shit does hit in a similar way. however "the ways someone hurt you have left you contemptible and weak. they scrawled 'dirty and annoying' all over your soul in red ink and it's never coming off" is just outstanding work. timeless

[keeps-ache]

well, you can see it!

[ladyalicentshightower]

"Team Black is better than Team Green because Luke's funeral is private while Team Green hold a public funeral for propaganda purposes!"

Kingslanding is the biggest city in Westeros and is densely populated, and while Dragonstone is also densely populated, it's infinitely smaller. If Team Black were in Kingslanding instead of Dragonstone, they would never have been able to have a private funeral because the small folk would want to attend too. Furthermore, as an island, Dragonstone is isolated as few would travel for a funeral in a time of war. Kingslanding even during war, has Westeros' highest population density. Aemma and Baelon also had a public funeral in season 1.

In the books (hopefully in the show too), Haelena is remembered as being beloved by the small folk. Jaehaerys, as her son, was loved by and is mourned by them too. Even if they wanted to - and likely they did want to - have a private funeral, they wouldn't have been able to due to public reaction and outcry.