06.30.24 20th annual performance in Terry Riley's In C, performed by NYC In C.
Brian Chase - drums, Billy Martin - drums, Aba Diopsabar -percussion, Zach Layton - 17-string bass (electric), Luke Stewart - upright bass, Henry Fraser -electric bass, Ava Mendoza - guitar, Elliott Sharp - guitar, David Grubbs - guitar, Bobby Previte -percussion, Nava Dunkelman - vibraphone, Shayna Dunkelman - vibraphone, Levy Lorenzo -marimba, Matt Evans - marimba, Ursula Oppens - Steinway piano L, Adam Tendler - Steinway piano R, Qasim Naqvi - synth, Ben Vida - synth, Miya Masaoka - koto, Zeena Parkins - harp. Neel Murgai- sitar, Erica Dicker - violin. gabby fluke mogul - violin, Laura Ortman - violin, Joanna Mattrey - viola, Jessica Pavone - viola. Cleek Schrey - viola. Alex Waterman - cello. Andrew Yee - cello. Lester St. Louis - cello. Kaoru Watanabe - shinobue flute, Laura Cocks - flute, Katie Porter - clarinet, Peter Hess - bass clarinet
Matana Roberts - soprano saxophone, Lea Bertucci - alto saxophone, James Fei - alto saxophone, Zoh Ambatenor - saxophone, Peter Gordon - bari saxophone, Katherine Young - bassoon, Kyra Sims - french horn, Nate Wooley - trumpet, Ben Neill - trumpet, Chris Williams - trumpet, Peter Zummo - trombone, Chris McIntyre - trombone, Marcus Rojas- tuba, Joan La Barbara - voice. Gelsey Bell - voice, Nick Hallett - voice, Tariq El Sabir - voice, Raquel Acevdeo Klein - voice, Isabel Crespo Pardo - voice, Angelica Negron -accordion
Today I binge watched Apples Never Fall on peacock. It's only 7 episodes, a nice mystery with a fucked up family story. Lots of talented cast. Would recommend!
William Friedkin’s “The Exorcist” was such a singular cinematic experience, let alone a singular horror film like few others, that making a sequel to it had to seem like a truly insane prospect. “The Exorcist II: The Heretic” proved to be as hideous piece of celluloid as the original was a brilliant one, “The Exorcist III” was undone by needless studio interference which made it look pitiful for…
Alan Moore and Steve Moore's long-awaited magnum opus, The Moon and Serpent Bumper Book of Magic, coming October 2024
Alan Moore and Steve Moore's long-awaited magnum opus, The Moon and Serpent Bumper Book of Magic, coming October 2024 #books #magic
Top Shelf Productions and Knockabout Ltd have announced the publication date of the long-awaited The Moon and Serpent Bumper Book of Magic. Born of the longstanding creative partnership between legendary writer Alan Moore and his creative and magical mentor Steve Moore (no relation), this celebration of magic and the occult has been meticulously under development for nearly two decades and is…
In My Free Time: From Israel-Hamas to "Enough" to Blogs
Last week, I published The Week’s News Through a Psychology Lens, which other than being a poster child for my award winning tortured syntax and awkward wording, was a regular blogging feature that had been kicking around in the old noggin for awhile. However, as the following week progressed and I collected articles to use in this week’s edition, I realized I wanted to share more than just the…
Alright folks! We have one week left on submissions for the Hot Vintage TV Men's Bracket! As promised here is a list of all the Hot Vintage TV Men who have been submitted and passed our preliminary eligibility checks. There are a handful of guys on this list and one or two not on it that we are currently still debating on so reminder that this list is not final and subject to change.
Currently we have 231 Hot Vintage TV Men!
Also in advance of the competition I'd like to remind anyone submitting propaganda for someone that starred in a show that aired only partially during our timeframe or was under 18 for a part of a shows filming, to please make sure you are only submitting propaganda that is from within our timeframe and when the actor was 18 years or older. This is also just good to keep in mind in general as several people submitted actors for shows that aren't eligible for our tournament either because it was outside our time period or in one case the actor was underaged for the entirety of the show (though many were eligible for other shows they were submitted for). We do our best to screen for these things but sometimes it's hard to tell or it’s a show we don't personally know well enough so we appreciate help from y'all letting us know if you do catch anything.
Whenever you feel alone, just remember that those kings will always be there to guide you. And so will I.
Born to a turbulent family on a Mississippi farm, James Earl Jones passed away today. He was ninety-three years old. Abandoned by his parents as a child and raised by a racist grandmother (although he later reconciled with his actor father and performed alongside him as an adult), the trauma of his childhood developed into a stutter that followed him through his primary school years – sometimes, his stutter was so debilitating, he could not speak at all. In high school, Jones found in an English teacher someone who found in him a talent for written expression, and encouraged him to write and recite poetry in class. He overcame his stutter by graduation, although the effects of it carried over for the remainder of his life.
Jones' most accomplished roles may have been on the Broadway stage, where he won three Tonys (twice winning Best Actor in a Play for originating the lead roles in 1969's The Great White Hope by Howard Sackler and 1987's Fences by August Wilson) and was considered one of the best Shakespearean actors of his time.
But his contributions to cinema left an impact on audiences, too. Jones received an Honorary Academy Award alongside makeup artist Dick Smith (1972's The Godfather, 1984's Amadeus) in 2011. From the end of Hollywood's Golden Age to the dawn of the summer Hollywood blockbuster in the 1970s to the present, Jones' presence – and his basso profundo voice – could scarcely be ignored. Though he could not sing like Paul Robeson nor had the looks of Sidney Poitier, his presence and command put him in league of both of his acting predecessors.
Ten of the films James Earl Jones appeared in, whether in-person or voice acting, follow (left-right, descending):
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) – directed by Stanley Kubrick; also starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, and Slim Pickens
The Great White Hope (1970) – directed by Martin Ritt; also starring Jane Alexander, Chester Morris, Hal Holbrook Beah Richards, and Moses Gunn
Star Wars saga (1977-2019; A New Hope pictured) – multiple directors, as the voice of Darth Vader, also starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, and Frank Oz
Claudine (1974) – directed by John Berry; also starring Diahann Carroll, Lawrence Hilton-Jacobs, and Tamu Blackwell
Conan the Barbarian (1982) – directed by John Milius; also starring Arnold Schwarzenegger, Sandahl Bergman, Ben Davidson, Cassandra Gaviola, Gerry Lopez, Mako, Valerie Quennessen, William Smith, and Max von Sydow
Coming to America series (1988 and 2021; original pictured) – multiple directors; also starring Eddie Murphy, Arsenio Hall, John Amos, Madge Sinclair, Shari Headley, Jermaine Fowler, Leslie Jones, Tracy Morgan, and KiKi Layne
The Hunt for Red October (1990) – directed by John McTiernan; also starring Sean Connery, Alec Baldwin, Scott Glenn, and Sam Neill
The Sandlot (1993) – directed by David Mickey Evans; also staring Tom Guiry, Mike Vitar, Patrick Renna, Chauncey Leopardi, Marty York, Brandon Adams, Grant Gelt, Shane Obedzinski, Victor DiMattia, Denis Leary, and Karen Allen
The Lion King (1994) – directed by Roger Allers and Rob Minkoff, as the voice of Mufasa; also starring Jonathan Taylor Thomas, Matthew Broderick, Jeremy Irons, Moira Kelly, Niketa Calame, Ernie Sabella, Nathan Lane, and Robert Guillaume, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, Jim Cummings, and Madge Sinclair
Field of Dreams (1989) – directed by Phil Alden Robinson; also starring Kevin Costner, Amy Madigan, Ray Liotta, and Burt Lancaster
like. look, you don't understand. I've had Sam Neill as my Círdan in my head since like...'03, '04? I was that bitch who was whining on Livejournal and moaning when the super popular LotR websites were painting the Shipwright as basically Draco Malfoy's father with silver hair (no, no kidding, I cannot tell you how many blends/photomanips I saw of beardless Círdan who looked as cold as ice, and that was like, accepted as the canon. Go straight to hell, damn). Like. I was so ready to panic about who they cast as this astounding, beautiful elf that I have loved for the longest time. Who could do better than who I casted in my head?
Ben goddamn Daniels is who.
He is so absolutely, utterly Círdan I can hardly believe it. He is this paragraph come to life: "Very tall he was, and his beard was long, and he was grey and old, save that his eyes were keen as stars", and the way he plays him, oh goodness. I can see all his wisdom and kindness and age and longing and steadfastness.
I mean. Just. Goddamn. Like, do you have any idea how much this elf has denied his own happiness and longing to make sure his divinely appointed task wasn't just done, but done well? And his longing was like a sunset that never passed into dusk, no less -- and Ben Daniels communicated that in his performance. And took my breath away wholly.
I have fallen in love with this character ten times harder than I already was, and that, my friends, is utterly unheard of. This actor is a delight and this show is a Silmaril in the sunset. ♥
because i have an incessant need to curate lists....
i feel like short films, in general, get sort of overlooked. so for halloween, here are some horror/horror-adjacent recommendations. i split the list between animation and live action, and i ordered them by length. also, a general tw: blood, gore, etc... not all of them have any of that, but just a heads up.
Animation:
Perihelion (2013) - dir. Nick Cross (2:51) [Nick Cross was the art director on Over the Garden Wall]
There's a Man in the Woods (2014) - dir. Jacob Streilein (3:35)
Teeth (2015) - dir. Tom Brown & Daniel Gray (6:02)
Winston (2017) - dir. Aram Sarkisian (6:24)
100.000 Acres of Pine (2020) - dir. Jennifer Alice Wright (7:13)
The Backwater Gospel (2011) - dir. Bo Mathorne (9:32)
Coyote (2021) - dir. Lorenz Wunderle (9:55)
Ghost Dogs (2022) - dir. Joe Cappa (10:45)
Jack Stauber's OPAL (2020) - dir. Jack Stauber (12:30) [this one's a mix of live action and claymation]
Live Action:
The Cat with Hands (2001) - dir. Robert Morgan (3:31)
Portrait of God (2022) - dir. Dylan Clark (7:30)
Creep Box (2022) - dir. Patrick Biesemans (9:16)
Curve (2016) - dir. Tim Egan (9:51)
Unedited Footage of a Bear (2014) - dir. Alan Resnick & Ben O'Brian (10:28)
Eyes of Eidolon (2020) - dir. Davi Pena (11:02)
This House Has People in It (2016) - dir. Alan Resnick (11:55)
Angel (2022) - dir. Dicky Chalmers (16:10)
Moshari (2022) - dir. Nuhash Humayun (22:05)
Zygote (2017) - dir. Neill Blomkamp (22:23)
The Chair (2023) - dir. Curry Barker (24:22)
Meanwhile Damon and Ben Affleck, the man he calls his "hetero lifemate," remain as tight as ever. The two have a production company, Pearl Street Films, and Damon lets slip that they are developing a biopic about James "Whitey" Bulger, the onetime godfather of the Irish Mob in Boston, who was on the lam for sixteen years before being apprehended last June. Damon will play Bulger and Affleck will direct. But that won't be for a while yet. First Damon must finish Elysium, a sci-fi picture directed by Neill Blomkamp, who made the acclaimed District 9.
Then Damon will direct himself. Beginning sometime in early 2012, he is going into preproduction on an as-yet-untitled movie he's writing with John Krasinski, of The Office. [...] "I just found writing with him really easy—like writing with Ben," Damon says. [...]
DeNiro and Affleck have advised him, he says, on the challenges of directing and acting at the same time. Damon's not naive: He knows that if he sucks as a director, it will be a very public failure. "There are just too many decisions over the course of too long a time, and if you're not a truly great director, you just can't hide," he says.
So why do it? "When I first started getting work, I felt like acting was the most important thing," he says. "But the more you do it, the more you realize that in the end, the director has all the power."
— From Matt Damon's interview with GQ (December 2011).