#better than nothing tho

[vampyriix]

some cowboy/western!rt doodles wahoo

[fa14-eb23]

Anyway Nottingham Forest has still more UCL than Man City 🤪

[girlburnsalive]

Qqc me dit que duolingo n'est pas le meilleur façon d'apprendre un langue

[catastrothy]

went into a fugue state and ate a shitton of overripe nectarines. it felt like a religious experience, to the point i immediately had to draw how i felt

[skunkg1rll]

going for a walk (around my apartment building)

[ketc7]

That time of the year for a certain blue haired punk— Happy birthday, Chloe! 🦋

[minhosblr]

Minho and his red bow

[motherforthefamicom]

im bored so heres some art frm last year

[side-of-honey]

For those of you who were wondering who Master Shifu (and Oogway) are in Sharpshootin Clover AU, here you go! Technically speaking, Ceroba and Chujin kind of share both roles, but Ceroba is more often Shifu and Chujin is more often Oogway ^^

Anyways, this is the overseer of the Feisty Five's lassoons! She can be quite hard on them, but I'm sure she knows what she's doing. She's the best teacher in town, after all!

[voidfanatic]

Mmm Tank (Traducción en texto alternativo)

-

Eng: (I hope nobody has done this before, if that's the case, I'll give credit just tell me). The image I downloaded was crunchy that's why it looks like that 👻

Esp: (Espero que nadie haya hecho esto antes, si es el caso, daré crédito solo dime). La imagen que descargué estaba crunchy es por eso que luce así 👻

[dlldior]

i cannot begin to tell you guys how much i hate this charles grey fucker and his ugly face and ugly hair someone fire his barber. why is he always here. can he fuck off for once with his annoying ass chipmunk voice and his annoying ass chipmunk face.

[dogearedheart]

day 4: disabled sapphics

Rachel Miner as Meg Masters <3

[moki-dokie]

reasons i will never forgive the showrunners if they don't at least acknowledge jjpope by the end of s3

featuring: ✨✨✨queerbaiting✨✨✨

wearing each other's clothes:

jj taking every opportunity ever to touch pope (god there are SO many more examples too):

jj getting sexual with, to, or about pope and ONLY pope, ever:

INTRICATE RITUALS:

(with coincidentally well timed lyrics right as it cuts to this scene sorry not sorry editing choices like that are done for a reason)

jj very often gazing at his lips instead of his eyes while talking to him:

(seconds before going in for the kiss)

jj constantly putting himself between pope and danger or being protective of him:

KISSING:

INTIMATE NECK KISSING IN A HOT TUB FOR WHICH THERE IS NO HETEROSEXUAL REASON FOR????:

I RAN OUT OF ROOM FOR IMAGES BUT LETS NOT FORGET ALSO

how jj has quite a few pet names for pope but no one else, how pope and jj are almost always paired off together, how jj has explicitly said 'i love you' to pope TWICE, how jj calms pope down when he starts spiraling, how jj and pope have more physical contact and affection than the two romantic leads, how jj is supposed to be a manho from how he's introduced and yet the opening shot is the one and only time we've seen him with someone in a romantic or sexual manner. how about the multiple accounts of people sharing gifs of them to people who have never seen the show with 0 context provided and damn near every time the consensus is 'they are not straight/they are hitting on each other'. I've covered most of this before. the list goes on.

we could even get into film editing choices from the perspective of my bestie who has a degree in that very field and how SO many of their scenes are shot, lit, scored, and all around edited with romantic intent,.

but then wait, there's more! how about how multiple members of the cast (including rudy!!) have stated they support the ship and think it's cute? or how multiple netflix socials heavily suggested jjpope was going to be canon? how so many of the key jjpope moments were improv that could have been cut and redone (like the fucking hot tub scene) if they didn't want it going in a possible homo direction??? or how jjpope was the first major ship to come out of obx BECAUSE of such heavy handed subtext?? and then the showrunners have the audacity to pivot to jiara at the last second because of a handful of fucking rabid stans that harassed the cast so severely it drove most of them off of socials??? with the paper thin excuse of 'oh we never expected that lets explore it'???????????

and whats the definition of queerbaiting again? "Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not depict, same-sex romance or other LGBTQ+ representation. The purpose is to attract ("bait") a LGBTQ+ or straight ally audience with the suggestion or possibility of relationships or characters that appeal to them."

right.

i still have a sliver of hope that their 'exploration' of jiara is just like, 2 episodes of them giving it a shot and realizing they actually suck together. i still have hope they aren't gonna do us so blatantly dirty and might give us something even if it's just crumbs. most of the cast are loud and proud queer allies, the showrunners have so far been pretty fucking cool and extremely supportive of the queer community, even refusing to film in north Carolina because of transphobic bathroom laws. it would feel especially dirty if they really did bait us because of that. but man. MANNN. it just ain't looking good. i'd hate to give up on the show. i love it and love the actors even more but if they do it, i might just have to.

[clarklexlois]

SCREAMED when they were on screen

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.