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chazukekani · 3 years

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Can you translate storm bringer?

No, I can’t sorry. In fact there are already people doing this so you can check out my resources list for the full Stormbringer translation. Or you can read my summary too!

I have received various kinds of asks and DMs throughout the time, and usually I will ignore some because I don’t want to ruin the mood for anyone who’s reading my blog. But I think it will be a nice if I take this opportunity to explain how I have been running this page since August 2019, and hence you can know why I don’t translate Stormbringer. Feel free to skip it if you are not interested.

I initially didn’t think of doing translation when I founded my Instagram page. However as the page grew, I received many inquiries about the story due to the lack of information and translated materials, so I decided to take the responsibility of translation as well. My original motivation is just analysing BSD, but I realised it is really difficult to have a smooth discussion if the fandom are not informed with the background/details that I have said in my writing, that’s why it inspired me to do translation.

Currently, my main translation work are monthly chapter summaries, Wan! manga and Gaiden manga. I have zero translation/editing experiences before I did these so I did my research and purchased the tools I need. Translation is very fun, not just because I can do my favourite story, but I can also learn Japanese at the same time. It usually take me 1-3 hours to finish one translation, sometime may take longer if Asagiri is too talkative.

I first began with downloading the raw images, and clean it. As my Japanese is still progressing, I often need to check dictionary/Google while writing down the translation. It takes the longest but it’s all worth it. After that, I put it into the correct panels, proof read (sometimes still contains mistake tho I am sorry lmao) and export it to png files.

I still can’t upload yet because I have to make the preview, which you guys see on Instagram/Tumblr, and the cover on Imgur. I thought of just putting a screenshot instead but I realised the manga, especially Gaiden, are not very popular among fandom so it will be great if I do some editing on the preview such that it can catch people’s attention. After finishing the preview and cover page, I can upload to imgur. Then I post the notification post on Tumblr and Instagram, add the link to my Instagram bio and master list on Tumblr. A translation is finally done! Hurray!

In case anyone who doesn’t know, I did a 4 day live stream on my discord server, and translated Stormbringer verbally to the members when the novel was freshly released. I enjoyed it so much because I feel like we’re reading it together and reacted when plot twist occurs. Each stream was roughly 4 hours with 30 minutes break. After finishing the stream, I proceed writing the summary for the part that I read that day. I am so grateful that my friends helped me correcting my first summary.

Different type of translation work varies. Some may be straightforward like Wan!, or some can be very annoying like the Dead Apple Initial Plot as I have used too much time on adjusting the layout. But of course it is all so much fun to do it! Passion can really enable you to do a project despite there is no actual monetary income. And it all thanks to the support I have.

Other than translation, I also do analysis, random shit posts, memes, QnA on Instagram, answering DMs or moderating my discord server, all kinds of things. But I enjoy it! And I am always very grateful and thankful because I used to feel lonely as I couldn’t find anyone in the fandom who shares same opinion as me, but now I do!

I am not writing this whole thing to show off how much I have done (it’s not much anyways ajshdh). Annoying work doesn’t matter if you enjoy it. By writing this, I just want to assert that preserving my freedom on choosing what I am able and willing to do is the energy for me to continue all the work, so I have to turn this request down.

I am sorry if I over-reacted to this asks, but I just got overwhelmed by different messages these days, and I think it is necessary to clarify my situation in order to avoid misconception. I’m currently having spring break, but I am also an uni student so I do have other things to do apart from BSD, just like most of you guys. It will be appreciated if you can understand my workload and why I don’t accept requests. Thank you.

#not really BSD related #sorry for wasting your time #just skip itttttt

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bi-dazai · 5 years

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BSD Episode 27 Analysis

Hello! Natalya back with my second instalment of my episodical analyses of BSD. This week I’ll be looking at episode 27 from the lens of a more platonic soukoku than last week, which was about explicit romance coding in terms of double-entendre and visual imagery. You can find that post here. I would suggest reading it, because I may indulge myself in romantic soukoku in this post a bit, although it will only be a side-track.

A note before we begin, however – I’m writing this in a much more casual academic tone, and I’m not using lowercase and internet casual as I did in my previous post. This is because it helps me enunciate my points in a way that doesn’t make me look like a crazy person. I also made quite a few grammatical errors, typos, and strange sentences. This tends to happen when I write long-form internet casual. For the sake of clarity, you’ll have to put up with the tone I usually place in a more casual academic setting such as my university tutorials.

So as usual I’ll pick out a few moments to focus in on to explain an overall general subtext and underlying message etc in the episode. For this episode, I’ve picked the opening in which Chuuya kicks the gun out of Dazai’s hand, and the scene in which our two other Sheep members are introduced.

This episode I’m going to focus on the way the episode expresses the burgeoning, newborn perceptions of Dazai on Chuuya and vice versa. I’m also going to be referring to moments that count as SPOILERS, so if you care about that then careful going forth, or perhaps wait until the Fifteen adaptation is finished before coming back to this post and reading it.

Also, for this episode I’ll be diving into my writing major and only partially into my film studies minor. I’ll have you know I pull out my textbooks and lecture notes every time I make an analytical post like this, haha!

So let us begin with the opening moments of the episode. This episode, structurally, is where we finally start diving past the surface of the introduction and right into the story of Dazai and Chuuya. This is the proper introduction of their relationship. So this first fight sequence serves to demonstrate the tone with which we will begin.

So here we have some classic establishing character writing. Step 1: Introduce the base characteristics of your characters. Step 2: Introduce a problem. Step 3: Explore how they interact with the problem.

So here we witness not just Chuuya and Dazai’s unique takes on how to deal with this problem, we also have their own perceptions of each other’s actions to explore. Remember – this story is about the two of them as a pair, not just as individuals.

So here we have our problem – an armed soldier has just appeared and is clearly threatening violence. Chuuya reacts by taunting – “Oi, old man. Let’s save us both some time.” Dazai is surprised by Chuuya’s brazenness (see the expression animated in the first SC). Chuuya taunts the opponent a little more, edging and encouraging danger, clearly seeking a fight. Dazai approaches. Walking calmly past, he says to Chuuya without regard for the armed soldier, “…you could just trick him to get some information out of him.” Here we have the set-up of Dazai and Chuuya in a problem. Chuuya sees a problem as a threat and escalates to a physical altercation; Dazai sees a problem as an opportunity and prefers mental cunning.

As the scene continues on however, we begin to recognise a similarity in Dazai and Chuuya, and that is that they have little regard for the problem. They understand how powerful they are and their upper hands (Chuuya his ability and Dazai his intellect). Even when they talk to a grown adult man wielding a gun, they talk down to him. When he holds a barrel to their heads within deadly range, they aren’t fazed:

And, of course, in this exchange here both Dazai and Chuuya both are shown to be knowledgeable of underground groups, networks, and goingsons. Keep in mind Chuuya is the ‘King of the Sheep’ and acts pretty much as their leader and later becomes Executive before Dazai does. And Dazai is Mori’s protégé, frequently set up to be the next Boss of the mafia to the point that Mori is fearful that Dazai would have taken his seat sometime soon if he hadn’t broken him (further) with the death of Odasaku. Chuuya and Dazai, despite their differences, are the most dangerous people in the underground right now, they’re clever and powerful. Chuuya may be the ‘brawns’ in their physical fights, but off the battlefield anyone interacting with them is subjected to two intensely intellectual and cunning people who are deadest on a goal. This is also shown at the end of the episode with their conversation with Randou, somewhat in Episode 21 when Chuuya isn’t beating the shit out of the Guild.

In short – they are different, yet incredibly similar. They have different views on a situation, but given the same goal they will work towards it in differing ways with equal success. They are the perfect rivals, and the perfect counterbalances to each other’s personalities and ethos’s. In My Hero Academia, Bakugou’s desire for victory and Midoriya’s pure heart and established as traits which each one must learn from the other to become both better heroes and better people. In Bungou Stray Dogs, Chuuya and Dazai work with and against each other and transform each other into better people.

And so, that is where this moment comes in:

(Sidenote: Chuuya’s line here translates roughly as “It’s useless to shoot dead bodies.” Don’t ask how, but I know that because of Jojo’s.)

(ignore this repeat sc, tumblr editor is being fucky)

(Second sidenote: Look. Look how close they’re depicted in this shot.)

(Third sidenote: sorry for quality drop – Australian internet is special.)

So here we have our first instance of one half of Soukoku directly challenging and changing an aspect of the other half. Here, Chuuya notices how clearly sick Dazai is. Furthermore, if we refer to our second SC (where Dazai’s expression makes me want to cry), we can see parallels to a certain future (ongoing) mental health arc:

I bring this up because we later find out that the reason Akutagawa is so violently driven is that he was constantly demeaned and psychologically abused by his mentor – Dazai. Akutagawa becomes not an antagonist but another protagonist upon meeting Atsushi [insert shin soukoku summary here] and bettering himself. He makes a pact not to kill anyone and begins working together with Atsushi (he used to be a lone wolf – a stray dog). Atsushi also learns to be confident and put a foot down from Akutagawa. But the point here that we need to focus on, of course, is that Akutagawa is seen as utterly deranged, violent, and demonic in the first season, but later we realise that he is in fact capable of empathy but was extremely battered by his own mental abuse.

We also see this expression on Fitzgerald as he begins to lose control. It’s another tie-back to Akutagawa (and in a small part Atsushi, but I’ll leave that for later when I analyse that episode). And we see it in Shibusawa in Dead Apple. We see this expression and through the stylistic language of Bungou Stray Dogs we come to understand it as not the depiction of someone to be reviled but the depiction of someone who is struggling inside.

So here, when we see Dazai make that expression, we know that Dazai may be a seemingly totally apathetic, suicidal, amoral mafioso who just went utterly crazy while shooting a dead guy in the head, but we know it is because, currently, Dazai is extremely, extremely depressed.

In thinking of Akutagawa and understanding what we know of Dazai’s past with Mori, it is safe to assume that Mori has not once opposed nor done anything to help Dazai with his mental illness. Mori has, in fact, utilised Dazai’s mental illness as a tool and a strategy to keep Dazai close.

And then the light finally comes in, and Chuuya kicks the gun out of Dazai’s hands, Dazai gets scolded, and finally someone is forcing Dazai to question himself.

So let’s move onto the vice versa of this scene. I’d like to give partial credit for this next piece of analysis to user @bluelancelion who wrote up an excellent little piece on this scene [https://bluelancelion.tumblr.com/post/184330424612/okay-so-we-all-know-that-dazai-is-manipulating-the]. [this is where the spoilers start to come into play!] Please go read that before you move on with my post here, because I’m going to expand on some points, however I don’t want to summarise something that’s already perfectly written anyway so I’m leaving that one to some assigned reading!

Ok.

So as OP stated, this is the first scene in which Dazai doesn’t put up a play act to hide his own feelings. Let’s actually go backwards when analysing this scene:

DAZAI: “Lay off him already. He has the ability to choose for himself how to use his power. Even a kid could figure out that much.”

I’ve attached this because that’s a stark contrast to this:

Both in expression and in dialogue, Dazai is already different. And here we have Dazai for probably the first time in his life using his intellect to set up a ploy for someone else’s benefit and not just his own.

[ROMANTIC SOUKOKU SIDETRACK: Dazai has been shown to canonically be a selfish person, especially in his Port Mafia days. Expanding on my theory expressed in my episode 26 post in which I posited Dazai has feelings for Chuuya that he either understands or doesn’t just yet, this could be both out of his feelings for Chuuya urging him to do something to make Chuuya happy (We can also add to this by mentioning how he just lets the Sheep hostages go. Chuuya is only meant to be working with the Port Mafia temporarily – Mori may have his plans but these are a long time coming at this point. Chuuya is still attached to Sheep and releasing hostages gives him much more of an excuse to ditch the mafia totally), and/or his feelings urging him to do something to keep Chuuya to himself. This is especially interesting considering this little interchange (she’s looking at Dazai):

Yeah that’s either 1) double-entendre or just 2) straight up explicit romantic competition. It’s after this that Dazai stops going along playfully with them and starts straight up demeaning them and saying Chuuya can do what he wants without their input.

I’ll end my RSS (Romantic Soukoku Sidetrack) with a sneak into Chuuya’s side:

Make of that what you will.]

*another kinda pointless sidenote: chuuya’s sheep male friend refers to chuuya as ‘omae’ [derogatory when used towards a person who isn’t your subordinate (i.e. teacher to a student; boss to an assistant etc) which is pretty damn brazen considering Chuuya can snap him in two at a moment’s notice and that Chuuya is probably the only reason their gang is still even alive.

Okay, Romantic Sidetrack done! Now back to our analysis. We’re moving on to our final scene of the episode. Before we get into the soukoku analysis, I just wanted to point out this little frame here:

For those who don’t know, the founder of the ADA is this cat. He wasn’t always a cat (I think?), but in Bungou Stray Dogs as we know it, he’s a cat. The cat has been seen frequently in scenes involving flashbacks to Dazai’s time in the mafia and often when Fukuzawa is trying (so hard) to feed cats. It’s also worth mentioning there’s a tradition of cats in Japanese literature, often about observing the world and realising things about yourself by observing it. If you want an anime example, go watch My Roommate Is A Cat. It functions in pretty much the same way. Anyway, here’s a fun aside in which Fukuzawa realises the cat is the ADA leader, “Come!”, and the ADA leader promptly rolls around the floor chasing feathers while going “nyan nyan nyan”: [picture not my own]

Okay where was I before I got sidetracked by a cat? Right. Soukoku.

We get a bit of Dazai gloating about getting rid of his romantic competition Sheep’s constant hold on Chuuya, before Randou asks Dazai to please shut the fuck up about the guy he literally met that week and please just send me to the execution room I don’t think I can take any more of this kid going on about Chuuya. (Understandable, have a nice day |　わかりました。良い一日を過ごしてください。)　

So we get a bit of Dazai’s explanation on why Randou is the culprit before we hear that all-too-familiar screech of Chuuya coming in hot. Let’s pause it there.

We’ve never, ever heard Chuuya yell like that without Corruption. Yet he does it now. This 1) ties Corruption in with our current mystery about Arahabaki (spoiler: Corruption is Chuuya allowing Arahabaki full reign over the god’s vessel (Chuuya)) and 2) makes us aware that the Chuuya we’re familiar with from our current knowledge of the anime (I use the anime because that’s what I’m analysing) is a little different from fifteen-year-old Chuuya. Okay, so keep that in mind, and we’ll keep going, fast forward a bit until this final bit after the credits:

[this shot: Chuuya has journeyed towards Randou. There is something tying Chuuya and Randou together that Dazai is not quite part of. Spoiler: Randou as we know is Rimbaud, who is a key factor in Chuuya’s development (hat) and the Arahabaki investigation.]

[this shot: First, we think back to Dazai, Akutagawa, Fitzgerald, Shibusawa. Those expressions are similar, but there’s something really wrong here. Let me tell you want it is. Mainly, visually the pupils of Chuuya’s eyes are inverted. But secondarily, we’ve already been visually warned just over ten minutes ago, first by this scene in which we cut to Chuuya while we talk of Arahabaki’s eyes (it does cut also to Dazai, but his expression is one of “I’m figuring out a mystery” and his eyes are obscured. This shot of Chuuya lingers on Chuuya’s eyes, pulling focus to them and the expression on his face.)

Secondly, Chuuya’s eyes are the colour of the sea that Randou talks about. And, of course, in this shot we see not only the sea but also the light of Chuuya’s ability plainly:

So there we have a burgeoning relationship between Chuuya and Randou, and a hint that we are going to be discussing Chuuya’s relationship with Arahabaki and with himself as its vessel.

And then we have this – Dazai did not know any of this. This is foreign to us – the Dazai we know has predicted almost everything. He even predicted Odasaku’s death. But here, he’s totally out of his depth. He’s dealing with gods now. He expected the main part of their investigation to end a few minutes ago when Chuuya explained how Randou staged the resurrection of the previous Boss. But now we, with Dazai, are being thrown headfirst into something clearly very much a Chuuya thing. And now we will see whether Dazai sticks or leaves with a plot involving an actual fucking god of destruction (we know what happens. He does).

And so, to finalise: This episode set up relationships. It set us up to the fact that this story is going to be about relationships, and more specifically about these ones:

- Dazai and Chuuya

- Dazai and Sheep

- Chuuya and Sheep

- Chuuya and Randou

It directs the audience to consider events, framing, characters etc within the contexts of these relationships in order to appreciate the story properly.

And yeah it also sets up that Dazai is a bit of a jealous bitchy bisexual.

#bsd #double black #soukoku #skk #bungou stray dogs #bungo stray dogs

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