#but also westerns in general

[strifesolution]

little fic announcement: we got another chapter done, so this would normally be the point where we’d post what’s already been written, since we write in advance. however, since the last two updates were almost back to back, we’re gonna give it another few days to update. we’re reaching the peak parts of this story now, and wanna give anyone who wants to catch up a good chance to, so now’s a good a time as any!!

you can read five rounds, six cylinders HERE!

[rubysevens]

anyway in the past week the irish government has voted down two motions which would have condemned the genocide in gaza.

i need everyone to stop lionising ireland as if its not also a european government with strong ties to the us. american weapons pass through shannon airport and will continue to, because yesterday the motion to stop that was voted down 83 to 50.

other governments have done much more but somehow people still act as though ireland is the ultimate palestinian ally and exempt from criticism on its handling of palestine bc it was once colonised, even though that past experience clearly isnt being taken into account by the irish government when creating policy.

i live here i know there’s a lot of public support and sympathy for palestine, which is great, but that isnt reflected in government, and i think ireland should be treated like other countries whose governments have done nothing.

[spirk-trek]

she is to me what leia's gold bikini was to straight boys

[katabay]

my knight-monk agenda strikes again, but this was less of a 'I read something that made me experience several emotions and a strike of inspiration at once,' and more of a 'wouldn't it be fucked up if the bejeweled skeleton saints came to life and and started. eating people. or something. in revenge. medieval catholic horror, or an older horror of not being buried right. zombies, even. a complete bastardization of holy visuals. zombies.'

it's a far away idea, but I still wanted to play around with font layouts. like, if I DID make it into a full comic: these would be visual vibes, perhaps.

it's also a little bit about the kind of intimacy that these kinds of spaces provide, or in the case of this monk: the heavy trauma of war and the death of your brother, the escape to a secluded monastery, spiritual brotherhood to make up for your dead brother, but your role as a physician keeps pulling you back to this violence you want to escape. physician, heal thyself, only you have a holy calling to serve those in need, so instead: physician, open up your wounds again. saint jude, patron saint of lost causes, give us a fucking hand here, man. amen.

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and this one is about earlier history than the medieval period that this comic is set in, but the monk character is sort of an exploration of earlier themes. a little bit. I like overlapping eras with each other, I've done it before and I'll do it again. this character is an exploration of some other stuff too, but mostly this book was interesting to read

From Monastery to Hospital: Christian Monasticism and the Transformation of Health Care in Late Antiquity, Andrew T Crislip

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[ink-the-artist]

truly not trying to detract from the very russian art of the generational trauma wolves, and i know the colors are from the ussr + russia flags, but it also spoke to me as a hispanic person. especially w respect to misogyny and how machismo tears families apart, and how trauma that comes from outside the family units gets repeated/expressed within the family unit. idk.

absolutely it applies to more than just russians, im glad it speaks to other ppl :)

[toskarin]

forewarning that this is mostly just an observational ramble

one thing I've gathered from looking around older western fantasy otaku sites is that, presumably in large part because of the order in which things entered mainstream consciousness, sauron is talked about pretty consistently as the final boss of the lord of the rings

technically, this is true of everywhere, but I want to emphasise that it is extremely common to see younger fantasy otaku a decade or two ago use ラスボス when explaining who he is, as a primary descriptor

[before going any further on this, it probably bears mentioning that the japanese translation of lord of the rings is a bit divisive. when it comes up, it's either in the context of how impressive the translation is (skews older) or in how unreadable it is (skews younger), because it's translated into antiquity prose. apparently exceptionally so, even for a fantasy novel, so it was very much extreme nerd shit]

a big part of this is, of course, just the idea of the final boss having more awareness than tolkien at the time the movies were coming out. I imagine almost the exact same thing would happen more or less anywhere that video games hit mainstream nerd awareness before tolkien did, but there's something else that I think might have something to do with it, because if you're looking at old enough threads, you notice that not only is sauron being explained as the final boss, but this is being mentioned in contrast to morgoth not being the final boss

which seems a bit random (morgoth doesn't exactly come up enough in lotr proper to cause this confusion), if you don't know that angband, where morgoth is the final boss and sauron is just the midboss, was pretty popular with western fantasy otaku. well, popular in the way that cult classics are, but you know how it goes

with that in mind, it makes sense that it was (at one point, before tolkien was more accessible through other channels) something people called each other fake fans over

so in a kind of interesting way, namedropping sauron in fantasy otaku spaces that skewed younger (for a time) was almost equivalent to namedropping morgoth in western fantasy nerd spaces. that all kind of stops being the case once you have the peter jackson movies immediately at hand, though

there's also the fact that, because it's a little harder to read lord of the rings in japanese, someone who's casually into the book is much more likely to also go ahead and read the silmarillion, which helped rings of power get incredibly popular with older audiences in japan when it came out. as a fun side effect of all this, there's a bit more morgoth x sauron shipping around

[baifengxis]

2.06 ♡ 4.08

I wouldn't quit on us.

[snickerdoodlles]

its so weird seeing posts that mock uncle jim for worrying about li ming's queerness as though his dead boyfriend's parents (legally) stealing his entire life savings and leaving him to manage a restaurant business specifically because gay couples aren't legally recognized as couples wasn't what put him in a cycle of crushing debt and endless poverty in the first place

[widowkills]

富察·容音 Fuca Rongyin from 延禧攻略 The Story of Yanxi Palace (2018)

TV APPRECIATION WEEK 2024 — free choice: favourite chinese period drama character

[punkeropercyjackson]

[depressedraisin]

the reason why tbh&c would always be The Album of the late 2010s-early 2020s to me is that yes the album is intrinsically rooted in the socio-political zeitgeist of the era, yes the album is alex's most 'political' writing but also it doesnt exactly engage with its political themes beyond a handful of snazzy quips and astute observations here and there. the narrator is out there lounged on his balcony in his moon hotel watching the shitstorm unfold on earth with a very blase expression on his face. he's seen so much absolute bonkers shit happen one after the other in the past few years, he has lost the capacity to feel enraged or emotional about anything. he'd rather engage with his own internal struggles. which is like. the general attitude of most people around still

[blackhholes]

teen wolf meme: [6/6] creatures -> ghost riders

In storm clouds just like these, phantom hunters would appear, riding black horses with blood-red eyes, and wolves and hounds at their side, baying and snarling. What were they hunting? Souls.

[bacchuschucklefuck]

if talking abt my friends after looking at another artist's work is gauche then Im about to take a hard left babeyy if chris grace's dropout special speaks to u and u like dnd actual play then u should watch metanoia blues live on twitch every sunday at mimzalot and also available on youtube at metanoia blues

[bunny-banana]

I think it's also really crucial we keep the pressure up AFTER this week in order to ban Israel from Eurovision. This edition is what it is now, you cant do much about it anymore.

But theres still work to do for next year, for the subsequent years.

In an ideal world, I'd hope the world, and especially the ICJ and any other international institution would wake up and acknowledge the war crimes Israel has been comitting, and make them face consequences in a way that cannot be ignored nor denied and we wouldn't have to have this conversation at all anyway.

But while this is still in process, it's up to us to keep talking about it. And KAN has broken enough rules to warrant disqualification anyway.

[hauntingsofhouses]

Seeing fan discussions about Blue Eye Samurai and especially Mizu's identity is so annoying sometimes. So let me just talk about it real quick.

First off, I have to emphasise that different interpretations of the text are always important when discussing fiction. That's how the whole branch of literary studies came to be, and what literary criticism and analysis is all about: people would each have their own interpretation of what the text is saying, each person applying a different lens or theory through which to approach the text (ie. queer theory, feminist theory, reader response theory, postcolonial theory, etc) when analysing it. And while yes, you can just take everything the authors say as gospel, strictly doing so would leave little room for further analysis and subjective interpretation, and both of these are absolutely necessary when having any meaningful discussion about a piece of media.

With that being said, when discussing Blue Eye Samurai, and Mizu's character in particular, I always see people only ever interpret her through a queer lens. Because when discussing themes of identity, yes, a queer reading can definitely apply, and in Mizu's story, queer themes are definitely present. Mizu has to hide her body and do her best to pass in a cisheteronormative society; she presents as a man 99% of the time and is shown to be more comfortable in men's spaces (sword-fighting) than in female spaces (homemaking). Thus, there's nothing wrong with a queer reading at all. Hell, some queer theorists interpret Jo March from Little Women as transmasc and that's totally valid, because like all analyses, they are subjective and argumentative; you have the choice to agree with an interpretation or you can oppose it and form your own.

To that end, I know many are equally adamant that Mizu is strictly a woman, and that's also also a completely valid reading of the text, and aligns with the canon "Word of God", as the creators' intention was to make her a woman. And certainly, feminist themes in the show are undeniably present and greatly colour the narrative, and Episode 4 & 5 are the clearest demonstrations of this: Mizu's protectiveness of Madame Kaji and her girls, Mizu's trauma after killing Kinuyo, her line to Akemi about how little options women have in life, and the way her husband had scorned her for being more capable than him in battle.

I myself personally fall into the camp of Mizu leaning towards womanhood, so i tend to prefer to use she/her pronouns for her, though I don't think she's strictly a cis woman, so I do still interpret her under the non-binary umbrella. But that's besides my point.

My gripe here, and the thing that spurred me to write this post, is that rarely does this fandom even touch upon the more predominant themes of colonialism and postcolonial identities within the story. So it definitely irks me when people say that the show presenting Mizu being cishet is "boring." While it's completely fine to have your opinion and to want queer rep, a statement like that just feels dismissive of the rest of the representation that the show has to offer. And it's frustrating because I know why this is a prevalent sentiment; because fandom culture is usually very white, so of course a majority of the fandom places greater value on a queer narrative (that aligns only with Western ideas of queerness) over a postcolonial, non-Western narrative.

And that relates to how, I feel, people tend to forget, or perhaps just downplay, that the crux of Mizu's internal conflict and her struggle to survive is due to her being mixed-race.

Because while she can blend in rather seamlessly into male society by binding and dressing in men's clothing and lowering her voice and being the best goddamn swordsman there is, she cannot hide her blue eyes. Even with her glasses, you can still see the colour of her eyes from her side profile, and her glasses are constantly thrown off her face in battle. Her blue eyes are the central point to her marginalisation and Otherness within a hegemonic society. It's why everyone calls her ugly or a monster or a demon or deformed; just because she looks different. She is both white and Japanese but accepted in neither societies. Her deepest hatred of herself stems primarily from this hybridised and alienated identity. It's the whole reason why she's so intent on revenge and started learning the way of the sword in the first place; not to fit in better as a man, but to kill the white men who made her this way. These things are intrinsic to her character and to her arc.

Thus, to refuse to engage with these themes and dismiss the importance of how the representation of her racial Otherness speaks to themes of colonialism and racial oppression just feels tone-deaf to the show's message. Because even if Mizu is a cishet woman in canon, that doesn't make her story any less important, because while you as a white queer person living in the West may feel unrepresented, it is still giving a voice to the stories of people of colour, mixed-race folks, and the myriad of marginalised racial/ethnic/cultural groups in non-Western societies.

[fantasykiri5]

Ooh, headcanon: Sklonda was straightening her hair during the freshman and junior year seasons and stopped this year/when she quit the force