#but i did this in between my zine projects

[solradguy]

Someone in the tags on the Paolo Girardi post asked to see my ancient pre-Guilty Gear art so here's some of it. This is all from before fall 2021 (the oldest is the third one, which is from 2015) and it's entirely analog except for the 3 colored ones at the bottom, which I did on paper and then colored digitally. I mostly drew with dip pens like a medieval scribe lol

[calocreek]

OK here it is, a ton of 'production' stuff for the Hot Guy Comic Zine! I've never been part of a project like this. Even though I was working on my comic mostly solo (shout-out to my editor Violet!), the world-building and story arc planning was completely collaborative. For example:

We started out on the world-building by voting on character's superpowers! Plenty of powers were almost unanimously agreed on, but Cuteguy was a HUGE campaign. We were pretty much 50/50 split between can fly/can't fly. Propaganda was exchanged LOL, like this piece where I campaigned for limited flying capabilities 😂 And thats what we ended up settling on!

From there we worked on a ton of brainstorming/world-building that I mostly spectated with an occasional doodle like these haha. I'm new to such elaborate AUs!

Pitch time!! I had pitches for each era and they were all pretty light and banter-y, so my year 1 pitch ended up fitting the vibe the best. My original pitch was 'HG + CG learn some key things about each other and plan to set up a base they can use together.' But when I started my script, I got really caught up in how they were navigating a partnership without knowing each others identities. The more I wrote through that, the more I wanted my story to be ABOUT that! So thats where my script started coming together.

Designs! I'm definitely not a confident costume designer. I was trying to go for low-tech + practical since it was early in their careers, and of course, easy to draw 😂

Process went more or less like this! Full color comics take a LONG TIME but it was a total labor of love. I had the graffiti bgs in mind from the very start since I knew it was dialogue heavy, I wanted to make sure the art was interesting and worth spending time looking at. Oh lord did I get carried away. I'm OBSESSED with the symbolism the fandom has put to the life series and so I tried to sneak in as much meaningful symbolism as possible. AND THE RESULT:

Guess I did pretty well! 😂😂😂

Anyway, I can't overstate how proud I feel to have gotten to work on this project. My whole goal as a hobbyist is to get to work with other artists I look up to and respect so this was a dream come true! Thank you everyone for reading, for 15k downloads (!!!), and for just being an awesomely creative fandom space to make art in! I hope to do more stuff like this again some day 💕

[alienssstufff]

HOW DID I GET HERE // NICK OF TIME

My parts for the @bdubszine ! Love that guy to death it’s been a pleasure to work on such a project ^_^!!! These pieces come in a set and are dedicated to his Hermitcraft S7 POV (left page) and 3rd Life POV (right page)

[ ZINE LINK ]

[ notes undercut ]

HOW DID I GET HERE (hcs7)

This page was the winner of 6 other compositions (censored — one day they will be posted in their own time). It takes direct inspiration by the theming of Bdubs’ HCS7 thumbnails in the comic-book style, particularly the episode Bdubs get his iconic big beautiful eyes and smile x]

IN THE NICK OF TIME (3L)

In another universe- the right portion of the set would have been a continuation of the S7 theme, imitating that of an actual magazine spread with recaps and shit (rejected— too much research u_u)

The happenings of HCS7 and 3L overlap, and I wanted to visually show that mirror transition between the two series. The 3L page for that reason was harder to manage without being too different or too underwhelming to its HC37 counterpart. This page is dedicated to his season finale POV of 3rd Life ft Day 1 Crew (and Tango)

[mochiwrites]

title: fallen petals.

warning(s): n/a

chapter(s): 1/1

relationship: scar/grian

summary:

“How did we get like this, G?” Scar asks after a moment, and Grian can hear it in his voice, how upset he is.

Grian tries not to flinch at the question. “Like what?”

“Like this,” the man beside him emphasizes, gesturing between them. “We don’t talk anymore. You’ve completely pushed me out! No matter what I do, we’re just—” His voice breaks. “We’re falling apart, Grian.”

It kills Grian to hear the words spoken out loud.

( or, a look at grian and scar after each life game, and the things left unsaid. )

read on ao3 here! or download the zine here!

a bit late but!!! here’s my “extended cut” of my piece for the @flowers-in-the-desert-fanzine !!! :D I’m very excited to be able to share the full thing <333 this was also a collab with @cocoabats so make sure to check out her beautiful piece too 🥺💕

[librarycards]

do you have any resources or advice on how to help people who have manic episodes or who could possibly harm others according to antipsych principles? my friend diagnosed with bipolar disorder has been looking into checking themself into a hospital, and their home situation isn’t the best though their dad somewhat tries to be supportive, but i wonder what other options there are. the most i can do is offer some emotional support and give advice since i live too far away to be of much help otherwise. sorry if this is the wrong place to ask.

hello, and thanks for your patience on my response - this week has been busy and i'm only just now getting to asks!

here is an excellent piece by Stefanie Lyn Kaufman-Mthimkhulu on providing support for comrades in crisis, many of these tips are very applicable to distance-relationships too! bipolar comrades/others who have manic episodes are also welcome and very encouraged to reply and share what kinds of supports work best for them.

There are also a series of free zines/books by the Fireweed Collective (FKA the Icarus Project), particularly Navigating The Space Between Brilliance And Madness: A Reader & Roadmap Of Bipolar Worlds. This is a great way to learn more about a variety of bipolar experiences to better contextualize your friend's.

here are some tips based on personal experience being close to multiple people with bipolar, while not being bipolar myself:

create balance within yourself + project it - it's tempting to get yourself wrapped up in others' big feelings, especially if they trigger you. but it's crucially important to maintain a (porous!) barrier between you and your friend, both as a way of maintaining your own peace and providing something sturdy for them to lean on. this means taking what they say/do in the midst of crisis and placing it "beside" your own feelings, rather than integrating it and responding viscerally in the moment.

neither "reality checking" nor "reality confirming". this is tricky. it's pointless to tell someone "you're wrong, you can't do that, etc." when they're experiencing a different reality than you. it is also harmful to encourage someone to act on beliefs that are not actually aligned with their values, but instead the result of a state of crisis. i try to use phrases like "that sounds ___," "that must be ____," "i can see how you'd feel ____" and similar, both to affirm their own lived experience and to avoid reifying it as objective truth.

know when to step away. mania is draining for literally everyone involved, and what people do to their loved ones in the midst of a manic episode can be incredibly harmful, even if occurring alongside grand gestures of generosity, productivity, etc. you are not your friend's keeper, and your feelings and well-being matter just as much as theirs. do you both have mutual friends you can tap into to provide support when you're burnt out? these friends might also be able to offer some strategies that you or i haven't thought of. it's important to say that this support shouldn't be constant "did you use substances today" "did you drive recklessly today" other surveillance type stuff. try to maintain a normal rhythm to your conversations, and when something that makes you go ??? comes up, try framing your response as a question. "i'm going to finish writing and editing my novel today and start two new books and apply for this and that grant" - you could say, "that's a ton of stuff. why do you need to do it all today?" this creates space for other possibilities without forcing it.

your friend doesn't need advice right now, they need support! the person who needs advice, i think, is your friend's dad. are you and him directly in touch, and is there any way that you could get in touch with him? since you're online, i don't know the details here; it may work best when your friend is no longer manic and you two can speak frankly about how best to support them. i do suggest making a crisis plan with him/whoever they're close to irl.

I hope this is somewhat helpful!

[thebandghostofficial]

[MESSAGE FROM THE CLERGY]

An important (and overwinded) announcement regarding this blog below the cut.

Hello everyone! This is Rawkin Ghoul/ Tumblr Ghoul/ Tumblrina/ Soda/ etc etc.

First thing’s first: no, this blog is not an official Ghost social media account.

I started this blog in late 2022 when ghost-official started blowing up (I do not believe this one to be real either, and honestly I won’t believe they have a Tumblr until it is linked on their official website) and thought, “wow, I could make a better Ghost blog than that. One that’s way better organized and actually advertises properly for them, and posts regularly!” So I did.

Originally it was meant as just that, a little joke between some friends, and wasn’t meant to really get farther than that. But then I thought, Ghost does have a lot of fans on Tumblr- a lot of exquisitely talented and devoted fans. Maybe I can kinda “roleplay” it for a while, build almost a bit of a portfolio, and then either offer the blog to management or offer to run it for them officially, for fun, if they were interested.

More time passes and more people followed. I thought “xofficial” as a username was a common enough joke/ gimmick that people would realize it wasn’t for real (and in fact, when I first searched the URL, I found that this username was once in use years ago! Sorry, previous owner), especially after posting that April Fools joke post- this was wrong of me to assume. There are a lot of roleplay/ joke “official” Ghost accounts all over the web but I failed to really properly disclaim that I was one of them.

I of course don’t plan to reach out to Ghost anymore and haven’t for some time, for multiple reasons including Tumblr just not being a good website for advertising. But another one is I got pretty loose on here. Tumblr is so different from Twitter and Insta and all that- you guys (and myself! I go here too) don’t want to have someone sell something to you- but you do love interaction and jokes and solving things together.

I think we can all admit it- when Ghost is dormant, the fans can get bored and even agitated, and can start to have a go at eachother. I’m certainly not guiltless there either. I wouldn’t say I’m notorious or even particularly well known in general but I’ve gotten into drama here and there. I figured the blog would be a fun way not just to distract the community, but really engage with it. The blog passed 5k a month or so ago and I started thinking, we could do something really cool with it. Smaller events like fanart contests and zines. But what if we did more? Organizing pre-ritual meetups. Larger community projects like fan-made music videos. ARG. Maybe even a short video game- there are so many incredibly skilled and hard-working Ghost fans and I wanted to try to bring them together because I think our love for Ghost, for whatever reason we love them, screams so loud and everyone deserves recognition (also a reason I started Fanart Friday as a regular thing).

You guys know I do my best to keep up with your tagging and what you’re saying and everything and I’ve seen the people pointing out the blog isn’t real from the beginning- I didn’t want to address it directly at first because I thought if nothing else people enjoyed the mystery.

But, more lately there’s been more and more people who are agitated, disappointed, and even a little scared to hear that this blog is not official.

I want to offer my very sincere apologies to people who I made feel that way. I should have made it obvious sooner- I know so well that there are a lot of very young Ghost fans especially who wouldn’t necessarily surmise that this isn’t real. I’m really sorry to those of you I disappointed.

I will never ask you for money here, or any personal information, or send asks anonymous or otherwise from here or my main personal blog as “Tumblr Ghoul”. I have had one person ask to message me so I messaged them to allow them to do that. If somebody contacts you claiming to be the person running this blog, they are lying. Please block them. My interactions here I aim to keep as public as possible, hence being increasingly liberal with replies and reblogs as the number of people interacting grew.

My only goal with this blog is to advertise for a band that I love and to entertain/ help the fandom when and where I can. I love and appreciate all the fanart and interest in the character of Tumblr Ghoul but I don’t want anybody to feel obligated to me and I especially don’t want to hurt anybody. I started this blog for fun and that how I want it to remain- fun for everyone.

People pointed out when I didn’t post for some time a few months back and it was because I had lost interest in the blog and was going through a rough time- and then one particularly bad day I got on to check it by chance and just seeing your guy’s tags and comments made me feel so much better. I tell people that I found Ghost when I really needed a friend and they fulfilled that for me, but the past few months you guys have done just the same for me. I am so sorry to have betrayed that and made you feel unsafe and lied to in return.

As of posting I do intend to still run the blog as I have been (with a disclaimer added to the bio regarding the legitimacy of this account)- posting about tours, chapters, merch, etc, as well as Fanart Friday. I 100% understand if anybody doesn’t want to be involved in that, so anybody who has tagged me in something and don’t want it on the blog now, I can open messages and you can let me know. I will probably close them again after a week or so if I get a large flood of unrelated messages.

Please do not message me asking me who I am, who knows about the blog, etc. Gaining popularity was never something I wanted from this so I will stay anonymous, for the time being at the very least. A very small number of people know who is behind the blog and to my knowledge only one of them is even on Tumblr and in the fandom.

Thank you for all the support you’ve shown me, Ghost, and eachother. It can be easy to see the bad parts of a community and roll your eyes electing to keep your distance, but since starting this blog I’ve been reminded what good community is even when it’s frustrating sometimes.

Thank you for reading, I won’t hold it against anybody who wants to separate themselves from this blog at this point, and please don’t let my oversight and general dummyness sour your experience with Ghost or its other fans. Enjoy the rest of this tour and whether it’s with or without me, please keep rawking 🤘 Be good to eachother.

Thank you.

[bildadzine]

Friends of Bildad!! You've shown us the power of fandom to do good—something we need now more than ever!

It's with EXTREME amazement and gratitude I tell you that, between April 18 and May 7, 2024, the Good Omens fandom rallied together and raised nearly 3 times our original goal of $666 to split for our charities.

After taxes and fees, Bildad Zine donated $1,932!!!

* $966.66 USD to @RAINN

* £727 to Safeline UK ($966 USD)

(Mods threw in the last bit to ensure we could get a nice even ~66 number for both. :3 And another $25 USD was donated directly to RAINN in Bildad Zine's honor by one fellow fan.)

Thank you from the bottom of my heart. All of you. This was an incredibly well-received and beloved project born out of trauma, intent on putting something better and kinder into the world. We're so humbled by all the support for the zine and our charities of choice. They do immensely important work for survivors and their loved ones.

We hope to see you again in the future for 2025!

Did you miss the zine during our charity drive? The site is still up and running with free access downloads! 45 Good Omens fans worked hard to bring your the Shoemaking (SFW) and Obstetrics (NSFW) editions. You're encouraged to visit RAINN and Safeline UK to donate in Bildad Zine's honor, if you so choose. Let us know if you do: we'll keep an off-season tally running!

Donations were made on June 17, 2024. Thank you for your patience while we ensured all donations were received properly. We're including here a screenshot of the Safeline donation receipt, and a photo of the physical letter received from RAINN with the date and donation listed.

[ninadove]

For any fandom(s): 12, 15, 16, 19, 23! 💌

As always, you spoil me! 💌

12. Compliment someone else in your fandom

GOD I HAVE TOO MANY FRIENDS TO COMPLIMENT

@beezonia comes up with the coolest AUs and designs. I’m always blown away by their Pokémon team compositions — they’re spot on to the point I consider it its own form of character analysis!

@purplecatghostposts is the genius who showed up out of the blue and took us all by surprise with their amazing prose. Soap, reminder that the reference to Copycat in consider the spare legally binds you to pay for my therapy.

@trishacollins is single-handedly remediating to the lack of platonic bedsharing between the cousins and I can’t thank her enough! She’s also one of the chillest and most approachable people I know.

@luckychatons is our favourite entrepunpurr and constantly lifts our mood with the cutest, most joy-filled sketches! Patting her OCs on the back because they sure need it.

@graythegreyt is such an awesome artist you’d almost forget they’re also one hell of a poet who wields mythological references like Odysseus wields his bow. Did you know they wrote me a poem inspired by God Games? I think everyone should know they wrote me a poem inspired by God Games.

@hartwign is a talented translator and draws hair like no one else. Seriously. I want to run my hands through the cousins’ hair and nestle in there forever.

@phieillydinyia is the picture of dedication! Can’t recommend Candle In The Wind enough, it’s a roleswap rewrite of the Miraculous movie that includes the songs. How cool is that. Thank you for your regular comments on my fics, they always make my day!

@alexandriaellisart words cannot express how much I love your depiction of Feligami. Your writing has made me tear up so many times! AND YOUR ART LOOKS SO SOFT AND COLOURFUL. What a double threat!

@faiirygrahamdevanily we need more fics about the Sentiplot as a metaphor for othering experiences and you’re doing God’s… I mean, Duusu’s work with yours!

@bbutterflies did you know your piece for Sentitwin Week is the best characterisation I’ve ever seen of Felix? This is what people mean when they say a picture is worth a thousand words. And of course your Adrino is always brilliant!

@bittersweetresilience not only are you an extraordinary writer, but you’re constantly looking for new ways to express your love. Always GIFing and weaving and canonising tags and making AMVs and running zines… I can’t wait to see what you do next!

And there’s so many more people I’m forgetting! To say nothing of my friends outside the Miraculous bubble! People are amazing!!! 💖

15. The character that always makes you smile

At the end of the day, it’s all about Clive. He’s been my muse for nearly 15 years! 💙🕊️

16 was answered here! 💖

19. Your current fandom(s)

Professor Layton, forever and always. I can’t wait to share my Big Bang fic and the amazing art that I was blessed with! 💙💛

RWBY, even if I’m lurking more than participating… I love love love love RWBY, yet it doesn’t strike my creative and analytical chords the way Miraculous does. Sometimes you just need to let yourself be swept into a story, you know? Although, it did teach me a couple of writing tricks I’ve used for other fandoms!

EPIC! Wisdom Saga coming soon! 🩵🦉 It makes my little mythology nerd heart supremely happy. The music is a banger and you can feel the knowledge and passion of all the people involved in this project. Jorge in particular is always so excited to share his progress, engaging with creators, explaining his musical choices in a fun and pedagogical way… And the lyrics! It’s free real estate for a fanfic author looking for inspiration and/or titles!

I’d love to start Monte-Cristoposting like I’ve been Cyranoposting and Draculaposting, but I’m afraid of spoilers so for now I’m just screaming in your DMs. As you know. I’m also slowly getting into Honkai: Star Rail, and I’d like to pick up Pokémon Black and White again because a N character study would look great on my AO3 resume.

And of course, Miraculous! 💚💜❤️ It’s the most creative I’ve been in years and it’s all thanks to these sad beautiful silly genius kids. Heart emoji, peacock emoji, sob emoji, etc.

23 was answered here!

Thanks for the ask! 🖤🪶

[trungles]

Hello, long time follower just on other platforms and I love your work. I am currently getting my Masters in Comics and Graphic Novels, and do tell me if this an inappropriate question but how much do you make? Like a month doing comics and art? Also what do you do on a day to day basis? I'm worried about my future after I graduate.

Thank you so much! This is a great question, and I wish more people would be candid about answering it because I'd like creators to demand more money. This will be a very long post! Keep reading if you're interested. MASSIVE info dump below.

I think earnings in comics and books can look wildly different for almost every creator, and it depends on a lot of things. With that in mind, I make a slightly different amount every year. I view my finances mostly through page rates, contracted projects, and passive-ish income. Because I'm terrible at math, I'm just going to tell you how much I make per contracted projects, plus some relevant information in terms of Life Stuff. This will be very long, and I will highlight some important details that people maybe don't like to talk about very much.

Please also bear in mind that I live in Minnesota, away from all my major publishers and editors who are situated on the coasts, so my cost of living is much more manageable.

Background: Building a Foundation (2012-2018)

I graduated from college in 2012 and lived with my parents until 2018. I did not have to pay rent or worry about food, so I got to save up a lot of money to invest in developing as an artist–paying for printing zines, making merch, travel to conventions, table costs, and secure hotel accommodations. This helped enormously, and I would not have been able to spend six years developing my portfolio and connecting with comics peers and professionals without my parents. They were very supportive, even if they had no idea that I was developing professionally as an artist (LOL, they're very proud of me now, but they truly just thought I was being a weird internet gremlin the whole time). They're also not wealthy people by any means. My parents immigrated to the US in their 20s as refugees with absolutely no money and one baby (it me, I am the baby), but they each became pretty successful small-business owners in their own right and were able to help put me through school with minimal debt, even through the financial crisis in the late aughts.

I started making art in 2012-ish as well, but only semi-professionally, and barely on purpose. I was employed full-time in a non-art job between 2013 and 2018 at a local non-profit that specialized in pediatric therapy. I occupied a role as their front office person/corporate assistant. I made about 40k a year at that job, with benefits, and I made a negligible amount of money doing art and making comics. I should also note that throughout this time, I was working 40 hours a week at my day job, commuting between 2-4 hours a day depending on the weather (my commute was an hour for each direction in good weather and up to three hours if it snowed), and then working on comics for 3-4 hours in the evening, every evening. This meant that I would frequently be working anywhere between 65-85 hours a week for five years, and I do not recommend this! I burned out pretty bad! I didn't go to art school or learn about comics, either, so I felt like I had to spend time building my portfolio to make up for lost time. I didn't even know I wanted to make comics until maybe two years after I graduated from undergrad.

I did manage to build a nice portfolio and connect with people who were making the sort of work I liked to make, so the portfolio-building did help. I posted regularly online in different platforms and steadily grew an audience over the years via Tumblr (heyyy!) Instagram (which I personally loathe), Patreon (stressful, but necessary and also getting more comfortable to use!), and Twitter (which I have very mixed feelings about, but I'll miss it if it dies). I did a few short comics with writers whose work I admired. The Fresh Romance Anthology in 2015 was my first major published work, and it was with writer Marguerite Bennett, who remains one of my absolute favorite people. I was so inexperienced at the time, and she would check in with me to make sure I got paid for my work, and then she would follow up with everyone responsible if I was not properly compensated. Not everybody is this on-the-ball about making sure their colleagues are treated well, and she absolutely set the bar for me going forward.

Doing It For Real + Some Numbers (2018-2021)

In 2018, I put together a pitch document for The Magic Fish (if you'd like to see my pitch document, here is a Dropbox link to it! It's just a book report for a book that doesn't exist yet, and I hope you find it helpful if you need it), shopped around for an agent, and found one I'm very happy with (Kate McKean at Morhaim! She's amazing! She runs a newsletter where she gives you the lowdown on how the publishing industry works, so if you're interested in Books, you can check out her writing over at Agents and Books). Then my agent shopped the pitch around to editors and publishers, and Random House Graphic won out. Also, every time she negotiates a contract for me in my home market (the US), she gets 15% cut, which is entirely worth it to me. She does so much. It's incredible.

Random House Graphic's offer wound up being for two books at $45k each, with pretty standard royalty rates, I think around 10% in general, though there are stipulations around royalties that I can't remember off the top of my head (and also bear in mind that you do not earn royalties until your book sales have earned out your advance, and not all published books earn out). To me, this is a lot of money! BUT the graphic novel took two full years to make, so that $45k needed to last me until 2020, which is not livable if you're on you're own. Also, the advance is paid out in chunks at certain milestones of project completion. I'd get a few thousand at a time for the script, another few for the thumbnails, more for the inks, and on and on until the book is done. I would not start to get paid for the second book until I started working on it.

Earlier in 2018, I'd moved in with my partner, so we managed paying the bills and groceries together. Luckily for me, I had also completed a full tarot deck as a separate personal art project to help build my confidence as an illustrator, and my agent sold the tarot deck project (The Star Spinner Tarot) to a different publisher for a $15k advance, so I had some extra wiggle room in 2018. I quit my day job because this was a rare instance in which a book deal provided me with enough money to live on making art, with the caveat that I shared financial responsibilities with my partner. By this time, my Patreon, which I started back in 2015 I think, was also earning anywhere between $800-$1000 a month, which was really great semi-passive income. I'd post process shots and WIPs a couple times a week, and that really helped from month to month.

In 2020, The Magic Fish was published and got a lot of really lovely press. It debuted on the Indie Best-Seller list, and it got pretty popular in schools and libraries. Suddenly, my responsibilities expanded to also being a public speaker (side note: if you make a book about topics of some academic interest, make a generic powerpoint presentation about it now! I'm so serious!). I stopped tabling at conventions (the pandemic), but I would also be paid for speaking gigs in between. I'm not an enormously in-demand public speaker, so I usually asked for an honorarium of about $500 from schools and institutions for online appearances, though I'm about to ask for a lot more because it's cutting into a lot of the time I need to make comics and hit my deadlines. As people are more comfortable meeting in person, I usually ask for a speaking fee of at least $1500, and it must be after they've already taken care of my travel and accommodations. I'm not very well versed in the standards for speaking fees for debut authors, so this might not be standard! It's just my best estimation of the value of my time and effort for that instance.

Speaking of comics and deadlines, I sometimes take on smaller projects for DC (you might have seen these) and Marvel (shhh it's not been announced yet), and the page rates for those, as they've paid me, are usually as follows: $90 per page for writing ($45 for plotting and $45 for scripting), $160 for pencils per page, and $90 for inking per page. I've never colored or lettered, so I don't know those rates. I do regularly talk to other writers and artists, and the rates for writers are all over the place and seem to depend on whether you've signed an exclusive contract with either of those companies. I don't know what a contracted penciller or inker is paid by them, or if that's even a thing that happens? I also sometimes do comics cover work, and I usually charge between $1200 and $1500. I tend to charge a bit more for covers these days because I personally don't like doing covers all that much.

Starting to Reap the Benefits Maybe? (2021-2022)

In 2021, I started getting royalty checks for both Star Spinner Tarot and The Magic Fish. These payments will vary wildly, and I think they will naturally peter off as time goes on, and I'll need to make more books and projects. In both cases, I was surprised. I think at one point a random check hit my bank account for like $20k and I nearly fainted, but some of the other royalty checks will be much more modest. This process of getting paid is also immensely eased by having a good agent! I cannot stress this enough!

Then both the Star Spinner Tarot and The Magic Fish got foreign language licenses, and those come with small advances of their own, each between $2k and $3k, from what I can recall, with varying royalty rates depending on the publisher who acquired those rights. Those royalty rates are, in my limited experience, more modest than my American publisher's, come to around 7% or 8%. The Star Spinner Tarot got an official French edition, and The Magic Fish has been licensed for publication in Italian, French, Korean, Brazilian Portuguese, and Spanish so far.

Since 2021, I've also signed on to draw two more graphic novels for other people, and my agent is able to demand higher advances for me, even when I'm only doing the drawing part.

My Day-to-Day

I think that's about as comprehensive as I can be about numbers. On a daily basis, my schedule depends on whether I'm writing or drawing. Graphic novels are long projects. I'll be writing for months at a time and then drawing for even more months or even years after. I spend a lot of time answering emails for speaking requests, and my agent will sometimes pass along emails about legitimate project requests (another advantage of having an agent is I don't have to sift through scam emails or shady collaborators). I spend way more time answering emails and trying to iron out my calendar than I'd like.

I'm currently working on my second graphic novel for Random House Graphic, and I'm extremely excited about it.

Another thing I've learned is that I like to bounce between projects, but they have to be between a paid project and a personal project. If I'm juggling paid projects, I get overwhelmed and stressed. If I can work on a paid project and then also make personal art, I can feel some relief and maintain a positive relationship with my work. If you can ever get to a point where you can manage to do this, I highly recommend it. I never want to hate making comics, and this balance of personal-to-paid projects helps me keep loving the work.

Closing Thoughts

My only hesitation in talking candidly about all this is that I'm not sure my professional trajectory is applicable for most people. I think I've had a uniquely positive experience once I got off the ground, and I know most people's journeys are very much not this smooth. In a lot of ways, I got very lucky. And along the way I had help, especially before I got my foot firmly in the door. I don't think I make stratospherically high amounts of money, but I know this is still an atypically stable amount for a lot of artists and authors. And even so, I anticipate that some years will be better or worse than others.

Obviously, I couldn’t cover absolutely everything, but my hope is that this will be a good starting point for you to figure out what you need to plan for the future. Best of luck! Thank you for your question! I’m sorry it’s so long.

[frameacloud]

September 2024

[Originally posted to Orion Scribner's Patreon blog on September 16, 2024.]

I've been thinking for a long time that I need to get back into posting regular updates to my Patreon about what I'm doing instead of assuming you all are following me on other sites where those things are happening. Here are some of those things, which are mostly writings from my original research about otherkin, therianthropes, and other alterhumans.

I have a store on itch.io now! My creations that I've put on it, available to read for free:

A Simple Introduction to Otherkin and Therianthropes, version 2.4.8. My two page long essay explains what we are, in a way that the average person can understand. Written in the limited vocabulary of Simple English, it doesn't use any special words. If you read this essay many years ago and found it sounded rather stilted, don't worry, I completely rewrote this version! It also cites primary sources for each idea. I'm working with volunteers to translate it into many languages. Thanks to them, it's in German, Dutch, Estonian, and Polish. Chinese, Croatian, and Spanish are in progress. On the page, I give links to the ko-fi accounts of the translators so you can tip them, if they chose to allow that.

The Otherkin Timeline. This is my community history book that helped make it possible for other researchers to write about us, so most academic papers on otherkin cite it. Version 2.1 is mostly the version that has been in circulation for more than a decade, plus a few small additions and corrections. The next update of the book will change and expand it considerably, because it will be a collaboration between my fellow community historian and partner system, the House of Chimeras.

I also curated and reviewed collections of other people's creations about alterhumans. Find out where you can play tabletop role-playing games where each of you are members of a plural system on a magical adventure; read 1990s-style punk zines about therianthropy; take your time with literature anthologies of otherkin; or play video games with animal protagonists.

Presentations that I've given in this past year:

While I was staff at this summer's OtherCon 2024, I presented the panel Phantom Limbs and Phantom Sensations, Human and Otherwise. (To watch the video, you need to be signed into Youtube so that you can say you're at least 18. It's an 18+ topic because of some health issues it talks about.) The first half of this is a review of the medical literature on phantom limb phenomena, plus some etiquette tips about how to be respectful of people who have limb differences. The second half summarizes my original research project, the results of my survey, with tons of help from my partner and statistical expert, Page Shepard. This inquired about people who feel sensations of nonhuman body parts, for example, of wings or tails. It was open to people whether or not they call themselves otherkin, therians, or some other sort of alterhuman. It received more than a thousand usable responses, making it the largest recorded survey focused on otherkin or therians. My presentation ended up being overambitious for the time slot, so sometime I want to re-record it with better pacing.

In March, I was staff at the first Centaurus Festival. Together with my partner systems Chimeras and Page, we did a presentation there: How to Run Surveys of the Alterhuman Communities.

Articles I've written for the Otherkin News blog:

I've been covering "anti-furry" bills in the US. These are laws that Republicans have been proposing against students who behave or identify as non-humans. The bills aren't based on based on anything that students are doing in real life. They're based on an urban legend that Republicans made up to satirize transgender students asking for gender-appropriate restrooms by claiming that children who identify as cats ask for litter boxes in classrooms.

Meanwhile, children in real life have been getting into a fad popularized on TikTok in which they exercise on all fours (quadrobics) and craft animal masks. Some of these self-described therians are familiar with therianthropy as a serious integral part of one's identity, whereas others of them only know it as a hobby. I collected a bunch of recent news articles about that from Finland: Therian quadrobics popular for children in Finland; two schools ban animal masks.

[fantastic-nonsense]

Hi! Can you please point me to the 1990s Clark/Bruce zines you mentioned in a recent post? Also, do you know anything about the Superbat fandom history in the pre-tumblr/ao3 era? I’m really curious about it but I haven’t been able to find great sources. Thanks!!

Unfortunately I've never been a huge Superbat reader and actively participating in the pre-internet zine era was before my time in fandom, so my knowledge on that front is limited. You'd be better off contacting and searching through the University of Iowa's Special Collections Fan Culture Preservation Project (which has its own Fanlore page and is sponsored by Ao3's parent company, the Organization for Transformative Works), the University of California Riverside's Fanzine Collection, or trawling through old Livejournal communities tbh.

In terms of fandom history, the very short version is that it was fairly popular in the Silver and Bronze Age (partially as a result of the World's Finest comics), briefly went largely dormant in the late 1980s/1990s after the initial post-Crisis status quo was that Bruce and Clark weren't close friends (and then Clark was dead for a hot minute), and came back with a roaring vengeance in the 2000s after Morrison's+Waid's JLA runs did the legwork of making everyone friends again and Superman/Batman started publishing, and hasn't left fandom consciousness since. Adaptationally, it suffered a small hit in overall popularity when Smallville was big (caving to the Clex shippers) but was still fairly popular in DCAU fandom circles at the same time. There's an interesting Superbat history retrospective here, if you're interested, which mostly traces Bruce and Clark's depiction in comics from the 80s until the 2010s but also provides some personal commentary and notes on fan speculation+letters to the editor that appeared in those older issues.

Sidenote: a major reason that you can't find fandom histories on DC the way you can on Marvel is because their archives aren't open to academics and the general public the way Marvel's are. There is no DC equivalent of Marvel: The Untold Story, for example. We have quite a bit of knowledge on the Golden Age era because of external sources, and there's a lot of information about the post-internet fandom, but unfortunately there's just not a ton of internal or fandom-centered sources for the in-between. And the documentaries we do have usually focus on official/company-centered events rather than fandom ones. I happen to anecdotally know some of that history, hence why I felt confident correcting people on that post, but you're right that there's just not a lot of "good" sources to be found on the issue outside of old blog posts.

You also have to understand that until the 2000s and the rise of modern fandom culture, "slash shipping" in most fandoms (that weren't Star Trek, anyway) was basically all underground, so the histories we do have are largely oral histories from oldfans and zines that have survived from that era. Slashfics were also regularly deleted from fandom archives at whim whenever content crackdowns happened (said content crackdowns were one of the major reasons AO3 was created and eventually became the main internet repository for fanfiction, btw). So unless you have access to the zines or those authors have uploaded/re-uploaded their work to somewhere that hasn't been subject to purges, site takedowns, or the general ravages of time...a lot of that history has been lost, unfortunately.

I'm sorry I couldn't be of more help!

[doingitfortheshitsandgiggles]

D:BH Tarot Cards "zine"

I got the pleasure to be part of the team that made this project a reality. What started as me fangirling on the side ended in a tight knit little community where I was able to paint 2 of the cards.

I was in charge of the design for the Back of the Cards and the Five of Wands!

The Five of Wands is a card about conflict, competition ,and rivalry so I painted Daniel!!

The realism got very side tracked by my demand for more glow but I don't totally hate it. It fought me a good but I wrangled it back into position ahah

And for the Back of the Cards, I just wanted to highlight the ribbon of fate and the mix of their respective differences. I went a bit more traditional since my fave part of cards is always the classy blues and golds.

Anyways, if you want to see what everyone else created then keep an eye out on the official account @dbh-tarot !! I'm personally making sure to also follow the IG and twitter!

I really love the vibe these cards have and every single artist is mad talented!!!

A gif of the progress. Ignore the part where I mis read wands as swords and it took very funky turn ahah. I'll upload the back of cards speedpaint later as I did it all in procreate where this one I jumped between procreate and sai leaving it very chunky

[octofaewrites]

Octofae’s Fic List™️

All of my works can be find here:

I write for a variety of fandoms, so here we go - fandoms include: Bleach, Pokémon, Winx Club, and a few others!

Bleach - IchiRuki

Series

Masaki Lives! AU

Bleach, but Masaki was the parent who lived instead of Isshin.

The Noodle Saga

Crack Series involving Ichigo pining away for Rukia while Renji is trying to protect his captain’s dignity. (He is terrible at it.)

The Mystery of the Rukongai Crater

Paranormal Investigators, but make it Hallmark!AU

Conversations with the Future In-Laws

Hypothetical scenarios where Ichigo & Rukia talk to their future in-laws.

IchiRuki Month

Collection of works for IchiRuki Month

IchiRuki Week

Collection of works for IchiRuki Week

Stand Alone Stories

Performance Review

Three Casual Acquaintances™️ start a podcast as they try to solve the mystery of the sudden death of a neighbor in their swanky apartment complex.

Operation Christmas Play

Ichigo is trying to be romantic and Urahara has the connections.

Bleach - Others

Ready, Set, Caw….?

Renji/Orihime - jokefic written for a friend! Two dingdongs try to make cookies and a random crow keeps trolling them.

Through space and time, my love belongs to you (Chapter 1)

GrimmIchiRuki - Rukia is getting married to Grimmjow and Ichigo is sad because he’s hopelessly in love with them both - his life is surely over… or is it?

This story is a multi-author, round-robin project for GIR weekend!

Other Writers: kleinegirl87, AiTsuki97, Mako_After_Dark, AriadneKurosaki

Pokémon -

Pokémon: Brilliant Diamond & Shining Pearl

Merry Mishaps

Dawn, Lucas and Berry decided to exchange presents. Their starters do a bad job of being helpful.

No pairings - Written for the Pokémon Winter Wonderland Zine 2023

Pokémon: Legends Arceus / Diamond/Pearl/Platinum - VoloKari

Series

Somewhere over the Sea

The Pirate AU that no one needed or asked for.

Conversations at the Company Water Cooler

Idiot coworkers in a situationship and too dumb to admit they’re dating.

Sweet Like Honey

Friends with Benefits™️ who are benefiting across Hisui.

As the World Falls Down

Angsty Soulmate AU, where I don’t let them be together.

Volokari Week

Collection of stories I did for Volokari Week 2023

Stand Alone Stories

Déjà Vu - I’ve just been in this Place Before

I want to be cool and do a reimagining of PL:A; I’m just not cool.

Time Won’t Fly (Dead Dove - MIND THE TAGS)

Akari not in a good place.

Doll (Dead Dove - MIND THE TAGS)

Akari is not having a good time. Set in BumbleTee’s Cop AU

When My World Shakes, I Feel Alive

Sweet conversation between Dawn/Volo after getting her drunk idiot roommates to bed.

Shopping is Serious Business

Crackfic. Volo’s real punishment for trying to subjugate Arceus is having to go shopping with his daughter and her equally high maintenance friend.

Pokémon: Scarlet & Violet - Arviana

Safe & Sound

Juliana is tired from her near death experiences and meeting ghosts and gets a much needed Arven-hug.

Sucker.

Arven can’t tell Ogerpon no.

Treasure

Arven reflects on how his family is his treasure

Paradise is Nothing but a Smile

Arviana Picnic Date!

And, maybe it was ego swinging

The AU where Turo pulled his head out of his ass and was a parent to Arven.

Home is Where the Heart Is

Juliana made it back from Blueberry Academy and is beyond glad to be reunited with Arven

Pokémon: Scarlet & Violet - Draymine

I created a Discord Server for Draymine, Arviana, and Kiercey - Other ships are welcome! It can be joined HERE - (18+ Please!)

Series

You are in Love

An on-going series featuring snapshots through Drayton and Carmine’s relationship.

Stand Alone Stories

Well, this is a choice

Jokefic - Kieran sees that Crispin has awful dragon claws for feet and Drayton and Carmine’s alone time keeps getting interrupted.

Elevator Woes, Smash Bros, and Mistletoe

Jokefic - Crispin is the only single guy in his friend group and the elevator rides of Blueberry Academy are long ones. Established Draymine and Kiercey in the background.

a lot to live without

Sometimes, life doesn't go the way one wants it to. TW: Major Character Death.

Pokémon: Scarlet & Violet - Kiercey

Kieran & Lacey.

Building a Home

Just a moment in a post-canon setting in which Kieran and Lacey are quite silly.

[windydrawallday]

You know what? I'll announce what I was meant to say for almost a week! I'll write this on the go so, it will probably be long:

Do you see all of that in those two pics? Those are ALL TF WIPs I hoarded between other dozens since 2022 (plus some almost finished and/or on the pipeline of being finished).

Well, having them constantly lingering in my present 2024 folder made it easy to grab and work on them on an almost daily-weekly basis...

... but it pushed aside my other personal projects that ended up in a secondary WIP folder that I barely touched since I fell into this robot hell.

Not a bad thing! This was fun, but after this year's mixture of creative exhaustion I'm facing, I want to slow down a bit my focus on TF art.

I will still work on the WIPs related to my pals @sug4r-melon , @goobygnarp, and @lovestruckmousey 's designs for our shared TF AUs.

(And probably some low-key simple projects like doing tiny vehicle mode icons of the TFA cast like how I did with the RB cast for a zine. I was thinking too about making plush-toy icons of my favs because I can).

(I already set up a sideblog to save a great part of my TF art, especially the Lockdown/Prowl ones but for now, I'll leave it all private. I won't purge my fanart but I prefer to be safe).

But the rest? If it's not in the final stage and/or scheduled already (I have one dated since the past year to be posted in September so, that still stands) the WIP/artwork will be canned on a folder apart until I can have the motivation to work again on them.

The other reason for this slowdown is... I'm currently in two Zines. One for TFs (that I feel super honored to be part of) and another with OCs.

I had quite a bumpy ride at the beginning of this year, trying to postulate to zines not centered around TFs because I really want to branch my art and expose my original stuff so...

Nailing that OC zine feels like a big VICTORY! And I hope to expand more because gosh darn: no one but ME can draw my OCs!

And I miss my critters... I didn't participate in Artfight because of zero updated refs. I really want to change that next year!

Yup... a long read. But I hope my point is understandable and I'm not sounding like a quitter or something sjfhdkjshfsdjfh

Thanks for the patience and know if any of ya still enjoy my TF work: there's quite a bulk on the #ifellinrobothellagain tag x) Many didn't get as much traction on its day so, they will always be there to poke and revisit 💖

And is not like you'll never see certain faces again: for me, nothing is lost... just transforms and takes new shapes and names.

[dapg-otmebytheballs]

So we'll be posting the zine soon, and I have a favour of sorts to ask, which I'll have to post here instead of through the phanzines blog XD

Bear with me, much thanks ♥️

The phanzines blog ( @phanzines ) was being shared between two people so Tumblr did some sort of softblocking. The messaging is gone as many would have noticed, the posts we make there don't show up in tags, the people tagged don't get the notification (I will tag all contributors from this blog instead so they can get notified, don't worry). We reached out to Tumblr help centre to resolve it but never got a response so that's that for now.

Unfortunately it does mean that we practically cannot rely on tags At All to get the work out there and we have been relying solely on reblogs+people who already follow the blog to be able to get any information and content out there.

The contributors this time have waited quite a bit for me to resolve my personal issues and get back to finishing the zine too, and I am very excited for everyone to see the glorious works we were presented with so it would mean a lot to me if people could reblog the zine and zine pages when we release them! Usually I wouldn't do the "please reblog" thing but I hate that we can't rely on tags anymore 😩

Also if there's anyone who knows how we can get Tumblr staff to notice us and give us the blog features back please advise!

I'll try to make a post through this blog linking to the post when we share the zine too, for now, we make do with the tools we have lol

Thank you to everyone who has supported this project!

[kitelines]

on quiet perseverance and shotgun weddings

hello! this fic was written for the Right Words nrmt zine back in late 2023. we're having a leftover sale rn where you can buy the digital pdf of the zine, and there's also still some (very cute) prints and sticker sets available to adorn your lovely walls and items, so check out the store here! i also did this piece as a collab with my very dear friend @zentinels, so please check out their beautiful art here too! :)

Rating: Teen Warnings: No Archive Warnings Apply Category: M/M Relationships: Phoenix Wright/Miles Edgeworth Other relevant tags: Established Relationship, Marriage, suit fittings and a trip to the tailors Word count: 1,803 Language: English

Miles looks at him. “I’ve wanted to marry you since 2024.”

Ear-burning, forthright truths revealed rarely, randomly, and in the tones of a comment on the weather: Miles’ specialty. Phoenix is about to melt from the inside out. It’ll create a horror scene (in the name of love) and result in a stain that Mr. Soriel will never be able to fully get out, but then, a curiosity eats through all of that, leaving nothing behind except the question: “Wait. What happened in 2024?”

And Miles says, “I’m not telling you.”

Phoenix and Miles take a trip to the tailors to get adjustments made ahead of their wedding. Something passes between them that, deep down, they already know, and a spontaneous decision gets made.