Miyazaki's Retirement Declarations (chronologically)
Translated from last week's NHK documentary on the production of The Boy and The Heron (more under cut). I saw people posting a screencap of this and I just couldn't contain myself. THIS HAS BEEN GOING ON WAY LONGER THAN I IMAGINED LMFAO
This is from the NHK programme "Professional - Their Working Philosophy" (プロフェッショナル 仕事の流儀) a few days ago (16/12/2023). The episode investigates the production process of The Boy and the Huron, and how the late Takahata Isao influenced the movie.
(It was confirmed within the documentary that Mahito = Miyazaki, Great Uncle = Takahata Isao, The Heron = Suzuki Toshio, Kiriko = Yasuda Michiyo)
The documentary is currently available on the NHK Streaming Service (Location Limited). If you have your own ways of watching and you know Japanese, I would definitely recommend the episode as it gives a lot of much-needed context to The Boy and The Heron. Personally, I haven't found a way to watch it yet, so all I know about the documentary are hearsay I saw on Japanese twitter.
Original screencap:
Also, at the very end of the episode, Miyazaki was shown working on a Naucicaa piece without any explanation, which led to many people speculating whether he could be working on a sequel for Naucicaa of the Valley of the Wind.
What do yall think? Do you think he's going to finally retire or release yet another animated film in a few years? I would love to see Naucicaa 2 but I also feel like he really needs to... yknow, chillax a bit and stuff. He deserves a long ass vacation.
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New dad Astarion who is about to see his newborn child for the first time.
Of course, he expects his child to be the personification of serene beauty and divine grace. Them to have their father’s silken silvern locks, his immaculately chiselled features—the artwork perfected by Tav’s wonderful watercolour eyes…
And then he actually sees the child and—well—everybody assures him that, yes, Astarion, all babies look like that barely a half hour after birth…
He kind of has to take that at face value because he hasn’t seen an awful lot of newborns in his lifetime.
But it would’ve been nice if someone had told him that newborns happen to look like shrivelled potatoes, because he’s really, really trying to not let his bewilderment show.
Astarion swallows.
Tav’s beautiful eyes are watching him, waiting for a reaction—an enthusiastic one, no less.
Maybe Tav will believe that he’s overcome with emotions at seeing his firstborn child?
“Oh my, darling, I’m…speechless,” is all he can choke out, though, being rather proud that it’s at least not a lie.
To his luck, Tav only nods dreamily, her full attention back on the odd little bundle in her arms.
“Isn’t she perfect?”
Yes, perfectly hideous.
Astarion only hums in a way of reply.
That—his daughter, he supposes—is with no doubt one of the ugliest things he’s ever seen, but he has a feeling that his honesty wouldn’t be appreciated after Tav laboured for hours to give birth to this…potato-baby.
“Come, hold her, Astarion,” Tav says, then, bidding him to sit next to her on the bed.
The mattress shifts under Astarion’s weight and he obediently holds his arms out so that Tav can gently place the sleeping child against his chest.
Now that Astarion can take a better look, he can confirm that his daughter’s hair is of an indefinable colour and that her features are neither his nor Tav’s, plain as can be. Surely it won’t stay like that?
He and Tav are so ridiculously beautiful, their child can only be drop-dead gorgeous, right?
Astarion’s stomach drops indeed when, suddenly, something occurs to him.
Oh dear, what if it’s his fault? He has no recollection of his family whatsoever; it’s very much possible that he and his immaculate looks are the exception in his lineage, and that he’s passed on only those mysterious less-than-perfect genes…Tav, as per usual, can’t be the issue!
Astarion is still catastrophizing when the bundle in his arms begins to stir.
All of a sudden, gold-speckled pale green eyes are looking up at him as if to ask what the fuck this weirdo’s problem might be.
“Oh,” the weirdo in question exclaims at once. “Darling, look, she has your eyes!”
Tav, hugging him from behind, rests her chin on his shoulder, so she can watch as Astarion’s finger tenderly strokes their baby’s chubby cheek.
Their daughter also has, as it turns out, ten fingers and toes, a cute little nose and a hungry mouth—everything that’s supposed to be there is there, and it seems to be working fine, too—which is a huge relief.
And aren’t those the tiniest pointy ears Astarion has ever seen? Let alone the unexpectedly strong fingers grasping at his!
Astarion, worries forgotten in a heartbeat, can’t help but smile at the baby in his arms.
She is perfect, after all.
Tav, face hidden in the crook of his neck, begins to tremble against his back.
For a second, Astarion thinks she’s crying but then her laughter fills the chamber. It takes her a good moment to articulate whatever it is she finds so very funny.
“She'll grow out of it, you know?” Tav giggles in between her fits of laughter.
Astarion stiffens. “Of what?”
“The turnip look. That’s what you’ve been worrying about the whole time, haven't you?”
“I was leaning more towards potatoes—but yes, I might’ve been a little worried about that,” Astarion admits sheepishly, although a grin is already tugging at his lips.
Regaining her composure, Tav reaches over Astarion’s shoulder, her hand joining his as they get to know their child.
“Give it a couple of days and she will look like your proper little elf—beautiful just like her father.”
A content sigh leaves Astarion’s lips, right before he presses them against Tav’s temple.
“That’s the second best news I’ve heard today, my heart, truly.”
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I think Brennan did something interesting with the Porter and Gorgug scene in the last episode. Porter is by all appearances a competent Barbarian teacher. He understands the role of Rage and its mechanical combat benefits, and he even recognizes how Gorgug uses Rage to protect those he cares about. But he doesn't understand how multiclassing into a caster fits into that framework.
And it's true! In 5e you can't cast or concentrate on spells in a Rage. But-- Artificers work a little different than other casters! Alchemist Elixirs and Arcane Cannons aren't technically spells. Arcane Armor just works. And so does the Steel Defender.
Of any caster I think the Artificer is probably the best-suited to multiclass Barbarian because their key subclass features are largely not spells. But it also runs into the problem of requiring multiple high stats. Barbarians already want high STR and CON, and Artificers need INT for their spells and spell saves.
And so there's this narrative tension here. Brennan the DM obviously wants to let his player have fun with the character build-- embracing the creative artificer side of himself is a great character moment for Gorgug, bearer of the tin flower. Someone who has always channeled Rage to protect those he cares about but who has also been called to create and preserve beauty.
And yet mechanically, it's a difficult build. We didn't see Gorgug cast anything in the Night Yorb battle, as far as I recall? And in-universe, classes are a formally recognized thing that require approval. But Gorgug can't be the kind of Barbarian that Porter wants him to be. So he has to show that he can be a different kind of Barbarian-- one whose magic integrates and synergizes with his Rage rather than opposing it.
We see Gorgug still insecure about his homunculus and about the solar lasso, even though these are objectively impressive feats. So it's not a skill issue but an internal conflict-- it's only once Gorgug reconciles and synthesizes his magic with his Barbarian side that the in-world powers that be will recognize him for all of who he is.
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