i dont know how to connect these pieces together, except for something regarding how the characterization is done, but venture bros, homestuck, utena, house, some others i cant think of rn... something about the way the characters interact and build in these captivates me. the complexities, the almost... impromptu way these characters develop so naturally, and i think it comes from different places in most of these though homestuck and venture bros probably holds the most similarity in terms of expertly utilizing retroactive foreshadowing to create beautiful and complex character relationships. house feels like it moreso... accidentally happens upon great and logical character development lol. i usually wonder if im reading too far into it when i watch particularly great moments. and utena's characters feel so 3d because they really are-- the sheer amount of different utena stories that adds and expands and also contracts on different aspects of each character ends up building a very 3d and symbolic picture in the mind.
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Saw the sonic 3 trailer are you telling me the movie based on Sonic Adventure 2 is Not anti-military??? No anti-authority theming here?? Nothing?? The game where a kid gets gunned down? Where Shadow’s grief and hate for humanity is BECAUSE of the military?? Where Sonic runs from the cops and is consistently annoyed at their existence?
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there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”
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what she says: yea i’m fine
what she’s thinking: the story brought both carpenter and faulkner to their inevitable end points that have been foreshadowed from the v first episode of the show ambiguity of carpenters death aside she stood on the banks of the river singing like her nana glass and was gunned down by the military and faulkner was drowned dragged delivered by the god and story he had let devour him but. but. before those things happened right before the narrative reached its end both of them stood up and said no! i want to go forward! i want to find something past this whatever it might be i don’t want it to take me yet im going to keep on walking! and it was too late! the thing is it was too fucking late!!!!!!! the aquifer was already flooding the soldiers were closing in she was to hurt to run he can’t swim. the chance had come and gone at the beginning of the episode for any hope of them reaching each other ever again but even though it was too little too late never ever going to be enough they both looked the site of their doom in the eyes and said i do not accept this. not here. not now. i am staring at you– the thing that will eat me — and resolving to pry open the jaws and choose to use the last moments of my life (whether i know it or not) to run and stumble and crawl and cry and sing in the hopes of reaching the people who matter to me more than being made your meal. and of course they got fucking eaten anyways. of course they did bc they were walking towards it from the beginning. but there is a way out, there is a way forward, there is a land beyond the storm that is possible to reach if you choose to step out of the story that has been built for you to find it. we walk on, with a rough and tarnished hope, and a tangled, ruined love. it can end with love, and it can end with kindness. even as the jaws are closing. ours is a world of miracles.
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i've just finished my s7 rewatch and it's kinda so funny to me how much discourse people created over every bucktommy interaction when their whole arc boils down to tommy being patient and vulnerable with buck and showing up for him. like when you are not wearing shipper goggles under the name of "analysis" and don't try to reverse-engineer every word and look and shot with utmost bad faith, that's what it is. a simple and sweet story of a new exciting relationship with a guy who's understanding and willing to show up. literally the two things buck needs from a relationship but never had with his previous love interests. they are kinda sickeningly sweet and well-communicating actually lol
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Actual footage of Tony trying to talk to Kelsey this episode:
Now what I personally need is for her to despise him for a while then for them to have some big heart to heart and them to become best friends OKAY I'm very invested in what's become of their dynamic and I'm all here for "Punished" Tony the wet cat that he is I yield the rest of my time thank you.
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"Why are you crying?"
Me, inconsolable: Th-they're-*sob* they're normal fish
"What?"
They're normal fish in the picture. They were his fairy godparents. They were *hic* like his parents- and-and *sniff* they loved him so much *sob* and he loves them so much and-and- *sniff* he's never going to remember them *hic* because now he's all grown and they're normal fish in the picture
They're normal fish!
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Respectfully, anyone who believes that Roxas shouldn't have come back in kh3 is wrong and also doesn't know how to make a satisfying end to a characters narrative.
I could maybe forgive thinking Naminé or Xion shouldn't have returned, as they at least got to make the informed decision to return to their counterparts themselves. It would still be wrong but I can at least forgive it.
But Roxas? His entire story is about being allowed to be yourself regardless of what anyone else around you says you should be. It doesn't/shouldn't matter if he comes from Sora, because he is someone else entirely. It's his life, not Sora or anyone elses. Having a story like that end with him being violently forced to return to Sora when he doesn't even know anything about what's going on is flat out bad writing.
Did he accept that he had to die for Sora? Well, sure, but only after getting to beat him within an inch of his life. Only reason he accepts it is because he literally has no other choice but to. He can't keep clinging to the anger and misery at his circumstances forever.
And, you know, it probably helps that the person this was all for also fucking hates it. In no way is Sora happy about what happened to Roxas. Of course he'd bring him back, it's Sora. The situation is so unfair and tragic that having it end with him just staying in Sora forever would literally go against the essence of the entire series.
Kingdom Hearts is, at it's core, a series about bonds. Roxas was established basically immediately as having very important bonds! His best friend literally died for him! He has friends that don't even know it because it was another version of them, but they still feel that bond to him anyway! You really think they should've just thrown away a character whose bonds transcended the boundaries between data and reality just like that? Get real.
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also like kudos to mr Jorge Rivera-Herrans and his team because Epic the Musical feels like the only ancient greek-inspired medium I've encountered so far that doesn't fetishise, appropriate and misrepresent ancient Greece, and as a greekTM myself I really appreciate that??? Breath of fresh air after the personal hell that's Madeline Miller's & Rick Riordan's works.
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