#but it’s not something i think would happen in the actual show which makes it better In My Head

[hanjsquokka]

strawberry cake.

kim seungmin × fem!reader — high school! au, childhood friends to potential lovers, fluff

summary — seungmin only needs one present on his birthday, and it isn't the sugary dessert you made for him.

word count — 1.1K

warnings — fluff, fluff, FLUFF!!

author's note — happy seungmin day 🩷 i actually managed to post a fic on a member's birthday, who am i. initially thought of my baseball ksm fic but i know i'm not gonna finish that lol and his instagram posts were very inspiring. i think i watched this happen in some movie or tv show i watched, i don't remember 😭 but i thought it was really cute, lmk what you guys think <3

please consider leaving feedback in the comments or reblogs as they really make my day 💕

Kim Seungmin didn't like celebrating his birthday that much. Sure, he liked receiving a few gifts from his friends and a happy birthday here and there, but he didn't like the blowout parties that you loved. On your birthday, you would plan this whole thing, inviting friends from school and neighbors to celebrate your birthday. You were a social butterfly, so he understood why you did that. You loved being surrounded by people you cherished. Your birthday was just an excuse to call everyone over and spend time with them.

Seungmin, however, liked keeping his celebrations more reserved. His mother greeted him in the morning, making his favorite breakfast to eat and favorite lunch to take to school. His dad handed him some cash to buy something to eat after school, which he usually didn't do and opted to save it for a better cause. His sister offered to take him out for lunch on the weekend. 

Of course, being the wonderful and amazing best friend that you were (your words), you always went out of your way to do something. Like this year, you presented him with a small cake slightly smushed in your lunch box with haphazardly thrown purple sprinkles.

“I made it from scratch,” you added with a big grin as you sat in front of his desk. His friends had left a few moments ago to play on the school grounds. He'd stayed back, finishing up the last of his lunch and letting it settle in his stomach before he ran around playing soccer. A small smile formed on his face; he could never dislike your enthusiasm for his birthday.

“It looks... artistic,” he said in an amused tone, looking up from the lunch box to your face, which was scrunched up in a frown.

“I didn't know the box would be small... And hey, I baked this for you; at least show some appreciation!”

Seungmin laughed. “Sorry, thank you for making this cake for me.” He meant that; he knew that you knew it too, because your shoulders relaxed, and you prompted him to take a bite and tell him how it tasted. There was a little too much sugar for his liking, but he didn't tell you that, instead nodding his head in approval and eating more of it. It was strawberry-flavored, his favorite. It warmed his heart that you always went out of your way to do things the way that he liked.

When he looked back at you, you were tucking a strand of hair back as you ate a spoonful. The longer he looked at you, the faster his heartbeat went, his body feeling hot right up to the tip of his ears. It was a weird feeling, but not foreign. Lately, it had been happening more often. He started seeing you in a different light, something other than a friend—not just any friend, but a childhood friend. He wasn't naive; he knew what crushes were, and he knew he had one on you.

It was a realization he had come across a few months ago when his family and yours went to the carnival over the summer and the two of you had gotten separated. He came home that day, heart tap dancing in his ribcage and a never-ending smile on his face from the way you jumped with excitement after you worked together to win the obviously rigged carnival games and winning a plushie.

Some part of him knew that. You liked him back as well; he hoped his brain wasn't playing tricks on him when he saw the way your eyes lit up after seeing him. The innocent friendship you two shared was morphing into something different—a good different. 

That evening, while the two of you were walking home after the extra classes you had, the crisp evening air sent a tingle down his spine as he walked along the pavement, listening to whatever you were talking about and adding his own insights whenever he felt like it.

“Oh, hey, look! Tteokbokki!” You said excitedly, pointing to the food cart run by a middle-aged woman serving the steaming hot spicy rice cakes to a few customers. With a tug of his arm, you dragged him over and ordered one spicy one for both of you to share. He didn't like eating spice as much as you did, but he didn't want to say no to you. After a short debate, he used his birthday money to pay for the food, and the two of you walked along the riverside slowly as you ate.

“Mm, these are good,” you let out a satisfied hum and continued eating.

“They are,” he agreed. The spice was present at the back of his throat, but it was weirdly good after the oversweet cake he had during lunch.

“It tastes good after eating that sugar monster I made, right?” Seungmin turned his head to look at you. “What? Don't give me that look, that cake was so sweet, how did you even finish the whole thing? It tasted like I dumped a whole box of sugar in the batter.”

“True… But you made it, so I wanted to eat it,” he admitted, feeling his face flush lightly. If you teased him about it, he was going to brush it off and blame it on the tteokbokki, but your own cheeks mimicked his, tinging red at his sudden admission. 

“Still,” you protested, “I'll have to make a better one that doesn't taste like cavities.”

“I like the oversweet one. Maybe I'm an extra sugar kinda person.”

"No, you're not.”

“It wasn't even that bad.”

“Now you're just lying.”

The two of you dissolved into laughter, finishing up the last of your food. The walk home continued in relative silence for a while, him mulling over his words and wondering if he made you uncomfortable because you were too quiet. Before he could make an apology, you spoke quietly.

“I'm glad you liked it, but I still wish I could've given you a better birthday present.”

He stared at the path in front of them, the streets lit up by lamps and porch lights. “You already gave me the perfect birthday present.”

You tilted your head to the side. “What?”

“You,” he blurted out, regretting his words the next second, but once he saw your flustered reaction, his nerves calmed a little. “Now let's go home and act surprised at whatever my parents planned.” You giggled in response and nodded, your footsteps falling in sync as you walked beside him.

“Happy birthday, Seungmin.”

“You said that like ten times today!”

 

TAGLIST : @stayconnecteed @starlostastronaut @ta3baee @caitlyn98s @bbokari711 @manuosorioh @oddracha @n1nme4r @dprkbyn @sleepyleeji @realrintaro @starlostseungmin @baby-stay92 @frequentlykit @cookiesandcreammy @15092000volcano

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©hanjsquokka | copying, translating or republishing my work is strictly prohibited

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[f0point5]

I think I have sent this same request some time ago but I still would like you to write something about Emilia and Max hanging out with Victoria’s children and maybe thinking about their own future kids. But really anything with Max and Emilia would be great!

I don’t think I’ve ever seen this one, but tumblr eats asks sometimes 🤷‍♀️ but it’s too cute so here you go! I am keeping these short but I hope you still enjoy it!

✨Set during summer break 2024✨

I’m having his baby (…) no, I’m not

You take a sip of your rosé as Victoria comes to stand beside you. You’re lurking in the doorway of the lounge, watching Max sitting on the couch with his baby niece in his arms. He’s bobbing her in a gentle motion, his hands looking huge around her tiny, swaddled body.

“God, I remember when we used to say our kids would get married,” Vic says beside you, and you laugh.

You did say that. As little kids you would wish to be sisters, and somehow the only way you could think to make that happen would be for your children to marry each other. Like in that Flintstones movie you used to love. You’d draw pictures of the two of you sitting on the porch of a large house, watching your children get married.

Now you wonder if your mums thought the same, during those summers in Italy, as they watched you all play. They swear now that they did, that the mother’s intuition told them you and Max were tied together by some invisible chord that chafed on both your wrists. “A mother always knows,” Sophie said to you when she saw you last, “you will know, too”.

“And now that would be illegal and dangerous for our grandkids,” you say, shaking your head. “Crazy,”

“I like it better this way,” Victoria says, putting her arm around your shoulder and squeezing you into a hug.

“Me, too,” you agree, your eyes fixed on Max and Hailey. He’s whispering to her in Dutch, her eyes fluttering closed every few seconds as she yawns in his face, which only makes him smile. He’s utterly mesmerised by her. And you’re mesmerised by him.

I swear I can actually feel my ovaries right now.

“He’s so good with kids,” Vic says. “Even with Jaye I remember he was so gentle,”

“Yeah,” you agree, only half hearing her as you take another sip.

“Gives you baby fever, huh?”

You choke on your wine. Was that Victoria or your subconscious talking?

Vic, are you in here? No, of course she’s not in here. She’s just being nosey. Act natural.

“Are you okay?” Max asks from the couch. You look over at him as you wipe your mouth, coughing once as you nod. Even as he looks at you in concern, he never stops the gentle bouncing motion of the baby in his arms.

You go to answer, but Vic beats you to it, blunt as ever. “I was just saying, you will be having one of your own soon, yeah?” She smiles, nodding at Hailey.

If Max is panicking as much as you, he doesn’t show it, just shrugging. “I mean, ye-“ You can feel your eyes widen, and he stops when he sees your face. He tries again. “May-“ he frowns at you, silently begging for help. “No?” You nod gently, and Max turns to Victoria. “No.”

She looks at you in mild disbelief. “No?”

“No,” you emphasise to both Verstappens.

You love them dearly but genetics are a crazy thing - they both share a chronic disregard for timing. They want it all, and they want it now, in any order, all order be damned.

“You’re not getting any younger,” Victoria says, nudging you.

“That is just rude,” you tell her, and she just smiles unapologetically.

“Oh, come on,” she implores, reaching up to wind her finger around a lock of your hair, “a little baby with Max’s eyes and your hair?”

“And both of our tempers,” you say with a chuckle. “Can you imagine that? Besides, we can barely make cereal, and you want us to raise a baby?”

You look at Max for support, but he’s no longer paying attention. He’s looking down at his niece like he’s holding water.

Maybe a baby can live on cereal, if her dad looks at her like that.

“I’m going to go put Hailey down for her nap,” Vic says, jerking you from your thoughts.

She goes over to take a sleepy Hailey from Max’s arms, and he looks loathe to let her go. She looks so much bigger when held by her mother, and her so much more fragile.

“When I get back, we can start on dinner. I’m going to make cereal,” Vic teases in a whisper, winking at you as she passes.

Max snorts with laughter, and you shoot Vic a glare as she starts to hum, shuffling her way out of the lounge towards the bedroom.

You join Max on the couch, falling onto it beside him with a heavy sigh.

“So glad I’m an only child,” you say, rolling your eyes. When Max doesn’t respond, you glance over at him to find him staring at his hands. You nudge him gently. “What?”

“You do,” he starts, leaning back as he turns to you. “Want kids, someday, don’t you?With me. I mean…you don’t think I’ll be, like…”

“No,” you answer quickly, when you understand what he’s getting at.

You silently curse yourself for that joke about tempers. For ever making him think that’s something you worry about. You know there’s a heaviness in Max, in both of you. You know that he is so much more than his father’s son. But you also know that the weight on his shoulders will keep him crooked until he can see that for himself. You hope knowing you see it will be enough for now.

“I want your baby, Max. Someday. There’s no one else I would ever do this with besides you and not just because I love you, but because I know you’ll be an amazing dad,” you tell him honestly, and even that small platitude seems to relax his shoulders. “But can we at least get to one year of baby making activities before we start painting a nursery?”

Max nods, letting out a husk of a laugh. “I’m shit at painting anyway,” he says, looking at you from under those eyelashes that you secretly envy.

Maybe she’ll inherit those, too.

“Free practice?” You offer with a smirk, holding your hand for his.

Max looks at your outstretched palm for a moment before taking your hand in his. “Free practice,” he agrees, using his grip on your hand to pull you forward so that your chest is pressed against his. “I’m looking forward to FP2 later,”

[cravingpepsimax]

since he’s beginning to spread, here’s a rough timeline of events for the fujo bill au:

bill is defeated and is put in the theraprism

after who knows how long, bill begins coping with his spite and rage towards stan and ford by doing/making stuff that he thinks they’d hate.

he begins “shipping” stancest. bill doesn’t really GET the incest taboo, it seems pretty much entirely arbitrary to him, but he knows it exists and is something humans are REPULSED by. thus, he starts making stuff involving stan and ford dating each other. theraprism staff thinks it’s odd but him writing books about stan and ford kissing is significantly better than him writing books in an attempt to escape.

over time, bill starts getting actually invested. it may have started as pure spite, but he begins to remember things that, oh boy, sure do seem pretty incestuous, now that he thinks about it. at first, it’s funny — “HAHA, WOW, SIXER REALLY IS A FREAK, ISN’T HE?” — but then it becomes real.

since bill’s calming down and is no longer talking about wanting to murder the entire family 24/7, theraprism staff decides to move onto the next step in bill’s karma program: becoming pen pals with one of the people he used to terrorize. mabel’s a lot like bill, but not evil, so the theraprism staff choose her.

meanwhile, a 13 year old mabel gets a Crazy Paranormal Experience, in which she is told what’s going on. mabel agrees to be bill’s pen pal (he won’t be able to do any actual harm, and, worst-case scenario, it’d be funny to mess with him (note that, even though mabel’s 13, well over a year has passed for bill — time is merely a suggestion for beings as powerful as the theraprism staff)

bill HATES being made to do this stupid pen pal stuff. he can’t use it as a way out — the theraprism staff have been keeping a VERY CLOSE EYE ON HIM ever since the book, and it’s gonna be hard to trick mabel into doing ANYTHING for him. so, his first few letters are him insulting and trying to upset mabel, who doesn’t really seem to care at all.

eventually, in one of bill’s pieces of hate mail, he says some shit like “SIXER AND HIS BROTHER ARE REAL FREAKS, KID! WHAT DO YOU THINK THEY’RE DOING ON THE STAN O’ WAR II? I’LL GIVE YOU A HINT: THE ANSWER’S ‘EACH OTHER’!”

mabel promptly ignores the rest of the letter entirely, and makes a GIANT response excitedly going “oh my gosh, you noticed, too??”, and listing everything romantic she’s ever noticed about them.

bill responds, filling in some gaps here and there, telling her about some incestuous stuff from 30+ years ago, pointing out things she missed, pointing out things he missed (“WOW, THEY DID WHAT? TALK ABOUT NEEDING TO GET A ROOM, YEESH.”)

they become stancest gossip buddies from there. mabel fujopills him in other regards (bill never thought he’d watch a show called “ouran highschool host club”, much less at the request of a 13 year old who thinks the pair of twins kissing would be hot/cute, but hey, afterlife’s full of surprises, ain’t it?) but his main love is and always will be stancest

they eventually become close enough and the theraprism staff trusts them enough to get interdimensional phone call privileges. any time anything happens mabel calls him and goes “oh my gosh, you’ll NEVER guess what just happened!” and they gossip for like an hour

stan and ford are completely clueless as to what’s going on at all. i like to imagine they find out eventually but it takes awhile LMAO

[mattsturnioloz]

Then I lost you.

Summary: Matt's career as a youtuber takes a toll on his 4 year relationship with his girlfriend, putting it on hold. Will it ever be the same again?

Pairings: Y/n x Matt Sturniolo

Warnings: angst, mentions of anxiety, unresolved angst (maybe)

A/N: (guys this is my first fic so please bear with me😭 l would love some feedback or tips though!!)

I was sitting on the couch scrolling through my phone and channel surfing, waiting for my boyfriend, Matt, to get back from filming a car video with his brothers, Chris and Nick. But over the course of the last couple of months, Matt has been distant and there was a rather uncomfortable feeling sitting in my chest. He would make up excuses as to why he couldn't hang out with me like he was filming, editing or streaming. It made me overthink. Did I do something? Does he still love- No, of course he still loves me. Right?

It was all too much and it gave me anxiety. Sure, I understand his career as a Youtuber can be a handful but I can't help but feel a bit neglected and it makes me feel guilty.. I sit there thinking for a moment, taking in the cool autumn smell that roamed through the house, listening to the patter of the soft rain drops falling onto the windows, trying to think of a way that I could get Matt to spend time with me.

I decide to cook a nice dinner for matt and I or at least attempt to, so I stand up and I head to the kitchen and decide on some ravioli which takes me about an hour but I did it.

Flashback

"What are you gonna get to eat?" | asked Matt.

"I'm not sure.. you know for a fancy restaurant, you'd think they'd have a variety of options." He says before raising his eyebrow at me, showing me the menu and we both chuckle.

"Our first date and i'm already messing up huh?" He says with a nervous chuckle.

"What?? No! you're not messing up i'm having fun." I said with a smile, reaching over the table to hold his hand and he gave me a lighthearted smile.

"Ravioli is the only decent thing they got here, think i'll go with that." He says closing the menu. "See? It's not all that bad, I just so happen to love ravioli. I think I can go for some too.” I smile.

Present

I set up the table with bowls and utensils before making my way to the bathroom and realize that look a bummy mess so l spend the rest of the time I had left before he got back to make myself look at least a little presentable. I feel an overwhelming but nice sense of excitement to spend time with him again. I change into a casual but nice outfit and decide to do a simple and natural makeup look.

I soon hear the sound of the front door opening and chattering following behind it. I make my way out of the room to greet Matt who was laughing with chris and nick.

"Hey baby! How was filming??" | say almost too enthusiastically but I was too excited to keep my cool. "It was alright." He says nonchalantly, which makes me turn my happy demeanor down a notch.

Chris goes downstairs to get ready for something and Nick goes upstairs to do the same. Leaving matt and I alone which was perfect so I take the chance.

"I made-" before I could say anything Matt interrupted me. "Hey, me nick and chris are gonna go to top golf with madi, and nate so I might be home a little late." My heart sinks and i'm flushed with dread but I don't give up so easily.

"Well I actually made dinner for us.. I was hoping we could spend a little time together since we haven't in a while." | say fiddling with my necklace getting a bit anxious.

"I'm sure it's amazing baby but I should go get ready, Save me some yeah?" He says, placing a gentle kiss on my temple before he walks towards our shared bedroom to get ready.

I sit at the table where our food is now cold and I feel a lump in my throat followed by a cold sinking feeling in my chest.

658 words.

A/N: (This is sloppy and I kind of hate it, js wanted to try this out to see what yall think. if you guys like it, i'll keep writing, if not then im never writing again and since it's my first fic I kept it short but if you guys like it, i'll make the next parts longer 🫶🏼)

Taglist: @h3arts4harry @star-yawnznn @imwetforyourmom

[paper-mario-wiki]

I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?

good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.

but.

if i were to give you some advice on this

i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?

now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).

this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?

now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.

either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.

you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".

so. to summarize.

ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.

when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.

when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.

that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.

[a-blog-for-venting-i-guess]

Transformers One Bucks fanfic tropes and I love it

Spoilers below

I’m just gonna call them Megatron and Optimus for this even when I’m referring to pre transformation times.

So as a fan of the Megatron and Optimus Prime ship, I have read many many pre breakup/no breakup stories. A consistent aspect of them is Megatron being the revolutionary while Optimus is a champion of working within the system. And while those stories are fine, even great, a lot of the time it feels like Meg’s legit issues with the government were getting ignored by focusing on the “you protested in the wrong way,” sort of stuff that then radicalized him. Or megs would just use those grievances to get power and then not actually want to fix the system, he just wanted to be in charge.

I also thought this sometimes did a disservice to Optimus. Portraying him as so by the book he’s naive to the problems within cyberton so Megs has to show him the light and such. And then when Optimus does turn around he’s gotta calm Meg’s violent tendencies. Be the calm voice of reason.

So in comes Transformers One. And it’s OPTIMUS who is questioning how things work. Maybe not directly, but he’s constantly either breaking actual rules or just social norms to get what he wants. A better cybertron for all. When the truth is revealed he’s the one being like “I knew something was off.” Even when the truth is revealed Optimus is focused on fixing things because that was always what he wanted in his heart. That desire drives him to be reckless.

Meanwhile Megatron is the by the books guy. Seeing the system and its rules as a sort of lifeline he clings to whenever Optimus drags him on another stupid adventure that gets them in trouble. I think deep down he wanted the same things as Optimus but thought he could get them by following the rules. It was also a narrower scope. He wanted things better for them. Wanted a better life for himself.

When the truth is revealed he loses that safety net, He loses everything he’s ever believed in and he doesn’t know how to fix things. There’s no rule book for him to fall back on because the rules were BS and actively used to keep him down. He doesn’t trust that showing everyone the truth will cause them to turn on sentinel because all that happened to him when he learned the truth was becoming jaded+a desire for vengance. Which is why he thinks in order to move on Sentinel has to die. And this belief is solidified when he meets the elite guard with their ideology of the strongest one leads.

Optimus has to try to play the voice of reason for the first time in their friendship because of Meg’s reaction to the truth, and he sucks at it. Megs could never actually talk Optimus down from his schemes, and Optimus would always be the one making choices/leading the charge for what do to in their friendship. Now that Megatron is making up his own reckless (to put it mildly) decisions, Optimus has no idea how to actually successfully talk down Megs.

All of this leads to the tragic of tragic breakups.

Two people that cared about each other, wanted the same thing, but had drastically different ways of achieving that. And that difference tore them apart.

This is the basic story of Optimus and Megatron when they’re friends first. And for the first time it feels like the falling out happened without either of them being an idiot, or some misunderstanding. It was just how they naturally developed over the course of the story.

God I love this movie.

[starreyblueberry]

Timmy Turners fate in the new series is one of the most anticipated/theorized aspects of the new show right now. We have multiple easter eggs towards him being a possible character in the new show, and due to the creator saying that Timmys kids could possibly be Cosmo and Wandas next godkids, I don't think Timmy has kids yet (aka the channel chaser ending might be on its way, but not happened just yet.) He is arguably going to either be a huge hit or miss, everyone has different ideas, fates, what he should be, what would be the best conclusion to his character. The lines between real genuine trauma and gags in the old show are blurry, as well as core aspects of his personality. It’s so hard to actually write him as an adult for the new show purely cause what exactly are you going to take from the show that MATTERS. Will you take the lovingness of his parents from season one? or the neglectful spiteful parents they become from season 4. Will you take the horrible grades as him actuallly being bad at school, or crocker failing him on purpose. Will chole even be his best friend? Or is it back to AJ and Chester? Or will his only friends be cosmo and wanda?

We’re Cosmo and Wanda parents to Timmy, or just godparents.

Its already proven that timmys magic somewhat stayed (aka Peris existence, Dale being a millionare, hell even dimsdale/fairy world being intact) If they will acklowdge that? The school mascot being Timmy turner adjacent, past fairy’s seeming to have remembered Timmy (The tooth fairy having a little card of Timmy, Jorgen hanging out w cosmo and Wanda more CAUSE of Timmy’s adventures etc). He’s somehow a crutal part of almost every piece of the show and he’s not even there. I fully believe they’re gonna explain why a lot of Timmy’s wishes have stayed (in my opinion so many of his changes have made the world in general a better place, and he has saved the universe so often undoing his shit would kinda change the whole fabric of space and time, thus making his magic stay, memories are more… iffy.)

I know a huge thing is also the family dynamic, the fact Timmy is their favourite, hell the HALL OF TIMMY!!! The fact they keep a picture of his room in their house, the fact that they reference him sometimes within conversations with hazel. Never actually spoken his name but implied that’s their Timmy (aside from one time) That the reason the world is right now the reason this problem or circumstance or blessing is happening is because of Timmy Turner.

The amount of pure power Timmy has over the show is something crazy, and I do trust the new writers to give us an ending that will satisfy us. He’s been so connected to many people’s childhoods, showing found family at its core. He’s snarky, loud, smart, kind, and more. People want to see him happy, people want to see him with his family. Who you count as his family is up to you. It’s already been semi-confirmed it’s gonna be connected to the channel chasers ending since most of the general audience has said they wished the show ended during that time ( I have my own opions about it but I digress.) It would be super cool if they did their own take, aka any unconventional Timmy future that we haven’t seen as a concept in the OG show. I know many people are rooting for too remember, for them to be united, and I really wish it happens. We also have to remember this is hazels story too, and we’ll be seeing the end of Timmy’s story rather then the middle of it. A special about him would be amazing though, especially if he’s either the hero, or the villain. Idk!!One day I’ll make a full post about every possible future Timmy and my preferences towards which ones, but for now I’ll stick with my analysis of the OG show.

All I know is that Timmy changed Cosmo, Wandas, and Peris life almost more then any other Godkid, and I like to think the show respects the impact he had. Not only as their godkid, but as their first kid to consider true family.

[siriuslyobsessedwithfiction]

Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.

The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.

Her character at the beginning - a blank slate.

Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.

Refusing to belong

Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:

Alina's insecurities in SaB:

Not being pretty and talented

2. Not being as pretty and talented as Grisha

3. Being an orphan, being unwanted.

Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.

Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.

The narrative supports her delusions.

I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!

“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”

Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?

Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.

False badassery

Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.

When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.

The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.

When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.

Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.

Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.

"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”

It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.

She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.

When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.

Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:

“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”

The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.

Alina Starkov was meant to be the sun, but turned out to be a trick of the light.

Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.

Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.

Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.

Illusion, mirage, spectre.

No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.

Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.

She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.

P.S. I don't hate Alina's character, I just mourn her lost potential.

If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️

[wenclairfamily]

My Review of the OFFICIAL Wednesday Novelization

Recently, MGM released an official novelization that re-tells the events of Wednesday Season 1. What makes this novelization most notable is that it is told in the FIRST PERSON from Wednesday's perspective. Thus, you are getting the chance to relive the entire first season inside of Wednesday's mind this time.

On one hand, this provides great insights into Wednesday's character, and provides some explanation for certain moments in the show that I originally thought didn't need to be explained. For example, the piranhas Wednesday unleashed early in the first episode... we now know she was able to get them from a pet shop owner after black mailing him with information she had about him and his secret mistress. It makes an already dark moment in the show even more dark, and I love it!

However on the other hand, I sort of enjoyed how in the show: we had to guess what Wednesday was thinking just by looking at Jenna Ortega's face. I think it was way more fun at times to imagine what was going through Wednesday's mind, versus knowing with certainty what she was thinking. Additional criticisms I also have include how the book uses very little of Wednesday's actual narration from the show, and the bizarre choice of skipping certain scenes of the series, while over explaining in details other scenes (including a few short moments Wednesday wasn't even present at).

However all these flaws are made up for with the fascinating insights into how Wednesday views Enid. To be clear, this book does NOT say Wednesday has a romantic interest in Enid. However... Wednesday's first person narration does have Wednesday slowly admit to herself that she does view Enid as her best friend... although Wednesday also admits that is by default, because she also considers Enid her only friend (with characters such as Eugene, Bianca, and Xavier only being described as allies). Throughout the later half of the book, Wednesday also describes herself as missing Enid whenever she's not around, even talking about how she misses the bright colors she wears.

Also, while the book for the most part does not contradict what happened in the show... there is one small retcon the book throws in. As Wednesday wishes to grow closer to Enid, she wishes to find some way she can better relate to Enid, and give them both something in common they can talk about. Since Enid now has a boyfriend, Wednesday (according to her first person narration) decides to try a romantic relationship with Tyler (so that she and Enid can grow closer due to both having boyfriends now). So according to the book... in her own weird way... Wednesday kissed Tyler as a way to get closer to Enid... which I think is a BRILLIANT RETCON!

So while the book is a bit uneven at times (and likely could have used one more rewrite), and does eliminate much of the unspoken subtext that occurred during scenes in the show... it still is a fascinating novel. The insights into how Wednesday's brain thinks is very entertaining and imaginative at times; including fun new dark jokes Charles Addams himself would be proud of. I would not recommend casual fans or people that have never seen show read this book... but for hardcore fans (and fanfiction writers that need some new inspiration on how to write Wednesday): this is definitely worth your time.

[teeny-tiny-revenge]

Look, when Ed leaves with Jack it isn't Ed choosing Jack over Stede as the better partner/love interest. This is what Stede thinks is happening. Stede hasn't even entirely admitted to himself at this point that his investment in Ed is romantic, but he does treat it as a breakup, he sees Jack as a rival for Ed's attention/love, so from Stede's perspective, yes, Ed is leaving him for Jack.

Stede thinks he is in the romance novel plot and has to compete with his love interest's ex for his affections.

This is also what Jack is intending to make Stede feel.

Jack is playing a con. He is actively working towards Stede coming to the conclusion that Love Triangle Business is happening, but Jack's motivation isn't winning back Ed as a boyfriend from Stede. I don't think Jack does boyfriends. Jack does dalliances. He would probably agree with Lucius's "we don't own each other". And this would apply if Jack happened to randomly come across the Revenge and decide to fuck with Ed's new crush for kicks and giggles (which is what Anne and Mary do when in that situation!). But Jack doesn't come across the Revenge by accident. He is on a mission, given to him by Izzy. We don't know if Jack gets paid for it or if he does it because he's worried about Ed and doesn't want the Navy to get him, or some combination of both, but Jack is the only one in this equation who actually knows what is happening, and what is happening is a plan to drive a wedge between Ed and Stede to make Ed leave the Revenge so he's out of the picture when the Navy shows up.

But neither of this is what's going on from Ed's perspective. (This entire episode is a masterpiece in the "characters completely misunderstanding each other and what's going on" trope.) Ed doesn't really figure that he's been cast as the pivotal point of a love triangle. Ed isn't spending the episode trying to choose the better boyfriend candidate and then leaving with him.

Ed is busy having a personal identity crisis.

This crisis has been ongoing for a while when Jack shows up. With Izzy's pressure to pirate a certain way gone, Ed is freer to explore what Ed wants to do now and how he wants to live and who he wants to be. He is tired of the traditional pirate life, he wants to try something different. He also isn't ready to fully do a hard cut. He just figured out Stede might return his feelings during the treasure hunt. They just decided to co-captain. A lot of things are changing for Ed.

And then comes by a very old pal. Jack and Ed have history, they used to sail together, they survived their difficult youth under a cruel captain together. Jack represents a different type of pirate life than Izzy. Jack is fun. (Everyone but Stede thinks Jack is fun, and that's in no small parts because Jack is actively working towards making Stede uncomfortable but everyone else have fun and take Jack's side - this works on everyone in the crew including Ed!)

From the beginning on, Ed is struggling to make Stede and Jack get along and like each other. He's trying to somehow combine his old life and his new life because he doesn't want to choose between one of them. He wants to have the best of both worlds. He wants his old friend and his new friend/his ex and his crush to be friends and get along. He wants to keep what was fun about traditional piracy (as represented by Jack) but also move on to Stede's new brand of doing things. He wants fancy breakfasts, and then has to realise that Jack pours alcohol into his teacup. He wants to play coconut war like the old times, but has to realise Stede hates the idea. A big part of this episode, from Ed's perspective, is about trying to reconcile these two worlds and failing.

Ed's main problem, through both seasons, is that he doesn't really know who he is or who he wants to be. He struggles massively with self-worth and self image. He views himself as an unlovable monster and spends his entire life bending over backwards and wearing masks to cater to what he thinks other people want him to be. He plays up Blackbeard for Izzy, Blackie for Jack, and he isn't sure if who he is being with Stede is actually Ed or not. Ed thinks nobody can possibly like him, so he constantly tries to perform to whatever expectation his direct peers have of him.

Next to this main crisis, Ed is having another secondary crisis called "fuck I'm in love with this guy" and "does my crush like me back". This secondary crisis is heavily influenced by the first, because Ed thinks he is a terrible unlovable person, remember, so "does this guy who I think is the bee's knees return my feelings" becomes a lot more fraud than it would be for a person with a modicum of self-esteem.

Ed, who struggles with "who/what am I as a person", sees Jack as a person who is similar to Ed. They have a lot in common. They share a lot of backstory. They are both pirate captains. They used to do the same things. Ed always played Yardies and Whippies and Turtle Vs Crab, because really that's just pirate culture. The main difference between Jack and Ed is that at some point Ed outgrew this life, and Jack didn't. But Ed, who is bad at recognising himself as a person and to define his identity, is only sorta vaguely aware of that. In Ed's perception, him and Jack are very much alike.

So when Stede, Ed's new friend and crush who he already thinks is too good for someone like Ed, starts rejecting Jack and Jack's behaviour, and says things like "I don't like who you are around this guy", what Ed hears is "I don't like who you are". Ed hears Stede thinks Jack is a bad person, and because in Ed's head a) he and Jack are the same and b) Ed is a bad person anyway, Ed hears "you are a bad person".

"You were always going to realise what I am", says Ed, as he is leaving with Jack after Stede tells Jack to leave the ship. Note the dehumanising "what" instead of "who" Ed used for himself. Ed, who thinks he sucks and is an unlovable monster, thinks this is the other shoe dropping, and he's been waiting for it to drop all along, because someone great like Stede isn't for a guy like Ed. Stede was always going to see what Ed is.

Ed's leaving the Revenge/Stede is 100% down to Ed's abysmal self-worth. It's a self-perception born from childhood trauma that fucks Ed over several times during the show (and ultimately leads to his suicide attempt).

Ed is so busy having All That going on that he mostly fails to notice that Jack is playing him, or what exactly happens between Jack and Stede, that Stede perceives Jack as a romantic rival for Ed's attention/affection or that Stede too struggles with self-worth and that Jack is hitting him where it hurts all the time. Ed's headspace in this episode isn't "oh, two sexy guys I like, which one should I choose to be with". It isn't even "oh my old pal is being a real dick to my new friend who is feeling really insecure here". Ed's headspace is "I'm a terrible person and Stede is seeing it now and Jack wants me to do more pirate party stuff but Stede hates that so now they both hate me and I probably deserve that because I'm a monster".

Ed leaves for Jack as much as Stede an episode later leaves for Mary. It's the exact same situation. For Stede, his own trauma and self-worth issues show up in the form of Chauncey Badminton, telling him he is a monster and ruins beautiful things, and Stede's reaction is to agree because he already thinks that of himself, so he takes his horrible ruinous monster self away from beautiful things (Ed) and back to where it belongs (to a miserable life he was hoping to leave behind). And for Ed, no Chauncey Badminton is required, because he's already constantly thinking these things about himself anyway. From Ed's perspective, Stede tell him he is a bad person (just as Jack), so Ed agrees and takes his horrible self away from beautiful things he doesn't deserve (Stede) to a miserable life he was going to leave behind.

Neither Jack nor Mary actually feature into the leaving much. Neither situation is "leaving the new guy for the ex". They're both situations of "I have a fuckload of trauma and self-hatred and it destroys my actually pretty nice new relationship".

And this is very interesting as a parallel. It doesn't even end there! When Stede returns, and Ed hears where he went, Ed too goes to "you left me for Mary". Same as Stede went to "you left me for Jack". And neither of it is actually what was happening!

Stede doesn't leave Ed for Mary, and Ed doesn't leave Stede for Jack. They both decide, driven by very similar trauma, to leave because surely the other one is going to be better off without them.

[rainwalker-dragonblade29]

I started reading puzzle house, and I noticed something. There seems to be an age mismatch... In S6, soren looks about 6 ish. Claudia about 4... in the flashback that Lissa leaves. Which is preceded by kppar's disappearance. Soren is shown that young when Viren saved him. (Image credits : @raayllum and @stuck-in-jelly ) look how young soren is! Abd claudia is teeny weeny!

BUT IN PUZZLE HOUSE.... there's a scene between King Atticus (What a lovely man) and Viren.... he asks Viren how he is doing out of genuine concern!

(Pardon the picture quality my camera is not so great)

THE FOLOW UP OF THE SAME INCIDENT THAT IS IN VIREN'S FLASHBACKS!!!! BUT SOREN LOOKS ABOUT 10ISH AND CLAUDIA ABOUT 8ISH!

Now it is very much possible that the puzzle house happens very much later. Like after a time skip.

Also to note: claudia was given kppar's spellbook. Tge kids had been to his house multiple times atleast to mention "he never let us entertained his tower". Also Atticus asks the question as if it all happened fairly recently. Means tge flashback of s6 happened pretty close to the time of puzzle house no? But soren and claudia look older to me...

Wouldn't it make more sense if soren and claudia were a little older than how they are shown in s6 flashbacks to have known kppar! If soren is saved at an older age it would still work.

I don't know if it was a mismatch between the two departments handling the production of the season and the graphic novel. But their ages don't line up... like if all of those flashbacks of s6 happened with a little older claudia and soren, they would remember that incident much more strongly, and that is fitting for character!

I see three possibilities...

A) This is truly a mistake and there was a mismatch between the teams that made the season and the novel.

B) This is deliberate! They showed the flashbacks through Viren's POV. And maybe its the "to parents their children are always young" or this is just how he is seeing them in the memory of that incident now. Memories become distorted over time... we don't remember details and when we recall, we fill their place with details of how we felt that incident to be like, which is sometimes not what it actually was.... Viren's guilt makes him look at himself like the terrible man who hurt his two innocent children. And what better way to make a child look innocent than to literally age them down! Look at this image of claudia from one of the short stories... here she looks about her puzzle house age, seeing Lissa leave.

So it is true that the puzzle house ages are reality and the flashback ages are Viren's projections of his children as how innocent they were when he hurt their family. I AM ONTO SOMETHING HERE, I REALLY WANT THIS TO BE TRUE!

C) I could be wrong at judging character ages too (in that case it would be a bummer cuz what sort of animation student am I then?)

But what do you guys think? I am leaning towards the ages being shown that way is deliberate...

[stellocchia]

Killer being incredibly touch-starved is something I've been thinking about for a while. We know very little about monster biology, let alone Killer's who's something in between, so I'm gonna base this on the effect of touch deprivation in the real world (which, yes, is a very real and highly studied thing. And no, the people using it as an excuse for why they're 'owed sex' are still full of shit, because to the human brain the kind of touch, as long as it's positive and well received, doesn't make a difference).

Killer, for his whole time with both Chara and Nightmare, is deprived of any positive touch. Nightmare stabbing him and forcefully manipulating his soul certainly doesn't count as positive, and most Chara did was cut him up for fun (and out of curiosity).

There is a chance for him to receive some affection in an expanded Nightmare's gang situation, as I refuse to believe that people stuck in such awful conditions together would not develop a certain degree of closeness. Still, they live under Nightmare, so they probably cannot afford to indulge in any form of comfort too much. And I don't doubt that, in such a tense situation, fights would also break out often. Meaning he'd most likely get more gaster blasters to the face than pats on the back.

With that out of the way, here are some of the symptoms Killer may experience:

Overwhelming loneliness

Strong cravings for affection

Feelings of depression

Anxiety

Heightened levels of Stress

Difficulty sleeping

Attachment avoidance patterns

He'd also most likely do things to emulate the feeling of touch like cuddling his cats a lot, laying under whatever heavy thing he can find, and taking hot showers/baths. After all, this is Killer we're talking about. These are a lot of feelings and uncomfortable sensations that are entirely out of his control, he's definitely gonna try and reign them in.

I do think that, of course, this would affect every Stage differently. And they'd probably go about dealing with it differently.

Stage 1 would have a conflicted relationship with touch. On one hand, it's hard for him to keep from showing the discomfort he's feeling due to the touch deprivation. On the other, he also always struggles with feelings of guilt regarding the fact that, in his mind, he put himself in this situation. He probably wouldn't think he deserves to feel better. And definitely wouldn't outright ask for a hug or to hold hands unless he was desperate.

He'd probably try to deal with it quietly. Probably running the shower as hot as it can get and hoping it gets rid of the itch in his bones. He has probably begged both Chara and Nightmare for affection before, though I doubt that ended well. I think Chara just pushed him away in Disgust, Nightmare probably made him regret asking.

I feel like later on with Color he's probably gonna need constant reassurances and frequent gentle reminders that he can ask for a hug whenever. And, if that feels like too much, he can sit close to Color, shoulder to shoulder. They can hold hands, and, when that feels like too much, they can interlock pinkies. There are ways for them to navigate around this. And I think Color would be happy to help from the get-go with him.

Meanwhile, with Stage 2 I've always felt like they probably dislike touch (something something they don't allow themselves to show any degree of vulnerability and never let go of control. Both things that would happen if they indulge in any amount of physical affection). To be clear, this does not mean that they're immune to the consequences of touch deprivation, it just means that dealing with them will be even harder for them.

During their time with Chara and Nightmare they'd probably use a lot of the good old "gaslighting themselves into thinking that everything is okay" method. Similarly to how they did with convincing themselves that they actually enjoy being hurt on the regular, eventually, they'd probably start believing it. Also, they'd be highly reliant on their cats if they have any around. Cuddling them does soothe a lot of the symptoms for quite a while, and those little balls of fur at least are not gonna backstab them.

Even once they're with Color, I still feel like Stage 2 would rather cuddle with animals than with other monsters or humans. They'd just be far more free to do so without the threat of Nightmare killing those little critters hanging over their head. Also! A lot of types of dance and stuff like theater can help stave off the touch starvation in a way that may feel more comfortable to them. In a lot of those situations, there's a ton of touch involved, but as they'd be able to remain professional about it, it would probably feel less like giving up control and showing weakness than the alternative of being physically affectionate with Color.

Stage 3 is an interesting one. I feel like it would be the most open to admitting (at least to itself) that they have an issue. However, to solve said issue would mean putting the body in danger and that's not something it's willing to do.

Still, it would try to mitigate the discomfort as much as it can. Trying to find soft things to wrap the body up tightly with. Trying to find small places where it can feel somewhat compressed. It would never try to ask either Nightmare or Chara for help. Ever. It hates them with a burning passion and, besides, it's fully aware that, whatever is wrong with them, is most likely the fault of those two.

It probably also would regard Color with distrust at first, but, eventually, as it comes to trust him, it probably would be more than happy to get some cuddles in with him. I do think its favorite thing would be to sleep all curled up around one another in whatever safe den it has built. And, of course, as it builds trust with more people, those people are gonna be let in too. Though that's gonna take time, because for Stage 3 to trust anyone, Stage 2 and Stage 1 have to trust them first.

Stage 4 my boy... it's suffering. Not only can it not remember any instances of kindness, however rare, the other 3 may have received, but it is also the one that would struggle the most receiving any kind of genuine help even after running away with Color. And, before that, it basically just gets treated like a dog. Though, no matter how much he'd want it, the treat for a job well done is never a hug or a pat on the head for it. Usually, it's just it being allowed some basic necessities like water, food, maybe even sleep if things went particularly well.

And it wouldn't try to soothe any of its needs by itself. Just like it doesn't eat, drink, or sleep if it's not explicitly allowed. If Nightmare or Chara wanted it to get a hot shower or some cuddles from its feline friends, they would have said it. Since they didn't clearly it's against the will of the Players, as they're the Players' mouthpieces. The same would go for Color not saying anything.

And, here's the thing, Color would struggle to show kindness to Stage 4 at first. Both because it starts off as hostile as it doesn't initially recognize him as an owner and because there is something fundamentally unsettling about a being so divorced from humanity and monsterkind wearing the face of his friend. Stage 4's biggest downfall is the fact that it is so other that even the kindest souls would struggle to not dehumanize it. It was created to be a tool and it doesn't recognize itself as anything more than that, so others often fall into the trap of doing the same.

Anyway, Stage 4 would straight-up weep the first time it gets a hug. And, seeing that, Color would undoubtedly feel like shit for ever thinking that Stage 4 wasn't just as lonely, hurt, and deserving of kindness as the other Stages.

[zcinderone]

An ironically conspicuous yet never exploited(except by me as far as I can see) dot that connects everything which could be the ultimate layer of secret to unravel the true identity of Arei's murderer...

I'm 100% sure it's Levi and this is where the final piece of puzzle come to make sense of itself: the Monotv recruiting Teruko do CAULKING scene!!!

This is such a detailed and prominant plot that so far made 0 sense as to its connection to the case. Monotv must have enlisted a helper to clean up the mess left in the gym. Since he can't even do caulking, it is 100% valid for the narrative that there are something in this mess he can't handle. This helper would have abundance of time to figure out the mechanism and took the tape.

(Monotv specifically mentioning he needs help to do certain chores)

Apart from the 4 involved in Ace's case, the only one awake/available late at night was Levi(and we never know for what purpose the story writer specifically left only him awake and readily came out to check the commotion either). This connects everything.

Think about it rationally. It makes absolutely no sense for those involved in the previous case to make an imitation of their own. Only 4 people knew what happened, and Nico ran off leaving the only necessary tool(tape) to replicate this. Should any of the 3 try to imitate a crime only they knew and able to replicate, they are basically yelling they're the only targets from the get-go (and isn't this what's happening right now?)which is beyond absurd. However, if a third party does exist, it changes everything, they would have everything to gain from pulling an imitation since the premise would exclude their possibility permanently.

Based on the aforementioned points, I will make a tentative prediction about one event we are likely gonna see in ep 15: A scrum debate will happen soon, concerning whether or not Ace&Eden really is the only option scope for imitation crime, for they will most certainly discuss the very reason why they imitate and promptly realized the absurdity thereof. The narrative would seem really off if they don't dabble on why, accepting imitation for the sake of imitation. Some will take the stance that such attempt would be illogical for a rational conspirator in the first place, others will insist on the lack of direct evidence of a third party.

P.S. I am basing this theory on the assumption that the tape went missing under the dialogue box cg is dev's mistake tho because the tape on the ground scene always includes Ace on the ground and the moment he stood it changed which feels too abrupt and dev might just forgot to add that, and there is not a single scene that showed the tape missing without such blockade.

more to add:

Rewatching the "i'm not fxxing dead!" scene got me some new insights. The tape is placed rather near in front of Ace, a little to our right. Yet, when he stood up he knocked Eden out to our left. It would seem shaky if we take this alone by face value as it could just be a dramatic effect, but what happened afterward is the camera itself turned left to film Eden gradually standing, and turned right to focus on Ace and then turned further right to focus on Teruko, which clearly suggested the actual positioning is: Eden Ace (tape?) Teruko (tape ?) . Problem is, the tape still exitsted right before, and went missing right after Ace stood up in the Teruko "yeah i figured" scene, few secs before Eden stood up, therefore her positioning would exclude her possibility of getting it. And Ace couldn't get it either since four eyes were and the camera was mostly on him, even depicting him reaching his wound with two hands.

I think If the dev did intend this hidden scene to be the key to locking the culprit, they would most likely be meticulous about either the tape's positioning or Ace's act to make unequivocal sense that one of them would have a clear window to obtain it, which in turn suggests they probably never had such intention to begin with.

Also, we got to consider factoring in complementary details like the starched clothes ball(Levi was the only one who mentioned being in the laundry room some time at night in ep10), Arei's missing glove(both Eden and Ace wears glove, Levi doesn't), enough strength to throw the rope near the ceiling(they emphasized early in one scene how high the ceiling is and eden is the smallest girl) Whit trying to make an argument about another motive Levi could have for killing Arei yet got cut off, and trying to redirect the crew's attention back to Levi's secret itself for some reason and got cut off again in ep13 11:22 12:44 (this i think is super super important and it seems only I was mentioning this). These solid details are all adding to the likelihood of Levi, and I really can't find as many other details to back Eden or Ace.

[gallifreyianrosearkytiorsusan]

Lessons on Intimidation

Author's note: More of Husbandry AU. Thank you to @c-u-c-koo-4-40k for letting me borrow Khopesh! Thank you to @sleepyfan-blog for letting me borrow Cedric.

Summary: Olly is going to tell Cedric about the bullies, and the rest of the squad to warn them about Algret and his brother. Just in case they try to push the other's around. He also asks Kerubiel for mean-ness lessons and 'how to intimidate' people lessons from Khopesh.

Warning: uh... Discussions of bullying. Let me know if I need to add more.

Tagged: @barn-anon, @bleedingichorhearts, @c-u-c-koo-4-40k, @egrets-not-regrets, @kit-williams

Tagged: @sleepyfan-blog, @ms--lobotomy , @thevoidscreams, @i-am-a-dragon34, @gra93fruit-blog

Tagged: @felinisnoctis

Oleandros is going to tell the rest of the Primaris squad about the Apothecary Space wolf Algret and his friend and what they did. Also- he's going to be asking Kerubiel on how to seem mean. Keru's really good at spooking other people.

Oh! Khopesh is great at Intimidation as well. He's going to go ask Khopesh for lessons on intimidation. He sends Khopesh a message, who eagerly responds and they meet up near the Chaos base.

"Hey Khopesh. Uh. I was wondering if you'd teach me how to be Intimidating?"

"Sure!" Khopesh says, excited that one of the Primaris marines wants to be taught how to intimidate others. He's go so many different ideas, "Before that, I want to know the context."

"So ... there are a couple of Space Wolves," Olly explains what had happened, and how they had bullied him to send a message to Cedric.

"Tch, and they call Night Lords Cowards," Khopesh says shaking his head before grinning maniacally as he started talking about his favorite methods of intimidation and methods of torture.

Olly is grateful for his enthusiasm but says, "I ah...I don't want to Actually torture anyone...you Know that right? Its important to me that you know that."

'Ah sweet summer child still an Ultramarine at heart.' Khopesh thinks to himself fondly as he nods and replies, "Suit yourself, but I will Gladly teach you how to make people, think you're capable of such a thing."

"That after all, is the Root of fear. And that will be lesson one, what about you can you use to be Scary?" Khopesh trilled walking around the Primaris who followed with his gaze. "Intimidation is One thing, but to invoke true Fear comes from using what you Have to show you are Capable of inflicting what the fear predicts."

The Night Lord grinned showing off his maw of impressive sharp teeth.

Olly ran his tongue over his own blunt ones. "I don't think will work for me."

"Nonsense!" Khopesh chortled. "Think for a moment, what's something those nice chompers can do that mine can't?"

Olly seemed lost for a moment, before Khopesh sighed and pointed to the pouch he'd seen the Primaris store his rock snacks in. Olly grabs out one of his snacking rocks to show him, still a little confused.

"...I can...eat rocks??" Olly replied. "So can many others??"

"Yes! And do you know how Wild that is to witness??" Khopesh replied with a disbelieving laugh. "Just imagine it! Getting into your targets space, looking over them with your impressive height and Then!"

Oh right, one of the more minor differences between Primaris and First Borns, which while both of them can consume normally inedible to base line human items, Primaris marines have stronger bones, which include dental ones as well.

Khopesh prompted with a flourish. "You rip a chunk of rock from your environment, doesn't matter what or where just as long as you can chew it, and Bite it in Half right in Front of them!"

Olly listens and nods to what Khopesh is saying with a serious expression on his face. He looks around for a piece of rock that would look impressive enough.

"The first things their minds will go to is 'Gee what if that rock was my skull', better bother someone else." Khopesh elaborates, "and of course there are the more subtle ways to invoke fear but we'll get to those later."

"Oh," Olly says, "That's good to know. Thanks Khopesh!"

He looks around and then easily rips up a large chunk of rock, "Like this?"

And he turns to look over at Khopesh with the big chunk of rock and takes a few bite out of it. Making sure his expression was stern-neutral as he did so.

"Oh! This rock is rather- tasty," Olly says happily, breaking out of character, "And the texture is quite nice."

"… I shouldn't say that to the person I'm trying to intimidate, right?" Olly says a little sheepishly. He says after a moment or two of eating the moss covered rock.

"That will help with people thinking you are intimidating if you don't talk about the flavor and texture of the rock you are eating, yes." Khopesh says with a laugh.

Bullying is something that can happen between astartes some times, it happens and it sucks. But- Olly's doing what he can to fix it himself and warn other potential victims of bullying. If he wants more help, he hopes that Olly knows that he can come to him.

~~~~~~~~~~~~~~~~~

"What did you want to talk about?" Kerubiel asks Olly as he looks at his fellow Primaris marine curiously.

"Oh- so A couple of Scout Space wolves bullied me earlier today." Olly says, "Because the Apothecary in training was upset that Cedric beat the shit out of him for being an asshole. But he didn't go after Ced because he knows Cedric will beat his ass again."

"And they went after you, despite how big you are because your softer," Kerubiel says, "... have you told Cedric yet?"

"Oh... yeah..." Olly says, "As soon as I find a way to phrase it so that Ced doesn't go all Wrath of Dorn on them."

Kerubiel snorts, "ha- oh, I want to be there to see his reaction."

"It's not funny!" Olly says frowning at the Dark Angel, who continues to laugh, "No- but those flea bitten dogs deserve the Karma they'll get for fucking with you."

"I'm hoping telling Ced that I'm taking mean-ness lesson from you, if that's okay, and you want to - you don't have to-" Olly rambles.

"Meanness lessons?" Kerubiel says with a chuckle, a fond smile pulling at his lips. Some might grow offended to what Olly was babbling, but he knew what Olly was really intending to say. "Sure- I can help with that Olly."

"Oh- thanks, Keru!" Olly says.

"Provided you give me the names and descriptions of those to shit heads." Kerubiel continues.

"... You're going to do something to them, aren't you?" Olly says with a frown, "I can fight my own battles."

"Yeah- and they involved an innocent third party," Kerubiel says with a scowl. "We both know what happens when shitty first borns go after Primaris. How Bad it can get, and how fucking little recourse we have."

"That... that was back in M42," Olly says, "The- the First borns- and Cedric and the other Primaris Marines say that... that things are different on Ancient Terra."

"Yeah sure," Kerubiel says rolling his eyes, "Just because their punishments are lighter, don't me that the protections that the First Borns and Terran born Space marines get doesn't mean it applies to us. It never did, not really in M42, why the hell would it be true here?"

Olly goes quiet and wilts a little at that. "... we could have Claude as Khopesh or Anrir about that."

"Eh, if that's necessary, maybe later," Kerubiel says with a shrug, "And Anrir only cares about Claude, not much about the rest of us. Which I get why. Claude can be adorable and he's adopted him. Good on Claude for getting such a fierce mentor."

"Albeit an unstable one," Olly mutters quiet, "... but then again. He's Terran born, and has survived from the Unification wars to After the Heresy. So."

"Holy Stars," Kerubiel swears, "He's old."

"So old." Olly replies.

Kerubiel and Olly are quiet for a moment, it shows just how dangerous he is. An old man surviving as long as he has in the type of career they have. It's rare and means that Anrir is exceptionally dangerous and good at what he does.

Kerubiel teaches him different ways to move and certain phrases to say, also reminds him of certain kinds of situations and the build up for them so he can realize what he's potentially getting set up for before it happens.

"Alright," Kerubiel says, "I think that's enough for now. Cedric and a couple of the others are going to be visiting Atlas and the other wounded Primaris. Good time to go let a whole bunch of the others know about those shit heads."

~~~~~~~~~~~~~~~~~~~~~

Olly and Kerubiel are in the section of the med bay were Olivar, Pallius, Atlas, and Cedric are. The ones who are wounded Cedric is fussing over. Ramiel, taking a break from Chaplain training is quietly speaking with Olivar about something.

Jophiel is happily bouncing from person to person, while Catius is working on some paperwork- occasionally talking to the others about this and that.

Claude is helping Cedric- by carrying some medical supplies from the closet to where he needs them put down. Olly drifts over and watches the situation with a small smile on his face.

Atlas and Catius look over at him, "Something on your mind Olly?"

"Huh?" Olly murmurs, "Oh, just have a message to give to Cedric from an Apprentice Apothecary Algret of the space wolves."

Cedric's face shifts a little and he sets down whatever it was that he was holding and came over to Olly. "What did he do?"

"Uh, he says that 'we're even now.'" Olly says to Cedric.

Cedric's face darkens, "Olly. What. Did. He. Do?"

"Him and a friend pushed me into some mud." Olly says, "And dumped a bucket of disgusting smelling goo that hardened and stank. It took me hours to clean my armor of the stench and mud."

"That bastard." Cedric hisses upset.

"Ced," Olly says gently reaching out to try and calm his sometimes over protective brother cousin, "No really harm occurred. I just wanted to let you and everyone else know. Just in case he decides to escalate his behavior."

"What did the others say when you were covered in mud and stench?" Atlas asks.

"Oh well- the space wolves had planned a head and sent a message saying that I had tripped into something." Olly says. "The Sargent is apart of their Renegade war band. So... Even though I have video proof that it wasn't me being clumsy. You know how First Borns tend to react to their Scouts being 'harmless pranksters' to primaris."

"... Have you told anyone else besides us?" Catius asks.

"Just Khopesh, when he asked why I wanted lessons on intimidation." Olly says, "So- I'm working on not being such an... easy target. Sorry about that guys."

Olly knows he can cause his brothers a lot of stress, and he tries not to. He looks down and scuffs his foot on the ground a little self consciously. Not noticing the expressions on the others faces.

"They lied to a superior officer?" Claude asks, as a clarifying question, a frown on his face.

"Yeah," Olly says, "And they wouldn't let me up until I repeated their words back to them. The mud was... they had prepared that involuntary mud bath ahead of time for it to... be as effective as it was."

Cedric growls a little and his hands clench into fists. Olly gives Cedric a hug, that just so happens to also potential restrain his temperamental brother-cousin.

"No permanent damage happened." Olly informs him, informs all of them.

"Cowards," Jophiel says with an angry hiss, "They didn't go after the one that had smacked them around, I'm surprised they didn't go after me or one of the smaller of us."

"The rest of you are either too intimidating, have psyker powers. too wounded, or too loveable," Olly says in a no nonsense tone, he gestures to the ones with special powers, the ones who are more intimidating (and they know who they are), same with those who are still wounded, and the ones who are easily lovable.

He's not jealous, its fact, some brothers and cousins are far more palatable, far more lovable, and easy to love. While others are less lovable, less palatable.

Part of him wondered if he was a Pariah, or hand the genes, even if just a little bit. But- if he did then he'd have had the training for it, or would have been culled. At least he thinks that is what the Magos on Trainers would do.

But no, he's not special, not like how his brothers and cousins are special. The psyker and non psyker ones. They are so clever, so witty, so strong, and only will grow more so as they get older.

He'll just continue to fall behind and stagger like a clumsy ox after them and try not to drag them down. Try not to be too much of a burden.

"Oh- yeah they are Space wolves, didn't want to go after the 'witches' in case you gave them 'witch cooties' or curse them or other such nonsense, I think." Olly says rolling his eyes, "And they... likely thought it dishonorable to go after the wounded. And I was ... in a place for them to grab. So."

Olly shrugs, he's unfortunately used to be used as a 'messenger' of that kind of nature for his brothers and cousins. And as much as it sucks, at least it's him and not one of the others.

It's something he can do as a way to shield the others from... stuff and things. Especially since all of them do so much to help him. Why not return the favor? Besides, even if those First Borns had hurt him, Pain is temporary and it would heal up quickly.

"I've had bullies use me to send messages to others that had a lot worse than being stuck in mud for a bit." Olly says as a reminder, "So really. I'm fine. Cedric. Everyone. And since Algret and his buddy say that 'we're even now' going after him would only... escalate the situation."

"Have you told Captain Ash'val or one of the others?" Claude asks.

"No, why?" Olly asks, "such squabbles between Scouts are to be kept between Scouts. Besides, the First Borns will most likely side with the First Born Scouts, and then I would have to do punishment for being a 'whiny little bitch' who doesn't know his place."

"Who told you that?" Cedric growls.

"Who told me what?" Olly asks.

"Don't play dumb, what you just said," Cedric grounds out.

"Oh, some asshole back in M42," Olly says, "He's not here, so it doesn't matter."

"Olly..." Catius says coming over and giving his brother a hug.

"It's in the past," Olly says simply with a shrug, happily leaning into Catius's hug while he still has his arms around Cedric as he gives big ol' 'please calm down' puppy eyes to Cedric.

It's sometimes really effective. Sometimes it just makes Cedric huff, puff, and even more protectively growly. "Perhaps talking to Captain Ash'val or one of the others might be a good idea. Or big Burders Arnault and Roland."

"Why?" Says Olly tilting his head a little, "the one that got bullied was me. Not you or one of the others they care about. So they won't give a shit."

"Olly!" Jophiel says with gasp.

"What?" Olly says with a confused blink and a head tilt. "The first borns care about you- and the others. Therefor it would upset them if you or the others were the ones that were bullied. But it's me. They don't know me. Not really. so they won't care. It's fine. It make sense."

Olly says with a shrug, "I'm an acquired taste, and most tend to not like me for being, well me. It's fine."

"... Olly." Ramiel says his voice wobbling a little.

"Oh fuck," Olly says, "I said that out loud, didn't I?"

"... Yes you did." Catius and Atlas say at the same time.

"Why do you think they wouldn't care?" Cedric asks, a complicated expression on his face.

"Because Roland and Arnault are Black Templars- of course they, understandably, prioritize you- and the other Black Templars over the rest of us." Olly starts, "of course the first born brothers and cousins that have bonded to the other primaris marines more care about them. But I'm just... in the back ground. Tied to you lot tangentially. They don't care about me personally, and that's fine."

"There is no way that they care about me, in any capacity, I haven't got the endearing kind of personality type," He shifts a little, stating all of this very matter of factly, he believes every word he's saying, "Besides- it's great that you all have found such people to help and protect you. I can manage. I have before, I will now. It's easier on Ancient Terra, not as many bastards to have to deal with. I know how annoying and difficult to deal with. I just have one of those easy to bully faces and personalities. Haha."

He's always been rather good at that- getting the ire of others directed onto him and off of the others. It's so hard trying to be good, to not be frustrating or hard to work with.

It's like everyone was given certain socialization lessons and he'd missed those classes somehow. And like everyone else was using a secret set of social rules that they all knew about, but no one would really explain them to him.

All that would happen is he'd get punished for unknowingly breaking those rules and punished for doing something when he had thought it seemed like a reasonable action. When he said or did something that someone else had done, but while they were able to do it, he was scolded for it.

That reminds him of one time, when he'd been a lot younger, back on Mars. When they were doing 'free play' sessions and Olly had asked one of their brother cousins if they wanted to play. The cousin had said that he wanted to play with him later. So he'd went away and had come back to ask that brother cousin a couple of hours later if they wanted to play.

Then that brother cousin had yelled at him, saying that Olly was being rude and that he'd already said that he hadn't wanted to play with Olly and that Olly was being rude.

Much to Olly's horror he'd started to cry a little and had tearfully explained that this was later, that he'd agreed to play with him later and later was now.

That same cousin continued to yell and scold that he didn't actually want to play with Olly at all, But he was merely being polite. That he should just go away. That Olly was far to annoying and intense. To just shut up and go away.

Superior officers didn't like questions, even when Olly wasn't trying to be rude. He just ... didn't understand the assignment he'd been given. That the training he had been given wasn't enough.

He wasn't trying to be rude or question there authority. He just ... wasn't sure what he was supposed to do. So no, he wasn't going to pester the older brothers here.

He was far too annoying. Far to difficult to handle for most. To be honest, he doesn't know why Cedric and the others put up with him when he can be way too much.

At least they are nicer about it and say "Olly shush!" at times. Which is helpful, and lets him know when he's being too talkative or is saying something that could potentially offend someone else or something.

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower