#but its going to take a really long time

[wasyago]

the brainrot won

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[poorly-drawn-mdzs]

Aw! XL cooking reminded me of when I was working with children and they'd get nightmares/scared of monsters, so was go to the garden and make Monster Soup! Anything that looked good would go into the nearest source of water (often a bird bath) so that the monsters would know we are kind people and stay outside and not come inside. Also the monsters would think of us as friends and protect us instead of scaring us. Now I'm hoping that I have turned any of these kids into bad cooks bc I was like that flower looks good! Toss it in! 😅😄😄😄

Thank you for reminding me of this memory!

I'm-In-Love-With-The-Monster Soup.

[astrum99]

Do you think bugs fall in love?

Their small bodies host even tinier brains. Built to crawl through soil and rocks bigger than itself. Running on a simple software bouncing between eat, sleep, fight, flight, and copulate.

V1 is smarter than a bug. It must be. It’s a war machine, so it must be. Its programming is complex enough to fry several motherboards; the internals are heated from constant, unrelenting processing needs. If it updates its optical data intake to any greater degree than these rough, messy polygons, it’d surely perish from the overwhelming information.

V1 is built to kill first, survive second. To be fair, survival would ensure more killing, so it’d be more effective. Moving through the battlefield, culling lives, drawing blood. Perfectly aligned with its programmed objectives, then.

Gabriel is smarter than a bug. He must be. He’s an angel, so he must be. He’s one of the best soldiers in the heavenly realm. Armour and swords glistened with pride and justice. He sees all. He judges all. His loyalty and perfect track record have earned him a high rank within the order. Leaving behind the creaturely "it". His light burns hot and bright within his constitution.

Gabriel is built as a messenger of the Father, then a judge of Hell. To be fair, the role of a judge was assigned to him by the council, so he supposes that his placement can be summed up as the bearer of the divine authority to bring right to all other creatures. Perfectly aligned, then.

Bugs… Well, they’re the same. I suppose. Small beings. Running pre-programmed orders derived from centuries of evolution: eat, sleep, fight, flight, and copulate. No role. No responsibilities.

Bugs are built naturally and fully, unlike humankind; but formed and ready to go within seconds from their births, like machines and angels.

So. Do they live?

When the machine and the angel escape their chains, do they see themselves in bugs?

Bugs are born to live, temporarily, fleetingly, yet live nonetheless. Do they, then, deserve to live, freeing and meaninglessly. No role. No responsibilities.

So. Do bugs love?

Do they learn that they can go beyond their basic structures? Do they see their own reflection in each other’s compound eyes? Do they recognize each other’s bodies, scents, heat? Do they feel the desire for closeness?

To flutter wings like a dance of waltz. To brush antennae like butterfly kisses. To greet and caress and lie next to each other near their death.

To move through the sky in battle, in passion. To clash swords and fists and bullets. To greet and caress and lie next to each other near their death.

The same cells in the same blood coursing beneath the same suit of exoskeletons.

Machine, angel, bug. Boiled down to the barest essence of existence; crisp simplicity.

To live, to love.

[mattodore]

he's waiting on a call he's planning to send straight to voicemail

[autisticlancemcclain]

Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me

i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.

[michaeljoncarter]

i can't even pretend to appreciate all these girlboss redesigns/"updates" of female characters that seem to have had zero thought put into them beyond making her outfit more quote unquote "practical" anymore. like.. not saying i like the fact that every other woman runs around with their tits and ass out while all the dudes are fully clothed, but it's just like. please. for the love of god. if you're gonna redesign a character, redesign the character! don't just ctrl+t & drag the fabric down to cover her legs and call it a day!

idk!! like i realize this is a stupid, nitpicky little pet peeve, but there's just something so patronizing about someone resting on the brownie points they think putting a previously "scantily clad" female character in some uglyass pantsuit version of her original look will net them instead of bothering to put a little thought & effort into it and actually come up with something new for her? tits-and-ass designs are egregious & kinda annoying, yeah, but at least it (usually) feels like there was actual thought put into them lol

[arcanegifs]

[yellowocaballero]

So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>

Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).

It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.

I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:

The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.

"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.

The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.

But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.

Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.

I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.

That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.

TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.

[carnivalcarriondiscarded]

In your lights out!au when Eddie wakes up, how did Frank feel? Was he happy? Relieved? Were they a thing before everyone went to sleep, or did they realize they had feelings for each other afterwards?

I hope this hasn't been asked before! I'm just really curious

i'm thinking that before everything went dark, they were getting there. nothing was said aloud, but they were both having Mutual Feelings and Charged Moments that neither could ignore

just because i think it'd interesting if when Eddie wakes up, it's like no time at all passed. he walked Frank home just last "night". but it's been years for Frank - they have to reestablish where they had been with the added facets how time has worn on Frank. among other things

[todayisafridaynight]

i sprained my wrist but duty calls

[fleouriarts]

feeling bad about my art lately. will probably not post for a while. but i wanted to at least dump some stuff here before i retreat into my hidey hole

[casualavocados]

for zero dollars i am going to talk about the boys’ individual singing talents now because im stuck on their performances at prom night ok here we go

to start, let me clarify by saying that i myself am a singer. i come from a family (multiple generations) of singers and musicians. my mom taught voice, violin, piano, and guitar in my home growing up. it’s just ingrained in my dna, ok, but this aint about me. just know that I know what im talking about as i get into this

im really only gonna touch on the four main singers (fourth, gem, ford, and satang) but all of them have their own unique qualities and im super impressed by their live performances. singing live is HARD. singing while dancing??? HARDER. and they held up for four hours, two nights in a row. i don’t. i cant - WOW ok

so of the main four, satang, ford, and fourth lean tenor, and gemini has a bass voice (more later). let me start with satang.

THIS BOY SINGS. RIGHT. IN. HIS CRACKING RANGE. HALF THE TIME. listen, okay, there is a difference between singing in full voice and switching to falsetto sometimes than singing in your cracking range. satang has to switch between full voice and falsetto almost every other note. that is HARD. it takes serious work and practice, and slip-ups are near impossible to avoid. he also has a soft voice, and in his case, when in this cracking range he does his best when he sings low and quiet, and is more likely to crack or slide the louder he gets (fourth is exactly the opposite of this and it makes me nuts in a good way. more later). satang also has very good vibrato, and the way he uses it helps him keep control of his voice and can even disguise the cracks and slides he does have. all this being said, you have to seriously appreciate the work he has done to sing so well at the concert. please watch his part in “healing” and go insane with me. when satang is in his full voice range he does his best singing loud, but this is what i wanted to focus on bc i am so proud of him because of how tough it is. 

ford also has a soft voice, but his control comes when he sings loudly. lower pitches are more difficult for him because he has to sing softer in order to hit them, and sometimes, when singing live, that means he can get too quiet to hear. but when he’s in his range and singing full voice? ohhhh my god he kills it. he rarely misses a note. just watch his performance of “come closer”, that’s all you need to know. his vibrato isn’t as good as satang’s but he has a good ear and that makes him so fucking good at harmonizing!! ford also has a very strong and clear tone when singing in falsetto (this line in “stand” showcases it perfectly) - whereas gemini’s falsetto is softer (but just as strong). 

GEMINI. first of all, this guy has so much control over his voice it actually pisses me off. i hate him (i LOVE him and im DELIGHTED by the way this live show was able to give his voice the spotlight it deserves). okay so earlier i said gemini has a bass voice, and that’s true - while talking. he has a stellar tenor singing voice, and his voice is very soft, but very clear and strong on those lower notes (thank you “you’re blushing”). and because he has that low range, his falsetto actually becomes better, bc it means when he sings high notes, he is far far away from his cracking range. it's barely noticeable when he switches between full voice and falsetto. his vibrato aint the best live when it’s unpracticed, but he rarely slides (unless it’s on purpose). he can blend with anyone, he’s very good at harmonizing, and damn he just has a sweet sweet falsetto (featured here and in. basically every song he sings. note that gem sings "hook" mostly in falsetto and fourth does it in his full voice, alongside each other; linked below)

FOURTH. let me start by saying i am the most impressed by his live performance. i am now obsessed with his voice in a lot more ways than i was before. so i mentioned earlier that he’s the opposite of satang, in the sense that he is more likely to crack, slide, or miss hitting a pitch when he’s singing quietly. but he’s also the opposite to all three of them, because where satang, ford, and gemini all have soft voices, fourth’s voice has a very clear tone right off the bat. this makes his approach to singing vastly different from the others. his falsetto is good, but when fourth sings loud? HE DOES NOT MISS A SINGLE NOTE. this boy can BELT it out in his full voice, and that includes both high and low notes. oh my god it is insane. LISTEN. TO. THESE. RIGHT. NOW. OK? please drink some water boy ilysm. 

the fact that fourth spent those four hours, two nights in a row, singing in mainly his full voice, and absolutely kill. ing. it. the whole time is THE most impressive thing to me. do you know how much energy it takes to sing in your full voice for a long time? can you imagine how much MORE energy it must take to do that WHILE DANCING? do you know how much control over his breaths he has to have for that??!?!?! AND TO STILL SOUND THAT STRONG AT THE END OF THE SECOND NIGHT. i dont care. he’s everything to me.

honestly they all are. this is getting long so im gonna wrap it up but i have never enjoyed a live performance more in my life. these boys are so talented it's insane and gmmtv is lucky to have them.

[moeblob]

Just casually dropping relationship statuses after Azure Gleam or something.

(I really should play more SB but hhhhhh)

[good-beanswrites]

I can't stop thinking of Kyanako's Order of Attack au... there's something so moving to me about how things getting so much worse could be what finally causes Amane to get better -- seeing Fuuta dying may be the final straw of getting her to rethink her rejection of medicine. Been a while since I've attempted something whump-y, this was fun to work with.

Tw for mentions/contemplation of death. I don't go into detail about the cult but the doctrines are implied through it all.

Fuuta was not a big fan of dying.

When he imagined his own death, he always pictured it as something dramatic and fast. Action heroes going out in a show of explosions and gunfire. Fantasy characters meeting the shining end of a blade. Even when he accepted his place in Milgram, it filled his mind with images of gallows and electric chairs. 

Whatever this slow, lengthy fever was, it was pissing him off. 

He’d lost all sense of time. He could no longer tell which hour the prison bells were marking -- morning and night blended together. Dreaming and waking blended together. His head injury and broken leg and broken bones blended together. It was all just pain at the end of the day. He had nonstop visitors that kept him awake and asked him too many questions and prodded his injuries and made his head spin. Somehow, he was simultaneously alone every time he rolled over to talk to someone. Painfully, suffocatingly alone. 

If Kotoko was going to kill him with those ridiculous emo boots of hers, she should have just done it. He was losing his mind here: devoid of all energy, suffering through broken bones and a cracked head, and boiling in an increasingly fiery fever. Maybe that was the reason he stopped commenting when he watched Amane pocket the medicine Shidou had left him. Maybe that was why he’d stopped following Shidou’s instructions himself. Even after losing an eye and taking a beating herself, Amane always looked at peace. He was tired of dealing with all of this. He wanted a bit of that peace.

Regardless of why, it was working. His fever had quickly gone from the biggest pain in his ass to the very thing that dulled his racing thoughts. 

He awoke suddenly, or maybe he’d already been awake. He couldn’t feel anything in his limbs. There was only a breathless heat around him. He raised himself into a sitting position, looking for a drink. Moving his head felt like one of those glitching computer windows that leaves a trail of copies behind it. The room swam around him. His eyes moved absently around him.

Fuuta picked up the glass that someone had left him. His fingers were clumsy, and it immediately went crashing to the ground. He hardly heard the noise as it broke apart on the concrete below. 

He swung his legs over the side of the bed. He’d just go get a drink himself. Shidou told him not to get up without help. But what did he know? Thinking of the man ordering him around only drove Fuuta to step out of bed even quicker. He cried out, pain shooting through his leg. That was right, it was broken… 

Fuuta looked down, finding himself on the ground. It was so hot. Maybe this is what she felt, he thought numbly. Was it this slow for her too? Probably not. She had no regrets to fill the time like he did. The heroes got quick, beautiful deaths, and it was the villains who had to suffer the long ones. 

He lifted his right palm from where it had caught his fall. The shattered glass on the floor had cut into it. Shattered glass? What had broken? He stared blankly at the blood dripping down. 

He didn’t have the strength to raise himself up. He was burning. Why was he on the ground? Was he bleeding? He could barely breathe. What was he doing here, anyway? He just wanted to curl up and sleep. He was so weak... just to lie down... he wouldn't have the strength to get back up again. Was that such a bad thing...?

A voice caught his attention. His eyes struggled to focus on the figure who’d come running into the cell. He couldn’t understand a word of what she was saying, but he was happy when she pressed her cool little hands against his forehead. 

He allowed her to prop him up next to the bed. She held onto his hand, squeezing it tight. Why was she holding it like that? That hand was bleeding. When did that happen?

Her arms wrapped tightly around him. He wanted to shove her away -- it was too hot -- but couldn’t. In his ear, he could make out her words. “I’m sorry. I’m so sorry. Please, Fuuta. Don’t leave me alone. I’m so sorry...”

As she pulled back, he recognized Amane. Her uninjured eye was filled with tears. Was she upset? He thought he’d been making her happy. He wanted to keep making her happy. He’d never made anyone happy before. 

He opened his mouth to say something, but no words would come out. They all scrambled up in his mouth. He felt the cell swirling around him.

Amane raised her voice. She looked desperately upwards. “This can’t be --! This isn’t right!” 

Fuuta looked up at the ceiling. There was nothing there. 

“I can’t do this anymore.”

She continued talking. Fuuta was too busy studying the ceiling. She was shouting. Or maybe crying. Fuuta didn’t like that she was so upset. Huh, had there been someone there? He surveyed the empty cell. What was he doing on the ground?

He looked down at his hand. The sheet from his bed had been pulled down and wrapped hastily around it. Why? His eyes felt sticky as he blinked. Everything hurt. It was so hot. What was going on? He was so angry. He was so scared. He wanted to cry. Why was he here? Why couldn’t he just hurry up and die already?

The next time she entered, Fuuta recognized Amane instantly. Her one hand pointed to him, the other held onto someone else. The second figure hurried over to him. 

Fuuta was not a big fan of dying. Shidou reassured him he wouldn’t.

—

“You’re wearing the eyepatch,” Fuuta observed. 

He was playing a dangerous game, drawing attention to it like that. He was too exhausted, and his curiosity won out over his better judgment. If Amane was going to explode with one of her typical speeches, he’d just let her.

She didn’t. 

Amane’s hand drifted up to her eye. It had been hastily covered before, but now it was cleaned and wrapped in professional-grade materials. She simply said,  “Kajiyama Fuuta. How do you feel?”

“Like shit.”

“But--”

“-- But I’m better, yeah.”

Amane nodded, her shoulders releasing. 

“Oi, I haven’t seen you in a while. Not since…” He wasn’t sure how to finish the sentence. Shidou had told him what happened, but it was difficult to believe. He couldn’t quite trust his own memory of the night. No matter how much clearer his mind felt since receiving proper treatment, those days of fever still muddled together. He heard that Amane had up and switched her beliefs overnight -- she was now complacent about all of Shidou's treatments -- but Fuuta knew people didn't just change like that. He wanted to hear it for himself.

She lowered her gaze in shame. “I… I thought you hated me.” Her voice was steady. “As you should. I almost killed you. I accept any ill will you may feel.”

“I -- what? You’re wrong. You… it wasn’t…” He grabbed his head, grunting in frustration.

After standing awkwardly in the entryway the whole time, Amane took a few steps inside. She made it to his bedside when he finally collected his thoughts. 

“It was your fucked up family or whatever that caused everything. They did this. And I went along and made things worse.” He looked away. His next words felt stupid to say to a little kid. He felt like the most pathetic, weak, loser. But it was too important not to say.

“They almost killed me. You saved me.”

[svampira]

mini oc comic coming maybe hopefully?