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#but morgan was canonically sexually abused and there are some things in early episodes that imply a similar backstory was also intended for
frankiebirds · 4 months
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started binging criminal minds, i was gutted when elle left & now watching the next couple of s2 episodes i really felt her absence. especially in 'the last word' when a women has to pretend to be dead so they can catch one of the serial killers (they so needed to have a frank convo about making elle relieve her trauma + this couldve been a great intro to that). i read your post, i agree it did make sense why elle left considering her background as a sexual offence specialist & what she says to reid but i found the writing lacking. her exit felt rushed + not final bc she only really shared scenes with hotch. also she also seems the type to not wanna give up the bau bc that would mean the fisher king wins + is a determined person so it would've been better to see her slow realisation she cant do the job she desperately wanted in s1. also the fact her relationships with the rest of the team + their reactions weren't fully explored is annoying since she was quite friendly with everyone particularly close to morgan, reid even gideon. especially since gideon inadvertently caused her get shot as he didnt want to follow the rules then said elle would understand?? so a confrontation w gideon similar to the one w hotchner wouldve been nice. i miss morgan's fun bantery friendship with elle in the later eps when she wasn't there to partner up with him (idk they seemed to be a go to partnership to me) & the elle/morgan/reid trio is sorely missed. ive largely enjoyed everything so far (just finished 2x09) but i wish they'd more deeply explore the characters' history. like the inclusion of reids mom was interesting & really liked how garcia respected reids privacy to keep her illness a secret. it was a missed opportunity i felt not to see elle & morgan not bonding over losing their cop dads or hotch and gideon talking about fatherhood when hotch is missing out on his babys key milestones (ik there was that bit in s1 when hotch tells gideon to get in touch w his son but more of those moments wouldve been nice). whilst i feel the team all like each other and there's some interesting/fun friendships (reid&gideon , garcia&morgan etc) id be nice to have some downtime scenes showcasing them as a makeshift found family (sorry i love that trope & c'mon they spend more time with each other than with their acc families). anyway sorry for the long rant this show is eating at my brain lord my brain mass will be equivalent to a pea by the time i finish this show. <3
thats fair and i get what you mean! there are definitely moments when i felt elle's absence and there are definitely things about her leaving that i would change if i had the power—i absolutely agree that the reactions from the rest of the team to her leaving and the actions leading up to it were sorely lacking, and a slower realisation that she cant do the job anymore would have been very cool to see, although i think the latter was less due to writing problems and more to the fact that elle left the show because lola glaudini chose to leave (ie they couldn't write a fully fleshed out leaving arc for elle because it was driven by out-of-show events and therefore not planned/they had limited time to execute it). the lack of reaction from the team is a writing problem though, so again i very much agree with that!
i hope you enjoy the rest of the show and get some of your wishes, and if you dont, you can find some good fics to fulfill them <3
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Fic Rec Bingo!!
So instead of Fic Rec Thursday, I thought I'd do something a little different this week and recommend 25 fics based on this bingo card (although it turned into 26, oops). I kept most of these as CM because that's my blog's focus, but due to the nature of the prompts, there are 5 Marvel (Irondad) ones & 1 Sherlock towards the end!
from @lightveils on twitter, but found posted on tumblr by @cywscross <3
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1. A fic with a premise that shouldn't work but does
I never would've thought I'd enjoy a fic with Spencer as a little rebellious shit because it seems so ooc, but I loved this one!
las vegas kid by trashcanbarbie - 1.9k, 1ch, Gen/Aaron Hotchner & Spencer Reid, Gambling, Spencer Reid Needs a Hug, Young Spencer Reid, Teenage Rebellion, Protective Aaron hotchner, Pre-Canon, Father-Son Relationship, Teenage Spencer Reid
JJ raises her eyebrows, “so, you're trying to say counting cards isn't cheating?” “No,” he grins, boyish and charming, “it is.”
2. A fic you've reread several times
Discipline Changes by fullofcrazyness - 1.2k, 1ch, Aaron Hotchner/Spencer Reid, Implied/Referenced Child Abuse, Hurt/Comfort, Past Child Abuse, Spencer Reid Needs a Hug, Comforting Hotch
Jack stopped and looked at his dad, finally seeing that his dad wasn’t actually angry. Concerned and relieved, but not angry. He was about to say something when he saw someone in the doorway, white as a sheet. “Papa?”
3. A comfort fic
i'm always tired, but never of you by @iamrenstark - 2.2k, 1ch, Derek Morgan/Spencer Reid, Hurt Spencer Reid, Angst with a Happy Ending, Sad Derek, Established Relationship, Hurt/Comfort, Spencer Reid Needs a Hug, Derek Morgan Needs a Hug, Men Crying, Gunshot Wounds, Blood and Injury
When Spencer figured it out, he was stepping out of the elevator on the bottom floor of Quantico, and he went to tell Derek he loved him like he did every day, but he froze up, because he was afraid he wouldn't hear it back. (Or, Spencer thinks his boyfriend is falling out of love with him.)
4. A cathartic fic
Every Little Transgression by @58thacademic - 1.6k, 1ch, Gen, Angst with a Happy Ending, Sad Spencer Reid, Protective David Ross, Protective Derek Morgan, Mentioned Suicide Attempt, Spencer's Backstory, Implied/Referenced Rape/Non-Con, Spencer Reid Needs a Hug, Episode: s03e16 Elephant's Memory
Ok so. Elephants memory was really good because we got Reid backstory. But I'm still annoyed that he didn't defend himself against Hotch. So this was born.
5. A fic you'd print and put on your bookshelf
One Call Away by GhostInTheBAU - 204k, 32ch, Aaron Hotchner/Spencer Reid, Dubious Consent, Attempted Rape/Non-Con, Domestic Violence, Rape Recovery, Referenced Past Drug Use, PTSD, Hurt Spencer Reid, Protective Aaron Hotchner, Mutual Pining, Slow Burn, Angst with a Happy Ending, Fluff, Flashbacks, Healing, Nightmares, Suicidal Thoughts, Hurt/Comfort, Whump, Eventual Smut
When Reid's boyfriend attacks him, leaving him broken and bleeding, he calls the first person he thinks of for help. He calls the only person he really wants to see. He calls Hotch.
6. A fic you associate with a song
I associate this fic with The First Thing You See by Bruno Major. I think if you listen to the song, you'll easily see why <3
You Make Waking Up Worth It by @guccifloralsuits - 2.1k, 1ch, Derek Morgan/Spencer Reid, Fluff, Minor Angst, Established Relationship, Morning Routines, Hurt/Comfort, Good Things Happen Bingo
“Morning sweetheart,” Derek says, pausing briefly to ruffle his hand gently through Spencer’s hair. The genius nuzzles into the touch but doesn’t reply. It’s too early for conversation, Morgan knows. Pretty boy may get up earlier than he does, but it takes the younger a lot longer to really wake up.
7. A fic that inspires you
This fic could have been in so many categories because I adore it, but I wouldn't have started writing Rain is a Chance to be Touched without this fic so it definitely belongs here.
Forgive Me For All I Could Not Become by @degrassi-fanatic - 105k, 20ch, Aaron Hotchner/Spencer Reid, Canon Divergence, Getting Together, Angst, Case Fic, Confessions, Complicated Relationships, Near Death Experiences, Friends With Benefits, Smut, Miscommunication
In which Reid has always been good at hiding things. He hid his father's departure and his mother's illness from social services. He hid his addiction from his team. He hid his sexuality from the world. He hid his inappropriate feelings from his boss. That is until he's bleeding out in Hotch's arms, in an abandoned church, in Oklahoma. From there on out, Hotch and Reid learn to make a complete mess out of each other.
8. A fic that brought you on board a new ship
Even though it's unrequited, this was the first fic that really had me going !!! at Penemily <3
Another Wide-Eyed Girl by mallfacee - 2k, 1ch, Gen/Derek Morgan & Penelope Garcia, Penelope Garcia/Emily Prentiss (Unrequited), Coming Out, Internalised Homophobia, Derek Morgan is a Good Friend, Friendship, Gunshot Wounds, Episode: s03e08 Lucky
Derek Morgan is handsome and calls her “baby girl” and smiles at her like she’s the only girl in the room. Penelope Garcia knows she should be swooning and all she can think is that there must be something wrong with her not to react to a man like that giving her all this attention. Two years later she meets Emily Prentiss and understands.
9. A fic you wish could be a movie
Listen, I adore the soulmate trope, and an angsty moreid soulmate movie? Fucking sign me up right now
i need you now but i don't know you yet by @iamrenstark - 3.1k, 1ch, Derek Morgan/Spencer Reid, Hurt Spencer Reid, Hurt Derek Morgan, Mutual Pining, Soulmates, Hurt/Comfort, Buford Mention, Angst with a Happy Ending, Getting Together, Season 5
It goes like this; Spencer hasn't spoken to his soulmate since he was ten, didn't know their gender or their name or a single thing about them. Spencer's soulmate doesn't want him, and that's okay.
10. A fic that led to you making friends with the author
I'm doing two because fuck you that's why
This was one of the first fics I read of Adam's and I immediately fell in love with his writing! And I'm pretty sure that we ended up becoming friends after I rec'd it!!
Plum Sauce by @goldencatchflies - 1.5k, 1ch, Derek Morgan/Spencer Reid, First Kiss, Friends to Lovers, Getting Together, Canon Divergence, Fluff, Jealousy, Platonic Morcia, Episode: s07e13 Snake Eyes
Garcia tells Spencer about what she thinks happened between her and Derek. He doesn’t seem too happy about it...
I read this from Syd and absolutely loved it, and like with Adam, we became friends from there! (I mean technically husband and wife, but, y'know. Semantics.)
You Belong With Me by @spencerspecifics - 11.4k, 1ch, Derek Morgan/Spencer Reid, Song Fic, Getting Together, Angst with a Happy Ending, Pining, Fluff
A fluffy Moreid fic based on You Belong With Me by: Taylor Swift
11. A fic you associate with a place
This reminds me of a chilled Sunday afternoon on my old sofa in my living room, with the fire on in the background. I read it all in one sitting and loved every word <3
Metanoia by @makaylajadewrites - 39k, 16ch, Derek Morgan/Spencer Reid, Canon Typical Violence, Implied Rape/Non-Con, Implied/Referenced Torture, Established Relationship, Near Death Experiences, Frostbite, Rape Recovery, Suicidal Thoughts, Angst, Hurt/Comfort, Autistic Spencer Reid, Drug Use, Eventual Smut, Eventual Happy Ending
Oh, Derek… He couldn’t stand the thought of him bursting in with SWAT in tow, gun at the ready, only to descend those creaky stairs and find his naked, bleeding body, vacated of life, crumbled on a red-stained mattress. The realization that he was going to die at the end of this was catching up to him, but maybe it would be better that way.
In which an unfortunate resemblance to an unsub's victims puts Reid right on his radar.
12. A fic that made you gasp out loud
Gasp out loud might be a *bit* of an overreaction, but this one took me on a rollercoaster and I loved every second of it (all of bau-gremlin's fics will do that to you tbh)
The End by @bau-gremlin - 3.1k, 2ch, Aaron Hotchner/Spencer Reid, Graphic Violence, Stabbing, Blood and Injury, Temporary Character Death, Hurt Spencer Reid, Whump, Hurt/Comfort, Angst with a Happy Ending, Hurt Aaron Hotchner, Sleepy Cuddles, Protective Spencer Reid
The famous interview with Chester Hardwick ... except Hotch and Reid get separated and Reid is left alone with Hardwick and a prison-made shiv.
13. A fic you found at the right time
You're Going to be Okay by fullofcrazyness - 2.6k, 1ch, Gen/Aaron Hotchner & Spencer Reid, Dark, Suicidal Thoughts, Depression, Implied/Referenced Self-Harm, Suicide Attempt, Sad Spencer Reid, Hurt Spencer Reid, Depression, Protective Aaron Hotchner, Hurt/Comfort, Happy Ending
Spencer was no stranger to depression. His father leaving him, his mother’s episodes, being twelve years old in a Las Vegas high school. All of those things made him very familiar with the illness. “I… I think I need some help.”
14. A fic that you would read a fic of
Chain Reaction by EloquentDossier - 42k, 16ch, Aaron Hotchner/Spencer Reid, Alternate Universe, Texting, Dialogue-Only, Text Fic, Self-Esteem Issues, Fluff, Angst, Implied/Referenced Past Drug Use, Canon Divergence, Pining, Oblivious Aaron Hotchner, Happy Ending
A dialogue-only AU in which Hotch texts what he thinks is Rossi's new number but is actually the slightly eccentric stranger whom Hotch knows only as "Spencer." What follows is something neither man could have ever quite expected.
15. A fic that made you laugh out loud
The Bet by @degrassi-fanatic - 1.6k, 2ch, Aaron Hotchner/Spencer Reid, Hijinks & Shenanigans, Bets & Wagers, Humour, Fluff, Canon Divergence
“Fifty bucks says Hotch writes you up and sends you to sexual harassment sensitivity training.” she declares as she stares him down. Without looking away from her, Reid takes out his own wallet and flips it open to pull out a fifty dollar before placing it down right next to Prentiss’s own money. “Fifty bucks says Hotch will go out with me.”
16. A fic that gave you butterflies
The healing and dynamics in this one is just.... off the charts :')
Who Spencer Reid Loves by @blueberriesandbubbles - 36k, 11ch, Derek Morgan/Spencer Reid, Rape/Non-Con Elements, Abusive Relationships, Domestic Violence, Abuse, Hurt Spencer Reid, Mutual Pining, Rape Recovery, Healing, Fluff
Derek Morgan has been in love with the resident genius as long as he's known him. When Spencer enters a relationship with a mystery man, Derek is unhappy. He is even more unhappy when he meets this man. Spencer starts acting different and Derek knows something is wrong and he has a feeling its connected to the man Reid is dating.
17. A fic that embodies something you value in life
The utter and total love and devotion in this fic just punches me right in the gut every time I reread it
A Little Fall of Rain by jack_hunter - 4.3k, 2ch, Aaron Hotchner/Spencer Reid, Hurt/Comfort, Fluff, Angst, Spencer Reid Whump, Autistic Spencer Reid, Major Character Injury, Secret Relationship, Team as Family, Dad Rossi
Morgan crept up behind the doctor and snatched the headphones off of his head, earning a yelp of a protest as he slipped them over his own ears. “Les Mis?” Morgan asked with a quizzical look, “didn’t peg you as the musical type, Pretty Boy.” Spencer snatched the headphones back. “I’ve always loved the theatre and I went to see Les Misérables with-... a friend last Friday.”
18. A favourite AU
The Curious Case of Dr. Reid by severaance - 37k, 10ch, Derek Morgan/Spencer Reid, Transgender Character, Fluff, Trans Spencer Reid, Light Angst, Getting Together, Developing Relationship, Smut, Insecurity, Happy Ending (Warning for Homophobic & Transphobic Slurs)
"And your names for the order, please?" The barista asked, eyes flickering expectantly between the two before her. "Spencer," she answered, although she was not talking to the barista. "I'm Spencer." The man before her had the same idea. "Derek."
19. A fic you stayed up too late to finish reading
I stayed up one night and read pretty much all the marvel fics this author has written, but this was the last one that I simply could not resist. The next day wasn't pretty :/
The more you say, the less I know by forthenightisdarkandfullofterror - 13.9k, 3ch, Gen/Irondad, Angst, Emotional Hurt/Comfort, Temporary Amnesia, Protective Pepper Potts, Not Endgame Compliant, Tony Stark Acting as Peter Parker's Parental Figure, Peter Parker Needs a Hug, Blood and Violence, Hurt Peter Parker, Whump
Tony wakes up from snapping with amnesia and for the life of him can't remember the kid hanging around, claiming to be 'just an intern'. Feelings get hurt.
20. A fic that made you feel seen
heavy in my bones by hopeless_hope - 4.4k, 1ch, Gen/Irondad, Chronic Pain, Hurt/Comfort, Hurt Peter Parker, Whump, Father-Son Relationship, Dad Tony, Worried Tony Stark, Angst, Chronic Illness, 5+1 Things
Five times Peter lied to someone about his chronic pain, and one time he told the truth and got the help he needed.
21. A fic you love without knowing the source material
(I mean this is literally all marvel fics but I'll rec this one because I loved it so much)
the locker room by searchingforstars - 15.5k, 3ch, Gen/Irondad, Hurt/Comfort, Angst, Non-Graphic Rape/Non-Con, Hurt Peter Parker, Peter Parker Needs a Hug, Mental Health Issues, Misunderstandings, Arguing, Miscommunication, Crying, Whump, Angst with a Happy Ending, Rape Recovery
Peter's falling apart and he doesn't know how things will ever go back to normal again after Ryder.
22. A fic you've gushed about IRL
Genuinely, this fic is better than most published fiction I've read...
The Third Option by Uncertainty_Principle - 220k, 37ch, Gen/Irondad, Hurt/Comfort, Sexual Abuse, Emotional Abuse, Physical Abuse, Alternate Universe, Hurt Peter Parker, Foster Care, Identity Reveal, Slow Build, Disordered Eating, Homelessness
Ben and May divorced before Peter’s parents died, so when Ben is murdered Peter goes into foster care. It takes just a tiny taste of superpowers for Peter to decide he doesn’t want to put up with his horrible foster father anymore—the streets are infinitely more appealing. All he wants is to be Spider-Man anyway.
So he leaves. Simple.
Simple, that is, until Iron Man needs Spider-Man’s help. Peter isn’t about to turn down an opportunity to fight alongside Tony Freaking Stark, but he also isn’t going to let his hero know that his recruit is a fifteen-year-old homeless dropout. So they strike a deal. Peter will help Tony. In return, the mask stays on. And that’s when things get complicated.
23. A fic you still remember many years later
The Transport Series by ancientreader - 135k, 2 works, Sherlock Holmes/John Watson, Backstory, Canon Drug Use, Childhood Sexual Abuse, Physical Disability, AU, Important Character Death, First Time, Developing Relationship, Angst with a Happy Ending, BDSM, Humour, Fluff
How to become a consulting detective. // Jim's lessons are hard to unlearn.
24. A fic with a line or two that you've memorised by heart
"He has held up buildings and nuclear bombs and whole entire countries on his back. Peter’s body is the heaviest thing he’s ever held."
when my body won't hold me anymore (where will I go) by @madasthesea - 4.4k, 2ch, Gen/Irondad, Temporary Character Death, Angst, Grief/Mourning, Father-Son Relationship, Hurt Peter Parker, Crying, Forehead Kisses, Emotional Hurt/Comfort, Medical Inaccuracies, Hugs, Platonic Cuddling
But he knows. He knows. He can feel it. Peter’s dead. Peter Parker watches as Tony carefully arranges his limbs on a cot. “Mr. Stark,” he tries for the dozenth time. No one hears him.
25. Free Space
And to round it off, we have to celebrate the fic that really and truly welcomed me into the CM fanfic world...
Chanel by @4x24 - 24k, 7ch, Derek Morgan/Spencer Reid, Getting Together, Spencer Wears Makeup, Friends to Lovers, Light Angst, Canon Compliant, Canon Typical VIolence, Humour, Fluffy Ending, Pining, Smut Heavy
Penelope mentions offhandedly one night that she thinks Spencer might look good in makeup. Spencer takes the suggestion to heart. Derek likes the new look - and Spencer - more than he probably should. (Season 4)
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battlestar-royco · 4 years
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here is part 2 of my sci fi recs masterlist! again, i could’ve gone on with even more recs but i decided to draw the line here. this set for the most part errs on the darker side, thematically, visually, conceptually etc. i personally find it super thought-provoking and intriguing but that’s just me. i highly recommend reading the tw under the cut if you’re thinking of watching, especially the matrix and space gothic slides. please view at your discretion <3
part 1/2
If you like WLW (um idk why I only made this slide based on identity; it just kinda happened lmao but I think it works):
Siren: (tw: parent loss, grief, thalassophobia) a mermaid surfaces in a cove town looking for her lost sister. Polyamorous relationship between a man, a black/indigenous woman, and the mermaid!!!! Environmentalism! As a person who has thalassophobia, I didn’t find this too hard to watch. There aren’t that many underwater scenes, thankfully.
Black Mirror: San Junipero: (tw: grief, but otherwise none that I recall; it’s pretty lighthearted) two women meet in a beach resort in the 80s and fall in love. Interracial wlw!
Orphan Black: (tw: suicide, infertility, rape implication, VB, language, drug use) a woman realizes she is one of several clones and uncovers an elaborate corporate conspiracy. This is one of my personal favorites with great rep of complex women of all ages and bodily autonomy. Several central queer characters and a black male secondary character!
Starfish: (tw: grief, a few jump scares and brief monstrous imagery, blood) after the death of her best friend, a young woman breaks into the deceased’s apartment and discovers a chain of music tapes that could save the world. Weird, subtle, and experimental. Not to sound like a surfer but you kinda have to allow yourself to be in the vibe. The main character and her friend were definitely a thing imo.
Annihilation: (tw: body horror, VB, disturbing imagery) a team of women scientists explore an anomaly that rapidly mutates genes. There are canonical and coded wlw and multiple (light-skinned) POC in this but the rep is short-lived. I put it on because although it should’ve been more ambitious with the casting, I think it breaks *some* ground for Hollywood sci fi with the all-woman team and more than one WOC. Wack ending though.
Mad Max: Fury Road: (tw: rape implication, violence) I think everyone knows about this one but: in the apocalypse, a woman breaks 4 younger women out of a harem. A badass car chase across the desert ensues. A bit light on plot/worldbuilding, but sooooo cool-looking and very thematic!!!!
If you liked STRANGER THINGS:
It: (tw: VB) don’t actually watch this lmao I’m serious. It’s really stupid, and not in a funny way. But I do think Stranger Things was inspired by this story overall. The modern It films are better but they’re also really kjslsklskls stupid? Stephen King in general is obsolete imo.
The Thing: (tw: VB) an alien that can take the form of others wreaks havoc on a scientific facility in Antarctica. It’s dark and vibey, but I feel like it’s just Alien in Antarctica with truly terrible special effects tbh?? Others feel differently. It’s also classified as sci fi/horror, so stay away if you’re easily scared! Not too good on representation.
Super 8: (tw: some language) a group of preteens witnesses an alien-caused train crash as they’re filming a home movie. Not diverse but I definitely think it inspired a lot of sci fi for the 2010s, ESPECIALLY Stranger Things. Not too scary either!
ET: (tw: it’s been a really long time since I watched so I don’t remember but it’s rated PG) I think everyone knows what this is about!
Alien: (tw: VB) truckers in space discover a deadly evolving alien. One of my favorite movies of all time! I love the aesthetic and the mood and worldbuilding so much. Ellen Ripley is one of the first Final Girls in the horror genre. I personally found this more of a sci fi than a horror movie but I’d say stay away if you’re nervous!!
Terminator: (tw: VB) a deadly android is sent to kill a woman who’s destined to birth the man who saves the world. Terminator 2 is way better imo because it centers on Sarah rather than the dudes saving her and trying to kill her. But it’s still worth a watch, you know, for the culture.
If you liked CONTAGION:
War of the Worlds: (tw: blood) pretty straightforward aliens come to Earth to take over. Sorry to rec another T*m Cruise movie but I really like the alien design and the apocalypsey feel of this one. Baby Dakota Fanning is in it too!
Falling Skies: (tw: VB, body horror, rape) alien invasion yada yada but the alien lore gets more interesting as it goes on. It’s kind of cheesy and yeah maybe I did discover it by looking up the iCarly boyfriend (and what about it??) but it’s nice to have on in the downtime. An Asian woman co-stars.
Knowing: (tw: blood) school students unearth a time capsule that contains a sheet from a girl who predicted all the tragic world events between 1959-2009. This is NOT a good movie but it’s SO hilarious to me because of the acting and contrivances. Fun to group-watch!!!!
10 Cloverfield Lane: (tw: VB, emotional abuse) a woman wakes up in a bunker to a captor who tells her that the world has fallen to alien apocalypse. I think this movie elevates the original Cloverfield in pretty much every way. Again, super tense and moody. The conflict revolves around whether or not the captor is being truthful.
Train to Busan: (tw: extreme VB and disturbing imagery) a man and his daughter are on a train when a zombie hops on at the last minute. It’s Korean with an all-Asian cast; Choi Woo-shik co-stars. I definitely wouldn’t watch if you’re scared of blood and gore. It’s very gross and violent.
12 Monkeys: (tw: ableism, violence) a man from the 2030s is sent back to the 1990s to prevent the plague that will end the world. I think the aesthetics of this are really cool but otherwise it’s not a favorite. But I think it appeals to people who like apocalypse and time travel stuff!
If you liked THE MATRIX:
Strange Days: (tw: rape, sex, nudity, VB, racism, police brutality) memories can be saved to hard-drives and sold on the black market for exorbitant prices. Very problematic and triggering presentation of rape, but young Angela Basset stars and there’s a condemnation of police brutality that’s still relevant 20+ years after its release.
Upgrade: (tw: ableism, VB, fridging) a disabled man installs an AI in his spine to help him move and investigate the murder of his wife. The premise is glaringly ableist and I feel weird even recommending it tbh but it’s got great visuals and a few good twists.
Altered Carbon: (tw: VB, weird interracial body switching, uhhh I haven’t finished this one IDK) in a society where human bodies are interchangeable, a man wakes up in a new body after 300 years of his mind being dormant. A Latina woman co-stars, two Asian characters in a subplot, a few other POC here and there as well. I think season 2 stars a black man.
eXistenZ: (tw: VB, anti-Asian racism, general weirdness? IDK it’s hard to describe. There are guns made out of bones and weirdly sexual visuals.) after someone tries to assassinate her, a video game designer and her bodyguard must play through her virtual reality game in order to save the only copy of the game.
Minority Report: (tw: VB, eye removal/insertion) all crimes are predicted and criminals reported before they are committed. The main character is preemptively accused of murder. This one is really white but it was one of the first movies that got me into sci fi. Early 2000s Colin Farrell <3.
If you liked WESTWORLD:
Humans: (tw: uncanny valley, objectification) androids are household helpers and public assistants throughout Britain until one day they start developing consciences. It hits a lot of the themes of Westworld without all the unnecessary pretentiousness, “edginess,” and “grittiness,” and it stars Gemma Chan and Colin Morgan!!
Blade Runner 2049: (^) an android is ordered to find and kill a human/android hybrid. It’s not without its issues but it’s one of my favorite movies of all time, right up there with Alien. So beautiful, so thematic, so thought-provoking (to me, anyway. I know a lot of people thought it was way too slow).
Ex Machina: (^) a man is invited to a private estate to help test the intelligence of an android. It’s kind of predictable imo but you know Oscar Isaac and Sonoya Mizuno are in it so we have to stan, and so is Domhnall Gleeson, for the SW fans! I like how isolated and quiet it feels.
I Am Mother: (tw: blood, gaslighting) after an extinction event, a young woman is raised by a lone android in a human repopulation facility until one day a woman knocks. It starts off slow and a bit generic, but I’m obsessed with the 2nd and 3rd acts of this movie---good acting, dialogue, and fantastic visuals. It has that same isolated feel as Ex Machina with only three characters, all of which are women/woman-coded!!!
If you liked ALIEN (space gothic):
Battlestar Galactica (2004-2008 reboot): (tw: genocide, war, colonization, VB, uncanny valley, rape, infidelity) space opera that follows humanity as it fights the ever-evolving and powerful enemy of their own creation: androids named Cylons. Um? I  L O V E  THIS SHOW SO MUCH and I truly do think it’s everything sci fi should be. There is a really unfortunate Miss Saigon-esque romance plot in season 1 and a lazily-written love triangle involving a black woman in season 3, but otherwise it’s one of my all-time favorites and I highly recommend. It’ll spin your mind and tug your heartstrings for years.
Black Mirror: Men Against Fire: (tw: genocide, war, nudity) soldiers in the near future protect citizens from mutant zombies, but one soldier starts experiencing strange hallucinations in the field. This is such an underrated Black Mirror episode starring a black man. There’s brief objectification of a black woman but it’s very anti-military and it has an interesting sterile aesthetic that reminds me of Alien.
High Life: (tw: rape, black holes/space anxiety, very disturbing) prisoners are given the option to join a space expedition and serve as experimental subjects en route to a black hole. Please please stay away if you are triggered by sexual violence of any kind. There’s almost no physical violence in this movie but it’s psychologically haunting imo.
The Faculty: (tw; VB, drug use) high schoolers discover their teachers are being possessed by an invading alien race. I LOVE THIS MOVIE LMFAOOOO. The cast is SO wild---Elijah Wood, John Oliver, Usher, Salma Hayek, Josh Hartnett??? And I’m probably forgetting more. The combination of the cast, the terrible dialogue, and shitty special effects is PEAK comedy imo. But bear in mind it’s bloody!!
Prometheus: (tw: body horror, VB, uncanny valley) a crew of scientists heads on a deep space mission to find the aliens who created the human race. A prequel to Alien, but I kind of view it as its own thing. Despite the plot holes, I love this movie too! It was one of my sci fi gateways and the visuals are stunning. It’s pretty gory though so if that’s not your thing stay away.
Life: (tw: extreme VB) a lesser Alien, but it provides all the space gothic tropes (jokey crew, shots of space, really pretty spaceship, everyone dies, creepy alien) with a well-known cast---Gyllenhaal, Reynolds, etc.
The X Files: (tw: a few episodes contain 90s racism, sexism, queerphobia etc but you can skip them) a lot of people have watched this so I barely have to explain, but it’s one of my favorites. Two FBI agents investigate multiple aliens and get involved in government conspiracies along the way. A good gateway!
A Quiet Place: (tw: child loss, VB, tension) I think most people know what this is about too. Alien apocalypse with aliens that hunt by sound. The daughter in the family is deaf, and so is the actress who portrays her. The representation of deafness was critically acclaimed.
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vintagegeekculture · 7 years
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Dead Fandoms, Part 3
Read Part One of Dead Fandoms here. 
Read Part Two of Dead Fandoms here. 
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Before we continue, I want to add the usual caveat that I actually don’t want to be right about these fandoms being dead. I like enthusiasm and energy and it’s a shame to see it vanish.
Mists of Avalon
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Remember that period of time of about 15 years, where absolutely everybody read this book and was obsessed with it? It could not have been bigger, and the fandom was Anne Rice huge, overlapping for several years with USENET and the early World Wide Web…but it’s since petered out. 
Mists of Avalon’s popularity may be due to the most excellent case of hitting a demographic sweet spot ever. The book was a feminist retelling of the Arthurian Mythos where Morgan Le Fay is the main character, a pagan from matriarchal goddess religions who is fighting against encroaching Christianity and patriarchal forms of society coming in with it. Also, it made Lancelot bisexual and his conflict is how torn he is about his attraction to both Arthur and Guinevere.
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Remember, this novel came out in 1983 – talk about being ahead of your time! If it came out today, the reaction from a certain corner would be something like “it is with a heavy heart that I inform you that tumblr is at it again.”
Man, demographically speaking, that’s called “nailing it.” It used to be one of the favorite books of the kind of person who’s bookshelf is dominated by fantasy novels about outspoken, fiery-tongued redheaded women, who dream of someday moving to Scotland, who love Enya music and Kate Bush, who sell homemade needlepoint stuff on etsy, who consider their religious beliefs neo-pagan or wicca, and who have like 15 cats, three of which are named Isis, Hypatia, and Morrigan.
This type of person is still with us, so why did this novel fade in popularity? There’s actually a single hideous reason: after her death around 2001, facts came out that Marion Zimmer Bradley abused her daughters sexually. Even when she was alive, she was known for defending and enabling a known child abuser, her husband, Walter Breen. To say people see your work differently after something like this is an understatement – especially if your identity is built around being a progressive and feminist author.
Robotech
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I try to break up my sections on dead fandoms into three parts: first, I explain the property, then explain why it found a devoted audience, and finally, I explain why that fan devotion and community went away. Well, in the case of Robotech, I can do all three with a single sentence: it was the first boy pilot/giant robot Japanimation series that shot for an older, teenage audience to be widely released in the West. Robotech found an audience when it was the only true anime to be widely available, and lost it when became just another import anime show. In the days of Crunchyroll, it’s really hard to explain what made Robotech so special, because it means describing a different world.
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Try to imagine what it was like in 1986 for Japanime fans: there were barely any video imports, and if you wanted a series, you usually had to trade tapes at your local basement club (they were so precious they couldn’t even be sold, only traded). If you were lucky, you were given a script to translate what you were watching. Robotech though, was on every day, usually after school. You want an action figure? Well, you could buy a Robotech Valkyrie or a Minmei figure at your local corner FAO Schwartz. 
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However, the very strategy that led to it getting syndicated is the very reason it was later vilified by the purists who emerged when anime became a widespread cultural force: strictly speaking, there actually is no show called “Robotech.” Since Japanese shows tend to be short run, say, 50-60 episodes, it fell well under the 80-100 episode mark needed for syndication in the US. The producer of Harmony Gold, Carl Macek, had a solution: he’d cut three unrelated but similar looking series together into one, called “Robotech.” The shows looked very similar, had similar love triangles, used similar tropes, and even had little references to each other, so the fit was natural. It led to Robotech becoming a weekday afternoon staple with a strong fandom who called themselves “Protoculture Addicts.” There were conventions entirely devoted to Robotech. The supposed shower scene where Minmei was bare-breasted was the barely whispered stuff of pervert legend in pre-internet days. And the tie in novels, written with the entirely western/Harmony Gold conception of the series and which continued the story, were actually surprisingly readable.
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The final nail in the coffin of Robotech fandom was the rise of Sailor Moon, Toonami, Dragonball, and yes, Pokemon (like MC Hammer’s role in popularizing hip hop, Pokemon is often written out of its role in creating an audience for the next wave of cartoon imports out of insecurity). Anime popularity in the West can be defined as not a continuing unbroken chain like scifi book fandom is, but as an unrelated series of waves, like multiple ancient ruins buried on top of each other (Robotech was the vanguard of the third wave, as Anime historians reckon); Robotech’s wave was subsumed by the next, which had different priorities and different “core texts.” Pikachu did what the Zentraedi and Invid couldn’t do: they destroyed the SDF-1.
Legion of Super-Heroes
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Legion of Superheroes was comic set in the distant future that combined superheroes with space opera, with a visual aesthetic that can best be described as “Star Trek: the Motion Picture, if it was set in a disco.” 
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I’ve heard wrestling described as “a soap opera for men.” If that’s the case, then Legion of Super-Heroes was a soap opera for nerds. The book is about attractive 20-somethings who seem to hook up all the time. As a result, it had a large female fanbase, which, I cannot stress enough, is incredibly unusual for this era in comics history. And if you have female fans, you get a lot of shipping and slashfic, and lots of speculation over which of the boy characters in the series is gay. The fanon answer is Element Lad, because he wore magenta-pink and never had a girlfriend. (Can’t argue with bulletproof logic like that.) In other words, it was a 1970s-80s fandom that felt much more “modern” than the more right-brained, bloodless, often anal scifi fandoms that existed around the same time, where letters pages were just nitpicking science errors by model train and elevator enthusiasts.
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Legion Headquarters seemed to be a rabbit fuck den built around a supercomputer and Danger Room. Cosmic Boy dressed like Tim Curry in Rocky Horror. There’s one member, Duo Damsel, who can turn into two people, a power that, in the words of Legion writer Jim Shooter, was “useful for weird sex...and not much else.”
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LSH was popular because the fans were insanely horny. This is, beyond the shadow of a doubt, the thirstiest fandom of all time.  You might think I’m overselling this, but I really think that’s an under-analyzed part of how some kinds of fiction build a devoted fanbase.  
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For example, a big reason for the success of Mass Effect is that everyone has a favorite girl or boy, and you have the option to romance them. Likewise, everyone who was a fan of Legion remembers having a crush. Sardonic Ultra Boy for some reason was a favorite among gay male nerds (aka the Robert Conrad Effect). Tall, blonde, amazonian telepath Saturn Girl, maybe the first female team leader in comics history, is for the guys with backbone who prefer Veronica over Betty. Shrinking Violet was a cute Audrey Hepburn type. And don’t forget Shadow Lass, who was a blue skinned alien babe with pointed ears and is heavily implied to have an accent (she was Aayla Secura before Aayla Secura was Aayla Secura). Light Lass was commonly believed to be “coded lesbian” because of a short haircut and her relationships with men didn’t work out. The point is, it’s one thing to read about the adventures of a superteam, and it implies a totally different level of mental and emotional involvement to read the adventures of your imaginary girlfriend/boyfriend.  
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Now, I should point out that of all the fandoms I’ve examined here, LSH was maybe the smallest. Legion was never a top seller, but it was a favorite of the most devoted of fans who kept it alive all through the seventies and eighties with an energy and intensity disproportionate to their actual numbers. My gosh, were LSH fans devoted! Interlac and Legion Outpost were two Legion fanzines that are some of the most famous fanzines in comics history.
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If nerd culture fandoms were drugs, Star Wars would be alcohol, Doctor Who would be weed, but Legion of Super-Heroes would be injecting heroin directly into your eyeballs. Maybe it is because the Legionnaires were nerdy, too: they played Dungeons and Dragons in their off time (an escape, no doubt, from their humdrum, mundane lives as galaxy-rescuing superheroes). There were sometimes call outs to Monty Python. Basically, the whole thing had a feel like the dorkily earnest skits or filk-singing at a con. Legion felt like it’s own fan series, guest starring Patton Oswalt and Felicia Day.
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It helped that the boundary between fandom and professional was incredibly porous. For instance, pro-artist Dave Cockrum did covers for Legion fanzines. Former Legion APA members Todd and Mary Biernbaum got a chance to actually write Legion, where, with the gusto of former slashfic writers given the keys to canon, their major contribution was a subplot that explicitly made Element Lad gay. Mike Grell, a professional artist who got paid to work on the series, did vaguely porno-ish fan art. Again, it’s hard to tell where the pros started and the fandom ended; the inmates were running the asylum.
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Mostly, Legion earned this devotion because it could reward it in a way no other comic could. Because Legion was not a wide market comic but was bought by a core audience, after a point, there were no self-contained one-and-done Legion stories. In fact, there weren’t even really arcs as we know it, which is why Legion always has problems getting reprinted in trade form. Legion was plotted like a daytime soap opera: there were always five different stories going on in every issue, and a comic involved cutting between them. Sure, like daytime soap operas, there’s never a beginning, just endless middles, so it was totally impossible for a newbie to jump on board...but soap operas know what they are doing: long term storytelling rewards a long term reader.
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This brings me to today, where Legion is no longer being published by DC. There is no discussion about a movie or TV revival. This is amazing. Comics are a world where the tiniest nerd groups get pandered to: Micronauts, Weirdworld, Seeker 3000, and Rom have had revival series, for pete’s sake. It’s incredible there’s no discussion of a film or TV treatment, either; friggin Cyborg from New Teen Titans is getting a solo movie. 
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Why did Legion stop being such a big deal? Where did the fandom that supported it dissolve to? One word: X-Men. Legion was incredibly ahead of its time. In the 60s and 70s, there were barely any “fan” comics, since superhero comics were like animation is today: mostly aimed at kids, with a minority of discerning adult/teen fans, and it was success among kids, not fans, that led to something being a top seller (hence, “fan favorites” in the 1970s, as surprising as it is to us today, often did not get a lot of work, like Don MacGregor or Barry Smith). But as newsstands started to push comics out, the fan audience started to get bigger and more important…everyone else started to catch up to the things that made Legion unique: most comics started to have attractive people who paired up into couples and/or love triangles, and featured extremely byzantine long term storytelling. If Legion of Super-Heroes is going to be remembered for anything, it’s for being the smaller scale “John the Baptist” to the phenomenon of X-Men, the ultimate “fan” comic.
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The other thing that killed Legion, apart from Marvel’s Merry Mutants, that is, was the r-word: reboots. A reboot only works for some properties, but not others. You reboot something when you want to find something for a mass audience to respond to, like with Zorro, Batman, or Godzilla.
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Legion, though, was not a comic for everybody, it was a fanboy/girl comic beloved by a niche who read it for continuing stories and minutiae (and to jack off, and in some cases, jill off). Rebooting a comic like that is a bad idea. You do not reboot something where the main way you engage with the property, the greatest strength, is the accumulated lore and history. Rebooting a property like that means losing the reason people like it, and unless it’s something with a wide audience, you only lose fans and won’t get anything in return for it. So for something like Legion (small fandom obsessed with long form plots and details, but unlike Trek, no name recognition) a reboot is the ultimate Achilles heel that shatters everything, a self-destruct button they kept hitting over and over and over until there was nothing at all left.
E. E. Smith’s Lensman Novels
The Lensman series is like Gil Evans’s jazz: it’s your grandparents’ favorite thing that you’ve never heard of. 
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I mean, have you ever wondered exactly what scifi fandom talked about before the rise of the major core texts and cultural objects (Star Trek, Asimov, etc)? Well, it was this. Lensmen was the subject of fanfiction mailed in manilla envelopes during the 30s, 40s, and 50s (some of which are still around). If you’re from Boston, you might recognize that the two biggest and oldest scifi cons there going back to the 1940s, Boskone (Boscon, get it?) and Arisia, are references to the Lensman series. This series not only created space opera as we know it, but contributed two of the biggest visuals in scifi, the interstellar police drawn from different alien species, and space marines in power armor.
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My favorite sign of how big this series was and how fans responded to it, was a great wedding held at Worldcon that duplicated Kimball Kinnison and Clarissa’s wedding on Klovia. This is adorable:
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The basic story is pure good vs. evil: galactic civilization faces a crime and piracy wave of unprecedented proportions from technologically advanced pirates (the memory of Prohibition, where criminals had superior firearms and faster cars than the cops, was strong by the mid-1930s). A young officer, Kimball Kinnison (who speaks in a Stan Lee esque style of dialogue known as “mid-century American wiseass”), graduates the academy and is granted a Lens, an object from an ancient mystery civilization, who’s true purpose is unknown.
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Lensman Kinnison discovers that the “crime wave” is actually a hostile invasion and assault by a totally alien culture that is based on hierarchy, intolerant of failure, and at the highest level, is ruled by horrifying nightmare things that breathe freezing poison gases. Along the way, he picks up allies, like van Buskirk, a variant human space marine from a heavy gravity planet who can do a standing jump of 20 feet in full space armor, Worsel, a telepathic dragon warrior scientist with the technical improvisation skills of MacGyver (who reads like the most sadistically minmaxed munchkinized RPG character of all time), and Nandreck, a psychologist from a Pluto-like planet of selfish cowards.
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The scale of the conflict starts small, just skirmishes with pirates, but explodes to near apocalyptic dimensions. This series has space battles with millions of starships emerging from hyperspacial tubes to attack the ultragood Arisians, homeworld of the first intelligent race in the cosmos. By the end of the fourth book, there are mind battles where the reflected and parried mental beams leave hundreds of innocent bystanders dead. In the meantime we get evil Black Lensmen, the Hell Hole in Space, and superweapons like the Negasphere and the Sunbeam, where an entire solar system was turned into a vacuum tube.
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It’s not hard to understand why Lensmen faded in importance. While the alien Lensmen had lively psychologies, Lensman Kimball Kinnison was not an interesting person, and that’s a problem when scifi starts to become more about characterization. The Lensman books, with their love of police and their sexism (it is an explicit plot point that the Lens is incompatible with female minds – in canon there are no female Lensmen) led to it being judged harshly by the New Wave writers of the 1960s, who viewed it all as borderline fascist military-scifi establishment hokum, and the reputation of the series never recovered from the spirit of that decade.
Prisoner of Zenda
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Prisoner of Zenda is a novel about a roguish con-man who visits a postage-stamp, charmingly picturesque Central European kingdom with storybook castles, where he finds he looks just like the local king and is forced to pose as him in palace intrigues. It’s a swashbuckling story about mistaken identity, swordfighting, and intrigue, one part swashbuckler and one part dark political thriller.
The popularity of this book predates organized fandom as we know it, so I wonder if “fandom” is even the right word to use. All the same, it inspired fanatical dedication from readers. There was such a popular hunger for it that an entire library could be filled with nothing but rip-offs of Prisoner of Zenda. If you have a favorite writer who was active between 1900-1950, I guarantee he probably wrote at least one Prisoner of Zenda rip-off (which is nearly always the least-read book in his oeuvre). The only novel in the 20th Century that inspired more imitators was Sherlock Holmes. Robert Heinlein and Edmond “Planet Smasher” Hamilton wrote scifi updates of Prisoner of Zenda. Doctor Who lifted the plot wholesale for the Tom Baker era episode, “Androids of Tara,” Futurama did this exact plot too, and even Marvel Comics has its own copy of Ruritania, Doctor Doom’s Kingdom of Latveria. Even as late as the 1980s, every kids’ cartoon did a “Prisoner of Zenda” episode, one of the stock plots alongside “everyone gets hit by a shrink ray” and the Christmas Carol episode.
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Prisoner of Zenda imitators were so numerous, that they even have their own Library of Congress sub-heading, of “Ruritanian Romance.” 
One major reason that Prisoner of Zenda fandom died off is that, between World War I and World War II, there was a brutal lack of sympathy for anything that seemed slightly German, and it seems the incredibly Central European Prisoner of Zenda was a casualty of this. Far and away, the largest immigrant group in the United States through the entire 19th Century were Germans, who were more numerous than Irish or Italians. There were entire cities in the Midwest that were two-thirds German-born or German-descent, who met in Biergartens and German community centers that now no longer exist.
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Kurt Vonnegut wrote a lot about how the German-American world he grew up in vanished because of the prejudice of the World Wars, and that disappearance was so extensive that it was retroactive, like someone did a DC comic-style continuity reboot where it all never happened: Germans, despite being the largest immigrant group in US history, are left out of the immigrant story. The “Little Bohemias” and “Little Berlins” that were once everywhere no longer exist. There is no holiday dedicated to people of German ancestry in the US, the way the Irish have St. Patrick’s Day or Italians have Columbus Day (there is Von Steuben’s Day, dedicated to a general who fought with George Washington, but it’s a strictly Midwest thing most people outside the region have never heard of, like Sweetest Day). If you’re reading this and you’re an academic, and you’re not sure what to do your dissertation on, try writing about the German-American immigrant world of the 19th and 20th Centuries, because it’s a criminally under-researched topic.
A. Merritt
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Pop quiz: who was the most popular and influential fantasy author during the 1930s and 40s? 
If you answered Tolkien or Robert E. Howard, you’re wrong - it was actually Abraham Merritt. He was the most popular writer of his age of the kind of fiction he did, and he’s since been mostly forgotten. Gary Gygax, creator of Dungeons and Dragons, has said that A. Merritt was his favorite fantasy and horror novelist.
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Why did A. Merritt and his fandom go away, when at one point, he was THE fantasy author? Well, obviously one big answer was the 1960s counterculture, which brought different writers like Tolkien and Lovecraft to the forefront (by modern standards Lovecraft isn’t a fantasy author, but he was produced by the same early century genre-fluid effluvium that produced Merritt and the rest). The other answer is that A. Merritt was so totally a product of the weird occult speculation of his age that it’s hard to even imagine him clicking with audiences in other eras. His work is based on fringe weirdness that appealed to early 20th Century spiritualism and made sense at the time: reincarnation, racial memory, an obsession with lost race stories and the stone age, and weirdness like the 1920s belief that the Polar Arctic is the ancestral home of the Caucasian race. In other words, it’s impossible to explain Merritt without a ton of sentences that start with “well, people in the 1920s thought that...” That’s not a good sign when it comes to his universality. 
That’s it for now. Do you have any suggestions on a dead fandom, or do you keep one of these “dead” fandoms alive in your heart?
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zainapbaraketcaryl · 7 years
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‘The Walking Dead’: The Importance of Caryl As a Romantic Ship
The Walking Dead’s Caryl may not seem as progressive as some other ships, but it’s still important!
It’s no secret that I am a huge shipper. It’s even less of a secret that Caryl is easily my OTP (okay fine, one of many but if we’re playing favorites Caryl is tops). And after “New Best Friends” (S7E10) I am 100% quality Caryl shipping trash. I won’t apologize, this has been a long time coming! With high expectations for a Caryl reunion on my mind, I found myself considering what is so important to me about these two fictional people getting together?
In an early draft of this piece, it was just a list of reasons I ship Caryl. The intent was just to list all the obvious ways (and there are many) to be to emotionally involved with Carol (Melissa McBride) and Daryl (Norman Reedus). But this ship is so much more than something like “101 Reasons to Ship Caryl” (but seriously don’t threaten me with a good time, that list would be epic!). It goes so much deeper than just stuff and thangs that making shipping fun.
And shipping is fun. It’s exciting to imagine the possibilities and varying dynamics that two characters bring to each other. But there’s something special when a ship really earns it. And Daryl and Carol have most assuredly earned it! They have always deserved happiness and they have never expressed being happier than when they are with each other.
Thinking about my not-so-short-list of reasons that Caryl is worth shipping I landed on one idea in particular. Caryl is important. It just is. Obviously, I have my reasons and it’s not enough to just say that. But it’s there’s a pureness in that sentiment. And it’s not important just because Daryl is so much more than just a “redneck” or that Carol – as an individual is completely fully fleshed out – is easily one of the best characters to ever grace our televisions. That honestly, goes without saying and for all The Walking Dead‘s meandering sometimes, I will always be thankful the showrunners kept her alive.
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However, The Walking Dead doesn’t exactly have a history of being the most progressive show on TV. Thankfully, the show corrected a lot of its issues with the women, though not in enough time not to ensure that Lori (Sara Wayne Callies) and Andrea (Laurie Holden) wouldn’t be vilified forever. And let’s not forget they still felt the need to include Negan’s wives.
Up until very recently, it was like some kind of in-show joke that characters of color would be killed off to make way for the next one. Luckily, it appears the showrunners have done their best to stop that particular pattern. Except then there’s the antiquated but oft-employed “bury your gays” trope. I mean poor Tara (Alanna Masterson) has had to endure the deaths of multiple partners. And there’s plenty more problematic weeds we could pull out but we’d be here forever (but seriously why did Glenn (Steven Yeun) never get a bottle episode and did Michonne (Danai Gurira) ever have a last name because even Beyonce and Madonna have them, they just don’t need to use them?) and I have so many much more fun points to make!
But speaking directly to some of the lack of progressiveness is why a canon ship like Richonne is important. Please don’t mistake my bringing up Rick (Andrew Lincoln) and Michonne’s love as some kind of competition. I don’t want to have a ship measuring contest. And I’m not saying Caryl is any more important that Richonne. They are on equal footing for different reasons. But Richonne’s place in one of the most popular TV shows currently on air is noteworthy.
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Representation matters! And it goes beyond putting a woman of color in the forefront of a show like The Walking Dead. Rick Grimes is the epitome of a TV show hero and I have seven seasons of annoying man-pain to prove it. And to have him create an organic romantic relationship with the show’s leading woman of color is so much more than visibility. It normalizes it. And it’s absolutely something that should be “normal” at this point (but sadly isn’t). And this fact is hardly the most important part of the Richonne bond (that would arguably be that Carl (Chandler Riggs) and Michonne totally adopted each other first and Rick was a bonus in all of that). But it’s still a major aspect of the ship and I hope the show continues to improve in similar directions.
Which brings me to Caryl. Because at this point you’re probably wondering what any of this has to do with them and why I wouldn’t think something like Carol and Morgan (Lennie James) or Carol and Ezekiel (Khary Payton) would be better. And I have those answers: 1) No! Morgan assaulted Carol and even though he saved her that will never be okay and 2) No! Carol has repeatedly told Ezekiel to leave her alone and he can’t seem to listen and it’s not okay.
The real question shouldn’t be why I would ship anything but Caryl. The real question is why you don’t ship it? Okay fine that’s not it either. The real real question is how is Caryl progressive?
The simplistic answer is that it isn’t. And on some level it’s just your basic vanilla heterosexual relationship. But for the record, typing that sentence physically hurt me because that’s just the bare minimum. The truth is Caryl is progressive. And the evidence is in every reason those who aren’t on board with the ship like to give for why Daryl and Carol don’t belong together.
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As far as I’m concerned Daryl and Carol went canon when he ran to her in the season five premiere but some need more, though I struggle to imagine that anyone is in any doubt that there’s any other woman for Daryl Dixon after “New Best Friends” (S7Ep10). These two broken characters need each other. And Daryl physically cannot exist in a world where she doesn’t. It’s why he threatens Richard (Karl Makinen) and then chooses not to tell Carol about those they lost.
The Caryl bond came about through a shared understanding and similar experiences. As a domestic abuse survivor, The Walking Dead has made Carol a beacon of hope to all kinds of survivors. She has turned her struggles into strengths. Yes, even now, while she’s isolating herself and refusing to fight. Her love and her fear of loss are keeping her away and she is entitled to work through that. Here’s a little secret: PTSD doesn’t just go away. You learn to live with it. And while everyone in the group is coping in their own unique way they are all looking for something to hold onto to balance out all the devastation. Showing that both Daryl and Carol aren’t just surviving but thriving. It’s a narrative that is worth exploring because no other characters have been shown to be tortured as frequently and hurting as often as Daryl and Carol.
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And if the survival aspect isn’t enough there’s even more significant visibility in Caryl being a romantic bond. I like to tell stories about all the times I’ve had conversations in real life about The Walking Dead. It’s pure water-cooler talk and it’s exciting when people you don’t expect mention being fans of the show. Following Glenn’s death, there were few places you could go where the show wasn’t being discussed. Among a group of acquaintances, it was the perfect conversation topic. During a lull, I quietly mentioned that Daryl loves Carol (okay it wasn’t so quietly because I have no chill). I didn’t expect anyone to agree with me. That’s what Tumblr is for! But what surprised me more was the very real, “Eww no, she’s a mom” reaction.
Now, I don’t have children, but I’m friends with plenty of people who do. We’re all around the same age and last I checked being a mom doesn’t all of a sudden render you unable to be seen as someone sexual. What in the world does Carol being a mom have to do with being a loving relationship with a man who clearly loves her back? Having children, caring for children and just being maternal in general doesn’t mean that that person is no longer physically attractive or that someone can’t be physically attracted to a mom.
Yes, Carol has been established a mom. But let’s look at those qualities: She’s older than a lot of women in the group. She likes to cook and she has taken on the actual title of “mom,” a title that has earned her utter heartbreak. Carol loves. She can’t help it. But moms still deserve romance!
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Carol is also a badass and super cool and really really funny but she loves her family so much that she’s afraid to see them hurt. She so much can’t take it that she told Morgan to tell them she’s gone if he ever runs into Team Family again (and he did just that and Daryl looked soon sad and then was even more broken when he was finally able to ask her why she left!). But if she can be all those things then she can also be sexy. Furthermore, she can and is loved by Daryl – who is easily the show’s biggest female draw (that’s definitely a blanket statement but it is true for many just look at the merchandise, chances are Daryl is on it). This is important because there’s a ridiculous assumption that Daryl is a lot younger than Carol, which is also weird and inaccurate.
Back to that normalization thing I mentioned above, when did it become normal to use the fact that someone is a mom as a negative? Doesn’t that make Carol and Daryl that much more suited for each other? She’s not mothering him. In fact if anything Daryl is the more nurturing one when it’s the two of them than Carol is. He has a voice that he uses only for her! It’s just reached a point where it’s hard to argue that Carol and Daryl is nothing more than just a bond. It’s love. Never forget, Carol shut the door on Ezekiel and opened her door to Daryl.
The Walking Dead has a platform. It doesn’t always use it to its greatest effect but in a slow burn like Caryl, the intention isn’t subtle as all. And that makes this particular ship not just important but necessary.
https://hiddenremote.com/2017/02/19/walking-dead-importance-of-caryl-romantic-ship/
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