Let’s talk about death within The Hunger Games trilogy. More specifically, let’s talk about the deaths of Prim and Finnick. Many people say that these specific deaths were uncalled for, that they made no sense, and that they were unnecessary. They argue that it hurts the series or that it’s bad writing (some, not all people think this). The former is all true. These deaths (and many more) were uncalled for, they didn’t make sense, and they were unnecessary. Their deaths hurt us; they made us angry and they made us sad. However, that is the point. It was a war and war is cruel and it is waged by people who also can be cruel (like Coin and Snow). Nobody is safe, after all “death doesn’t discriminate.” It is awful and it is cruel, but that is precisely what Collins wants us to understand and to take away.
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Oh GOD another character focused comic. My brain moves at 1847297329 MPH but my dreadful hands draw so slow…
I had more to this but I wasn’t feeling the direction so I’m just gonna leave it at this. TLDR, Val is struggling with a broken heart and is confused and somewhat angered as to why Ingo isn’t. But I suck at conclusions so here we are LMAO
IDs below cut!
[ID: A digital, non-colored, sketchy comic spread across 5 images.
3 characters are featured. The main character is Valerio, who has jaw-length, wavy black hair, parted in the middle by a widows peak; a triangular face, rounded at the edges to highlight his youthfulness; a thin, hooked nose; and two healed facial scars, one above his right eye, one on his left jawline. He has a thin and lean frame, with slight musculature, and a large scar on his left hip. He’s only wearing briefs, having been trying to get to sleep. The other two characters are Ingo and Emmet, twins with only some slight differences. Both of them have more oval-shaped heads, wrinkled around the eyes, mouth, and brow to show age; thin, long noses that are slightly upturned; strongly receding hairlines, although not completely bald, hair short and slightly fluffy; and sideburns that look almost like an insects’ mandibles, cus that’s how my brain wants to describe them. Ingo appears to be slightly more muscular than Emmet, who’s more on the thinner side, and Ingo’s mouth tends to be depicted like an upwards triangle, a constant frown, while Emmet’s mouth tends to be depicted like a downwards triangle, a constant smile. It’s implied both of them sleep near-nude as well, and are shirtless throughout the comic.
The first image contains three panels, one on the left and two to the right of it, one on top of the other. The first panel shows Ingo and Emmet in bed, Emmet resting on Ingo’s chest, while Ingo looks off panel at a ringing noise heard to his right. The second panel shows the source of the ringing, Ingo’s phone, being held up by Ingo off panel. The incoming call is from Valerio. The third panel is Ingo and Emmet again, but Ingo’s answered the call, a tired and confused look on his face. Emmet scrunches up his face in annoyance. Ingo says, “Valerio? Sorry, it’s late over here, but are you okay?” In small text, Emmet whispers, “Why the fuck is he calling?” Ingo whispers back, “Emmie, hush.”
The second image contains four panels in a 2-2 format, top to bottom. The first panel is Ingo and Emmet again. Emmet is smiling, but in an irritated and annoyed way, and Ingo appears less confused and more worried. From the phone, Valerio asks, “… Do you… feel real, Ingo?” Ingo replies, “… What?” In small text again, Emmet mutters, “Does he have to do this shit right now.” Ingo mutters back, “Emmet. Hush.” The second panel shows Ingo worriedly getting out of bed, looking back at Emmet who’s sitting up, still appearing annoyed. Ingo says to Emmet, “Just give me a second, Em.” Emmet replies, “Fine. Fuck off.” Ingo says, “Emmie…” and Emmet replies, “Just go and help the fucking kid out, Arceus fuck.” Ingo replies, “Alright, alright…” The third panel shows a cup of coffee with Ingo’s hand laying over it, leading into the fourth panel where Ingo is speaking with Val over the phone, coffee in his other hand. Ingo says, stretching between both panels, “Talk to me, Valerio. What doesn’t feel real? Is it just being back home? Do you maybe feel a little… out of place, being away so long?” Valerio responds, “… didn’t you?”
The third image contains only two panels, side by side, mostly dialogue heavy. The first panel contains Ingo, calmly talking into the phone. His dialogue stretches into the second panel, finally showing Valerio, who’s crying heavily, laid on his side in bed, phone next to him. Ingo says, “Not particularly, actually. I know, I’ve been there for a decade, but… I saw Emmie, and it all came back to me. I realized what I missed, who I missed. I still have my memories of Hisui. The people there will always be in my heart, the time I spent with them will always be important to me. But I’m glad to be home now, Valerio. This is our home.”
The fourth image contains four panels, 2 on top and 2 on bottom. The first panel shows Ingo, still speaking into the phone. There’s not really a whole lot of dynamic movement here lol, sorry. Ingo says, “… Why do you think you feel so differently, Valerio?” Val responds, “Fuck if I know. I just feel so… hollow. Wrong, here…” The second panel shows Valerio, who moved to lay on his back, staring away from the phone, his left hand grabbing at the bed blanket. Ingo asks, “… Do you miss anybody, Valerio? … You miss Volo, don’t you?” Val responds, “I… goddamnit.” The third panel shows Val sitting up, dangling his feet off the edge of the bed. He’s holding his phone now in his right hand. Val says, “… I went to Hisui the other day - “Sinnoh,” I mean…” Ingo asks, “How was it?” Val continues, “… I went to Volo’s grave.” The fourth panel closes up on Valerio’s face, panicked, confused. Sad. Val continues, “It… it didn’t - I was JUST talking to him, just a few weeks ago, I… fuck, it’s like there’s the rational part of my brain, that reminds me that was all 200 years ago, but… It - it can’t be, he can’t be dead… he was just here…”
The fifth image contains 4 panels, two on top and two on bottom again. The first panel shows Valerio, quieted from his previous panic, replaced by an overwhelming sadness. He holds his face in his left hand, phone in the other. Val finishes, “… I do miss him. A lot…” Ingo replies, “Oh Valerio… I’m sorry. I visited the burial sites for the clans some time ago as well. It was cathartic, for me, at least… but it sounds like it was too soon for you.” The second panel shows Ingo, still talking through the phone. Valerio says, “Fuckin’ seems like it, huh?” Ingo replies, “Valerio… do you have someone to talk to about this?” The third panel shifts back to Valerio again, still sad, but now confusion shows in his expression. Val responds, “… I’m talking to you.” Ingo says, “Valerio, I can’t help you with this. I’m sorry, I don’t have the means-” Val interrupts, “So what, some shrink would? Ingo, please, you’re literally the only one on earth who understands…” The fourth panel shifts back to Ingo, who says, “Valerio, I get the weird space-time bullshit, I do. You’re dealing with a broken heart, son. You’re dealing with grief. Maybe a therapist wouldn’t totally understand, but they know how to help with grief. Just… consider it, please, Valerio. A therapist, or your mother, your cousin, anyone.”
It ends there. The comic was purposefully left incomplete.
END ID.]
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