Marcy Wu and Yuzuki Fuwa would get along SO well.
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how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
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thinking about kab and the thing about her i think is she knows just enough to keep herself safe Generally but not enough to really predict what would happen should something more... complicated??? unforeseen??? idk whats the right word to use but something not covered by someones reputation and/or vids happen, believe it or not this also affects her view of clownpierce (we'll get to that)
for example, mapicc has a reputation for being an violent, angry, & impulsive guy and nothing else which makes sense but is incredibly surface level and something that only really works if you dont have a lot of experience working with him
another is reddoons, his betrayal after the base incident while shocking is not unforeseen but his reputation as being a guy whos seen as being a reasonable person whos fairly loyal to his team made it seem like something he wouldnt do even tho it absolutely is
regarding how it affects her view of clown, since he isnt perfectly aligned with his reputation she instead pivots in the complete opposite direction and forgiving basically every crime he does even tho hes something much more mild and complicated than either his reputation or her view of him will ever be (think madonna-whore complex which is especially obvious when it comes to kabs vs woogies view of him)
another side effect of this Just Enough amount of knowledge aside from being blinded by her own expectations is that it frustrates ppl who think shes oversimplificating things (like me and seemingly several other tumblr users as well) especially when she claims that shes objectively correct and the smartest in the room at any given moment
how this roughness in her analysis affects her in the server still has yet to be fully seen but we do still have at least a couple months until the end but 'til then shes just gonna keep stumbling as more and more complicated situations pop up as is typical in lifesteal to happen and eventually shes gonna have to learn to adapt or else she'll be suffering the consequences one way or another
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i missed you sooooo so so much!!!
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Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
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Got any body type/anatomy thoughts? FEH has very little in the way of body type variation and I personally like reading that as an open invitation to get silly with it.
OKAOKAYOKAY!!!!!!!! I MIGHT. Have gathered everything.... but I have SOOOOOOO MANY THOUGHTS ON THIS bc you're absolutely right!!!!! It's like a canvas to me...
I have a few directions I take with it! My main one, is to extrapolate features that may be present in the canon design. Taking them Further. I'm so sorry to do this but he is the epitome of this for me, GUSTAV JUMPSCARE 😨😨😨😨😰😰😰
But this is what I mean! I see canon Gustav has a full beard, is big and muscular. Okay. In my mind's eye, that translates to Big Hefty Heavyset type of muscular builds that are more realistic than the 6 pack bulging muscles (that require a lot of prep/dehydration to Look Like That). Also, hairy. Which is why, to fully demonstrate this, he's.... I don't know what he's doing here. This was psychologically taxing on me, but then I reminded myself I Am An Artist and I Hate America. 🫡🧍
Sometimes, if a character fits a certain archetype, I might put a few personal touches into them... mom/mom-like characters who REALLY embody the Doting Caretaker archetype often get the same body type as my own mother. A little honorary thing... though I do wanna be careful as to not restrict a specific body type (esp fat bodies) to specifically stereotypes (aka "mom bod"). Also, a comparison to Sharena! They do share similarities! Henriette's face looks familiar though... and not quite in the way Sharena's does.
Another focal reason I started off w Gustav though, is the second biggest thing I'm Always Thinking About when it comes to character's body types. Which is, Telling A Story.
I've had.... SO many oddly specific hcs about Alfonse...... for So Long..... one of them that's always in the back of my mind is him being at different weights during specific periods of his life. That, for the majority of it/esp his youth, he was almost waifish. He only starts looking healthier when he's out from under his parents' (COUGH gustavCOUGH) thumb (but let's be real, Henriette can be EXTREMELY stressful too... opposite end of the spectrum about it).
Another example of Telling A Story though. Sometimes I trans characters just for funsies and it has no real bearing on anything. OTHER times... my trans headcanons are integral to specific lore beats in my elaborate inner world. ENTER. BRUNO
These are actually from a bit ago I was gonna hold off on posting til I felt I had everything together, BUT. BUT. It's extremely relevant!
In the beginning, I often asked myself, "Why doesn't ANY of the Askr trio recognize Bruno as Zacharias?" MY ANSWER. Is that he looked quite different!!!! In tandem with my silly hcs for him, I feel that Bruno is someone who must care a lot about his appearance. About Looking masculine. I think he's been out as a man by the time he joins the Order, but is early on in his transition (by whatever means that manifests in w ✨ Magic ✨ and shit!!). I think he passes, but definitely Looked Different. Give him More Muscle and a haircut and an even more noticeable voice drop and top surgery he dramatically shows off at every opportunity and a mask that conceals his big beautiful brown eyes with fluttery soft eyelashes and like. Who Is That Mysterious Man...... in that Damnable Mask.........
Okay. Let's back up a minute. What do you mean Lif got mysteriously taller. What does that even mean. I can grant him gaining more weight/muscle, but, Taller???? At his grown up age....?? Well.
Hel's memory of the mortals she claims isn't so good, apparently.... (Eir obviously can't tell anything by the nearly all rotted away bones, but the scraggly long hair is giving her pause...) (also is it the King Hel is thinking of in the first place....? Eir isn't going to ask.)
At this point, I definitely could feel myself getting distracted and decided to just art dump a handful of charas I have strong visions for.
Here, you also see The Secret Third Option of body type design philosophy -- which is. If the design itself isn't giving me a lot to work with. I just do my own thang LMFAOOO 😅 I think Anna def fell into that category for me... where a lot of the story/lore I added for her was purely hc territory, and I went from there. She's broad, tall, muscular, top heavy, but still kinda thin and knobby. Aerodynamic, perhaps....
Sometimes, characters are a combination of these things though... like Mirabilis definitely being a combo of qualities, having personal touches, storytelling elements to her, and doing my own thing for funsies! More about the fairies overall -- I think they all ended up having their basic needs met and were even granted dreams/desires for themselves after becoming Alfar (like becoming exactly as you see yourself, or how you wish to be... which unfortunately only goes so far, can't fully undo the damage done to Mira, but. It's free transition for Triandra, is what I'm getting at LMFAOOO). Which is why each of them did fill out more to varying degrees (again, Mira suffering the most long-term effects from her mortal life, and Triandra, already having an idea/concept of herself at the age she drank the nectar, being able to transition). I have specific human design concepts for them too, that look A Bit different than their fairy designs.... but. I'm still working on that 🧍
Eir is def a storytelling one. When it comes to Alfonse's scrawniness, he was just stressed out so bad it took a physical toll. I don't think there was ever any food restriction (or, if there was, it was a rare occasion/used as a punishment). For Eir, I think something like that would make sense for her though.... lack of access, and frequent meticulously purposeful elaborate abuse from Hel. Eir still looks like you could break her in half, but she does look a lot healthier since her stay in Askr. Another note, though I ran out of space... maybe Ymir looks more like Eir than Hel does. I wonder why that could be....
AND. BACK TO THE START. Extrapolating on canon design elements! If you're going to present me a female chara with big honking bazongas, I'm going to make her fat. Or at very least, Carry Some Weight, like Plumeria does (in that full figured curvy way!). And ESP. ESPPPPPP FOR SEIDR AND GULLVEIG. Where Gullveig has Various Lines about "Oh... I don't know how well these old clothes fit me anymore..." (paraphrasing/off memory I feel like she says something like this Multiple Times). Like. Okay. Well I took that personally. I also just like the idea of her changing over time... always having a chubbier build, but it just keeps going as she keeps growing and changing.
In putting this into words, I'm finding a common thread seems to be weight gain as a sign that someone is being taken care of... for Gullveig, I think it's just a purely neutral change over the course of her life. In Lif's case....... some sort of mix up occurred. I can see Alfonse taking more after Gustav naturally, too, as he gets older though!
One final thought is just, is there a fun little detail I can include? Like giving Seidr and the Seidrs a snake-like face? Doubling as something so cutes and something Intimidating? IT WILL BE DONE. Also Need to get to coloring an illust of Gullveig one day..... the golden stretch marks are soooo cool in my mind's eye...... also just. One Million Piercings. Also as characterization/storytelling. A lack thereof is storytelling, as well.... to me..... ALSO!!!!! SHAPE LANGUAGE!!!!!! I'M SUCH A SHAPE LANGUAGE BITCH!!!!!!!!!
I HOPE. THIS ANSWER FINDS YOU WELL 🫡
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is this an unpopular opinion. i dont really like the way the manga is interpretating aubrey
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"The feast of the Nativity of Saint John the Baptist being appointed as the day upon which the coronation of the king [Edward V] would take place without fail, all both hoped for and expected a season of prosperity for the kingdom."
-Excerpt from the Croyland Continuator / David Horspool, "Richard III: A Ruler and Reputation"
Even though Edward IV’s death was unexpected, after twelve years of peace there need not have been too much of a sense of foreboding about the succession. The great dynastic wound from which the Wars of the Roses had grown had not so much been healed as cauterized by the extinction of the House of Lancaster. There was no rush for London, as had happened in earlier, disputed successions. The royal party didn’t set out from Ludlow for ten days after hearing the news of Edward IV’s death, while Richard took his time, too. And the new king had [his mother the dowager queen and] two uncles to support him: his mother’s brother, the sophisticated, cultured, highly experienced Earl Rivers; and his father’s, the loyal and reliable Duke of Gloucester, to whom Edward IV had entrusted unprecedented power and vital military command.
... [Richard of Gloucester] had achieved his goal by a mixture of luck and ruthlessness, and if he made it appear, or even believed himself, that destiny played a part, this only made him a man in step with his times. Modern historians have no time for destiny, but sometimes the more ‘structuralist’ interpretations of the events surrounding the usurpation can come close to it. When we read that ‘the chances of preserving an unchallenged succession were . . . weakened by the estrangement of many of the rank-and-file nobility from . . . high politics, which was partly a consequence of the Wars of the Roses and partly of Edward IV’s own policies’, it is hard not to conclude that an unforeseeable turn of events is being recast as a predictable one. But without one overriding factor – the actions of Richard, Duke of Gloucester after he took the decision to make himself King Richard III – none of this could have happened. That is, when the same author concedes ‘Nor can we discount Richard’s own forceful character’, he is pitching it rather low*.
Edward IV had not left behind a factional fault line waiting to be shaken apart. Richard of Gloucester’s decision to usurp was a political earthquake that could not have been forecast on 9 April, when Edward died. After all, Simon Stallworth did not even anticipate it on 21 June, the day before Richard went public. We should be wary of allowing hindsight to give us more clairvoyance than the well-informed contemporary who had no idea ‘what schall happyne’. This is not to argue that Richard’s will alone allowed him to take the Crown. Clearly, the circumstances of a minority, the existence of powerful magnates with access to private forces, and the reasonably recent examples of resorts to violence and deposition of kings, made Richard’s path a more conceivable one. But Richard’s own tactics, his arrest of Rivers, Vaughan and Grey, the rounding up of Hastings and the bishops, relied on surprise. If men as close as these to the workings of high politics at a delicate juncture had no inkling of what might happen, the least historians can do is to reflect that uncertainty [...].
(*The author who Horspool is referencing and disagreeing with is Charles Ross)
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i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.
im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????
i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.
it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.
was it intentional? did they somehow not pick up on the implications? was it random?
i can't fathom it. it keeps me awake.
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I am once again thinking about The Poor Kid
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I think about this issue sometimes because she’s soooo quick on her feet. She’s always ready to jump into action and figure out a situation. It makes sense why people like steve rogers keep wanting her to be a leader type; she’s empathetic, she’s smart, and she’s decisive. she knows how to make those split second decisions and she’s all about putting herself in the line of fire to keep everyone else safe (see also: rogue not caring about herself and so the choice of self sacrifice is an easy one if it means saving her loved ones / innocent people)
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am thinking about the little smile Annie Murphy does every time Patty admits to how important Allison is to her like how the smile comes up a first time but disappears briefly as she tries to control it, and then she gives up and it blooms on her whole face..... like that happened at least 4 times and it's so. it's an Acting Choice
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I was kinda Jesting about it a little bit ago, but Killian and Shaun just have the potential to have SUCH a fucked up relationship. Shaun, the guy who considers the death of his mother to be collateral damage, who was going to free Killian as a social experiment, who finds out his dad takes off into a grief induced drug haze and becomes a raider overlord for a little bit. VS Killian, the guy who straight up tells him to his face "I love you, but I never should have been your father, and the parent who could have saved you is dead". Killian who realized he couldn't be the kind of father a child deserves wayy too late, but having a wife and kid was kind of all he had. Shaun who has to contend with the realization that his dad thought it was a blessing that Shaun and Nora were "dead". Killian who realizes he's done the exact same thing his parents did to him. DELICIOUS.
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I hope this isn't stupid, but did Henry really do the Great Matter the right way? I just feel if he'd used a normal argument instead of making it a religion problem it'd be easier for him. If he said "I have no son, so I want to make a new marriage and get one, to protect my people from war" then wasn't that a reason other kings had, and they got annulments? That would be just a fact and everyone at the time knew no son had problems. Sure Catherine would still fight but she couldn't really say he was wrong. But instead if he says it's all Leviticus and God's mad it gives her the out to say she never slept with Arthur so God's not counting that as a real marriage. Then Henry has to say she's lying and so she looks the injured party and right to be offended, and nobody knows what to believe so it just drags out hoping someone dies.
Precedentially and in hindsight, making it a "religion problem" might not have been the best course; but I think it was genuinely his belief and also he had been so highly respected as "Defender of the Faith" (literally) up to that point that he saw an opportunity for fame and acclaim in (what he believed to be) the "righteousness" of his case, and a way to shore up the image, power, and prestige of the English monarchy; even when it became clear it would be one from a position of defiance. We have to place his belief in the context of his acclaim as a scholar and theologian up through the 1520s...it was bold, but so was Henry, and while the common narrative is that his case was facile; after further reading I found that to be reductive:
"In Henry’s obsession with an idiosyncratic interpretation of natural law and his apparent indifference to the strength of his own case on Deuteronomy we may discern a litigant who seems determined to snatch defeat from the jaws of possible victory. Nevertheless it is hard to resist the conclusion that the biblical texts themselves support Henry’s claim that his marriage contravened divine law as expounded by Moses. [...] In the field of legal codes Henry’s view, whether treated as a matter of divine or human law, held a strong position. Among other examples the Council of Neo-Caesarea and the regional Council of Agde followed the Levitical injunction by forbidding the marriage of men to their brothers’ widows. Faced with such arguments, Bishop Fisher usually asserted that the prohibitions did not specifically forbid all dispensations – yet nor did they specifically allow any. As on the Leviticus/Deuteronomy dilemma, Fisher reasoned that in cases of ambiguity the pope should interpret the matter. Yet such a papal interpretation had been given by Innocent III in a rider to his judgement on the Livonian issue discussed below: that, whatever the validity of pagan marriages to which the Deuteronomical exception might apply, a man’s marriage to the widow of a deceased childless brother should not be permitted to baptised Christians."
HADWIN JF. Leviticus, Deuteronomy and Henry VIII. The Journal of Ecclesiastical History. 2019
I don't think there's really anything he could've done to assure a 'secure' outcome, tbh (besides the possible counterfactual of applying for an annulment circa, say, 1520 rather than 1527, he did seem to have a better understanding and alliance with Leo X). The final judgement from Clement was that Henry had lived too long in matrimony with Catherine by principle of the dispensation granted to be able to legitimately protest the dispensation.
Precedent ran against Henry in the specific matter of Popes erasing former dispensations. That was not something they had done; but arguably Popes did reverse decisions of their predecessors in other matters, or sometimes reverse their own decisions-- there are many cases, for instance, of Popes granting annulments and then reversing them. This can make better sense of Henry's decision to reify the legitimacy of both his annulment with Catherine and his marriage with Anne via Parliament, even before the Pope has made declaration (because, even if he had made one in his favour, it might not have stuck...the sands were always shifting, too, even if, say, Clement had died without declaration and his successor had been an anti-Imperial candidate, like the later Paul IV, that did rule in his favour, was it not possible he himself would die and his successor reverse that decision? It is plausible to consider, also, a counterfactual where Henry made his application late 1525 or 1526, had it granted January 1527, and Imperial troops stormed as they did by May, pressurizing Clement to reverse...):
"And here it must be acknowledged that, while a substantial case could be built to support Henry’s challenge on the issue of the bull, the fact of that issue had significantly changed the situation and the canonical context within which it might be viewed. On the question of possible rescission of the bull the critics seem to have been right: on balance, precedent would appear to run against the king. Neither a dissolution nor an annulment would seem likely to have been granted. No previous marriage had been ended on the grounds that a pope had acted ultra vires; nor, as David d’Avray notes, ‘was any dispensation to my knowledge … ever revoked because the alleged political ills that it was meant to cure were later shown to be imaginary’. The application of the principle of dissimulatio – the turning of a blind eye to the legal weaknesses of a long-standing union in view of the greater good that would accrue by leaving well alone – could also have favoured the queen’s cause; a similar canonical rule held that ‘doubtful cases ought to be resolved in favour of the marriage’. Most significant of all might be the maxim asserted by Gilles Bellemère in the count of Armagnac’s case, that if the pope asks for advice before taking action, he should be told that the dispensation should not be granted; however, if he has already acted, then he should not be opposed. Thus, even if Henry had succeeded in convincing an impartial court of the impropriety of Julius II’s granting the dispensation, all [of his] lengthy campaign might well have gained him not that triumphant solution for which he had striven but merely the cold comfort of a Pyrrhic victory."
HADWIN JF. Leviticus, Deuteronomy and Henry VIII. The Journal of Ecclesiastical History. 2019
And, that's actually a misconception; it was probably the predominant of his arguments/case, but hardly the only one or aspect:
"Like many other litigants, Henry adopted a ‘scatter-fire’ approach to his task of seeking an annulment, attacking a vast array of targets, hoping that at least one shot might reach its mark. His opponents tended to follow suit, thus a comprehensive analysis of each pellet might seem desirable to do the parties full justice. This has not been attempted in the present study. Instead it has seemed best to concentrate on three of the most serious and most often cited defences of the queen’s case, those based on the questions Henry asked of the universities in 1530-1, thus setting the agenda for the debate. The first of these was that, while forbidden by the texts of Leviticus, marriage to a brother’s widow was prohibited by the Church only if the previous marriage had been consummated, whereas Katherine insisted that she came to Henry 'virgo intacta'. Secondly, it was argued that the Levitical prohibition should be interpreted as being limited by the command in Deuteronomy requiring a man to marry a childless brother’s widow, exactly what Henry had done. Lastly, the king’s critics cited a number of what they considered relevant precdents for the dispensation granted to Henry and Katherine by papal bull in 1503.
Each [argument of the Queen's side] appears to have
serious weaknesses. The strict application of canonical procedures in the case would appear to favour a verdict that Arthur and Katherine had indeed consummated their union. On Deuteronomy, not only had the Church generally regarded the command as obsolete and inapplicable to Christians but the contentious verse does not on close examination cover
Henry’s case at all. Finally, none of the oft-cited papal dispensations involved a clear-cut breach of the Levitical injunctions: the bull really does seem to have broken new ground and might not have been issued had all the facts been known."
HADWIN JF. Leviticus, Deuteronomy and Henry VIII. The Journal of Ecclesiastical History. 2019
Royals being anti or pro papal tended to be a matter of political timing, and this wasn't unique to Henry VIII. Hell, Mary I's spouse was excommunicated (not just threatened with excommunication, as her father had been circa the Great Matter era) by Paul IV because he had sent the Duke of Alva to occupy the papal states in retaliation for his alliance with France, and deprived her councilor and Archbishop of Cantebury, Reginald Pole, of his legateship and ordered him to return to Rome to answer charges of heresy ; and she chose to defend them rather than repudiate them in kind.
So, for the matter of claiming Catherine wasn't a virgin when he married her...I don't think he anticipated that she'd confess otherwise to Campeggio and unseal the confession; or use the trial of Blackfriars for the opportunity to repeat her own claim otherwise and then refuse to attend the rest of the hearing of evidence. For the hearing in Dunstable in 1533, she refused to attend, as well, and so did her supporters, so there's some revionism in the narrative that the Henrician side of the divide refused to hear her own evidence and supporters. They clearly did not regard it highly; arguably they gave it short shrift, but the political tactic of refusing to acknowledge the legitimacy of any proceedings or hearings outside strict papal jurisdiction (not that all of Catherine's supporters adhered so strictly to that, when it suited them...see: Trial of Zaragoza) by Catherine and her supporters precludes the accusation, reified by Marian Parliament, that Henry and Cranmer "refused to hear evidence" from oppostion. This was a convenient fiction, underrating agency and choice and emphasizing a narrative of corruption vs "godly truth".
But at the same time, I think that aspect of it was a matter of principle for both of them and yet a nothingburger both legally and politically: it was impossible to prove or disprove. There was ambiguity on the matter because the dispensaton covered any possibility ("forsan"); even Clement's declaration did not really fully vindicate her side because he didn't comment on the matter of her virginity upon her marriage to Henry. It was, ultimately, a non sequitur. Henry pursued it because he vehemently believed it was true, and that the proof was in his deceased children by the marriage, that they had died because of the Levitical 'curse', for lack of better word...
And Henry had legal/canonical precedent on his side (see excerpt from JF Hadwin's excellent article on the case above, and this one: "[...] the canonical procedures for determining non-consummation suits would have worked against her. As in any such dispute, witnesses were questioned. Not surprisingly, their stories differed according to their nationality: like the decisions of the universities this was a case of what Hans Thieme delightfully described as cuius regio, eius opinio. English ones remembered a raunchy young prince boasting of his having ‘been this night in the midst of Spain’. Most of the interrogation records of the queen’s Spanish servants have been lost, but they seem to have agreed with the implications of the leading questions that they were fed by recollecting only an immature wimp. Canonical rules, however, held that in such controversies, the husband’s view was to be preferred to the wife’s. Furthermore, in the absence of sound evidence to the contrary, in any marriage that had lasted more than a few days, consummation [would] be presumed. This is why neither Mendoza, the Spanish ambassador, nor his successor, Chapuys, was enthusiastic about Katherine’s claim and probably why Campeggio felt relief that the question was not to be argued at Rome. As Gardiner had warned the queen earlier, presumption would run against her: rightly or wrongly, in any court operating under standard canonical rules and procedures, she would probably have lost this argument."), but not circumstance.
My unpopular judgement is that Henry was actually far more judicious in his timing of the Great Matter than he's given credit for; as early as 1529 he's saying he's "about to undertake the annates", he delays the cessation of paying the annates until Easter 1533; he waits to pass the Act of Kings alone nominating Archbishops and consecrating bishops until Cranmer is elected Archbishop by the Pope (a fait accompli, because it does mean that Cranmer's annulment of his marriage can be viewed as an act of the papacy, by extension; and forces Clement's hand...arguably this backfired, but not fully, he did not excommunicate Cranmer, probably because doing that to someone he had so recently promoted would call his judgement into question); and he doesn't pass the Act in Absolute Restraint of Annates until 1534, after Clement declares for the validity of his marriage with Catherine. Was the timing different (annates are forbidden by law irrevocably, and then Clement declared for the marriage), one could argue otherwise (that Henry had been too hasty); but Clement could've secured annates from England for the rest of Henry's reign had he done the opposite, or possibly delayed their total annihilation had he just continued to not declare on the matter.
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living with someone who has never learned to be a responsible mature person is so frustrating
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really the only thing rhats actually entirely missing from canon that im not just expanding on & would make collei the epitome of perfection in fiction to me is her being a trans kid OKAY remember the webtoon scene where amber lends collei her old clothes. smiles serenely
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