Kaeya, despite being a sickly and gentle child, was his own kind of nightmare for Crepus and the other Dawn Winery staff.
See, Diluc is prone to mischief and chaos, dragging along his younger brother and a couple of other children into his plots and messes.
But Kaeya? Kaeya is the type to end up in the most random, and I do mean most random, of places. He would vanish for several hours, only to be found in an unexpected location such as, oh let's say that one time, he was found eating fruit with some friendly hilichurls...IN LIYUE.
He was such a curious soul that would easily get distracted by the wonders of Teyvat, but since he is so silent in both words and movements, whoever is watching over him would lose sight of him just as quickly.
He has caused several search parties in his youth, only for people to find out he was following a seelie to a treasure chest or napping with a young wolf cub in Wolvendom.
Crepus swears that Kaeya and Diluc are competing on who can give him gray hairs the fastest (so far, Diluc is winning, but Kaeya sure is catching up with every scream of panic from a designated babysitter and Diluc)
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I haven't read the Odyssey so I'm asking you. Are you telling me besides Athena, Apollo was the god who helped Odysseus and his family the most? Indirectly at least.
If that's true it's really a missed opportunity in EPIC.
No, no, the god who assists Odysseus the most after Athena is unquestionably Zeus.
Zeus genuinely has no problems with Odysseus and makes it very clear that he finds the man brilliant and would have already had him home and safe if he had his way, but he makes it clear that he's deferring to Poseidon who actually has the problem with Odysseus because, ultimately, the sea is Poseidon's domain and kingdom and Zeus doesn't intend to step on his brother's toes.
(Od. Book 1 trans. Robert Fitzgerald)
I'd definitely give third place to Apollo however. The big bug-bear about Apollo in the Odyssey is just that he's much less tangible than Athena or even Hermes who appears to Odysseus multiple times to help guide him/give him proclamations. His presence is everywhere though; like I've previously mentioned (and like he did with Jason) it's Apollo protecting Odysseus from Poseidon as he sails the sea after Odysseus blinds Polyphemus. It's also Apollo keeping Telemachus safe. His most vital role by far is when Odysseus returns to Ithaca in time for the challenge that will determine the next king. Not only is it a shooting contest whose first hurdle is to string a bow, the challenge itself takes place on a festival day for Apollo. Athena is there with Odysseus and Telemachus physically, but Apollo is looking after them in spirit, sending signs and signals to keep Telemachus especially safe.
(Od. Book 15, Telemachus warns about the state of Odysseus' house to Theoclymenus, a son of one of Apollo's prophets.)
There's also the fact that Odysseus makes sure to pray to Apollo before he attempts to string the bow:
(Od. Book 21. Beggar-Odysseus petitions to shoot his shot)
Likewise, before he slays the first suitor, Odysseus again prays for Apollo's guidance and gaze to guide his arrows:
(Od. Book 22. Odysseus commits the first of many (divinely-sanctioned) murders)
Also, as an additional thing, have Telemachus invoking Zeus, Athena and Apollo that he could see the suitors have their asses beat:
(Od. Book 18. Telemachus excitedly gushes to him mom about his cool new friend (Odysseus. Odysseus is the friend.)
There's a lot of minimisation of Apollo's role in the Odyssey because it isn't as bright and showy as his role was in the Iliad but hey, even there people tend to minimise how truly present Apollo is for the duration of the war when they're doing adaptations. Within Epic, the stage is already more than set for both Apollo and Athena to be there at the advent of Odysseus' revenge but none of that matters if that's not the creator's intention, y'know?
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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