#calling clothing lines kashmiri

[kashmirichaiwithmehr]

.

[savysing]

Pashmina Wraps and pashmina stole are Available On the web for the UK

Three principal kinds of Pashmina cloaks, pashmina stole and scarves are accessible at ZainabyCtoK - Hand-weaved, woven and the Kaani weave.

Hand-Weaved Cloaks Stoles and Scarves

Frequently, our gifted craftsmans improve the pashmina cloaks with sensitive hand-weaving. These are so unpredictably weaved that it takes craftsmans somewhere in the range of a few months to complete the weaving.

Sozni weaving is one of the wonderful kinds of weaving that is well known on a pashmina stole or taken. The work is so fine and skillful that the theme shows up on the two sides of the cloak - it's challenging to make out which is the right half of the wrap. This sort of weaving work is called do-Rukia (different sides), casually.

How To Wear Sozni Weaved Pashmina?

These wraps and stoles can be matched with both western as well as customary outfits since the look is very contemporary. Pashmina pieces of clothing keep you warm in the chilly climate, however in particular they add a hint of class to your look. Presently, there's compelling reason need to kill your outfit by wearing monstrous sweaters or thick covers. A rich Pashmina from our assortment is all you want to keep you hot and trendy.

Tilla weaving is one more famous kind of work that we offer on a Pashmina wrap. This sensitive and wonderful hand-weaving is finished utilizing silver or brilliant strings. Like Sozni, these cloaks and stoles are additionally do-rukha or two sided where the two sides of the wrap appear to be indistinguishable.

Step by step instructions to Wear Tilla Weaved Pashmina

Our exquisite tilla articles of clothing are dressier and settle on a fantastic decision for formal events. They can be impeccably matched with your conventional wear - be they customary outfits or western suits. The select idea of these tilla weaved articles of clothing settles on them your best decision for each exceptional event.

Step by step instructions to Wear Tilla Weaved Pashmina

Buy Wholesale kids scarves, Stoles, and wraps for Greece

Part of our extraordinary assortment of unadulterated pashminas wholesale kids' scarves are woven cloaks, stoles, and scarves that have an example woven utilizing different shaded strings. The woven example can be stripes, checks, herringbone, or simply a line with creepers or blossoms. Conventional wooden weavers used to wind around all of our pashmina articles of clothing and since these are manual and worked by gifted craftsman, the winding around cycle can be very time-consume.

baby scarf Pashmina

In our scope of woven Pashminas are our staggering Pashmina baby scarf. These comfortable, rich eye-getting scarves are the perfect adornment for kids. Match it with daywear or night wear, every outfits of kids our  Pashmina scarves will add heaps of appeal and cuteness to your  kids look.

Kaani

This is the best kind of hand-woven Pashmina wrap or took where the example arises as the piece of clothing is woven utilizing strings of various tones. Kaanis are the wooden sticks utilized as spools by the craftsman to wind around these wondrous manifestations. It requires two or three months for each of our kaani pieces of clothing to be woven. They are so special, stunning and superb that for the vast majority families they are an image of distinction to be given over to the cutting edge as treasures.

Our Unadulterated Kashmiri Pashmina

Among Kashmiri wraps, Pashmina is viewed as generally valuable and special. At Zaina by CtoK, we offer you just unadulterated Kashmiri Pashmina articles of clothing from genuine sources. There are a few elements that are special to Pashmina - that tell you without a slight trace of uncertainty that you are taking a gander at a unique Pashmina piece of clothing.

Light As a Plume

The pashmina fleece is fine and slender - with a width of pretty much 13-19 microns (1/1000th of mm). This makes the pashmina Wholesale kids scarves incredibly light for its size. Envision this - a Wholesale kids scarves produced using genuine pashmina can be basically as light as 180gms! Furthermore, a pashmina took can weigh just 95gms! Your ideal travel extra for all your virus occasions.

Delicate As a Cloud

The sign of our pashmina piece of clothing is that it is super delicate and feels like you're wearing a cloud. In spite of being so fragile, it is exceptionally warm and comfortable to envelop yourself by on a virus winter's day.

ECC exports kids' scarves to the USA, UK, Australia, Japan, Italy, France, Denmark, Belgium, Spain, Netherlands, Germany, Brazil, Mexico, UAE, Morocco, Sweden, Finland, Greece, Egypt, Austria, England, Canada, Chile, Ireland, Iceland, Kuwait, Norway, Nigeria, Peru, Poland, Switzerland, Saudi Arabia, Scotland, and South Africa

[newsaajtak2021]

Tensions are rising in South Asia after India ended the special status for Jammu and Kashmir by revoking Article 370. Lockdown continues in the Indian state as key leaders are in custody, communications are blocked and thousands of troops patrol the streets.

Across the border, Pakistani Prime Minister Imran Khan has tweeted that just as Germany had been captured by the Nazis, “a fascist, racist Hindu Supremacist ideology & leadership” has taken over India. He claims the lives of 8 million Kashmiris are at risk. He worries about “ethnic cleansing and genocide.”Indian Prime Minister Narendra Modi takes a different view. He claims that Article 370 was an impediment to development. Now, the people of both Jammu and Kashmir, as well as the newly separated Buddhist area of Ladakh will be integrated into India. According to Modi, local inhabitants will benefit from investment, growth and jobs as well as greater employment rights, gender equality and minority protection.The Story of the Kashmir Dispute Until 1947, modern-day India, Pakistan and Bangladesh were part of British India. Yet it was not as simple a matter as the transfer of power from the British to the Indians. There was a fly in the ointment. The British had propped up a number of princely states ruled by local monarchies that acted as their loyal clients.When the British decided to leave, the future of these states came into question. Both India and Pakistan wanted to absorb these vestigial states into their territories. The populations of most princely states were in favor of joining either India or Pakistan. The rulers themselves had three options. They could either join India, Pakistan or declare independence.The princes were known for their opulence, decadence and misrule. Besides, many saw them as traitors who had been rewarded for betraying their countrymen to the British. So, in the post-independence environment, there was little chance of these princely states retaining independence. Without the teat of the British Empire to suckle from, they were simply not in a position to survive. Embed from Getty Images Most people forget that these princely states were a big deal in 1947. First, there were an ungodly 565 of them. Second, they comprised 40% of the Indian subcontinent. Third, about 23% of the population of this region lived in these states. Integrating them into two newly independent countries was a matter of paramount importance to the political leadership of India and Pakistan.Jammu and Kashmir was one of these princely states. In the dying days of the short-lived Sikh Empire, the Dogra Rajput generals of Jammu conquered many small Himalayan states such as Kashmir Valley, Gilgit, Baltistan and Ladakh. They even tried to conquer Tibet but were beaten back. When the British beat the Sikhs, they sold Jammu and Kashmir to Gulab Singh Jamwal, a Dogra general of their rivals. Jamwal abandoned his Sikh masters and cast his lot with the rising British East India Company. This enabled him and his successors to rule the second largest princely state in the Indian subcontinent.In 1947, Hari Singh, Jamwal’s successor and the last Dogra king, wanted independence. However, he was effete, ineffectual and debauched. As a Hindu king ruling over a majority Muslim population, his power base was slipping. As in much of India, communal tension broke out in Jammu and Kashmir. This excited emotions in Pakistan.Ideologically, many in Pakistan saw Kashmir as an integral part of a new Muslim nation. On the night of October 21-22, the Pakistanis sent tribal militia and soldiers in civilian clothing to annex the state. Sheikh Abdullah, the most important Kashmiri leader and a friend of Jawaharlal Nehru, opposed the Pakistani incursion. So did the ruler Singh. In panic, he signed the Instrument of Accession, ceding Jammu and Kashmir to India. Indian troops arrived by air and pushed Pakistani forces out until Nehru took the matter to the United Nations.In 1948, the former princely state of Jammu and Kashmir was divided between India and Pakistan. Pakistan controls part of Kashmir, Gilgit and Baltistan. India holds much of Kashmir, Jammu and Ladakh. India lost territory to China after a disastrous war in 1962 and Pakistan ceded territory to the Middle Kingdom in 1963.Since 1989, Kashmir has suffered from insurgency after the 1987

elections were reportedly rigged by New Delhi. Since then, many Kashmiris have called for independence. India has blamed Pakistan for stirring up trouble. Pakistan has blamed India for oppressing Kashmiris just as Israelis persecute Palestinians. Tensions have frequently run high. Casualties on the militarized Line of Control are a regular occurrence. Full-scale conflict between India and Pakistan has broken out in 1947, 1965, 1971, 1985 and 1998.Why does Kashmir Matter? The Jammu and Kashmir region is a melting pot and a geopolitical hotspot. Afghanistan, Tajikistan, Xinjiang and Tibet are next door. Here, many races and cultures cross paths. The region is also home to Muslims, Hindus, Buddhists and numerous indigenous spiritual traditions. Rivers that feed hundreds of millions downstream flow through it. The three countries that lay claim to parts of this region are all nuclear powers: India, Pakistan and China. This raises the specter of a truly catastrophic conflict. Embed from Getty Images Kashmir also throws up tortured questions about identity and popular sovereignty. As a nation formed for Muslims of the Indian subcontinent, Pakistan has long believed Kashmir belongs to it. As a multicultural democracy, India has held the view that Jammu, Kashmir and Ladakh prove its secular identity. The two contending ideas of nationhood that led to the partition of British India in 1947 are the reason for so much emotion in Pakistan and India over Kashmir.There is also the tiny matter of Kashmiris themselves. At least since 1953, their leaders have been flirting with the idea of independence. Some of them believe that they could be the Switzerland of Asia if the Indians and Pakistanis would leave them alone. Both Pakistan and India fear that. So does China. Kashmir’s independence could cause a domino effect because it could set a precedent for other border areas that want to secede from these three Asian giants. On Kashmir, two contending principles of self-determination and national sovereignty clash. Sadly, there is no clear and obvious resolution.Astute analysts expected the Indian government to remove the special status of Jammu and Kashmir. The ruling Bharatiya Janata Party has espoused this idea for decades. Similarly, Pakistan’s outrage was inevitable too. It sees its chances to control Kashmir weakening as a result of Modi’s move. The heated rhetoric and rising tensions over Kashmir are causing concern worldwide. Two still-poor countries that spend large sums on military preparation and periodic confrontation might end up clashing again, losing yet more blood and treasure in the process. Both states have hundreds of nuclear weapons, making Kashmir one of the most dangerous places on the planet.The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. Join our community of more than 1,900 contributors to publish your perspective, share your narrative and shape the global discourse. Become a Fair Observer and help us make sense of the world.

[kashmir-box]

5 Diffrent Type Of Sarees From Across The Country .

Saree is an expression of the cultures and traditions that mark our country.

Saree is an expression of the cultures and traditions that mark our country.

The kashmiri work saree class of a saree is unparalleled and for that reason, we all affectionate this unique clothing.

An immortal ethnic garment, various kinds of Sarees like original Kashmiri silk sarees can be found across the length and expansiveness of the Country. The standard nine yards of the wrap can be demonstrated and styled variedly relying upon the various kinds of sarees in India.

Our rich culture has given us numerous food varieties, and even kinds of Sarees!

Going from materials utilized, hanging style, and the story mixed between the folds of the saree, how about we figure out various kinds of Sarees.

1.  Kanjeevaram Saree from Tamil Nadu

Energetic tones, imperial boundaries, and the rich silk give Kanjeevaram Saree a fancy aura.

Hailing from Tamil Nadu, Kanjeevaram are conventional wedding sarees that have been taken on all around the country for unique events.. The sarees have a marked gold color to decorate their look.

Kanjeevaram additionally designs strict themes enlivened by the sanctuaries and fanciful stories. The pallu of a Kanjeevaram saree is generally a differentiation variety adding more flavor to the texture of the wrap.

2. Nauvari Saree from Maharashtra

Originating  from the west coast, the Nauvari is one of the customary Indian saree. The saree is nine yards in length so it is called “Nauvari Saree”

Nauvari has an exceptionally novel way of being hung called the "kashta" style wherein the line of the saree is wrapped up at the back.

The Nauvari Saree is an image of bravery as the hanging style started from Maratha ladies champions wearing the saree in a dhoti style empowering them to ride ponies and battle easily of development.

After some time, Nauvari sarees are styled for merriments like relationships. Ladies look totally dazzling in a lively Nauvari saree and a cloak, called Shela, hung across their arms. One of the various kinds of sarees of India, Nauvari can be spotted from a good ways attributable to its particular style

3.  Pochampally Saree from Telangana

Hailing from Telangana, the Pochampally Sarees are designed with nuanced themes and mathematical examples.

These sarees are made with the unique Ikat way of coloring used to get the impact of particular "Chowra" designs which resemble rushes of diffused squares and precious stones. Wound with one or the other cotton or silk, these sarees are exceptionally creative in nature.

Pochampally sarees have never stopped being applicable, continuously advancing with the pattern. With kaleidoscopic examples and fascinating themes, this saree will be a rockstar on any occasion.

4. Muga Saree from Assam 

Created distinctly in Assam, the Muga silk sarees are special and delightful.

With a shiny sheen and tough silk, the various sorts of saree accessible in the market are extraordinarily adaptable. With a characteristic goldish color, the saree is a scene. This sought after saree is a go-to clothing for weddings and other promising events. Perhaps the costliest silk, Muga's sparkle improves with each wash making it ageless.

The brilliant exemplary Muga saree will make you the work of art at the following merry event.

5. Kasavu Saree from Kerala

The white saree molding brilliant boundaries once in a while strung with genuine gold is totally staggering.

The moderate plan gives the saree an exceptionally fashionable look and is prominently worn during the celebration of Onam in Kerala

[plaidfabricdf]

Are you crazy about Indian and Pakistani fashion in the UK?

　　Are you crazy about Indian and Pakistani fashion in the UK? If you do R/N/SP Ponte Knitting Fabric want to wear last year's styles but desire to adopt the latest fashion trends from the Indian sub-continent, look for a renowned, specialist Asian clothes store offering bridal wear and Pakistani designer clothes in London. Whether it's for a festival, party, reception, black tie event, wedding or any other special occasion, you're sure to find something that suits your taste # and preferences. Showcasing Pakistan's Apparel Heritage Pakistani designer clothes in London is a great way to connect with the culture and heritage of Pakistan. Talented designers seamlessly blend age old traditions and forward thinking aesthetics to create stunning garments that appeal to modern men and women. Pakistani designer dresses are available in a wide number of styles such as salwar kameez, anarkalis, A-line kurtas, kaftans, capes and even fusion gowns. Fantastic embellishments such as thread embroidery, sequins and applique designs add grace to outfits and wearers.

Designer wear is created out of high quality fabrics such as chiffon, georgette, silk, net, velvet and much more. All these elements combine to make Pakistani designer apparel suitable for special occasions when you want to look your absolute best. Bespoke Ordering Process Pakistani designer wear is popular among both Pakistanis and Indians. Specialist Asian clothes stores source the latest styles from talented fashion designers in the Indian sub-continent and offer them to customers in the UK. With ethnic prints and colorful designs, you'll find them in extensive varieties to suit any occasion. Reputed stores offer made to order services so customers can flaunt Asian designer wear with the perfect complimenting fit. Ordering a bespoke dress is simple - just book an appointment with the retail store where you can finalize various details such as the design or style of your dress, fabric, color, embellishments and have yourself measured by stylists. The store will call you for a trial fitting and if there are no alterations, deliver the dress by a specified time.

Fabulous Wedding Apparel Of all special occasions, weddings are the most special not only for the bride and groom but also for guests. While lehengas, sarees and salwar suits are the most popular options for women, sherwanis and achkans are the preferred choices of men. If you're looking for Asian bridal dresses in the UK, multi-designer Asian clothes stores have much to offer. Bringing the latest trends from the Indian subcontinent, they offer customers a wide choice of resplendent and opulent bridal wear along with accessories to make the dreams of brides and grooms come true. From comfortable shararas with matching dupattas and lehengas with mirror work or Kashmiri thread work to the ever popular red lehenga, they include a wide variety of styles in their vast collection. Beautiful, bespoke Asian bridal dresses in the UK are yours for the picking. Take your entire family along so everyone is outfitted in splendid attire!

[ablanariwho]

My Calling

Your calling shows up in your childhood and keeps coming back throughout your life. Here is how I tried to figure out what is my calling. Creative expression and power of observing beauty in ordinary things On a dark, no-moon summer night I reached the lakeside near my home. One of my uncles, a cousin brother to my father, carried me in his lap and took me there for a little outing. The wavy vertical reflection of the streetlights on the water were the first thing to catch my fancy . “Look, how the lights are melting in the water”, I pointed out towards the lake and told my uncle. I looked around and could not see much in the darkness. I looked up. Though there was no moon, the sky was smog-free, glittering with stars. I raised my little hand towards the sky and pointed at a star, “The sky looks so beautiful. Can you see that star? It is looking like a sparkling dot on the forehead of the sky, like the one mom puts on when she dresses up,” I told my uncle. He noted my ability to express creatively and conveyed the same to my mum after returning home with me. He told her, “Your daughter could be a poet one day.” That was my very first memory about my spontaneous response as a child towards images and nature. When I reflect on it, I realize my inner self connecting with the present surroundings. I see my ability to observe beauty in mundane things. Though blunted by the worries of the world, I do notice some sparkles in my musings even today.

Ability to feel oneness with nature, being in the present I am aware of my natural ability to feel the calming stillness and poignant poise of the universe. The way it cradles the enormous play of contradictory yet complementary forces of life and death, creation and destruction, intrigues me.  As a child, I would find myself playing alone with my earthen and brass toy utensils under the shade of a tree. Yet, I did not feel I was alone. The tree, the butterflies and the bees, the sparrows gave me company. I spoke to them. I felt their lively presence and my oneness with them. Now, I realize, I was so much in sync with nature. After living in the concrete jungle for almost the better half of my life, I still seek oneness. I have not forgotten my relationship with nature – where I come from, where I belong and where I would go back. I do feel it sometimes by looking at the tree outside my window or the indoor plant in my room. Ability to feel the pure joy in the positive energy of life In late-winter afternoons, I insisted to sit outside my home. The local tribal people would come in a flock to sweep the fallen dry leaves. The picture still sticks to my memory. The young tribal women would sweep the spread of crunchy faded leaves into a heap.  Their toned bodies would be wrapped in colorful cotton saris. They wore seasonal local flowers in their hair buns behind their ears. They would sing folk songs in a typical aboriginal tune while doing their work. The men would sing along by way of whistling. They would help the women collect the dry leaves and twigs into a heap and then light it up in a fire. I did not understand what they said to each other while doing their work. Now I know the men would crack some jokes or playfully tease the women and they would giggle and quip back. I watched them with so much wonder and amazement. The smoke billowing up from the burnt leaves wafted in the winter-on-retreat breeze. I would feel a mild burning sensation in my eyes and nostrils. I would still sit there and not respond to my mother calling me out to return home. I would sit there as if as a spectator of the eternal drama of life playing out on the earth. I perceived the whole scenario through all my senses as it was. I keenly watched everything. I felt a pure joy – not induced by any purpose or plan. I stayed there as a part of the scene, without any thoughts or emotions shadowing my sense of being. In retrospect that was the ‘self’, the consciousness as an objective observer. It is present in all. It is independent of  concepts, perspective and perceptions. As we grow, we lose the ability to feel pure joy and happiness inherent in our being. I don’t think as an adult I could retain the ability to tap in that ability. I am again in search of it. At least I am aware of where my happiness lies. You may have more than one calling and develop one or each of them into a successful career or business. My innate attraction to handicraft, writing, storytelling Gradually, I discovered my innate attraction towards handcrafted products. I grew up in a home full of such items. They appealed to my inherent sense of aesthetics. They ignited my imagination with curiosity and care. I liked my mother's walnut jewellery box with Kashmiri floral curving on it. The lacquered wood, bright red, handprinted powder case on my mother’s dresser attracted me a lot. She bought it from Mysore. My mom loved tuberoses. She would organize a few sticks of it in he grey Bidri long neck metal flower vases with slivery inlay work on it. This was from Hyderabad. It would be kept on a Kashmiri,  small teapoy in the drawing-room. There were quite a many items from Kashmir. There was a Kashmiri carved-wood book holder on the bookshelf. The cane center table from Assam sat on a  Kashmiri ‘Namda’ rug.  I was also very fond of the heavy, metal coin box with Bidri work on it from Aurangabad in my mother’s cupboard. I would keep staring at the set of sherbet glasses in the kitchen cabinet in fluorescent colors. The delicate, transparent, animal figurines in handblown colorful glass, decorated our living room shelves. Those were from Firozabad, Uttar Pradesh. The crocheted tea coasters and the porcelain tea set in the sideboard were so elegant. I loved my mother’s collection of   marble and sandstone miniatures. She bought them from Puri, Jabalpur and Agra. Then, I did not know those were handmade by artisans from various parts of my country. Later, as I grew up, I developed a curiosity for the products as well as an affinity with their creators. For my line of clothes and interior decoration, I preferred handloom and handcrafted products. I developed an interest in the various crafts of India for its heritage and nature friendly values. The human story element in it, its economic value for rural India and last, but not least, its beauty appealed to me. I ended up trying to be a micro-entrepreneur in this sector. At the same time, I started writing poems. It was around the 7th or 8th year of my life. I co-authored my first poem with my first childhood friend, my namesake too. It was about the current hairstyle of young guys – sort of a comical view on men’s contemporary fashion sense! My second poem was about the moon and the charkha spinning old lady. I would lay flat on my back on the green, slightly prickly grasses of the park behind my home. I would look at the matt white, almost a full moon in the pre-dust, pale blue sky. I read about an old woman who lived in the moon and spun reels of white thread out of heaps of cotton in a fairy tale. I would imagine her working at her spinning wheel while looking at the shadows on that early evening moon. Since then, I have always been expressing my deeper thoughts and feelings through writing. In my adult life, I worked as a professional writer. Right from my early teens, I found my enthusiasm in telling stories. I had the ability to observe, visualize, recall, and represent. Few of my school teachers noticed it. They would deploy me to keep the class engaged by telling my fellow students a story. These qualities came in handy when, later in my life, I worked as a feature journalist, a blogger, and a writer. Ability to think critically and freely During my late teenage, I often found myself debating with my elders. I raised questions on the social and moral educations they imparted. I questioned many things the established system wanted me to believe. I took part and enjoyed the religious occasions for their festive and family spirit. But I could never develop faith in worshipping deities or following rituals. My spiritual thoughts formed in my mind without any formal knowledge. Initially, it did not have any conscious allegiance to any dogma, or ‘ism’. I never hero-worshipped any individual. Be it celebrities, politicians, spiritual gurus, teachers, or social reformers. Rather, I always wanted to learn from or focus on their work, thoughts, and philosophy. It helped me in working on various types of feature stories. Connecting with people through heart Though I was never an extrovert, right from childhood I felt the natural urge to connect to people on the empathetic ground. It helped me to not develop arrogance and pride; it helped me to remain grounded. It encouraged me to be curious about human psychology and behavioral science. Currently, I have embarked on a new journey as a certified Life Coach. My motivation is to help people in their endeavor to live a better life.. The work challenges my evolution as a better version of myself. It involves dealing  with one's own tendencies to be judgmental, biased and egotist.  a helping profession of a Life Coach needs self-study.

Courage, conviction, adaptability, zeal to learn new things and resilience in face of challenge When thrown into challenging situations in life, I found myself wading and surfing through the waves of upheavals. I faced and responded to the demand of the situation. I had my share of slipping off my surfing board. Sometimes I drowned in the turbulent water of adversity. I experienced my and other’s vulnerabilities. I did make mistakes and wrong decisions giving way to more problems. While in my endeavors to make, restore or rebuild things, I ended up breaking a few.  I caused hurt to my loved ones, loss and damage to them. It taught me some practical lessons that everyone should know to be more in control of one’s mind, money and matter. At the same time, it taught me to see life in its larger perspective. It taught me to forgive and give everyone, including myself, another chance. It taught me not to lose faith in the innate richness and healing process of life. I got to know the power of human mind. It constantly challenges me to rise above ego and objectively deal with people and situations. It helps me to evolve. I broke free of my comfort zones. I came out of my marital home, went to court seeking a divorce, raised children as a single parent. I was a homemaker. But I went out, sought and tried different jobs for supporting myself and my family. I did my stints at HR, direct marketing, hotel front desk, home food service, selling saris, IT job till finally I got into my kind of jobs in feature journalism and writing. At every job I learnt new skills, got acquainted with new work culture, came across various types of people. I experienced workplace harassment. Yet I had to deliver what was expected of me. Till the time I got into a writing job, I accepted and tried every other opportunity that came my way. Those were neither  my calling nor I wanted to carve a career out of them. I had to do them to meet the urgent needs of my family during the huge financial crisis. There was no option to plan a career, pick and choose. This expanded my horizon of understanding people and situations from different perspectives. I leant to do it without the temptation of judging them. It helps me in my service as a Life Coach. My energy synergy I have observed bright, sunny, cool mornings energize me the most.  Hope, faith in life-force, urge to work, gratitude peak in my mind during this time. Dusk sees an ebb of energy and agility in me. It feels little depressing during this time. Another day gone from my life, another day closer to my grave makes me feel a bit low at this point. It is very important to spend a productive day.  Being  present in the present helps to beat the blue a crimson sunset brings in. But post evening I find my mind being able to focus on work again, especially writing. Understanding one’s energy synergy helps in aligning his/her work schedule. It boosts  best productivity. My exploration list It contains the things I want to do or would do imagining no constraints or limitations stopping me. Such a list also indicates where our calling lies. Though I prefer to keep it to myself, I will share a couple of things from my exploration list here . Travelling tops it. Next is starting a co-creative learning center and a staycation.

[shyamcollection]

*BAMBOO SILK IS A FABRIC WHICH MAKES PERSON FEEL SOFT WHILE THEY WEAR IT* Handloom Bamboo Cotton Weaving Saree With Black Panel Pallu With Royal Tassels With Resham Wooven Lining Border With Kashmiri Thread Work in Full Saree With Black Lining Blouse *Price ₹1399 👈🏻👉🏻👇🏻👆🏻👈🏻👉🏻👆🏻👇🏻 Check bio.... To get more information add whatsApp group provide link in bio.... And other........ Call/ message - 9068028080 Best product.......... COD not available Payment method..... Google pay /phone pay)/ bank transfer / paytm / paypal...... For pp Dm Or message on-= +919068028080 #indianfashion #indianlook #newstily #trendlook #instabusiness #fashion #sari #cloths #trend #fashionhub #instafashion #newfashion #love #fashionlover #bollywoodtrend #sari #t-shir #lahanga #pajabhi #rajasthani #tiktok #makup #lookbook #sarilook #new #stily #blog https://www.instagram.com/p/CFkTbg_nxH1/?igshid=1ce84q0gfhqr8

[trekkinginpakistan]

New Post has been published on Trekking in Pakistan

New Post has been published on https://trek.pk/gojra/

Gojra

Gojra (Punjabi and Urdu: گوجرہ‎), the administrative capital of Gojra Tehsil, is the city of Toba Tek Singh District in the Punjab province of Pakistan. Gojra is 50 kilometers (31 mi) from Faisalabad, 170 kilometers (110 mi) from Lahore, and 20 miles (32 km) north of Toba Tek Singh. Founded in 1896 during the British colonial period, Gojra was the commercial center of lands which had recently come under cultivation and was known for its “mandi” (market) for cash crops. It is the 51st largest city of Pakistan by population according to the 2017 census.

History

Pre-Independence

Gojra city was established in 1896 when the colonization of Faisalabad began. The railway line between Faisalabad and Gojra was laid in 1899. The town was given the status of notified area committee in 1904 and upgraded to a B-Class Municipality in 1925. In 1906, the population was 2,589, according to The Imperial Gazetteer of India.”The business is done in this rising mart on the railway, which has sprung into existence in the last six years owing to the extension of the Chenab Canal to the surrounding country, bids fair to rival in importance that of Faisalabad itself”.

In 1919, following the Rowlatt Act, hartals broke out throughout Punjab. Gojra was affected by serious protests and a member of the Church Mission Society had to be escorted out of the town by loyal residents.

Post-Independence

In August 1947, India and Pakistan achieved independence. Riots and local fighting followed the expeditious withdrawal of the British, resulting in an estimated one million civilians deaths, particularly in the western region of Punjab. Gojra, which was in the region of the Punjab Province that became West Pakistan, was populated by a number of Hindus and Sikhs who migrated to India, while Muslim refugees from India settled in the district.

After independence from Britain, in view of its increasing size, it was declared as a 2nd class Municipal Committee in 1960. Gojra was raised to the status of tehsil town and affiliated with the newly established district Toba Tek Singh on 01.07.1982. After the introduction of the Devolution of Powers Plan, the Tehsil Municipal Administration Gojra came into being on 12.08.2001.

Geography

Gojra’s coordinates are as UTM: BQ74

Geographical coordinates in decimal degrees (WGS84)

Latitude: 31.150

Longitude: 72.683

Geographical coordinates in degrees minutes seconds (WGS84)

Latitude: 31 09′ 00

Longitude: 72 41′ 00

Geology

The district of Toba Tek Singh is part of the alluvial plains between the Himalayan foothills and the central core of the Indian subcontinent. The alluvial deposits are typically over 1,000 feet thick. The interfluves are believed to have been formed during the Late Pleistocene and feature river terraces. These were later identified as old and young floodplains of the Ravi River on the Kamalia and Chenab Plains. The old floodplains consist of Holocene deposits from the Ravi and Chenab rivers.

The soil consists of young stratified silt loam or very fine sand loam that makes the subsoil weak in structure with common kankers at only five feet. The course of the rivers in Faisalabad is winding and often subject to frequent alternations. In the rainy season, the currents are very strong. This leads to high floods in certain areas which last for days.

The Rakh and Gogera canals have encouraged the water levels in the district; however, the belt on the Ravi River has remained narrow. The river bed includes the river channels which have shifted the sandbars and low sandy levees leading to river erosion.

This area is between the Chenab and Ravi rivers. There is a mild slope from the northeast to the southwest with an average fall of 0.2–0.3 meters per kilometer (1.1–1.6 feet per mile). The topography is marked by valleys, local depression, and high ground.

Economy

The surrounding countryside, irrigated by the lower Chenab River, produces cotton, wheat, sugarcane, vegetables and fruits. The city is an industrial centre with major railway yards, engineering works, and mills that process sugar, flour, and oil seed. Gojra is known for producing crops, especially in wheat production, as well as sugarcane and cotton. Gojra has its own fabric mills, which import and export to other countries.

Culture

Festivals

The Punjabi people celebrate cultural and religious festivals throughout the region, such as arts and craft, music, local events, and religious celebrations.

The city of Gojra customarily celebrates its independence day on 14 August by raising the Pakistan flag at every home and important Govt buildings. Bazaars are colourfully decorated for the celebration, government and private buildings are brightly lit, and there are similar flag–raising ceremonies that are typically held in the district and its tehsils.

The arrival of spring brings the annual “Rang-e-Bahar” festival during the month of March, where the Parks & Horticulture Authority of the Gojra Municipal Committee organise a flower show and exhibition at Civil Club, Gojra.

Being a Muslim majority city, religious observances include Ramadan(Ramzan) and Muharram. The festivals of Chaand Raat, Eid al-Fitr, and Eid al-Adha are celebrated and are national holidays. The celebration of the Prophet Muhammad’s birthday is observed in the city which is often referred to as “Eid Milād-un-Nabī”. There are darbar and shrines which attract devotees during the annual Urs. There are Christian churches in the city where Easter and Christmas services take place.

Attire

Traditional attire in Gojra is Punjabi clothing such as the dhoti, kurta and pagri. Gojra men wear white shalwar kameez as do women but with a dupatta (scarf). Mostly women wear burqas that may or may not cover the face. Combinations of Pakistani and Western attire are worn by women, such as an embroidered kurta worn with jeans or trousers, and half sleeve or sleeveless shirts with Capri pants. Men have adopted some of the modern Western styles for both casual and formal business dress such as dress pants, trousers, T-shirts and jeans.

Food

Gojra’s cuisine is very much Punjabi cuisine, with influences from the times of the Mughal and Colonial empires. Key ingredients include rice or roti (flatbread) served with a vegetable or non-vegetable curry, a salad consisting of spiced tomatoes and onions, and yogurt. This is usually accompanied by South Asian sweets such as jaggery, gajar ka halwa, gulab jamun, and jalebi. Tandoori barbecue specialties consist of naan bread served with tandoori chicken, chicken tikka or lamb shishkebab served with a mint chutney.

Street foods are a key element to cuisine. Samosas (deep fried pastry filled with vegetables or meat) are topped with an onion salad and two types of chutney. Other street foods include dahi bhale (deep fried vadas in creamy yoghurt), gol gappay (fried round puri filled with vegetables and topped with tamarind chutney) and vegetable or chicken pakoras. Biryani and murgh pilao rice are a specialty in Gojra.

A typical breakfast in Gojra is halwa poori comprising a deep-fried flatbread served with a spicy chickpea curry and sweet orange-coloured halwa. It is customarily accompanied by a sweet or salty yoghurt-based drink called lassi. During winter, a common breakfast is roghni naan bread served with paya curry.

Specialty drinks vary depending on climate. During winter, hot drinks are available, such as rabri doodh, a creamy dessert drink commonly made with full-fat milk, almonds, pistachios and basil seeds, dhood patti (milky tea), and Kashmiri chai, a pink coloured milky tea containing almonds and pistachios. During summer, drinks such as sugarcane rusk, limo pani (iced lemon water), skanjvi (iced orange and black pepper) and lassi are common. The famous food points are Rafiq samosa corner, molvi ky pakory, Shahryar ice-cream, gujjar chaye wala, attari fruit chaat, Pardesi Burger, Al-Madina Tikka shop, Barkha Sweets.

Languages

The population speaks Punjabi as mother tongue while the national language Urdu is widely spoken.

Arabic is taught in Madrasahs and Masjids as a religious language. English as the official language is taught in all schools.

[vignaniasacademy]

08-05-2020 Current affairs & Daily News Analysis

Vande Bharat Mission: Students and migrant workers account for 64% of qualified registrations In one of the largest evacuation exercises named Vande Bharat Mission, the government will operate 64 flights between 7th and 13th of May to bring home nearly 14,800 Indian nationals stranded abroad due to the Corona virus lockdown.

About: The 64 flights which will be operated include ten flights from UAE, seven each from Bangladesh, Malaysia, United Kingdom and United States, five each from Saudi Arabia, Singapore, Philippines and Kuwait along with two each from Qatar, Bahrain and Oman. Out of the total, fifteen flights will bring back people to Kerala followed by eleven flights to Tamil Nadu and Delhi. Seven flights will be flying back people to Maharashtra and Telangana whereas five flights are slated for Gujarat.  Source : All India Radio ( International ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy THE RESISTANCE FRONT (TRF) A little-known outfit, The Resistance Front (TRF), had claimed responsibility for the April 5 attack on the security forces along the Line of Control in the Kupwara sector, where five Army personnel were killed. TRF is becoming the new face of Kashmir terror.

View of Indian Security forces: The Resistance Front (TRF) is a front organization of the Pakistan-backed Lashkar-e-Taiba (LeT). It was promoted by Pakistan and created in August 2019 following the withdrawal of Article 370. All attacks carried out by the Pakistan-backed Lashkar-e-Taiba (LeT) are being pinned on the newly formed “seasonal” group in the Kashmir Valley in order to escape scrutiny by the Financial Action Task Force (FATF) and avoid further sanctions. The global money laundering and terrorist financing watchdog is to review Pakistan’s performance in acting against terror funding at its next meeting in Beijing in June. Pakistan wants to project Kashmiri terrorism as a resistance movement by Kashmiris. So far Hizbul and LeT have come under TRF’s umbrella.  Source : The Hindu ( Defence & Security ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy Visakhapatnam gas leak: What is styrene gas? A gas leak has claimed at least eight lives and affected thousands of residents in Visakhapatnam in Andhra Pradesh. The source of the leak was a styrene plant owned by South Korean electronics giant LG, located at RRV Puram near Gopalapatnam, about 15 kms from the coast city.

About: Styrene is a flammable liquid that is used in the manufacturing of polystyrene plastics, fiberglass, rubber, and latex. Styrene is also found in vehicle exhaust, cigarette smoke, and in natural foods like fruits and vegetables. Short-term exposure to styrene can result in respiratory problems, irritation in the eyes, irritation in the mucous membrane, and gastrointestinal issues. Long-term exposure could drastically affect the central nervous system and lead to other related problems like peripheral neuropathy. It could also lead to cancer and depression in some cases. Symptoms include headache, hearing loss, fatigue, weakness, difficulty in concentrating etc.  Source : Indian Express ( Science & Technology ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy What is African Swine Fever reported in India for the first time? Since February 2020, over 2,900 pigs have died in the Assam due to African Swine Fever (ASF). This is the first time that an ASF outbreak has been reported in India.

About: What is it? African swine fever is a highly infectious viral disease that affects pigs, warthogs, bush pigs, European wild boar and American wild pigs. Cause: It is caused by African swine fever virus, member of the Asfarviridae family. Transmission: Transmission can occur either directly contact of sick and healthy animals, and indirectly through contaminated feed, or on contaminated clothing, vehicles or as other fomites. Geographical Distribution: ASF is present in wild and/or domestic pigs in regions of Asia, Europe and Africa. ASF Virus is endemic to sub-Saharan Africa. It has been seen in South America and the Caribbean but has been eradicated. Symptoms: The infected animals get high haemorrhagic fever, lose of appetite, diarrhoea, reddening of the skin at extremities, chest and abdomen and die in 2-10 days. Prevention: There is no effective vaccine to protect pigs from the virus. No vaccine exists and culling (Slaughtering) is often the only effective way. Impact on Humans: Unlike the H1N1 virus that causes swine flu, the ASF virus doesn’t infect humans.  Important Info : African Swine Fever (ASF) vs Swine Flu? Swine influenza or swine flu is a respiratory disease of pigs, which is caused by type A influenza virus that regularly causes outbreaks of influenza in pig populations.While the swine flu causing virus leads to a high number of infections in pig herds, the disease is not as fatal and causes few deaths.Specific swine influenza vaccines are available for pigs.Further, while swine flu viruses don’t typically infect humans, cases have been reported in the past, most commonly when humans have contact with infected pigs.  Source : Indian Express ( Health ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy IIT-Delhi startup launches reusable antimicrobial mask NSafe An IIT Delhi startup ‘Nanosafe Solutions’ has launched an antimicrobial and washable face mask ‘NSafe’, which is reusable up to 50 launderings, thus greatly cutting down the cost of use.

About: NSafe mask has 99.2% bacterial filtration efficiency (at 3 microns) and complies with ASTM standards of breathability and splash resistance. It is believed to be the first fabric based antimicrobial face mask launched in India. NSafe mask enhances protection to the wearer through three different mechanisms: mechanical filtration, antimicrobial decontamination and repulsion of aerosol droplets.  Source : Times of India ( Health ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy R.K.Singh releases 'Impact of energy efficiency measures 2018-19' report The Union Minister of Power released a Report on “Impact of energy efficiency measures for the year 2018-19.”

About: With energy efficiency initiatives, India has already reduced the energy intensity of economy by 20% compared to 2005 levels. In COP-21, India pledged to bring down energy intensity of economy by 33 to 35% compared to 2005 levels by 2030. Implementation of various energy efficiency schemes have led to total electricity savings to the tune of 113.16 Billion Units in 2018-19, which is 9.39% of the net electricity consumption. The total energy savings achieved in 2018-19 is 23.73 Mtoe (million Tonne of Oil Equivalent), which is 2.69% of the total primary energy supply (estimated to be 879.23 Mtoe in India) during 2018-19. This includes both Supply Side and Demand Side sectors of the economy. These efforts have also contributed in reducing 151.74 Million Tonnes of CO2 emissions, whereas last year this number was 108 MTCO2. Source : PIB ( Economy ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy NATIONAL LAND MANAGEMENT CORPORATION The task force on National Infrastructure Pipeline has recommended setting up a National Land Management Corporation, which would help in monetising state-owned surplus land assets in a systematic way.

Recommendations: Such a corporation should be set up under Companies Act to function as the facilitator for land monetisation and an asset manager for lands owned by government of India and Central Public Sector Enterprises. A chief executive officer (CEO) and a technical team should be hired at market-linked compensation to carry out land monetisation. Apart from a CEO and technical team, the Corporation should have representation from the Finance Ministry, Department of Public Enterprises, Ministry of Housing and Urban Affairs as well as independent directors from finance and real estate industry. The Corporation can raise capital from the equity market, based on the value of its leased assets. The panel recommended the Corporation consider development or co-development of land belonging to defence or railways as well. It can also take up co-development of private land parcels adjoining government lands to maximise revenue.  Source : Indian Express ( Economy ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy

‘Darbar Move’ burdens exchequer: J&K HC

The Jammu and Kashmir High Court asked the Centre and the Union Territory (UT) administration of J&K to take a final call on the continuation of the ‘Darbar Move.’

About: What is it? Darbar move is the name for the bi-annual shift of the secretariat and all other government offices in J&K from Srinagar (state’s summer capital) to Jammu (state’s winter capital). When is it done? The secretariat is located in Srinagar from May to October and in Jammu from November to April. Along with the secretariat, the J&K High Court also moves. Who started the Darbar Move? The practice was startedby Dogra King Maharaja Ranbir Singh in 1872 to escape extreme weather conditions in these places. It was a compulsion in the past because of poor means of transportation and communication.  Important Info : Debate: Arguments against Darbar move: The Practice is inconvenient and a waste of time and money. Every year, over 7,000 employees along with thousands of files of the civil secretariat are ferried between Jammu and Srinagar in buses and trucks on the 300-km-long route .The move costs the State over Rs. 40 crore.Arguments in favour of it:Abolishing the “Darbar Move” may increase the feeling of alienation between Jammu (which is predominantly Hindu) and Kashmir (which is predominantly Muslim).J&K is not the only exception to have two capital cities. Recently, Andhra Pradesh has proposed three capital cities.  Source : The Hindu ( Polity & Governance ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy Some coronavirus patients who should be unconscious from lack of oxygen can appear totally fine. Doctors call it 'silent hypoxia.' Medical practitioners have reported a condition called ‘silent’ or ‘happy’ hypoxia, in which patients have extremely low blood oxygen levels, yet do not show signs of breathlessness. They are now advocating for its early detection as a means to avoid a fatal illness called Covid pneumonia.

About: Hypoxia is a condition wherein there is not enough oxygen available to the blood and body tissues. Hypoxia can either be generalised, affecting the whole body, or local, affecting a region of the body. According to researchers, Covid pneumonia — a serious medical condition found in severe Covid-19 patients — is preceded by ‘silent hypoxia’, a form of oxygen deprivation that is harder to detect than regular hypoxia. In ‘silent’ or ‘happy’ hypoxia, patients appear to be less in distress. Many Covid-19 patients, despite having oxygen levels below 80 per cent, look fairly at ease and alert. This phenomenon has puzzled several medical practitioners.  Source : Indian Express ( Health ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy RUSSIA-NORTH KOREA RELATIONS Russian President Vladimir Putin has awarded Kim Jong-un a commemorative war medal marking the 75th anniversary of the victory over Nazi Germany. The medal was awarded to Mr. Kim for his role in preserving the memory of Soviet soldiers who died on North Korean territory.

Background: Soviet troops helped drive Japanese forces out of the Korean peninsula in the final stages of WWII. The Soviet Union also played the main role in installing Kim Jong Un's grandfather, Kim Il Sung, as the first leader of the nascent Communist state in 1948. Alongside China, it supported North Korea during the 1950s Korean War, which never officially ended despite the 1953 armistice.  Important Info : The ceremony came days after Kim ended mounting speculation over his health when North Korean media published photos of him smiling at a ribbon-cutting ceremony at a fertiliser plant.His re-emergence came as a blow to the credibility of some high-profile defectors from the North who had speculated he was suffering from a grave illness or could even be dead.  Source : The Hindu ( International ) Read UPSC Current affairs and Daily News Analysis from IAS Study Circle in Bangalore Vignan IAS Academy Read UPSC Current affairs and Daily News Analysis from Top IAS Academy in Bangalore Vignan IAS Academy Daily Current affairs and News Analysis Best IAS Coaching institutes in Bangalore Vignan IAS Academy Contact Vignan IAS Academy Enroll For IAS Foundation Course from Best IFS Academy in Bangalore Read the full article

[mirascrafts]

How to choose the right size for your Living room carpet?

To be classified as a true oriental rug a carpet must be hand knotted and come from any of the traditional carpet producing countries of the world. This includes Persians, Indians, Kashmiris and a host of other styles.

Oriental rugs****  are different from all others in that their pile (usually wool) is tied to their foundations. That is why they are referred to as hand-knotted rugs, and that, more than anything, accounts for why they last so long — often 50–80 years in use. This also accounts for their expense. Carpet making has also historically evolved as an Art form and as with other art form the value and beauty remains subjective.

Here are some of major Questions Asked By Our Customers

Antique’ — Original pieces from Our Private collection of antique rugs. This collection is acknowledged to be the single largest Private collection

in the world after the Sultan of Brunei’s. We have a part of this private collection available for sale at the Miras Carpet Industries. Geographically

this collection spans the entire carpet-making world and comprises individually selected pieces from Iran, Afghanistan, Pakistan and India etc.

The famous Bukhara carpets Like Kaishan, Hamadan, Qum, Jewel Of Kashmir, Star**** Of India,Doors Of Paradise, Khatirus, Tree Of Life,

Kirman rugs, Isfahans, Samarkands and many more find representation here.

‘Silk Carpets’

— The famous ‘Indian silk carpets’ are manufactured by us in Kashmir; these are new carpets and can be

made entirely of Silk or Silk on Silk with a cotton foundation. These “Kashmiris” Weavers often take inspiration from theclassical

Persian designs. Silk is the ultimate luxury fiber and these carpets are prized for their ornate design and opulent finish.

‘Antique Reproductions’ — We at Miras Carpet Industries recreate classical Persian and Mughal carpets using the same dyeing and weaving

techniques of yore. Do peruse our stylish ‘Silk and Wool Collection’ for our Persian reproductions and the ‘Mughal Jail Collection’ for our

imitations of the erstwhile Jail Carpets. All these carpets are manufactured using clothing grade merino wool and are also available with silk accents.

‘Kilims’– a large selection of the flat weaves from Central Asia, Iran, Afghanistan and Turkey.

These “tribal rugs” are in bold geometric designs and oft- vibrant colors. Made for self-use rather than sale, each piece then becomes unique and

the handiwork remarkable.

‘Montage’ — Modern carpets in sleek lines and contemporary colors.

What Indian carpets do you keep?

Old Indian rugs are represented in our Old & Antique selection; we stock original pieces from the 19th and 20th century. Some have been privately

acquired from the royal families of India while others are new rugs manufactured by us today.

For antiques see — Carpets & Rugs

For new carpets in wool and Woolen Carpets– For 100% Silk Carpets, Please Check with Silk On Silk Carpet Section.

We keep Obsession, Transitional, Persian, Traditional, Modern and Old vintage carpets in stock.

We are award winners in customizing carpets and rugs.

What dyes do you use?

We recreate age-old carpet making techniques. In keeping with that we use natural dyes i.e.vegetable dyes.

What is an Abrash?

A change in color in the field or border of a rug is called and ‘Abrash’. The color change extends across the rug, left to right, following a weft yarn and

this is due to differences in wool or dye batches used in the weaving of the rug. Rather than being seen as a flaw an Abrash is appreciated by carpet

lovers as a testament of handwork.

I am on a budget, could I still afford an Oriental rug?

It is a misnomer that all oriental rugs are unreasonably expensive. If you are on a budget you could still buy a great carpet. Consider selecting pieces

that are newer and factor in raw material and labour costs. Silk yarn is more expensive than wool, and silk carpets also require more time and skill to

weave because of the more intricate patterns.

How much time does it take to make a Carpet?

Manufacture time would depend on carpet size and intricacy. A small 3’ x 5 ’ rug could take a person several months to make, while a medium-sized

rug (5’ x 8’) could take a person or persons a year. Some of the museum quality Antique pieces or the very intricate silk masterpieces could take Several years.

Do you customize Carpets?

We do customize carpets and have done so previously for official state buildings, consulates and hotels.Please do be cognizant that customizing a carpet

is both labour and resource intensive and will also take some time and collaboration at all stages of the process -From design to making a naksha, dyeing

the yarn and weaving rug allow for a minimum time of 6–12 months from commissioning.

Should I buy a rug if I have pets or small children?

The Miras Carpet Oriental rugs is quality. Apart from their beauty it is their durability that makes them so highly sought after.Pets and children should

not deter you from buying fine rugs. Hand-knotted carpets are made to weather; they’re made to endure high traffic and wear and tear that is why they

last for decades. A high traffic area would demand a rug of high quality i.e. a hand-knotted one. Hand-knotted rugs are also easy to clean and maintain.

I have allergies should I buy an oriental rug?

All our carpets are manufactured using natural dyes (insect and vegetable) and natural fibres (wool, silk and cotton); they should not cause or aggravate

allergies. If you’re sensitive to dust, the regular vacuuming or brushing of carpets should allay those concerns.

I was gifted a damaged carpet, can it be restored?

Yes, the Miras Carpet Industries has restoration professionals on hand to evaluate and restore your piece.

What items can I place on top of my carpets?

Most items commonly found in a household or business ( i.e. tables, chairs, couches) can be placed on carpets. Items should be periodically moved forward and back over the course of a year to prevent any uneven crushing of the carpet’s pile.Plants should never be placed on top of the carpet, even with a water basin beneath the pot. Any leakage can damage the carpet.

Certification:

We provide certification of all our Miras Carpets. A certificate of authenticity will be provided to you given carpet genealogy, approximate age and relevant

information on symbols and motifs.

What are the Standard Carpet Sizes?

The sizes for old and antique carpets are based on the above standard but as nomads and tribals usually weave them, they can vary in their dimensions

by a few feet or inches.

The standard sizes in New wool carpets are-:

2×3 Feets

4×2.5 feet

5×3 feet

6×4 feet

7×5 feet

8×5 feet

9×6 feet

10×8 feet

12×9 feet

14×10 feet

15×12 feet

18×12 feet

The standard sizes in New Silk carpets are -:

2×3 feet

4×2.5 feet

5×3 feet

6×4 feet

7×5 feet

9×6 feet

10×8 feet

12×9 feet

14×10 feet

18×12 feet

Do write to us at Email enquiry@mirascrafts.come if you have any other queries or concerns.

Personal Details

Miras Carpet Industries

Location: No. 7, Suryodai Complex

Old Airport Road,

Kodihalli, Bangalore, India- 560008

Contact Mails: info@mirascrafts.com / mirnawaz@mirascrafts.com

Website: https://www.mirascrafts.com

Phone:+91 8041571894

Owner: Mir Nawaz

Founded:1983

[brajeshupadhyay]

On 25 April, Qazi Shibli, a south Kashmir-based journalist and editor, returned home after nine month in a prison in Uttar Pradesh's Bareilly. It was also the first day of the holy month of Ramzan, bringing much needed joy to the family and to the 28-year-old himself. Shibli, who runs online news portal The Kashmiriyat, says that he was summoned by a local police station on 27 July last year, after he reported, and later tweeted, a leaked government order on additional troop buildup in the Valley. The questioning continued for four days, explains Shibli on his website, "I was in the police station and my family was assured that I would be released on [4 August]," he says, "However, then the abrogation [of Article 370] happened, communications were snapped and the rest is history." On 8 August, he was booked under the Public Safety Act and later lodged in a jail hundreds of kilometres away from his home, like hundreds of other Kashmiris — he was among the 412 others also booked under the draconian law. His PSA charges were revoked on 13 April in an effort to decongest the jails during the COVID-19 pandemic. His release comes on the heels of news of two Kashmiri journalists — Gowhar Geelani and Masrat Zahra — being booked under the anti-terror law, Unlawful Activities (Prevention) Act. The Committee to Protect Journalists that had reported on Shibli's detention and run a campaign for charges against him to be dropped, welcomed his release and called on authorities in Jammu and Kashmir to release award-winning journalist Asif Sultan and put a stop to the misuse of laws to target journalists. Following his release, Shibli spoke to this journalist about his ordeal, the future of journalism in the Valley and more. Edited excerpts of the interview follow: Why were you jailed? Journalistic freedom in India, especially after the BJP came to power in 2014, has been shrinking a great deal. There are many cases like those of Gauri Lankesh and Prasoon Bajpai — whose journalistic freedom was curtailed. In fact, Gauri was killed for her brave journalism. You are not given any space or grey areas. The government wants us to follow a certain path and tells us to do only one type of journalism. How did you react after you learned about the PSA against you? I have done many stories on the PSA and tried to understand what the Act is all about. So, I always had a sense of watching developments from the outside; however, being booked under the PSA gave me a much better idea of the Act from the inside. I felt very strange. I couldn't believe I had been booked under the PSA. Initially, I had tears in my eyes, but then there was a minor with me and he was smiling. That's when I felt embarrassed that this kid was smiling and I was crying, so I thought it was best to face whatever has to come. There was a despair that till the previous day I was writing stories about the PSA, but now, I was being detained under the same Act. But that kid brought me out of the despair. When were you shifted to the Uttar Pradesh jail? On the morning of 9 August last year, we were taken to Srinagar airport and we had no idea about where we were being taken. For the first two months, we weren't even told where we were lodged. [Later we learned] it was Bareilly District Jail. Your imprisonment came at a time when communication was snapped in Kashmir. Our families did not know where we had been taken; they had come with lunch to the police station and were told that we weren't there. It was a time when you wanted to call people and seek help, but that was not happening. And the biggest concern was about how the families would know [of our whereabouts], because is the first thing that comes to your mind during these times. How difficult was it for your family to come to terms with you being jailed for nine months? To be honest, I cannot tell you how they coped, because only the one who gets burnt feels the pain. However, inside the jail, I knew that the local police would not have told them about my whereabouts, otherwise my family would have travelled to meet me. Since no one turned up, I understood that the police must not have told them. When was the first time someone familiar came to meet you? It was after 57 days in the jail when I got to see my brother and sister. That was the first time that I was able to see and meet someone familiar; it was a surreal experience. How did you spend your time in jail? I understood the need to be a guardian of all Kashmiris who were with me, as I saw a lot of worried faces. 'Worried' is an understatement. This feeling came right after we had boarded the flight from Srinagar. And it was inside that air force plane that, despite the loud sounds, we sang the Nazms of Faiz, and that helped people a bit. Describe your cell/jail? It was a high-security prison. Nobody was allowed either out of their own cell or inside one another's cells. I was in solitary confinement. Twice every day, for a half hour, we were allowed out. Everything was scrutinised. Initially, voices from outside and from the distance were very haunting. And then there would be silence again, which was even more haunting. There was this curiosity to see the origin of those voices. All the walls and bars were white. White used to be my favourite colour, but I was so tired of it that I wanted to see something other than white, and it was three months later that my clothes arrived and I finally saw something that was not white. Also, you could not even see other prisoners. I spent my time imagining the good times, like my college days in Bengaluru or being with my family. And then you open your eyes and you are in the same jail. That cell again starts haunting you. Were you able to read or write inside jail? I started reading only after eight days. I had a book by Noam Chomsky and some books by other authors, but they took them away, as they did not allow printed books there. So I sat on hunger strike for two days, following which I was given books. The jail authorities were actually very good and I was later given access to a lot of literature, including some in Hindi. However, a pen was something I was never allowed, and whenever the police came to me, I would literally beg them to give me a pen. What made it worse was that those cops always carried pens, but I was never given one. It was after three months that I got to touch a pen for the first time. Did being a journalist help inside the jail? Yes, it was helpful, because there was a general notion among inmates — that is created by the national media — of Kashmiris being negative. So much so that even a civilian killing in Kashmir is not condemned by people in India. As a journalist, I had a bit of an idea of how things are in India and how the national media portrays us. Also I had some knowledge about caste politics and politics in general, so this helped me to connect with them in terms of local issues. And among them the biggest misconception was about Kashmir, so as a journalist I was, to an extent, able to dispel those myths about us. That was evident by the fact that when we reached there, many people were scared of us and there was a special force to manage us. As they did not know about us, there were many assumptions. But when we left, many policemen escorted me and told me that they would visit Kashmir and love to be hosted by me. I can say that, to an extent, I was able to cure the ill of indoctrination. What kept you going when inside the jail? For a long time, I thought I was dreaming but there were people who had more haunting stories than me inside the jail. For example, one man was to be married two days after his arrest, and yet, he was jailed. Another man, in his 60s had married late in his life and had little children to look after. Such stories made me stronger. Then I realised that I had to put on a brave face, as these guys would always cry. And I thought it was my job to keep them motivated and, in fact, alive. That was my first priority, because we were in social isolation for nine months. People are maintaining social distancing now, however we have been maintaining it for over nine months now. Tell us about your health, especially your mental health? My health was fine till the onset of winter, however after winter came, my leg started to hurt and that's something I have carried with me till now. I had just one pair of trousers, a T-shirt and a Rs 10 note in my pocket. I had worn that shirt for 52 days, and when I came out, I counted that it had 119 holes. My mental health was very much intact, because I was reading a lot, and when I was tired of reading, I would sing a lot and then others would join from their cells. We would usually sing Faiz and many Kashmiri songs. And the policemen would enjoy it. Music was a panacea for affliction. Also music helped bridge the gap with the authorities, and many times we were told, "Aap bhi hamari tarah ho, aap bhi hamare gaane gaate ho (you are also like us, you also sing our songs)." I had developed a technique to prevent my mental energy from draining. In such places, you don't want your mental strength to drain. I read a lot of Munshi Prem Chand and that's what I would read for people there. Faiz and Chomsky were not allowed though. Two of your colleagues have been booked under UAPA; what do you make of that? It is very drastic and unfortunate that such major journalists have been targeted. If journalists like Gowhar Geelani have been targeted, what will happen to minor ones like us? But there is a pattern in this. It is not happening only in Kashmir, journalists like Gauri Lankesh have been targeted in other parts of India. The State does not want to provide any space for what they call "bad journalism". It doesn't want to provide space for facts. So how do you see it affecting other journalists? It will, of course, affect others. There is a feeling of fear that we might be targeted. There is a line that has been drawn to ensure you can only report certain things. It is very unfortunate though that your journalistic freedom is being taken away and you are being scrutinised. Even your social media space is being scrutinised. Tell us about your plans for the future. Will you restart The Kashmiriyat? We will start working afresh soon. The web portal will also resume in a very professional and ethical manner. We will be better than what we were. We will carry on with the journalism on which we have focussed.

http://sansaartimes.blogspot.com/2020/04/in-bareilly-jail-i-was-guardian-of-all.html

[artelex-interior-designers]

DIFFERENT TYPES OF INDIAN BRIDAL OUTFITS

Indian bridal-wears are coveted for his or her gorgeous and richly decorated forms. The grandeur of the attires is supplemented by the range that these are available across the various regions within the Indian subcontinent. While sarees are the common Indian wear for ladies, traditional bridal wears show interesting variations consistent with regions. Lehengas, Salwars, and Ghagras are often found more commonly among Northern and Western brides. A Saree is common for the brides within the East while it gets modified within the North East. In South India, while the Saree predominates, the design of draping, colour choice and even adornments that modify the design of the saree bring wonderful varieties. aside from the bridal outfits, the bridal adornments also show beautiful variations alongside associated wedding rituals, culture, and ethnicity. beat all, the various sorts of Indian Bridal wear make it very interesting to require a glance into each of them.  Wedding wear in Lucknow Kashmiri Bridal Outfits The traditional bridal dress is named the ‘Pheran’. The pheran may be a combination of Indian and Iranian dressing. The outfit hangs sort of a loose knee-length kameez with beautiful Ari embroidery over the sides. The bride has got to wear an elaborate headgear called the ‘Tarang’. A white cloth turban called ‘Zoojh’ is tied on the bride’s head alongside a ‘Kalpush’. The Zoojh is roofed with a golden glazed paper. Finally, a gorgeous drape of embroidered dupatta covers the top. The bridal Lehenga has heavy Zari and Kashmiri embroidery. Heavy gold jewellery is worn. Unique jewellery called the ‘Dejharoo’ is worn which comprises a pair of small pendants worn through the ear lobes. Maharashtrian Bridal Outfit A Maharashtrian bride wears a standard saree called ‘Nauvari’. The saree is typically a bicoloured Paithani with golden pattern border. The bride looks very elegant with the saree being draped during a dhoti style. A characteristic headgear is worn which is named the ‘Mundavalya’—a string of flower or pearls with two dangling ends on the edges of the face. The jewellery is formed of gold, pearls and mogra flowers are used for adorning the hair. A crescent-shaped hoop is worn matching the bindi on the forehead. Rajasthani Bridal Outfit The dress may be a heavily embellished Lehenga or a saree. The Marwari community belonging to the present place has heavily decorated bridal attire with gold and silk thread work. The chiffon Dupatta called the ‘Odhni’ may be a vital part of the bridal outfit. Tucked to the waist, it covers the top sort of a veil. it's decorated with hand embroidery. Heavy Kundan and gold jewellery are worn by the bride. Gujarati Bridal Outfit The Gujarati bride wears a ‘Panetar’ for the marriage, which may be a bridal saree usually with colours red and white. The saree ‘pallu’ is kept within the front rather than the rear. A heavily embroidered dupatta covers the bride’s head. The work on a Panetar is often simple to heavy stone laden decorations. The jewellery is usually Kundan and gold.  Traditional Wear for Men Bridal Outfits in Uttar Pradesh The dress is typically Lehenga Choli with rich embroidery. Red is that the usual colour is chosen and therefore the dress is often of silk, velvet or crepe. Gold Jewellery adorns the bride with ‘choora’ bangles and ‘bichua’—the toe ring which is extremely important for a U.P. bride. Punjabi Bridal Outfits The wedding during this region takes place totally on lines of the Sikh tradition. the normal bridal gown may be a Salwar Kameez or Lehenga. The brides are gorgeously decorated head to toe. the colour chosen is usually red and therefore the entire dress is exquisitely decorated with beads and embroidery. A dupatta covers the top and therefore the jewellery that's worn includes the ‘Ranihaar’—long, ornamental gold necklace, decorated red and white ‘Choora’ bangles, Tika, Nath and most significantly the ‘Kalire’. The Kalire is tied to the Choora. It consists of pretty golden and silver danglings. Assamese Bridal Outfit The traditional Assamese dress is that the ‘Mekhla Chadar’. it's made from silk. the colors used are sobre like white, gold, cream and silver. The bridal make-up and jewellery are kept minimum yet classy. Traditional gold jewellery is worn. The Maangtika worn has traditional Assamese motifs thereon. Bengali Bridal Outfit The traditional Bengali bridal wear is that the Benarasi silk saree. Red is that the traditional colour, but similar shades also are worn. The saree has beautiful golden Zari work everywhere. Gold jewellery is worn everywhere. A white Styrofoam tiara made in traditional design completes the design. Another beautiful part is that the use of sandalwood paste and red paint designs painted on the bride’s forehead, cheeks, and chin. ‘Alta’ a red dye is applied on the palm and feet. Bridal Outfits from Odisha The bridal dress maybe a yellow saree with red borders. Gold jewellery is worn by the bride and almost like Bengal, the bride’s feet are decorated with the red ‘Alta’. a shawl called ‘Uttariya’ is additionally worn around the saree. Nowadays, brides also choose Lehengas also. Tamilian Bridal Outfit The Tamil bride wears Kanjeevaram silk sarees in bright colours. The sarees have exquisite Zari borders and golden ‘Buta’ embroidery. the foremost beautiful adornments of the bride are the jewellery decked on the hair and worn around the waist. the normal ‘Jadai Nagam’ is worn on the braid of the hair which symbolizes a cobra—standing for fertility. They also wear a gorgeous headpiece called ‘Nethi’ bordering the forehead with ‘Maangtika’. The waist belt is named ‘Oddiyanam’ and 2-3 layers of gold necklaces are worn by the bride. Bridal Outfits in Andhra-Telangana (Telegu Bride) The Telegu brides wear interesting outfits. they need to vary their outfits twice for the rituals. During the Kanyadaan ceremony, the bride is brought during a basket by her maternal male relatives. At this point, she wears a Kanjeevaram saree complete together with her bridal jewellery. Next, within the Madhuparkam ceremony, the bride changes into a white cotton saree with a red brocade border. Jewellery consists of gold and pearl. Bridal Outfits in Kerala (Malayali Bride) The bridal dress maybe a white silk saree with golden border called ‘Kasavu’. They wear gold jewellery but also tons of floral jewellery. this provides simplicity and elegance to the bridal dressing. They wear necklace, bracelets, and garlands on the hair of Jasmine and Rajanigandha flowers. Apart from these regionally diverse bridal outfits, there also are other differences in bridal wears across India. it's indeed fascinating to ascertain bridal beauty in numerous flavours.

[kashmir-box]

Top 5 winter products from Kashmir box

kashmiri chili

Kashmir is known not only for its exalting beauty but also for the rich culinary history dominated by Kashmiri spices. Spices of Kashmir is the soul of the valley of royal cuisines, which adds color, flavor, aroma, and taste. We Kashmiris love our food and each ingredient has its utmost importance in providing flavor to the dish. Kashmiri chili is one such secret spice behind the flavourful Kashmiri foods. The mouth-watering Kashmiri delicacies have a special red color which is because of this famous Kashmiri Mirch (Red Chilli). The rich aroma of this Kashmiri spice intensifies the richness of the dish. As they say, you first eat with your eyes and nose and then with your mouth and tongue, Kashmiri Mirch makes any dish qualified for such divine food experience. Exotic Kashmiri Mirch is a special blend of medium hot quality red pepper which is used for Tandoori dishes or other dishes mostly prepared in clay ovens called Tandoor; when used in curry it imparts bright red color making food more appealing and palatable.

Kashmiri Mirch is less pungent in taste, are smaller in size and are of the round in shape. The specialty of Kashmiri Mirch is that it lends a bright red color to any food. The roasted Kashmiri chili has a very pleasant aroma. It can redden anything that is capable of absorbing color such as the oil present on the surface of meat etc. Mutton Rogan Josh is a Kashmiri dish that looks delicious, and one of its basic ingredients is Kashmiri Mirch. The color and distinct taste of this delicious Kashmiri dish completely depend on the usage of Kashmiri Mirch.

They are used in all forms, either fresh, dried, wrinkled or grounded.

Also, fried or dried chili is used to make spicy chutney, a bottled condiment or hot sauce. Fresh Kashmiri Chilli is used for making pickles because of the less content of pungent taste. Apart from rich color content and flavor, Kashmiri Mirch is high in nutritional value.

It is a good source of vitamin A and Vitamin c which helps to boost immunity. The nutritional value of this spice makes its high usage worth.

Kashmiri red chili powder is grown mostly in the Kashmir region and is available in different forms such as whole, grounded or wrinkled form.

The profit earned through the export and import of spices is any way marvelous. Kashmiri Mirch is one of those spices. India is the largest producer, exporter of Kashmiri Mirch and the exciting fact is, it is also the largest consumer of this spice.

  copper utensils

As more and more people are becoming health conscious, they are shifting to healthier living habits including healthier cooking and eating habits too. Earlier copper utensils were used to cook food, but as times changed people shifted to stainless steel and other cookware, however, this did not last long and people have once again realized the importance and utility of cooking and serving in copper utensils. Copper is a ductile metal and features high thermal conductivity. The medical community has also started showing a great deal of interest in the anti-bacterial properties of ‘Tamba’. In the ancient days, it was a trend to store water in copper vessels and the water would remain healthy for drinking even after days. Copper is also quite essential for the human body. On an average, a human body needs 1.2mg of copper every day and this can be fulfilled easily by having half a liter of water stored in a copper vessel overnight. Apart from this copper utensils are also found to be of great help in cooking they distribute the heat evenly across the container. Here are some of the benefits of copper utensils.

List of Best Copper Utensils You Must Have Your Kitchen:

Modern kitchens and utensils are indeed the most attractive but the ancient methods of using best copper utensils in the kitchen are something we're lacking. To cope you with it, we've sorted some of the best copper utensils which each one of should owns. Take a look:

1. I Hammered Traditional Design Copper Thali Multicuisine Dinnerware Set, 8 Pieces

The pleasure of eating pure Indian cuisine in a traditional copper utensil cannot easily be missed. This set of 8 Pc copper utensils gives you the opportunity to relish this pleasure. Serve your loved ones in this Tamba thali and make sure you do not compromise with their health. This ethnic dinner set is designed especially for those who do not wish to lose on to the taste of India.

2. Hand-e-Crafts Brown Colour Copper Jug and Glasses

The benefits of having water stored in copper utensils have already been discussed above. This set of a jug and 6 glasses is made from an exclusive quality of copper, which promotes healthy living. This product from the house of Crockery Wala strives to revive the century-old traditional values of consuming copper infused water.

 embroidery sarees

All these stitching designs in printed sari are used to create brilliant leaves or petals on the material to upgrade its beauty and appearance. Turning into a bit of favor in most up-to-date sari plans is that of sensible embroidery work. It’s concerning outlining the plans over fabric and cutting lovely work with the help of fleece. It’s the sensible trait of this vogue that produces it terribly outstanding among designers.

The sari is generally half-dozen to nine yards long with a border. This long cloth is worn with a blouse and is tucked into an underskirt from the waist. The foremost useful route is to crease the pallu and pin it to the blouse at the shoulder. Currently, there’s assortment of hanging designs that enhance the style of designer sarees.

embroidery sarees are uncommon wear that renders a wonderful look to the women. Usually, they’re offered at various designer showrooms and shopping centers that tend to demonstrate some of the exciting outlines of sarees. Also, if they’re not open, you’ll be able to make them created to order from whichever fashion designer or a boutique. The creativeness attracted sarees has modified the fashion business to such an extent, that their order is intensifying step by step. In real certainty, the fashion aware females like to copy such plans to appear enticing in elegantly embroidered designer sarees.

What makes Indian sarees rife is that they complement the build of every woman and also the level of adaptability it conveys. The most effective issue concerning these sarees is that they will collaborate fluently to overwhelming gems piece for a famed and luxurious look.

  chiffon saree

In fact during summers when you are invited for a party then chiffon saree is the best to opt due to it lightweight and astonishing beauty. It will not only make you look in a perfect shape besides will make you feel comfortable in summers. Most of the women consider plain chiffon best for summer because it also oozes out femininity. Apart from it, the sarees are easy to drape and comfortable. Here are some of the reasons to go for chiffon sarees.

Easy to wear and offers much comfort

The most heard reasons why women opt these sarees is due to its comfortability and ease to wear. Besides they are also elegant thus makes you look sophisticated.

Easy to maintain and wash

No need to worry regarding washing of the fabric as you can simply hand wash it and maintain it without much effort. The print and design remain for a long time so no need to bother at all.

Easy to carry

It is quite difficult to carry heavy sarees during summers, so for summers, women prefer chiffon sarees. It is very easy to carry and you can walk to any place. These sarees are suitable for any kind of occasion to get a best one for you.

Now if you are looking for best sarees then choose something from chiffon sarees as it will give you an astonishing look beside making you distinct from others. Simple zari work is can also be done on chiffon sarees which not only make it dazzling but a party wear piece.

These items are not at all fluffy thus makes you look much slim which surely makes all eyes turn on you. With its vibrant colors, it makes a perfect choice for any occasion. If you want something in simple and sophisticated then it is also available so it is suitable for all needs. It does not need much care but off course a bit of care is required like you need to carry it properly else a small pin can tear the complete saree.

Woolen Mufflers

he right scarfs worn well is part of a man’s front-line against the elements. Knotted correctly, a scarf can add boatloads of charm, as well as augment the dimension and movement of your ensemble. Though a must for the most frigid winter months, a man’s scarf can be equally appropriate for rainy weather, windy days at the beach, or whenever one is ducking in and out of frosty air-conditioned buildings.

We’ve illustrated six of our favorite scarf-knotting styles — so read on and wrap up.

Get buy Woolen Mufflers

 This is a simple, no-nonsense knot that keeps your scarf neat and fuss-free. Fold the scarf in half lengthwise and wrap it around your neck; then pull the loose ends through the loop that was created by the fold. The City Slicker knot is both functional and easy to adjust while on the move. This classic knot also keeps your scarf on, and in place. This is very important if you are cycling or in a convertible. Riding a bike, Vespa, or motorcycle, or driving cabriolet, is a being a perfect situation for the summer scarf. This knot adds a clean, put-together element to your ensemble.

 This style of knot strikes a splendid balance between thoughtfully put-together and comfortably indifferent. Drape the scarf around your neck, leaving one end shorter than the other. Wrap the longer end loosely around your neck once, twice if you want a chunkier look or need more bundling. Allowing one end to be slightly longer than the other gives a more natural and spontaneous look, but the length can be adjusted to your preference.

[baaghireturns]

Baaghi 2 Review: What A Circus!

'There's zero feeling and rationale in anything about Baaghi 2,' says Sukanya Verma.

There's an solidity in his hyper-muscular teeth-gnashing, jumping-to-pound fervour. But the celebrity looks so keen to recreate Sylverster Stallone's system gun-blasting imagery, a good deal of it features in Baaghi two 's bang and boom climax already. Having survived the first Baaghi, I sort of understood what is coming.

Shroff does seem to have grown-up.  He seems to have acquired a personality and a loyal fan following among the youthful audiences.  His body appears to have gained more muscles, bronze and elasticity.  There are ways in which his shirt is torn as he goes about being Rambo-like, destroying the enemy.  Buff is gone by him for the scenes but dunks to the bathtub completely dressed, shoes included.  The masala mayhem is choreographed as the song-n-dance and he is athletic and agile in both.  However, there is still a lot of catching up to do on chops.  The face stays though the affectations -- pouts, moist-eyed and dreamy look -- have reduced considerably.

To the army respect is shown in these days of frenzy; cops can be awful, armymen can't.  So our young soldier, even in the midst of the mayhem he unleashes in the police station respects the tricolour and the cop's hat--he will not let them fall on the floor, will catch them mid-air when they're being flung around, together with individual bodies.

Disha Patni is indeed insipid, I can't decide what I'm feeling is exasperation or amazement. Instead of writing a conventional review, I decided to share some ideas while viewing this movie that was supremely 21, I penned down. Tiger Shroff is.  Just four decades and still waiting. Too bad there's no option for fast-forward.

The hero gets his standard flashback that is romantic.  (Although why he's fooling about as a pupil from KJo school of thought instead of already enlisted in NDA defeats me)

Later, the villain gets a flashback; a flashback is got by the villain's consort.  All I need are my 144 minutes back.

Tiger's allure burns the display and tramples scepticism in favour of a good time.  Frustrating the way that it never goes past the promise of potential.

1 cop is punched in the face, a couple of teeth fly off, but return just in time for the next scene. Tiger ShowOff! Throw into a eyes-above-muddy river instant from Apocalypse Now and King Kong-style music cue and jealousy, what have you got? Again the hero, from the virtue of being hero, gets flashbacks. Army man Tiger flies straight to Goa carrying this lightweight luggage, but the amount of clothes he changes into in a matter of days is stupefying.

There is zero logic and emotion in anything about Baaghi 2.

At the risk of it being a spoiler I need to point out the departure the movie makes from Hindi films of yore.  When the hero has managed to wipe out the villain and his cronies normally in our films that the cops come in late.  Here cops are present throughout, it's the military that arrives in the fag end, only to inform the hero that"the war is over".  Is the movie, thankfully. Manoj Bajpayee and Randeep Hooda are celebrities that are smart.  Not because they've done some great work in Baaghi two .  However, because they realise how small that this baloney requires. We shall not flog an horse no telling you how bad Jacqueline Fernandez's oversexualised but plastic version of'Ek do teen' is.  At the opposite end of the feminine presence in the film is the tender and coy heroine Neha (Disha Patni) who assertively says,"I carry pepper spray","I despise stalking" but voluntarily gives into the boy who has been relentlessly chasing her.

Whenever there's a sale 16, note to self: Buy one of these rucksack thingies.

His bare body is pummelled like some bug-infested mattress.  Yet not 1 scratch appears on that sculpted torso. There's another shade of reddish on forehead and Disha's face, its place varies as per the mood of make-up man.

And Manoj Bajpayee can hide his smugness over being remunerated off biscuits for polishing and saying lines such as'Get the machines.'

A bowl of gruel could have given a much better feeling of suffering than that which Disha does in this picture.

The Baaghi franchise -- there's a third one in the works -- is about ex-boyfriends coming into their woman's rescue until it culminates at a tooth-and-nail final battle.

Another personality --a righteous Muslim representation called Usman (who speaks about how his community is as much about kurbaani as biryani) describes his wife as the"Russian cutlet' who cooks and rears his kids.  Then there is the fauji hero Ronny (Tiger Shroff) who comes to the civilian world on depart from nationalistic duties to assist Neha, also his ex-sweetheart, figure her out daughter.  When one of those cops makes a pass at her, the entire police station turns in Goa down.  Though a number of these audiences may get thrilled at how Ronny breaks the teeth of their sleazy cop (all in close-up), I had been wondering at the film patronising women on the one hand while talking about rescuing their izzat on the opposite.   Then there are some jokes Kute and Kale-- that the cop that was invisible named Bosco, who retains yelling at the drop of a hat.  From the title of a story you are served several strung scenes, which, in their inanity, can get quite amusing occasionally together but largely bore you to death.  There are a number of throwaways that are easy.  The moment you find a character wearing all white, you know he is all inside.  A whole lot of actors are made to perform odd characters with Manoj Bajpayee, Randeep Hooda and Prateik Babbar gamely acting out.

Taking into consideration the trauma her personality is currently undergoing, her do not -like-my-photo-on-Aadhaar-card degree of intensity barely cuts it. An individual could show up only for the final 20 minutes of their Baaghi films and still not miss anything. The very best thing I could say about Baaghi 2 is that it does have its moments of'so bad it's good' gratification in Prateik Babbar's hammy dope head, the babyish wailing of a constable assisting Hooda and Tiger's bizarre boss, the man could put caricatures to shame with his'The war is over' solemnity. Continuity continues to be a sore spot for bruises and fictional injuries.

How about a few ikat or even phulkari next time?

Forget vain Tiger's commando is, I can't stop marvelling at how much of a person's wardrobe a rucksack can take. By the way how many Rambos is Tiger Shroff?  There is already an official movie at the pipeline. If this dexterity that is much can be delivered by a guy imagine what he can accomplish under script that is capable and a genuine manager? The hippy, higher cop of hooda bears an uncanny similarity to actor Amole Gupte and manager.  Like he cares in the event you notice he doesn't look.

Unless the nonsense that precedes it under the pretext of incentive retains any attention to you. Baaghi two , choreographer turned director Ahmed Khan's junky remake of the Telugu hit Kshanam is not any different.

Right from'Why on earth is Disha's father so opposed to her match with Tiger's to'that has got to be the strangest reason for kidnapping ever,' Baaghi two 's laughable twists and slyness are sloppy and forced.  Just like that completely needless early sequence inspired by the true incident of an army officer linking a Kashmiri neighborhood on jeep.

[dryfruitshut]

Traditional Dresses of Jammu & Kashmir

Traditional Dresses of Jammu & Kashmir

Costumes of Jammu and Kashmir are well known for their embroidery and intricate designs, which

reflects the richness of the culture and landscape of the region. The form of clothing is designed

to counter the cold climate of the region. Most of the garments are made of wool, silk designed with

intricate embroideries and cotton.

Costumes of Kashmiri Women

The Pheran is the prominent attire for Kashmiri women. The Pheran worn by women usually has Zari,

embroidery on the hem line, around pockets and mostly on the collar area.

Hindu women

The Hindus women of Kashmir wear their Pherans long, stretching up to their feet with narrow sleeves

cloths which is turned on the bottom side. Often, the Pherans are wrapped tightly on waist by a piece

of creased cloth called Lungi. The Hindu women, started wearing the saree now But as per the culture

of the Kashmir region, they have to wear taranga on their marriage day.

Muslim women

The Pherans worn by the Muslim women are traditionally characterized by their broad sleeves and reach

up to the knees. Elaborate Zari embroideries or floral patterns around the neck and the pockets are a

prominent feature of a Muslim woman`s Pheran. With Brocade patterns adorn their long sleeves. The

Pherans are wrapped tightly by a piece of creased cloth called Lungi or Pashmina sawl.

Article publié pour la première fois le 09/02/2015

from Dry Fruits Hut http://dryfruitshut.com/traditional-dresses-jammu-kashmir/

[persianhandicrafts]

What is Termeh?

An example of termeh articles. Image credit: Wikipedia

Termeh is the name given to a speciality cloth that originated in Yazd. Traditionally, the cloth was hand-woven using natural silk (Persian, ابریشم abrisham) and wool fibre (Persian, پشم pashm). Termeh can take the form of fabric, sheets, panels and other shapes.

Good quality traditional Termehs are part of a family’s heirloom in much the same way as are (the related) Kashmiri scarves. They are often an article used in Iranian weddings – such as the sofreh used as a floor spreadsheet. In these type of Termehs, gold and silver threads may be incorporated either into the weave, as part of an embroidered pattern or as a border.

Both Yazd and neighbouring Kerman regions have the reputation of producing quality termeh. As is the case with Persian carpets, traditional Yazdi, as well as Kermani termeh, have a reputation of being of superior quality and workmanship. Yazdi and Kermani termeh were traded throughout the Aryan trade regions, that is along what came to be known as the Silk Roads.

Termeh and Aryan Trade

Marco Polo, travelling the Aryan trade roads (called the Silk Roads) passed through Yazd in 1272 CE. He arrived in Yazd at about the time that Zoroastrians had been reduced to a minority in their ancestral lands. Nevertheless, Zoroastrians would still have asserted but who would have still asserted a considerable presence. Polo described the city as good and noble and took remarked that city was noted for its silk production.

“Yazd also is properly in Persia; it is a good and noble city, and has a great amount of trade. They weave their quantities of a certain silk tissue known as Yazdi, which merchants carry into many quarters to dispose of.”

In ancient times, Yazd and Kerman were silk and wool textile manufacturing centres together with Kashmir in the northern Indian subcontinent and the Fergana valley (presently in Tajikistan and Uzbekistan). Yazdi silk designs do share some similarities with Fergana silks and Kermani scarves competed with Kashmiri scarves. It is quite possible that local merchants and traders based in one of these areas acquired samples made in the other area and asked local artisans to weave a similar design and fabric.

Termeh Products

Termeh at Yazd bazaar. Image credit: BrianMcMorrow

Nowadays, the more expensive termehs are usually spreads called sofrehs (floor spread sheets or tablecloths), say about 150 cm. (five feet) square. Other termeh products are scarves, cushion covers and mats. However, at one point in time, termehs were also used to produce curtains, garments, quilt covers, cummerbunds (Persian kammar-band meaning waist bands), robes and even royal headdress such as turbans.

Assessing the Value of Termeh Products

A termeh’s value is based on the following: – The fineness and quality of the fibre and thread; – The incorporation of gold and silver dramatically increases the value; – The number of coloured threads used in the weaving. The greater the number of colours, the greater the value. Elaborate termehs can have two to three hundred different coloured threads; – The number of layers that constitute the fabric, the large number increasing the value; – The addition of a border and wider borders; – Fine woven designs usually add more value than embroidered designs. Intricately embroidered designs called sermeh doozy. Printed designs add the least value; – The uniqueness of the design; – Lining the fabric. Lining normally adds to the value;

Termeh Patterns

Yazdi Zartoshti-doozy (needle-work) patterns. Image credit: Berasad

One of the most common design motifs associated with the termeh is the boteh (also spelt botteh) motif known in the west as the paisley design. The history of the boteh motif, termehs (and indeed Persian carpets as well) and Aryan trade are closely linked.

The design for tablecloths may include a chequered or honey-comb pattern. Other design patterns include stripes, both wide and narrow, the Atabaki pattern, and the Zomorrodi pattern that was predominantly green in colour.

Image patterns popular with Yazdi Zartoshti women who engage in Zartoshti-doozy (Zoroastrian needle-work / embroidery) include the tree of life, the cypress tree, the juniper tree, clove, four or eight petal jujube, peacocks, roosters, hens and chicks, hoopoe, fish and geometric shapes such as circles and squares.

Stripped Patterns

Termehs with a multi-coloured stripped patterns are associated with Zoroastrian folk designs used for women’s pantaloons, as well as with Kermani scarves. The stripes patterns are both narrow and wide, subdued in tone and quite colourful. Examples are shown in the images below.

Kermani Shawl with a stripped design Image credit: Afshar

An antique (third quarter of the nineteenth century) embroidered silk panel from Yazd that originally would have formed the knee to ankle section of one trouser leg, of a shalvar (pantaloon) from a Zoroastrian woman’s wedding costume (see portrait below). Photo credit: O’Connell Guide

Kermani Shawls

Kermani Pateh-Duzi Embroidery. Wool on wool shawl with saffron background. Mid 19th Century, 78 x 78in, 189 x 189cm. Image credit: TextileAsArt

Antique Kermani woven shawl c 1750 CE The shawl was fragment and reconstituted from several pieces. Image credit: Eccentric Wefts

The examples shown here in the images above and to the right are those of woven (above) and embroidered (right) shawls of Kerman. The pateh-doozy / pateh-duzi or embroidered shawl of Kerman is made using a background material known as shal, a word that became ‘shawl’ in English. The shawl is often woven using a twill weave and the most common colour of the base fabric is red – though as we see in the images here, a variety of other colours are used. The pattern for the shawl is embroidered on the base fabric, the design for which is pounced over the surface of the fabric using carbon (coal dust) dusted over perforated parchment. The carbon dust outline is further defined by a pen. Some embroiderers developed the technique of following the texture of the twill weave with their embroidery producing a patterned shawl that could easily be mistaken for a more expensive woven shawl.

A type of intricately embroidered fine shawl is the aksi meaning ‘reflection’. Here, even though the the pattern is embroidered on one side, by splitting the warp thread into half, a ‘reflective’ image is produced on the other side of the shawl.

As with the weavers, expert embroiderers are a vanishing breed. Today, a few surviving Kermani embroiderers can be found in the Kermani village of Hudk.

Heritage in Peril

Traditional Zoroastrian Yazdi wedding costume. Note stripped shalvar (pantaloon). See shalvar panel above. Image credit: A Zoroastrian Tapestry Art Religion and Culture by Pheroza J Godrej and Firoza Punthakey Mistree. (Also see note* to the left)

Clothes made from termeh Qajar Dynasty era painting Image credit: Parima

Manufacturing termeh was a cottage industry. The looms would have been located in individual homes and each member of the family likely had a role. The construction of the looms, the method of making thread, the designs and patterns, and the vibrancy of the colours produced by different dyes, would have all been family secrets.

This rich heritage is now in peril. The a piece or sheet of fabric can take days if not months to produce. The expense of this labour intensive craft cannot be adequately compensated by the prices realized. Once a family stops the tradition of weaving, their knowledge, skills and trade secrets will be lost forever. Without rich patrons, the craft will die out.

The bazaars of Yazd used to be filled with artisans with different sections of the bazaar allocated to different trades and crafts. For instance, the zargari or goldsmith section, the kashigari or tile working section, the chit-sazi or chintz-making section, and the mesgari or copper-smith section.

In the days of yore, traders from around the world came to the bazaars in this oasis town and carried the creation of Yazdi ingenuity throughout the known world. The craft shops are now being replaced by shops selling electronic wares. The journals of many a returning traveller are filled with the lament that they are, within the span of their own generation, witnessing the demise of a heritage – a heritage that once lost will never be revived, for the knowledge and skills of these crafts will die with the crafts-women and men. The reports tell us that the art of producing hand-crafted termeh today survives in but a few centres.

[* Note: The image to the right titled “Traditional Zoroastrian Yazdi wedding costume” is part of an article by Firoza Punthakey Mistree titled “Hues of Madder Pomegranate and Saffron Traditional Costumes of Yazd” at p. 553. The photographer for the image was Gautam Rajadyaksha and the model, Meher Jesia. Also see the image titled “A modern gara with a matching blouse” at our page on The Gara Sari, in the section, The Modern Gara].

Termeh Production

Producing termeh requires two different skill sets, the first being product and design and the second weaving. The weaver is called the Goushvareh-kesh. One weaver might be able to combine the different skill sets, perhaps say in folk weaving, but as the product becomes more sophisticated, two or more individuals need to work as a team to produce termeh. Weaving intricate designs is a slow process with, in some cases, only 25 to 30 centimetres of fabric woven in a day.

Dyes

One of the most common background colours for a termeh is red, and the different shades of red that the artisans of Yazd and Kerman can produce are quite astounding. Traditionally, the dyes are all from natural sources, usually a vegetable source. For instance, one of the base red colours is called jujube red. Jujube is sometimes called a red date (not to be confused with dates from a date palm). Other common background colors which are used in termeh are green, orange and black.

Termeh Weaving in Yazd (Persian bafi بافی) Image credit: bonbon_khan at Flickr

Overview of the termeh loom being used in the image to the left Image credit: bonbon_khan at Flickr

Wool Termeh Handloom Techniques of Yazd and Kerman

The first step in the process of making a wool termeh, say a woollen shawl, is the collection of the wool that will be spun and woven or knitted into fabric. The finest wool is that which is combed or sheared from underbelly of goats. The next step is grading and sorting. Different colours of wool are also matched and batched separately. The sorted raw wool is cleaned of dirt and debris.

The production starts with the spinning the wool followed by the dyeing process. The dyer, the person looking after the dying of the wool, will have prepared the colours to be used according to samples provided to her or him. The art of natural dyeing has been developed over the ages and is often a closely guarded secret. Many dyers will know how to formulate some three hundred shades.

A pre-weaving expert or group of expert specialists then work on the wool before the weaving process can start. The different specialist tasks are warp-making, warp-dressing, wrap-threading, pattern-drawing, colouring and pattern-writing.

The pattern guide is the coded pattern guide and instructions for the colourist and weaver sometimes written in a form of shorthand or code. This process of annotating the designs so that each stitch is written down permits the reproduction of the most intricate patterns employing an extraordinarily wide range of colours.

The warp is the set of lengthwise yarns that run up and down the loom. The warp yarns are fully attached before weaving begins. The weft is the yarn that the weaver weaves back and forth and in-between the warp to make fabric.

During wrap-making the worker twists the two to three thousand threads warp threads to the required thickness. To illustrate the number of warp threads and heddles employed during weaving, a hand-woven tea-towel has between 300 and 400 warp threads.

Warp-dressing is stretching the wrap threads so that they can sustain the strain of the weaving process and the constant pressure and movement of the heddle. A heddle separates the warp yarn for the passage of the weft yarn. A typical heddle is made of cord or wire suspended from the top shaft of the loom. Each heddle has an eye in the center through which the warp is threaded. There is a heddle for each thread of the warp, and as such there can be, say, a thousand heddles for fine or wide warps.

Warp-threading is the passing the yarn through the heddles.

After the wrap assembly is prepared, if the fabric is to have a pattern, pattern-drawing is the drawing of the pattern design.

Colouring is the colouring of the drawing including the matching of different shades using a colour card based on the annotated drawing.

When the weaving process starts, the weaver if assisted by, say, two or three apprentices, calls out the colours to be used according to the pattern guide.

For the weaving the pattern portions, the weft shuttles are replaced by fine needle-like spools. The spools are made of fine light wood with sharp edges on both sides charred to prevent them becoming rough or jagged during use. The pattern’s design is produced on the underside of the wrap with the weaver inserted the spools from above. After a line of multiple wefts is completed, a comb was pulled down towards the weaver with it teeth running through the warp thereby pushing and compacting the weft into a tight weave.

If the fabric being produced – in our example a shawl – has complicated patterns, the weaving can be divided between up to ten looms, each working on a particular section of the shawl. After the different sections are woven, they are handed over to a specialist will repair any defects and join the pieces together in a manner that the joints are not be visible.

Silk Production Elsewhere in Iran

In addition to Yazd and Kerman, the other centres of silk production in Iran that were involved with silk trade along the Aryan trade roads were Gilan, Mazandaran, Khorasan, Isfahan, and Kashan. During Sassanian times, the production could have reached 3,000 tonnes.

At one point in history, Gilan began the largest single silk cocoon or thread maker and its prized shiny soft silk was exported to European markets with English, Dutch, French and Italian merchants competing to buy the thread or dried cocoons.

Making of Silk in Nature

Fifth instar silkworm larvae. Image credit: Wikipedia

In Iran, during the spring month of Ardibehest (late April), the process of spinning silk thread starts with silkworm breeders buying boxes of eggs of the silk moth, Bombyx mori (Latin for ‘silkworm of the mulberry tree’). They place the eggs in a warm place or in an incubator to help speed the hatching of the eggs, a process that takes about ten days. The eggs will hatch into larvae called silkworms.

At the same time, mulberry trees will have grown new leaves which silkworm breeders buy to feed their silkworm larvae. in Iran, mulberry trees grow in Gilan, Mazandaran, Khorasan, Eastern Azarbaijan, Isfahan, Yazd and Kerman. Once the larvae hatch they eat the leaves of the mulberry continuously.

In Yazd, the town of Taft situated some 18 km southwest of Yazd city is a major silkworm breeding centre.

After the larvae (the silkworm) have moulted four times, that is when they are in the fifth instar, they loose their appetite and are ready to transform themselves into moths. To protect themselves while they are in a vulnerable almost motionless transformational pupa state, they enclose themselves in a protective cocoon enclosure. The cocoon is made out of silk thread, a continuous natural protein filament that they produce in their salivary glands and exude to form the filament.

The larvae’s cocoon is built up from about 300 to 900 metres (1,000 to 3,000 feet) of silk filament. The filament is fine, lustrous, and about 10 micrometers (1/2,500th of an inch) in diameter. Each cocoon consists of about a kilometre of silk filament, and about 2,000 to 3,000 cocoons are required to make a pound of silk.

For the making of commercial silk thread, the cocoon’s filament is unravelled. The filament from several cocoons are then passed over a pulley, wound together and spun into a thread. Two or three threads are in turn spun together to build a yarn and several strands of yarn can be spun further spun together to make a nett thread. Along the way, the yarn or thread is dyed if needed after which it is ready for weaving.

Silkworm cocoons. Image credit: Wikipedia

spinning silk thread straight of several cocoons. Image credit: Long’s Strange Trip

Reference: © Author: K. E. Eduljee, Zoroastrian Heritage, 2005-17 (researched from 1979 onwards)

Buy Persian Handicrafts & Rugs at: http://ift.tt/1JbKuWp

Facebook: http://ift.tt/1cDr3M6

Google+:http://ift.tt/1G1pmC1

Twitter: https://twitter.com/persiscrafts

Please Join Our Social Networks to Support us:

         from WordPress http://ift.tt/2pJWc6U