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postguiltypleasures · 6 days

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My Peak TV Journey *Betty la Fea La Historia Continua*

I need to say upfront, that I was really excited about this series, and I remain mostly satisfied. I look forward to the second season continuing (and wrapping up?) this story. I also finished watching the edited-for-Peacock version of the original. I will say that the sequel is for people like me, people who think the original loses steam after the return from Cartagena. Also, while they can show Armando in touch with his emotions, they don’t show him having any idea how to act on them in a healthy manner. Despite this he and Betty accept that they’re still in love, generally better together so they get together without resolving Betty’s deep trust issues, or how Armando still needs to learn anger management and better communication skills. It’s amazing they lasted as long as they did.

I don’t want to fight anyone over the quality of the series, but there are some things I have to defend. Namely the structural differences between the sequel and original. By structural, I mean mostly pacing, cast size, and how information is revealed. The differences between setting up a story that will most likely run through through hundreds of episodes more or less uninterrupted for over a year vs something that the two episode once a week, for a total of ten where continuation will be indefinite continuation is essentially a change of medium. The techniques and rules for storytelling change. The now. de-cannonized sequel spinoff Ecomoda is criticized for being too much of a sitcom when figuring out how to deal with this. La Hisotria Continua is more like the original telenovela in tone and plot points, but it has to unfold differently than the original. (Also in being more like the original, it’s going to torture its main characters a new. If you can’t accept it, don’t watch and don’t comment.) In the original an early episode is dedicated to Betty and Nicholas reading a magazine covering an event Ecomoda had, with flashbacks to event, where we really get to know many of the major characters, what they are up to and then we watch what’s happening next. This season comes with the assumption that we are familiar with most of the characters, but we don’t really know what they’ve been up to, and most importantly, we don’t know how they relate to the new ones. Crucially, it isn’t laid out so we know what kind of danger Betty is walking into like in the original. Int the original the intrigue was “what will happen?” Here it’s more “what has happened?” This comes with mixed results. The first episode especially felt needlessly confusing. And even by the end of the season, there were things, like how and why Majo got involved with Ecomoda, that I wish had been clarified by then. However, there was a moment in the second episode made it more clear that they knew what they were doing. This starts with Betty telling Bertha and Sandra that she was not a good president of Ecomoda because she only made the rich richer. I took this as a sign that this was taking on the extreme classism in the original, how it was mostly treated as “that’s the way the world works” kind of way.

The series opens at Don Roberto’s (Armando’s father) funeral. Armando’s relationship with his father was always fucked up though the original series seemed to loose interest in the more negative aspects of his character as it went on. One of the messed up things about their relationship was how accommodating Roberto was to Daniel, so of his former business associates and Armando’s rivalry. The not too subtle subtext is that Roberto thought of Daniel as a more serious minded person for business and wished Armando was more like him, while also showing little to know interest in anything else about who Armando is as a person. He didn’t have much interest in who Daniel was as a person either. This all business approach helped him appear to be out of the fray, when he really very much was in it. In the new series, through a video of his will, Roberto sets up a plan for Ecomoda that manipulates a reluctant Betty back while telling Armando how he once again failed as president. No wonder after Roberto’s death Armando is haunted by visions of Roberto saying he should have spent more time in prison, and that he doesn’t deserve someone as wonderful as Betty. The latter statement is pretty ironic, given that Roberto treated Betty pretty coldly. Everyone ignores the fact that in the original series when they first met he refused to shake her hand. Roberto definitely deserves some of the blame for how Marcela became a lingering presence over Betty and Armando’s marriage, and Betty never feeling entirely welcome in the Mendoza family. And of course as we later learn, her fired Betty to appease Marcela, when that was bad for everyone.

Looking back after the season, I think Marcela might have been the character who most benefited from the changes in structure. The story was put into motion by her worst qualities, her anger, lack of curiosity, the ways she isolates herself. But she didn’t have enough air time to for these traits to become too tiresome and have us give up on her. And she is left in a position where she has to make some life changing decisions. We learn early on Marcela blames Betty for Daniel’s downfall. Betty was aware that something was wrong with the company financially, alerted the police and the investigation led to Daniel being arrested for money laundering and then being murdered in prison. But, for the plot of this series, the real issue is how aggressively Marcela only sees what she wants to see. Marcela seems to have natural blinders towards so much in life. She wants vengeance of getting rid of Betty and Armando and then taking over Ecomoda with Ignacio. But she is not paying attention to what Ignacio is doing. When she learns if a lot of it in the last episodes she’s appalled. But she mostly doesn’t want to. Her relationship with Ignacio is the inverse of how she treated Armando as a boyfriend, but reminiscent of how she never had interest in the running of Ecomoda, never check in on Armando and Mario’s business schemes and ignored how her brother sexually harassed her best friend. So her not checking in more on Nacho feels in character, but is part of the way she’s always been frustrating. After the reveal that Ignacio is her half brother, instead of her nephew as she believed, I began to wonder if it was a revelation to force her to change this aspect of her character? Does knowing her father had a second family make her aware that this isn’t just keeping her head high out of the muck? (Or whatever she says to herself.) She’s ignoring things that matter. It also made me think are we supposed to reassess her constant monitoring of Armando during their relationship as some kind of subconscious way of making up of all the ways she ignored the poor behavior of the men in her immediate family? For most of the season the relationship between Marcela and Nacho was treated as a mystery, much of the office assuming that he was her boyfriend, while fans knew he was a secret member of the Valencia family and having the full answer include how much Marcela doesn’t look at or explore things involving her familys interesting. I hope the next season follows up on this. Some of the follow up will involve Pascual, Nacho’s secret parter and Marcela’s new love interest. I’m not sure Pascual will actually be good for Marcela in the long run. She needs to have her single minded desire to hurt Betty and Armando broken by other desires. And I don’t think she’s thought of wanting anything else for a while. But he gives mixed messages all the time. As a secret patter who express interest in becoming part of the high society fashion world. But in his first scene he says the line “Para mi papero y papito son los mismos nombres.” Indicating he’s not that interested in changing his identity. He has a couple of ugly divorces and says he wants to be fawned over by models, but he also is instantly smitten with Marcela and pursues her with the most blunt and crass language I can imagine. He also has as little interest in remaking Ecomoda’s image as he does his own image, to Nacho’s presumed chagrin.

Marcela also had surprisingly little interaction Patricia, which did affect a lot of the show. It’s an interesting way showing of how people have changed and stayed the same. During the first episode I hated Bertha and Sandra’s jokes about Patricia’s husband. They were gross and agist. (Later meeting him at the quinceñera flash back made Patricia’s relationship seem like elder abuse. But, I kind of like that Patricia’s in a relationship that she wants to be known, but doesn’t want to bring attention to. It’s a change of pace from the original where she was single, desperate and frequently saying how she could have a boyfriend whenever she wanted. The change seems like an appropriate response to Daniel regularly offering to pimp her out to his friends. I also like that she was promoted to Gutierrez’s position as a way to show everything being different but similar. Patricia was always about bossing around el cuartel. Gutierrez also seemed to think of his job as chiding people back into looking busy whenever. The change in position a good reason for Bertha and Sandra’s renewed hatred for Patricia a fits with the ways Gutierrez was awful. Bertha’s obsession with “chisme” might actually make her good at the job, She can make people feel seen and heard and communicate between workers and executives. People could feel more motivated to work when they understand more of what is going on in the company. But it doesn’t fit with the intense classism that rules Ecomoda. It would be a view of the position completely alien to Gutierrez.

As I was saying earlier, whatever is going on with Majo, Mario and Armando seems more needlessly confusing than intriguing. Why is Armando friendly with Majo again after her kiss at the end of the first episode causes such disruption? Those scenes with the them at the club were weird. I don’t for a second believe she’s an alternate love interest, but why should I care? As the season went on I find myself more intrigued by the lack of scenes between Majo and Mario. He talks her up whenever he’s alone with Armando and even expected her to have a conjugal visit with him in prison. Yet she never talks about him, and they never talk directly to each other. I’ve come to think of her as not so much wanting Armando, as wanting Armando to want a divorce because that what Mario, her secret real employer wants. But this is based on absence, rather than what’s on screen. For what does Mario want control over Armando? And why is he still so bad at vetting potential business alliances? I hate the character of Mario, but the season could have improved by filling in some gaps about what he’s up to.

Betty’s alternate love interest, Esteban, isn’t a better defined character than Majo, but at least he’s not supposed to have created some kind of bond with the main characters off screen in the time between series’s. He’s a better alternative love interest than Michel in that he’s a better listener and has more in common with Betty. But he’s still too boring to compete with Armando.

As someone who always thought Armando didn’t show up enough what he learned, of that he necessarily knew how to be, I kind of loved events on the third and fourth episodes as revisiting things in the original series, including punch Esteban like he punched Nicolas in the original for being a perceived romantic rival. While that was a new low originally, it didn’t motivate Armando to change his behavior. If anything, the original series suggests that violently lashing out is fine when you’re lashing out at the right people as demonstrated by him later punching Mario. His attempt to change includes joining a group therapy with Freddy. This leads to revisiting Armando in drag, only this time to better understand Betty’s point of view, not simply be emasculated for the failures of his toxic masculinity and homophobia as in the original. In some ways I felt for him more in this series than I did in the original. He just seemed so lost, but also not putting himself at the center of everything as he did in the original. Betty briefly made him VP of Finances, a roll to which he is not suited, but doing so gives him the time to confess to his misdeeds on his own time, I found myself wishing that they made Armando majoring in something more mechanical a bigger part of his character. Then I could say “that’s what he’s good at.” But he seems otherwise most interested in maintaining vendor and supplier relations which seems closer to Marcela’s specialty. Being at Ecomoda is bad for him as a person. During the flashback to the fight while Betty left him he says he sacrificed his social circle for their relationship. There is a truth to this. Mario’s ability to slip back into his life is a sight of how real it feels. But the bigger truth is that between the hours he spent at Ecomoda, and the class rigidity of the institution, he never had the opportunity to make new friendships. This is poignantly present in his scenes with Freddy, where we see how hard it is to accept Freddy as a friend.

All this talk about how social hierarchies having ruinous effect on personal it’s time to do a brief, segue about the uses of “usted” and “tú” in both series, with the caveat that I am neither a native Spanish speaker nor a Colombian nor someone who’s ever been to Colombia. I know I’m missing a lot of cultural context. I have heard that Colombia uses usted more than other Spanish speaking countries. Still, the use in the original seemed extreme. It helped illustrate the ingrained classicism of the original. Betty and Armando reverting to “usted” even en a flashback to happier times, after beginning to use “tú” near the end of the original is a bad sign. It adds opportunity to misunderstand one another and hints that they haven’t quite gotten over the class divide after years of marriage. In the original it sometimes seems like one has to be upper class to deign tutear. The Cuartel, Betty’s parents within their relationship with each other and with Betty, as well as Betty with Nicolás all use “usted” with each other despite being personally close. In contrast to this Patricia’s use of tú comes off as impudent, and Nicolás only uses tú when trying to impress Patricia by pretending to have more money than he’s worth. This language barrier, in the original Betty sees herself as an extension of Armando who always had to prove herself. (This is common amongst Ecomoda employees, see Berta’s reluctance to share Gutierrez’s home phone number while he was sexually harassing Aura Maria and Sandra’s self flagellation after lying to Mario.) By the new series Betty strongly associates more with the employees of Ecomoda than any of its owners. Which explains her return to “usted,” and Mila’s regular use of “tú” as a sign of how hard it is for them to get each other. The continuation seems pretty aware that this emphasis on formality was a not great set up for life.

Mila starts the season very angry with her mother and ends angry with her father. While taking notes I surmised that all the hurtful things Mila said to Betty early on showed a fear of understanding what happened between her parents. She knew it was too potentially painful. She chose to support Armando because she thought he wanted to reconnect in a way Betty didn’t. This fear is completely founded, and when she does find out about her parents history, the reason her mother quickly abandoned trust in her father, she switches allegiance. Though this happens right around the time Betty is starting to consciously realize that her reaction

Early in the season Betty says something about needing to break vicious cycles. She’s right about that need, but her technique of just cutting off all contact is by now her own contribution vicious cycle, and therefore counter productive. She would have known more about what she was walking into returning to Ecomoda if she opened those emails. Also, while she definitely had the right to be angry with Armando about how his failed negotiations with Roberto and Marcela affected her, and the way she was cut out of them, it would have been better for all if after a couple of days of cooling down they decided to meet for counseling. The extended radio silence was just bad for everyone. Also I would like more detail on what Betty and Nicolas were up to in their time away from Ecomoda. I am under the impression that Doña Julia was ill and died during that time period, so Betty spent a lot of time with her mother during her last days and shut off any contact Armando tried to make simultaneously. But what else? What was she thinking about as possible futures? Nicolas is even more of a blank slate. All I know is that Mila has apparently t been telling I’m for yeas that the amount of hair gel he uses makes him look older than necessary. She is right, see any picture of Mario Duarte out of character.

While I wish more detail was given to Betty’s life away from Ecomoda, I like pretty much everything about how she acts after she returns. As I said before, I like how explicitly she relates to non share holding staff instead of favoring the actionistas. This includes her room ring Freddy and demoting Mario. I hope there is more follow up on that next season. More concerning this season’s plot, I like that Betty got the heads up about financial shenanigans from Hugo. It was unexpected, but in character for both. Also it reflects poorly on Marcela, who could have gotten answers to what Armando was doing if she just talked to Hugo like an equal.

I don’t know anything about the Colombian’ legal system. So I can’t say anything about how realistically or not Armando turning himself and Gutierrez in between the episodes. The important thing is how it plays in comparison to his downward spiral after Betty exposed the Terramoda scheme in the original. Which is that he’s more willing to take responsibility for his actions, go public and not pick fights. Betty also has changed since then, demonstrated by going to visit him in jail and talk. Then they have sex in a scene reminiscent of their first time in the original, only with some roll reversal. This is emotionally confusing for Betty. In someways exactly why she justified cutting him off with no contact. On the other hand she gets to speak to someone who cares about the real emotional turmoil affecting her and learns more about Ecomoda’s quagmire.

Another aspect recently revealed aspect of Betty I would like to see more of is the things that led Betty to tell her father that he wasn’t a great husband. He wasn’t, but it was something that couldn’t be articulated outside of some face making Doña Julia did, and the way she and her mother hid things from him. It fits with a theme of the series of saying things they couldn’t say in the original. Hermès’ dogmatism is in conflict with Betty’s journey of becoming more of a humanist.

I’m now going to wrap this up by writing about the new generation followed by some thoughts on finish the original series in a more complete way than ever before.

Other than Mila, Ignacio is the best defined of the new characters. Viewers were quick to say he has the Daniel Valencia role of the original. After all he is someone aligned with Marcela acting antagonistically towards Betty and Armando. And while this series played with that assumption, the two characters are most interesting in their differences. Ignacio is charming while Daniel was aggressively not. To the extent Daniel had a charm, it’s based on the idea that he’s saying to your face what other people say behind your back. As a guy setting up a mass surveillance program through Ecomoda, Ignacio not going to pretend that he’s the one person telling the truth to your face. But he sincerely does like Mila, even though the circumstance means he’s betrayed her before anything started between them. At the end of this season I found myself wishing that there was more time spent on Jeff and Carmen so that the love quadrangle that Mila and Ignacio are with them felt juicier. It’s got long running soap potential.

Finishing the original while watching this has brought back some of the dread that I had going into the last section of the novela. Much of the post Cartagena plot feels like the show is spinning its wheels before deciding how to hastily rush to the finish line. Contributing to this feeling is the over reliance on flashbacks. The scenes involving Betty’s return to Ecomoda are particularly bad with this, and they didn’t even cut them from the Peacock edits. (These would have been some of the first edits if I were supervising it.) This section drops various subplots, including Inesita’s estranged husband coming home to die, which real does make the way the series doesn’t know what to do stand out. Theresa are some high points likeel desfile del Cuartel. But that is also supposedly the resolution of the Sofia/Jenny plot, and it’s not satisfying as such. I get that the cast and crew were exhausted, and some of them had signed contracts to work with other tv networks lessening their availability. But on a level of pure drama, these plots points are simply inexcusable. Also dropping the cuartel’s pilots makes them worse friends. They suddenly only have gossiping about Betty going on and no respect for boundaries or treating her like an actual person, instead of the lead in a telenovela. Equally inexcusable is how because Armando now is conscious of his feelings for Betty, the fact that so much of the way it’s shown involves violating her boundaries by stalking her on meetings he wasn’t invited to and secretly steeling and reading her diary, is why I can’t be too angry at Betty for dropping him the way she did.

This time around I was aware of how often real life designer Bettina Spitz had her name dropped and showed up on screen. Didn’t even realize I was missing that before.

#peak tv #what i'm watching #betty la fea #yo soy betty la fea #ysblf #Betty La Fea La Historia Continua #Betty Pinzon Solano #armando mendoza #patricia fernandez #Nicolas Mora #Marcela Valencia #mila mendoza #camila mendoza #Ignacio ortiz #Mario Calderon #Freddy Contreras #Bertha de Gonzales #daniel valencia #Sandra Patiño

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gt-icons · 1 year

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Alicia Moraes de Bragança e Lima “Procura-se” icons

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#alicia moraes de bragança e lima #alicia moraes de bragança e lima icons #camila queiroz #camila queiroz icons #procura-se #procura-se icons #filmes icons #movies icons #filmes #movies #icons br #brazilian icons #brasileiras icons

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adribosch-fan · 4 months

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EL PASO POR EL GOBIERNO CHILENO DE CAMILA VALLEJO

Camila Vallejo NUEVOS APUNTES DE UNA PERIODISTA EL PASO POR EL GOBIERNO CHILENO DE CAMILA VALLEJO NUEVA YORK ANGÉLICA MORA Hay que comentar el accidentado paso de Camila Antonia Amaranta Vallejo por el gobierno chileno de Gabriel Boric. Es la actual Ministra secretaria General en el gobierno de Gabriel Boric, desde el 11 de marzo de 2022. Fue diputada durante los periodos legislativos…

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#Camila Vallejo #Chile #Gobierno de Gabriel Boric #La columna de Angelica Mora #nepotismo #Partido Comunista

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allthebrazilianpolitics · 1 day

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Elon Musk is navigating Brazil’s X ban — and flirting with its far right

X briefly returned for Brazilian users earlier this week, part of a months-long power play.

For more than two weeks, Brazilians have been without access to X. Brazil’s Supreme Court blocked the platform after Elon Musk failed to comply with court rulings. As X evades the ban and Musk’s companies work slowly toward a resolution, the real concern for many isn’t just the absence of social media. It’s Musk’s power play over the government as he backs Brazil’s far right.

X was banned on August 30th after months of back-and-forth between Musk and Supreme Court Justice Alexandre de Moraes. The conflict began in April when Musk publicized government requests for information and then removed all restrictions imposed on X profiles by Brazilian court orders. Moraes responded by including Musk in an investigation over organized political disinformation and subpoenaing X’s Brazilian legal representative. Musk abruptly shuttered its local operations, leading Moraes to ban it for violating local laws.

Since then, negotiations between both sides have proceeded gradually. The Supreme Court announced a transfer of R$ 18.3 million from X and Starlink to the national treasury, indirectly paying a fine for not removing content. Moraes subsequently ordered the unblocking of both companies’ bank accounts. Musk has reportedly met with Vanessa Souza, a Brazilian specialist in cyber law, and he’s appointed a pair of attorneys to represent X in Brazil — leading Moraes to ask if X has reopened operations, which could eventually clear the way for a lifted ban.

But Musk’s public response has largely been confrontational. In the past couple of weeks, he has criticized the Brazilian Supreme Court’s decision as well as the president, claiming the ban violates free speech and sets a dangerous precedent. He’s rallied public support, primarily from far-right influencers and politicians.

And this week, some Brazilians briefly got access to X again. According to the Brazilian Association of Internet and Telecommunications Providers (ABRINT), X made a “significant” update early on September 18th, changing its design to use IP addresses linked to Cloudflare and routing around service providers’ blocks. ABRINT said the update put providers in a “delicate situation” while regulators attempted to get it blocked again. X officially called the ban “inadvertent and temporary,” but Moraes levied extra fines against it for what he dubbed “willful, illegal and persistent” evasion, citing a Musk tweet that seemed to celebrate the move.

Musk’s defiance is part of a long flirtation with Brazil’s currently out-of-power far right. “He is not just an influencer of the far right, he is an activist,” says Camila Rocha, a researcher at the Brazilian Center of Analysis and Planning (CEBRAP) and a political scientist. “The collaboration, the harmony between what is happening in Brazil and what is on the networks, is huge.” Whatever happens next in the X–Brazil saga, Musk could claim it’s a win.

#brazil #brazilian politics #politics #twitter #elon musk #supreme federal court #alexandre de moraes #image description in alt #mod nise da silveira

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weirdthoughtsandideas · 3 months

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I saw a video some days ago talking about ”why queer people love Pokémon”, and how it was interesting as there’s not that much canon queer stuff in Pokémon, and yet a lot of the fans are.

And I have wondered about the DCLA fandom. Because there’s just… SO MANY queer people who love these shows, and there’s nothing ”explicitly” gay in them. Is it just the vibes that are fantastic? Is it just how Violetta especially is filled with theatre kids (which, yk, more often has LGBTQ+ people amongst them)? Is it the way we see some characters and we just felt a sense of belonging and like ”we knew them”, and we didn’t really know why until we grew older and it all hit us? Was it the aura of them that caused so many kids queer awakenings?

Why has Ámbar Smith gotten so many people a bisexual or lesbian awakening?

What is it with On Beat and causing the bi awakening on 11 year old kids *cough* me *cough*

There’s nothing explicitly about Maxi that would indicate he’s trans but we just collectively decided that! It just makes sense!

Is it the way we notice there is attempts of of queer instances that they are limited to do anything with? Like in SL with Ana and Mora moving in together, also stuff like how Juliana picks Simón and Matteo to be the main skating pair, causing everyone to be confused. "Two boys skating together?". It's not explicitly queer and you don't even have to read it as that, but those are also instances where you're like... huh...

Then it's stuff like Facu wanting Maxi to be gay, Mechi joking about Camila and Ludmila getting together... there's the thoughts about it amongst them, and there's elements of it.

I also do think they might have had plans to ACTUALLY pull it off with Celeste in Bia, due to everything in S2 with her. If the show had gotten a S3... maybe.

Maybe it's all of this combined that gets queer fans into it. The shows seem so "heteronormative" at times, and yet not AT ALL at the same time.

Maybe the shows aren't queer, but the fandom MAKES IT queer. Maybe it's just so many pairings that seem like just friends but once you see it you can never UNSEE IT, and suddenly you cannot watch any scene normally.

Maybe some characters just reminds us of queer people we know irl? I know that Camila and Maxi, already from the first episode, just SCREAMED "queers that either just come out or haven't realized it yet but are on the way there". Camila especially. She reminds me of several queer girls I've met irl.

I think, in the end, it can be hard to tie down what exactly drags queer fans into these shows. It just... does. The vibes are there, and they're so fantastic.

#violetta #soy luna #disney bia

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talesfromcordonia · 6 months

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Kaine

Real name

Camila Mora (F), Fang Ziyi (F) Camil Mora (M), Fang Zixin (M)

#Kaine #choices stories you play #playchoices #Kindred

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aspencovehq · 7 months

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bem vindos a aspen cove, CAMILA DUNNE, BROOKE DAVIS, COLIN FITZGERALD, CRUELLA DE VIL, RHYSAND, FREYA, ANNE MARIE 'ROGUE' LEBEAU, WARREN WORTHINGTON III, AGOSTINHO CARRARA, ELAIN ARCHERON, ERIC BROOKS, SUMMER DI LAURENTIS, LILY EVANS, KATARA CLEARWATER, ROSS GELLER, CATRIONA CORDELLA, EVANGELINE FOX, AARON WARNER, KENJI KISHIMOTO, VICTOR VALE, KLAUS MIKAELSON, NICO ROBIN & ARIEL TRITON. espero que aproveitem o seu tempo aqui e nem pensem em ir embora... sem dizer tchau! nick, lily, pips, laz, ahri, bazz, alexa, lin, liz 2.0, vocês têm 24 horas para enviar os tumblrs dos seus personagens. não se esqueçam de seguir o passo a passo da checklist, e divirtam-se!

ei, aquela ali é BRUNA MARQUEZINE? não, é só CAMILA DUNNE, uma personagem CANON de DAISY JONES & THE SIX. ouvi dizer que ELA tem VINTE E SEIS ANOS, mora em aspen cove há DOIS ANOS e é uma PROFESSORA em ASPEN COVE HIGH. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco ANIMADA e INGÊNUA sempre que a vejo andando pela cidade.

ei, aquela ali é NIAMH MCCORMACK? não, é só BROOKE DAVIS, uma personagem CANON de ONE TREE HILL. ouvi dizer que ela tem VINTE E DOIS ANOS, mora em aspen cove há DOIS anos e é uma ESTUDANTE DE MODA e ESTAGIÁRIA em SILK & SATIN. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco CATIVANTE e IMPREVISÍVEL sempre que a vejo andando pela cidade.

ei, aquele ali é JACOB ELORDI? não, é só COLIN FITZGERALD, um personagem CANON de OFF CAMPUS. ouvi dizer que ele tem VINTE E TRÊS ANOS, mora em aspen cove há UM ano e é uma ESTUDANTE DE PROGRAMAÇÃO e BARTENDER em DIRTY JOE’S. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco CAUTELOSO e FECHADO sempre que o vejo andando pela cidade.

ei, aquela ali é EMMA STONE? não, é só CRUELLA DE VIL, uma personagem CANON de CRUELLA. ouvi dizer que ela tem trinta anos, mora em aspen cove há dois anos e é uma ESTILISTA e PROPRIETÁRIA DA CASA DE MODA 'HOUSE OF DE VIL'. ela TEM suas memórias, o que pode justificar o fato dela ser um pouco CRIATIVA e DESEQUILIBRADA sempre que a vejo andando pela cidade.

ei, aquele ali é REGE-JEAN PAGE? não, é só RHYSAND, um personagem CANON de CORTE DE ESPINHOS E ROSAS. ouvi dizer que ELE tem 535 ANOS/APARENTA 30, mora em aspen cove há SEIS MESES e é um EMPRESÁRIO e PROPRIETÁRIO DO CUT, RINSE & REPEAT. ele TEM suas memórias, o que pode justificar o fato dele ser um pouco GENEROSO e ARROGANTE sempre que o vejo andando pela cidade.

ei, aquela ali é SYDNEY SWEENEY? não, é só FREYA, uma personagem CANON de MOBILE LEGENDS. ouvi dizer que ELA tem VINTE E SETE ANOS, mora em aspen cove há OITO MESES e é uma POLICIAL em ASPEN COVE PD. ela TEM PARCIALMENTE suas memórias, o que pode justificar o fato dela ser um pouco CORAJOSA e IMPETUOSA sempre que a vejo andando pela cidade.

ei, aquela ali é JENNA ORTEGA? não, é só ANNA MARIE "ROGUE" LEBEAU, uma personagem CANON de X-MEN/MARVEL. ouvi dizer que ELA tem VINTE E UM ANOS, mora em aspen cove há UM ANO e é uma ESTUDANTE DE BIOLOGIA MOLECULAR E GENÉTICA. ela TEM PARCIALMENTE suas memórias, o que pode justificar o fato dela ser um pouco EMPÁTICA e REBELDE sempre que a vejo andando pela cidade.

ei, aquele ali é DANNY GRIFFIN? não, é só WARREN WORTHINGTON III, um personagem CANON de X-MEN/MARVEL. ouvi dizer que ELE tem VINTE E SEIS ANOS, mora em aspen cove há TRÊS ANOS e é um HERDEIRO e FILANTROPO. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco ADMIRÁVEL e AUTODESTRUTIVO sempre que o vejo andando pela cidade.

ei, aquele ali é PEDRO PASCAL? não, é só AGOSTINHO CARRARA, um personagem CANON de A GRANDE FAMÍLIA. ouvi dizer que ELE tem QUARENTA E OITO ANOS, mora em aspen cove há TRÊS ANOS e é um VEREADOR, TAXISTA E DONO DA CARRARA TAXI. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco ESFORÇADO e TRAMBIQUEIRO sempre que o vejo andando pela cidade.

ei, aquela ali é AUBRI IBRAG? não, é só ELAIN ARCHERON, uma personagem CANON de ACOTAR/ MAASVERSE. ouvi dizer que ELA tem VINTE E SEIS ANOS, mora em aspen cove há DEZ MESES e é uma FLORISTA em KABLOOM. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco GENTIL e RESERVADA sempre que a vejo andando pela cidade.

ei, aquele ali é MATTHEW NOSZKA? não, é só ERIC BROOKS um personagem CANON de A PEQUENA SEREIA. ouvi dizer que ELE tem VINTE E SETE ANOS, mora em aspen cove há TRÊS ANOS e é um AJUDANTE em CUT RINSE & REPEAT, e BARMAN e CANTOR em DIRTY JOE'S. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco GENTIL e RESERVADA sempre que o vejo andando pela cidade.

ei, aquela ali é JESSICA ALEXANDER? não, é só SUMMER DILAURENTIS, uma personagem CANON de OFF CAMPUS. ouvi dizer que ELA tem VINTE E DOIS ANOS, mora em aspen cove há UM ANO e é uma ESTUDANTE DE MODA E ATENDENTE em SILK & SATIN. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco EXTROVERTIDA e SEM FILTRO sempre que a vejo andando pela cidade.

ei, aquela ali é KENNEDY MCMANN? não, é só LILY EVANS, uma personagem CANON de HARRY POTTER. ouvi dizer que ELA tem VINTE E SEIS ANOS, mora em aspen cove há SEIS MESES e é uma JORNALISTA em THE DAILY COVE. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco LEAL e DETERMINADA sempre que a vejo andando pela cidade.

ei, aquela ali é AMBER MIDTHUNDER? não, é só KATARA CLEARWATER, uma personagem CANON de AVATAR - A LENDA DE AANG. ouvi dizer que ELA tem VINTE E TRÊS ANOS, mora em aspen cove há DEZ MESES e é uma SALVA-VIDAS em NORTH BEACH. ela TEM suas memórias, o que pode justificar o fato dela ser um pouco EMPÁTICA e IMPULSIVA sempre que a vejo andando pela cidade.

ei, aquele ali é JORDAN FISHER? não, é só ROSS GELLER, um personagem CANON de FRIENDS. ouvi dizer que ELE tem VINTE E SEIS e mora em aspen cove há ONZE MESES e é um DENTISTA em IVORY DENTAL. ele TEM POUCO de suas memórias, o que pode justificar o fato dele ser um pouco DEDICADO e NEURÓTICO sempre que o vejo andando pela cidade.

ei, aquela ali é GIOVANNA LANCELLOTTI? não, é só CATRIONA CORDELLA, uma personagem CANON de THE EMPYREAN. ouvi dizer que ELA tem VINTE E DOIS, mora em aspen cove há DOIS ANOS E MEIO e é uma ESTAGIÁRIA em WAGGING TAILS. ela TEM suas memórias, o que pode justificar o fato dela ser um pouco AMBICIOSA e IMPLICANTE sempre que a vejo andando pela cidade.

ei, aquela ali é HANNAH DODD? não, é só EVANGELINE FOX, uma personagem CANON de CARAVAL VERSE. ouvi dizer que ELA tem VINTE E TRÊS ANOS, mora em aspen cove há TRÊS ANOS e é uma ASSISTENTE em LUCKY DUCKLINGS. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco EMPÁTICA e INCONSEQUENTE sempre que a vejo andando pela cidade.

ei, aquele ali é EVAN RODERICK? não, é só AARON WARNER, um personagem CANON de SHATTER ME. ouvi dizer que ELE tem VINTE E CINCO ANOS, mora em aspen cove há DOIS ANOS e é um ESTUDANTE em PENINSULA COLLEGE. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco IMPLACÁVEL e FRIO sempre que o vejo andando pela cidade.

ei, aquele ali é MACKENYU ARATA? não, é só KENJI KISHIMOTO, um personagem CANON de SHATTER ME. ouvi dizer que ELE tem VINTE E SEIS ANOS, mora em aspen cove há UM ANO e é um EX-ATLETA DE JUDÔ e PROFESSOR DE ARTES MARCIAIS em ASPEN COVE HIGH. ele NÃO TEM suas memórias, o que pode justificar o fato dele ser um pouco CARISMÁTICO e SARCÁSTICO sempre que o vejo andando pela cidade.

ei, aquele ali é BILL SKARSGARD? não, é só VICTOR VALE, um personagem CANON de VILÃO. ouvi dizer que ELE tem TRINTA E DOIS ANOS, mora em aspen cove há UM ANO E MEIO e é um ENDOCRINOLOGISTA em ASPEN COVE GENERAL. ele TEM suas memórias, o que pode justificar o fato dele ser um pouco INTELIGENTE e OBSESSIVO sempre que o vejo andando pela cidade.

ei, aquele ali é CALLUM TURNER ? não, é só KLAUS MIKAELSON , um personagem CANON de THE VAMPIRE DIARIES. ouvi dizer que ELE tem TRINTA E DOIS ANOS ( + 1000 anos ) , mora em aspen cove há TRÊS ANOS e é um PINTOR E PROPRIETÁRIO DA GALERIA THE QUARTER . ele TEM suas memórias, o que pode justificar o fato dele ser um pouco ENCANTADOR e VINGATIVO sempre que o vejo andando pela cidade.

ei, aquela ali é BAE SUZY? não, é só NICO ROBIN, uma personagem CANON de ONE PIECE. ouvi dizer que ELA tem TRINTA ANOS, mora em aspen cove há UM ANO e é uma PROFESSORA DE HISTÓRIA em ASPEN COVE HIGH. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco PERSPICAZ e INTROVERTIDA sempre que a vejo andando pela cidade.

ei, aquela ali é KIM BORA? não, é só ARIEL TRITON, uma personagem CANON de THE LITTLE MERMAID. ouvi dizer que ELA tem VINTE E SETE ANOS, mora em aspen cove há OITO MESES e é uma CONFEITARIA em BUTTER BLISS. ela NÃO TEM suas memórias, o que pode justificar o fato dela ser um pouco AMÁVEL e CRÉDULA sempre que a vejo andando pela cidade.

#aceitos.

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korgbelmont · 11 months

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Now Updated: Kaine Bell

I've updated the names for each race folder in Kaine's folder after their real name was revealed. They are now named as following in the Transparents folder:

Female

Fang Ziyi (Asian)

Camila Mora (Hispanic)

Male

Fang Zixin (Asian)

Camilo Mora (Hispanic)

#choices character transparents #choices transparents #choices kindred #kaine bell #fang ziyi #camila mora #fang zixin #camilo mora

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letixiasims · 10 months

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a família Diaz

A bebê de poucos meses de idade se chama Glória, ela é filha da Camila Diaz e do Maxwell Jones. A Camila e sua filha Glória moram com a tia Valéria, irmã da mãe da Camila, chamada Blanca.

Maxwell mora com seus pais, Rodney e Martha, e sua irmã mais nova, Bonnie.

O Maxwell e a Camila namoram a 2 anos, desde o ensino médio. A Camila ficou grávida da Glória no último ano da escola.

Agora o casal tá lidando com as grandes mudanças do começo da vida adulta, procurando emprego e se inscrevendo na universidade, enquanto tem que prover para sua bebêzinha nova! Ainda bem que a tia Val tá aqui dando apoio para a Camila, porque se dependesse da família do Max… Eles nem estariam juntos pra começo de conversa.

#diaz #sims 4 #youtube #letixiasims

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twssa · 9 months

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( 🎨 ) . . . 𝐨𝐩𝐞𝐧 𝐚𝐫𝐜𝐡𝐢𝐯𝐞: 𝒕𝒆𝒓𝒆𝒔𝒂 𝒎𝒐𝒓𝒈𝒂𝒏 𝒉𝒂𝒍𝒑𝒆𝒓𝒕

CAMILA QUEIROZ — Veja só se não é TERESA MORGAN HALPERT caminhando pelas ruas de Foxburg! Para alguém de VINTE E OITO anos, ela está bem conservada; deve ser por causa do vinho. Se não me engano, ela trabalha como PROFESSORA DE ARTES NA ESCOLA ELMWOOD, e é a melhor na área. Que sorte tê-la como vizinha!

ABOUT.

Teresa Morgan Halpert nasceu e cresceu em Foxburg. Filha de professores universitários renomados em suas áreas, Tessa sempre achou que destino estava desenhado desde seu berço e, de fato, para os seus pais sempre esteve. A filha ia cursar física, ir atrás do mestrado e doutorado e depois lecionar em grandes universidades, afinal, aquele era o movimento natural já que seus pais possuíam muitos contatos. Porém, infelizmente, Tessa nasceu com o gênio forte demais para deixar sua vida ser influenciada por opiniões que não fossem as próprias. Por conta disto, apesar de ainda ceder um pouco a pressão dos pais ao escolher lecionar, ela decidiu ir para a área que queria de verdade: artes! Teresa bateu o pé, teimou e foi contra cada argumento de seus pais, mas sabia exatamente onde seria mais feliz. E de fato, Tessa é mais feliz do que se estivesse fazendo física, química ou biologia, porém, seu sonho de verdade sempre foi viver de seus desenhos. A Halpert não possui diários ou escritas profundas, ao invés disso, Tessa desenha, possuindo cadernos e mais cadernos em suas prateleiras com desenhos que fez ao longo dos anos. Ela nunca mostrou a ninguém e guarda isso para si, mas secretamente, também faz alguns bicos na internet através de comissões para streamers e youtubers que se interessam em seus desenhos. Tessa de fato é feliz lecionando, mas espera que num futuro possa viver plenamente do que realmente ama.

MORE.

A mãe de Teresa é brasileira e veio ainda jovem para a cidade de Foxburg fazer faculdade, onde acabou conhecendo o pai de Tessa.

Tessa mora sozinha mas nem parece, já que seus pais vivem na casa dela e vice-versa.

Tessa tem um gato chamado "Laurie", em homenagem ao seu filme e livro favorito "Little Women".

Nunca saiu de Foxburg, mas tem muita vontade de conhecer o mundo e suas peculiaridades.

É apaixonada em aprender novas línguas e culturas, por isso também sonha em sair da cidade.

Toca piano, violão e guitarra.

Sua música favorita de tocar no piano é "evermore", da Taylor Swift.

É uma negação em matéria exatas.

A comida preferida de Tessa é a coxinha feita pela mãe.

CONEXÕES

PS: A Tessa não gosta de se rotular, então todas as conexões são livres de gênero ou qualquer coisa do tipo!

Tessa é muito extrovertida e faz muitos amigos por onde passa. Mas MUSE A é sua alma gêmea no sentido mais puro da amizade. Se defendem e se apoiam em absolutamente tudo, deixando muito claro pra todo mundo que existe uma irmandade ali.

Sendo um amigo de Tessa você ganha proteção, amor e lealdade por toda a vida! E é isso que MUSES ganham! São constantemente vistos e andam juntos sempre que podem, e vivem trocando mensagem para se atualizarem um da vida do outro.

Essa é uma amizade muito improvável, mas que Tessa leva pro coração! MUSE B faz parte de outro mundo, bem alheio ao de Tessa, mas dentro das suas diferenças acabam encontrando suas semelhanças que os juntam e os fazem amigos incríveis! Sempre que são vistos juntos publicamente, causam os comentários “como que é a dinâmica dessa amizade?”

MUSE C é quem tira Teresa de casa! Sempre que MUSE C percebe que Tessa está se afundando em casa (ou se afundando com seu gato), MUSE C tira Tessa de casa. No começo pode até ser contra gosto, mas no final Tessa acaba agradecendo MUSE C por isso.

Por outro lado, com MUSE D é a Tessa que fica encarregada de tirá-lu de casa sempre que percebe MUSE D está passando muito tempo preso em sua própria vida e esquecendo existe vida própria fora do mundinho delu.

MUSE E (acidentalmente ou não, a gente pode decide juntos) descobriu os desenhos de Tessa (talvez pelos cadernos ou na internet pelas comissões), e agora vive no pé dela pra ela expor mais sua arte.

AMIGOS DE TRABALHO, POR FAVOR! (Professores, uni-vós!)

AMIGOS DE INFÂNCIA TAMBÉM, POR FAVOR!

Inimizades de infância também! Desde aquelas inimizades que começaram por alguma birra muito idiota de criança e continua até hoje, e inimizades que começaram criança mas hoje em dia se amam e são muito amigos!

Amores de infância! Sabe aquela paixãozinha bobinha de infância? Que se estavam de mãos dadas já estavam namorando? Pois é! MUSE F foi essa pessoa pra Tessa, e eles acham super fofinho, até riem juntos disso e tem muito carinho um pelo outro.

MUSE G e Tessa tiveram um relacionamento rápido, porém intenso, sem sombra de dúvidas! E tudo acabou assim como todo o resto do relacionamento: intenso. No começo, eles demoraram para voltar a se falarem, mas hoje em dias eles tem um relacionamento bom. Quando se encontram, se cumprimentam e conversam, sem ressentimentos e mágoas, mantendo apenas as boas memórias.

MUSE H foi o relacionamento mais recente e mais duradouro de Tessa, tudo estava indo bem... até não ir mais. Ambos foram se tornando ausentes dentro da relação e ela desgastou até demais. Várias foram as tentativas de uma retomada, mas elas apenas duraram por um período curto de tempo. O resultado? Um término ruim, onde ambos saíram machucados e ainda não se curaram, por isso ainda não conseguem se esbarrar pela cidade ou conversarem.

Tessa tem um crush em MUSE I, e elu anda presente em seus últimos desenhos, pois sempre que u vê seus pensamentos vagueiam. Porém, nunca daria o primeiro passo, pois o medo da rejeição é infinitamente maior.

Ficantezinhos: acho que é autoexplicativo, mas podem se transformar também nos famosos booty calls!

Deixei apenas algumas ideias, mas aceito absolutamente tudo, ok? E tudo pode ser conversado (eu muito provavelmente vou aceitar qualquer coisa que me proporem, porque amo plotar!). 🥺

#pinned.

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