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desos-records · 2 years

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The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, it’s not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way

but first, before I get into it: [if you’re in crisis or need someone to talk to and don’t want to/can’t use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, let’s go

Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions she’s subjected to. George worries that he doesn’t belong, that there’s something useless or wrong about him. The show depicts these thoughts and feelings in a way that isn’t overblown or dramatized, it’s all but casual. Which is how it happens. Depression or suicidal thoughts don’t crash into you all at once, they creep into your life without you noticing

But more importantly (and again, something I’ve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the show’s target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesn’t do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but it’s not hopeless. And it says it so well

In the second episode, when Lucy wants to quit, she admits something that I’m almost certain she’s never told anyone

“sometimes I just think I’d be better off dead”

And when I watched this the first time, I expected Lockwood to react the way I’ve seen people react in my own life; with silence or panic or downright dismissal. But he didn’t. He stays calm and he says something that is so so important to hear when you’re struggling under the weight of feelings like this

“I understand that”

Saying this tells someone several things: that you’re on their side, they aren’t strange or monstrous for feeling like this, and that you’re not going to attack or abandon them because of it. And you can see the impact it has on Lucy, the way her face clears. She went from struggling to breathe and near tears to calm and steady. It’s no mistake that in this moment we hear his and Lucy’s theme for the first time (those simple, beautiful guitar strings)

The next thing he says is also important

“and it’s not true”

Simple, to the point, directly addressing her feelings, and (the most common mistake) doesn’t make it about him. Telling someone that you love them or that they’d be upset to lose you might sound nice, and it can be later on in the conversation, but in a moment like this, it’s infinitely more helpful to confront the thought itself

A similar moment in the first book stuck with me too, when they’re underneath Combe Carey Hall and Lucy almost steps into the well. What she’s hearing in her head (and the general phenomenon of malaise that ghosts produce) is very similar to depressive or suicidal thoughts. Before she can fall, Lockwood pulls her back

“no, Lucy, that’s not the way it’s going to be”

Depressive and suicidal thoughts deal in absolutes, so sometimes it takes an absolute to counter it

In the last episode, George has that heart-breaking moment where he says all the awful things he thinks about himself, partly because of the influence of the boneglass and Bickerstaff, but it’s also been building up, there in the background. Increasingly, it’s Lockwood and Lucy working together and George working on his own, which picks at old wounds (engineer, engineer, engineer, weirdo). He bonds with Joplin because he feels like she understands him in a way the others don’t

“it’s nice to have someone to show off to”

But Lucy pushes back against all that because she sees herself in all the ugly things George is saying, because she’s felt that way too. She understands that. She’s so surprised and horrified to hear him saying those things, resigning himself to dying down there, she’s not going to let him go on believing them

“you’re not a third wheel or an oddball or whatever it is that you think you are”

“you’re the best of us”

“we are not losing you, Georgie”

Flo called him that earlier too, but Lucy wasn’t there for that and coming unprompted from her it sounds so much like something you might call your slightly annoying younger brother. She’s so absolute about it all, with no opening for doubt, and you can see something like surprise on George’s face (but also pain because now Lucy’s in danger too)

For all Lucy knows, the boneglass will kill her. I don’t think for a second she genuinely believes her talent will protect her; she told Joplin that to protect George. It’s unclear when exactly she came up with the plan to use the skull, but she was willing to risk it anyway. And she knows, she knows, George will blame himself for this (because she would too, if it were the other way around), but even then, she’s very clear

“this isn’t your fault”

Their whole scene down in the catacombs is two kids trying to keep each other alive, physically obviously, but on the inside as well. And, oh god, George almost crashing down next to Lucy after he’s knocked over the boneglass, trying to wake her up. His voice

“Lucy, Lucy, it’s me, it’s me, say something, speak to me”

I think it’s down in those catacombs that George and Lucy really understand each other for the first time. In their own ways, they’re both curious and suspicious about the Problem and what causes it, trying to learn more about it (and stressing Lockwood out in the process). They both left their families; they both struggle with feeling strange and different than everyone around them. That connection pulls them both back from the edge

Lockwood, for all his confidence, is practically in crisis or was fairly recently (I suspect living with George helped). It’s fairly common, actually, for someone suicidal to overcompensate with an exterior shell to hide it, which can manifest in different ways depending on the person (they may not even realize they’re doing it, I didn’t)

And I love how the show handles it. He’s not made into this dark, tragic figure. He’s so full of life it hurts. He jokes around with George and Flo, fights with Kipps, admires Fairfax. He has dreams (plans) for the future. He’s struggling with trauma, they all are, but he’s not Broken™ in the way similar leading characters are often made out to be, in the way we often fear we are

And, of course, there’s Lucy, a wreaking ball through the precarious balance of Lockwood’s life. It’s not so much that she gives him a reason to live (although she definitely helps), but she holds him accountable in a way no one else does. This is the difficult part of recovery that no one talks about. Having people care for you (George) and sympathize with you (Flo) is great and necessary, especially early on. But at some point, you have to take responsibility for yourself and the noise in your head (you have to open your door on the landing)

What that looks like is complicated and messy and different for every person, but seeing it played out in a story is remarkable. I’ve never seen anything like it. This is a difficult thing for anyone to learn (many adults never even try)

That shot of George, Lucy, Lockwood (and Kipps) rising up on the catafalque sums it all up for me. Each of them fell into darkness alone and rose out of it together. They inspired each other to fight and win their individual battles, even when they couldn’t be there to help

#lockwood and co #lockwood & co #anthony lockwood #lucy carlyle #george karim #george cubbins #quill kipps #lockwood and lucy #lucy and lockwood #locklyle #lockwood netflix #flo bones #She speaks!

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youremyheaven · 6 months

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Jupiter's Boundlessness: The Union of Good & Evil

Something I have noticed for a long time is how Jupiter natives often play multiple roles within a single project. Be it movies or music videos, I often see them channelling the boundlessness of Jupiter by literally embodying several characters. As Claire Nakti explored in her Jupiter makeover video, duality and transformation are huge themes in the lives of Jupiter natives. This duality is not just a light vs dark one but also a masculine versus feminine one. Jupiter women especially being internally masculine often channel this in different ways. But beyond the "duality" is the "multiplicity", because of their vast, internal spaciousness they feel as though they are many many different people with many different interests and abilities. This is why Jupiter natives are kind and generous because their vastness allows them to literally put themselves in the shoes of others but it can also feel very confusing and tiring. You stretch yourself that wide, you might snap, feel empty and burnt out because you feel so chained by being a very limited narrow definition of "you".

Mariah Carey, Punarvasu Moon

She plays both herself and her obsessive stalker (based on Eminem) in her MV for Obsessed

She fights the evil brunette version of herself in her MV for Heartbreaker

She also has an alter ego named Bianca who is the opposite of her and even speaks with a British accent lmao

Here is a clip of Mariah being interviewed by her alter ego Bianca

In fact, I'd say that having an alter ego is in itself kind of a Jupiterean experience since these natives embody duality or feel like they contain so many contradictory energies or that they're "opposites".

Miley Cyrus, Vishaka Moon plays Miley and Hannah on Hannah Montana, a whole show that revolves around a girl trying to manage her alter ego.

Dua Lipa, Punarvasu Moon battles with her other self in her MV for IDGAF

Troye Sivan, Punarvasu Rising plays a female version of himself in the MV for his song One of Your Girls

Ruby Rose, Punarvasu Moon, Swati Rising captures her transformation from a traditional feminine woman to her more butch androgynous self in Break Free

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Destiny's Child's mv for Lose My Breath features the trio battling their alter egos. Beyonce- Vishaka Moon, Michelle- Punarvasu Moon and Kelly- Swati Rising

I'm including Swati placements as well because I think Swati also closely embodies this Jupiterean boundlessness or multiplicity

Beyonce, Vishaka Moon also has an alter ego named Sasha Fierce and like many Jupiter women who talk about wanting to be a man/embrace their masculinity/channel this in some way, she has a song called "If I Were A Boy"

Avril Lavigne, Swati Moon played multiple versions of herself in the MV for her song Girlfriend

Halsey, Punarvasu Moon and Swati stellium has such a wide ranging style, all their looks are completely unlike each other. I associate it with the chaos of Rahu more than Punarvasu but I do think the Jupiter influence also adds to it. They've also talked a lot about not identifying with gender/struggling with it and even has a song titled "I'm not a woman, I'm a god".

The Weeknd, Vishaka Moon, Punarvasu Rising

"The Weeknd" is the alter ego of Abel Tesfaye and he has talked about "killing his alter ego" many times

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In this MV we see him battling his alter ego.

I think it's important to note that Jupiter natives are always battling their other half/shadow in all these examples. One is good and the other is bad. It points to the nature of Jupiter where all contradictions exist. Being that vast and expansive can mean being generous, compassionate etc but it can also mean feeling empty and vacuous. The extremes of anything is a meeting point for its opposite. Jupiter is abundance but its also the storehouse of karma. Do you notice how some people just have lives that are full of sooo many crazy experiences, both good and bad? Some people just don't have much going on and others always seem to be handled the short end of the stick. The bigger the planet, the bigger the shadow. The bigger the blessings, the bigger the burdens.

Suga's (Purvabhadrapada Sun) MV for Daechwita sees him play both king and peasant and both of them battle each other.

He also has multiple alter egos (SUGA & Agust D)

Here is a translation of some of the lyrics from the song:

"I got everything I wanted. What else can I have to be satisfied?

The things I wanted were clothes clothes, then money money, then goal goal, what’s after this?

What’s after this? Feeling a strong feeling of reality check, a situation where there’s nothing higher.

I had only looked up, now I just wanna look down and gently land."

Finding success meaningless is a VERY Jupiter experience. Abel sings about it a lot as well. Others work on accumulating things and its hard for them to imagine the kind of boundlessness of Jupiter, both in terms of latent potential but also in terms of the scale and expanse of what these natives achieve. If you had it all, would you find it empty and meaningless? I think a lot of Jupiter natives hold themselves back because of this, because they know the journey is more fun than the destination, that actually achieving your goals can be hella scary.

P!nk, Mars in Punarvasu atmakaraka battles herself in the MV for Don't Let Me Get Me

The lyrics go like:

"I'm a hazard to myself

Don't let me get me

I'm my own worst enemy

It's bad when you annoy yourself

So irritating

Don't wanna be my friend no more

I wanna be somebody else

I wanna be somebody else, yeah"

"So doctor, doctor, won't you please prescribe me something?

A day in the life of someone else"

The Jupiterean urge to be many people/somebody else is so revealing of their nature. They're always at odds with each other. Masculine & Feminine. Light & Shadow. Plus the boundlessness and abundance of Jupiter making you feel like you've transcended humanity and are akin to God (sooo many Jupitereans, esp men have a God complex its not even funny lol)

Its no wonder that so many Jupiter women often suffer from bipolar disorder. Bipolarity meaning swinging between extremes. This is literally the nature of Jupiter. Its a hard energy to balance.

(Mariah Carey & Halsey- Punarvasu Moon both have bipolar disorder, Kanye West- Purvabhadrapada Moon also has bipolar disorder Chyler Leigh- Vishaka Moon, Mel Gibson- Punarvasu Rising are all celebs who have admitted to suffering from bipolar disorder)

I am not a medical professional and neither am I going to assign mental disorders to different nakshatras BUT when I say imbalanced Jupiter energy manifests as bipolarity, I am pointing to the nature of Jupiter which makes its natives swing between extremes. Its a struggle to manage this and navigate this, no doubt.

Lisa Kudrow, Punarvasu Rising who played Phoebe and her evil twin Ursula

What's Your Rashee? is a 2009 Bollywood movie starring Priyanka Chopra, Punarvasu Sun who plays 12 different characters each representing a different rashi or zodiac sign

Kamal Hassan, Purvabhadrapada Moon played 10 different characters in the movie Dhashavataram (referencing the ten different avatars of Vishnu). He played the bad guy, the good guy and all the other guys.

This again points to not just the duality but also the multiplicity of Jupiter and literally being many different people.

Katy Perry, Vishaka Moon plays many different characters in her MV for Birthday

Vikram, Purvabhadrapada Moon plays 4+ different characters in the movie "I"

David Bowie, Jupiter in Vishaka atmakaraka, Shatabhisha Rising

Bowie had sooo many alter egos/personas, morphing from the flame-haired Aladdin Sane — a spin on “A Lad Insane” — to the clean-cut Thin White Duke with the greatest of ease. But his most famous alter ego was the androgynous alien rock star Ziggy Stardust who transported us to a glam galaxy far, far away in 1972 and 1973.

Lady Gaga, Swati Moon

"Lady Gaga" is in itself an alter ego as is being Mother Monster but she also has a male alter ego named Jo Calderone. She became Jo Calderone for her “You and I” video in 2011. The singer even went to the MTV VMAs that same year as Jo, walking the red carpet, opening the show, performing and sitting in the audience as the character.

The 1991 movie Dead Again stars Emma Thompson, Punarvasu Moon and Kenneth Branagh, Mars in Punarvasu 1h as two people who have double lives/past lives, the plot in itself is super Punarvasu coded with the same people playing multiple characters across multiple timelines (Punarvasu's deity is the personification of space and time)

Lily Tomlin, Punarvasu Rising plays 3 different characters in the movie The Incredible Shrinking Woman

Tatiana Maslany, Punarvasu Rising played many many different characters on the show Orphan Black.

The series focuses on Sarah Manning, one of several genetically identical human clones, and later on some of the other clones. The series raises issues about the moral and ethical implications of human cloning and its effect on identity. I had previously observed in an old post about how Punarvasu & Swati are connected to cloning and this is yet another example of the boundlessness of these energies.

Tom Cavanagh, Swati Sun, Venus in Vishaka atmakaraka played 15 different versions of his character in The Flash

Rachel Weisz, Purvabhadrapada Moon played both Evelyn and Princess Nefertiti in The Mummy Returns

Hugo Weaving, Punarvasu Moon, Purvabhadrapada Stellium (mercury, venus and ketu) played 6 different characters in Cloud Atlas

In Bill & Ted's Bogus Journey, Alex Winter, Punarvasu Sun & Keanu Reeves, Punarvasu Moon play their evil versions.

The plot itself is very Punarvasu coded with Bill & Ted, two metalhead slacker friends who travel through time and beyond while trying to fulfil their destiny to establish a utopian society in the universe with their music.

Deepika Padukone, Swati Moon and Shahrukh Khan, Swati Sun played double roles as lovers who are reincarnated in a different time.

Jupiter is the guru or teacher. To be many things is what Jupiter teaches. It is kind of like being God and if one were to raise philosophical questions, you'd have to ask why did God create both good and evil? Why did he create joy and misery? There is no other answer except that one cannot exist without the other. Jupiter embodies this.

I hope this post shed some light on one manifestation of the boundlessness of Jupiter<33

#astrology notes #astrology observations #vedic astro notes #sidereal astrology #nakshatras #astrology #vedic astrology #astro observations #astro notes #astroblr #jyotish #vedic astro #punarvasu #purvabhadrapada #vishaka #jupiter #swati #rahu

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anistarrose · 4 months

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I want to talk about the way aromantic experiences can be represented in very meaningful and validating ways without characters being written as intentionally aro, and also I want to talk about aro-spec Magnus Burnsides headcanons. Luckily, I can do both those things in one post!

During the events of the podcast, Magnus is disinterested in and often straight-up uncomfortable with romance, because of the fate that befell his last relationship, with Julia. I've seen a reading (that I don't think is objectively wrong, though I do not personally share it) that interprets this trait of his as some kind of "sacrifice" he's making on Julia's behalf, being a choice to stay out of other relationships to carry on her memory better. It's a reading that seems pretty reasonable at first glance, but not especially aromantic.

(Because if anything, it almost seems at risk of turning into something like "there is no sacrifice more tragic than not having a romantic partner," right? Or worse, "this is a trauma response that needs to be healed for Magnus to have a happy ending, because being able to enjoy romance is vital to his happiness and self-fulfillment." Both of which are... varying levels of uncomfortable, to me as an aro person. Like, I'm not in the business of telling people how to interpret fictional characters, but I personally can't engage with these without a bad feeling in my stomach.)

However! Back to the various potential readings of Magnus's character! It's worth noting that so much of Magnus's arc revolves around unpacking his trauma, from the destruction of Raven's Roost and Julia's death — and that healing process doesn't change how he feels about romance! The Eleventh Hour is the turning point when he starts to seriously re-evaluate what the trauma and loss made him want, versus what Julia would want for him, and what would let him live in the moment instead of in the past... yet in the Heart Attack segment of Wonderland? Magnus still expresses disinterest in dating.

In Arms Outstretched, then Story and Song, he further internalizes and chooses to let himself be saved and ask for help, instead of punishing himself with martyrdom — and no romantic relationships come up in the epilogue! When he passes away after a long, happy life, it's Carey, — his best friend! — who holds his hand while they wait for the end!

Magnus's reasons for not wanting another relationship are obviously complex — not just a conclusion about himself that he came to lightly, regardless of whether he's on the aromantic spectrum, not on it at all, or deliberately not choosing a label. What makes his arc so unique and special to me, in contrast with almost every other story about traumatized characters finding a happy ending, is that his happy ending isn't contingent on romance! Whenever he says that he's that not into dating, no one doubts him or tries to undermine him (other than Lydia, who's literally trying to feed on his suffering) — and to me, an aro listener...

Well, the way the narrative takes Magnus's wants and lack thereof seriously is just so refreshing.

Ninety percent of characters in fiction who repeatedly stress that they don't want romance or marriage are only shown doing so to set up for the narrative later proving them wrong. It's to contrast with that later point in the story where they "find the right person," or "understand when they're older." Or "stop being so cold," or "stop acting like they're too fucked-up and 'damaged'." Or "overcome their trauma."

It has an air of "wow, isn't this character so ridiculous, for thinking they won't change their mind later?" Or occasionally, "isn't it so tragic, that they can't envision themselves being loved?"

For protagonist-y characters, for heroic characters like Magnus — for any type of character in which "happily ever after" is considered a plausible, fair-game, genre-acceptable outcome — we see the genre conventions also dictate that "settling down in a romance" and the "happy ending" are intertwined. I've seen TAZ posts from back in the era of The Suffering Game/The Stolen Century airing, expressing sentiments like "Magnus not finding someone to love again would be so tragic and mean-spirited, I hate grim and edgy endings like that." While I can appreciate people trying to subvert tropes like "you can only have one 'true love' in all your life," the incredibly non-subversive and ultra-amatonormative belief that "romance is a prerequisite for a happy ending, or even healing arc" is such a deeply unfortunate one to tag on.

I am aromantic. I don't want a romantic relationship. And I find joy in that! I refuse to accept that I need to be "fixed" or "healed" to live a long, happy life, because I'm not broken! What brings me the most joy beyond just living as an aro is seeing stories actually acknowledge that people can find this happiness without romance — like how Magnus's story does! Like how casually and matter-of-factly it subverts expectations — how Magnus says he doesn't want another relationship, and no one comes along to prove him wrong! He doesn't "find the right person" because at this particular phase of his life, and of how he wants to live, there isn't one in a romantic context!

He heals from his trauma enough to find all kinds of joy — doing things he loves, surrounded by people he loves — and not because of, or in service of pursuing, a romantic relationship!

I almost never see fantasy stories where one of the heroes gets to have an arc like that. An arc where they get to live out an ending that I would want. A happy ending that would be happy for me! For people like me!

Magnus Burnsides gives me so much Aromantic Hope. That this is a kind of happy ending that I am not the only one to idealize, and that I could attain, no matter what horrors are being thrown at me in the present. Magnus dies peacefully, after years of assuming that he wouldn't, and he does so surrounded by his dearest friends and family. Who are all so proud of the life that he lived. Magnus was true to himself, to what he felt would bring him healing and fulfillment — instead of what cliché and expectation dictated to him — and he was completely at peace in the end. Ready to rush in one final time.

I immensely doubt that Travis intended for Magnus's story to be an aromantic story in those words, if at all. But Magnus's story resonates so, so much with so many common aromantic experiences. And that means so much to me. I'm so grateful for that. In this day and age, in this world, I needed that.

I needed to have a good long cry about Magnus Burnsides. Aromantic icon, intentional or not.

...

...Of course, because this is tumblr, I want to make a clarification. This isn't some kind of claim like "shipping Magnus with people other than Julia is problematic." It is, however, a thesis statement that "no such ship becoming canon makes Magnus's arc so much more unique." It's an explanation giving full context to how I'm biased, not objective, but willing to argue that it makes his arc so much more meaningful, too.

And most of all, it's a desire to shine a light on a side of Magnus's character and growth that I think goes underdiscussed. Especially underdiscussed through an aro-spec lens. And speaking of which:

Sure, I said I don't think Magnus was intended as an aro-spec character, or that he can only be interpreted as such — but if you made it this far, you know I think this ruff boi's just chock full of aro-spec subtext! So just for fun — and because the world is always deserving of more aro-spec headcanons — let's end this post playing with some different readings of him as aro-spec!

Gray-Aro or Demiromantic Magnus who rarely falls for people to begin with. Why would it be some tragic heroic sacrifice to remain "chaste" and wait for Julia, when not being into romance is just Magnus's default state of being? He's so confused about why people think he's making some tragic sacrifice! So confused, guys! I even wrote a fic about the gray-aro HC a few months ago (link)!

Gray-Aro or Demi Magnus who thought he was just aromantic, no attraction whatsoever, for over a century — until he met Julia, and fell for her (perhaps very, very slowly). But that doesn't change those years gaining perspective as a platonically, familialy loving aro who values those bonds immensely, and always wanted them to remain a prominent part of his life.

Losing Julia devastates him, of course it does — but especially once he remembers the Stolen Century, he knows he has a long-term support system no matter what, and it won't revolve around chasing that unlikely possibility of feeling romantic love again. Why would it? Why would he need to chase something so fickle just to heal?

Aromantic Magnus who feels no romantic attraction, but in the era of Raven's Roost, doesn't not want a romantic relationship. Except, he doesn't after all. Except wait, he kinda does, it's just complicated. Maybe something queerplatonic? Well, he really likes the idea of a wedding, and that's not necessarily mutually exclusive with a QPR, but there's no guarantee his partner would feel that way too, and...

There's just these expectations that go with dating or marriage, of partners expecting him to love them in such a specific way that he knows he can't... and then he meets Julia, who's a romance-seeking aromantic too, with heavily overlapping feelings. Bonding over their similarities leads to dating, and eventually marrying, over a deep platonic love that may or may not still involve cuddles or kisses, or a desire to start a family. They don't panic too much over the labels — they're just so delighted to be with someone on the same wavelength!

When Julia dies, so much goes through Magnus's head. After a while, he can't help but start thinking again about how rare it is for people to want the same things out of a relationship that he does. Or to consider the way he feels for them to be enough. But as time passes, Magnus comes to terms with it more and more. He's happy to wait for Julia again. After all, he's longing, but not lonely. Mourning, but not incomplete.

Aromantic Magnus who is aromantic specifically because of his trauma, but no less aromantic for it. He just can't bear the thought of getting into a relationship again. Ironically, there's a point in time where he thought of himself as a romantic — back while he and Julia were courting each other — that now feels simultaneously so close and so distant. Magnus who has so much to grieve, and grieves this romantic side of him too — at first. Who thinks that there's only two options, for a folk hero in a story like his — settling down to live happily ever after, or dying in battle. And if there's nothing more upsetting, more uncomfortable, than getting married again — then living happily ever after has got to be off the table, right?

Magnus who slowly realizes that doesn't have to be the case. That no, barring seeing Julia again, he certainly doesn't have reason to believe that even time will change this new, alienating part of him — but maybe, it's not so alien after all. Maybe he knows people who won't even question it. Maybe he doesn't have to change it or overcome it to be happy again.

Why is romance some singular thing he has to chase, in order to settle down peacefully again? Why can't he do it with his friends? With his dogs?

And last, Questioning Magnus who might be aro, who might not be aro, and is maybe most likely to be something in between. But it's hard to tell; he's honestly not sure if he'll ever crack it, and.. ultimately, he's okay with that. Because all that matters to him is knowing he doesn't need a relationship to be complete, to take full advantage of his well-earned happy ending — and he's got a great grasp on that one, surrounded by people who never make him doubt it.

Aromantic Magnus Burnsides. Aro-Spec Magnus Burnsides. My aromantically beloved. Thanks, bud, for all the hope when I needed it.

#taz #taz balance #taz balance spoilers #magnus burnsides #aspec taz #taz meta #long post

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