#cath and phil tyler

[crushingdeath]

PHIL TYLER & SARAH HILL + RACHEL WATKINS

Sun 24th Sep @ Thrive Cafe, CB1 Doors 7:30pm, £8 adv from here

PHIL TYLER & SARAH HILL

Amongst a select few, Phil Tyler is considered the UK’s best-guitar-player-you-never-notice. Formerly a member of rackety 90s noise-rock outfit Spraydog, he is now better known for his sparse and unadorned approach to transatlantic traditional song through the long-standing duo with wife Cath. For this visit, Phil is instead working in collaboration with Sarah Hill - a partnership that emerged from their mutual activities as part of Newcastle’s folk sessions and Sacred Harp meetings. Touring a collection of songs and tunes captured on their new album What We Thought Was A Lake Was A Field Of Flax, Phil’s deft, unhurried playing style and cyclical minimalist arrangements act as the perfect accompaniment to Sarah’s bright, impeccably-paced singing voice. https://philtylersarahhill.bandcamp.com/.../what-we... https://www.youtube.com/watch?v=k6OSmv68bAw

RACHEL WATKINS

Luminous, haunted balladry and submerged layers of string-and-bow. A welcome return from one of Cambridge’s own experimental mainstays

.https://meadowsrec.bandcamp.com/album/collectanea

[dustedmagazine]

Listed: Nick Jonah Davis

Photo Credit: Andy Joskowski

Nick Jonah Davis lives in Derbyshire, England, which is a place where evidence of older editions of England is always easy to find. Successive eras likewise coincide in his music. Davis plays acoustic and electric guitars, drawing on both American and English folk and instrumental traditions. He has worked with like-minded folk, such as C. Joynes and Sharron Kraus, and is also an established guitar teacher and provider of therapeutic musical interventions. He’s been recording the occasional solo record since 2009, and in 2016, Dusted’s Bill Meyer had this to say about House of Dragons: “the Nottingham-based guitarist isn’t living in bifurcations of the past, and he isn’t asking us to either. Rather, he invites the listener into a world bounded by the resonance of his tunings and the vividness of his evolving melodies.” Thread Recordings is about to release a swell new LP, When the Sun Came, and Davis has compiled a list of sounds made by some of his favorite associates.

Even for solo guitarists, music is a collaborative, social thing. For this list I’ve picked some music by artists that I’ve collaborated, recorded or gigged with over the last decade or so. Members of the NJD home team.

Kogumaza — “Ursids”

WAAT048 Split 7" w/Hookworms by Kogumaza

When I lived in Nottingham, Kogumaza were my favorite band in town. They play deep, droning riff-based cosmic guitar music which draws on their backgrounds playing with local heroes like Lords, Rattle and Bob Tilton. They’ve also done their homework, having sat in with heavy hitters like Glenn Branca, Damo Suzuki and Boredoms. This tune was recorded in Nottingham, with Nathan Bell of Lungfish sitting in on bass. I was the assistant engineer on this session, and remember getting a pleasing headful of Katy Brown’s kick drum as we set up the mics. Mind-manifesting stuff.

Ex-Easter Island Head — “Large Electric Ensemble Third Movement”

Large Electric Ensemble by Ex-Easter Island Head

Liverpool’s Ex-Easter Island Head are a revelation. They repurpose electric guitars through a variety of extended techniques, with unprecedented, nourishing results. I was lucky enough to play a couple of shows as a member of their Large Electric Ensemble, a 12-guitar band powered by 1 drummer and multiple Arts Council pizzas. I learned a lot from them in terms of playing guitar with craftily-deployed allen keys and bolts. Living proof that people can and do make genuinely beautiful, ground-breaking music without being all precious and up themselves about it. Good lads.

C Joynes and the Furlong Bray — “Sang Kancil”

The Borametz Tree by C Joynes & The Furlong Bray

Joynes and I have been fellow travelers in the solo guitar realm for many years now. We’ve probably seen more of each other’s gigs than anyone else alive. I was really pleased to be invited into the making of the Borametz Tree album. Not exactly sure how you’d describe my role on that project, but it involved some bass playing, some refereeing and, in the case of this piece, heading into my cellar with Nathan Mann to process some sounds through my echo units. I really love this bizarre, swirling piece of music. It defies description and I really can’t see how it could have happened under any circumstances. Power to the Furlong Bray.

Jim Ghedi — “Bramley Moor”

A Hymn For Ancient Land by Jim Ghedi

Jim popped up a few years ago, around the same time as Toby Hay, and has been a sure source of decent sounds ever since. Jim’s initial, masterful solo guitar work has bloomed out into an exploration of both traditional folk and his own songwriting. Having sat right next to him when we played together in my village a couple of years ago, I can confirm that he has a huge, resonant chest voice. Luckily, he always commits to his guitar just as fully, as you can hear on this jaunty instrumental on which I played some weissenborn. Nathan Mann pops up again playing percussion on this one, small world…

Cath and Phil Tyler — “King Henry”

The Ox and the Ax by Cath and Phil Tyler

I first met Cath and Phil at the legendary Sin Eater festival, a 3-day weekend of fine underground music and excellent ale at an isolated pub in Shropshire. Almost everyone on this list played there actually. This is folk music as it should be played, plain and flinty with a complete focus on the song. Understatement goes a long way in this music and, I suspect because of this, Phil is one of the most criminally under-rated guitarists around. There’s a little part of me that lives for Cath’s jaw harp break at the end of this one.

Toby Hay — “Now in a Minute”

New Music For The 12 String Guitar by Toby Hay

Toby has a special place in my heart for lining me up an annual show in a cafe at the wonderful Green Man festival for the past several years, meaning my family could go for free. Here’s a near-perfect example of a miniature acoustic study from his album New Music for the 12 String Guitar. The guitar in question was custom-built for Toby by Roger Bucknall of Fylde guitars. Fylde put out the word that a label was looking for a young guitarist to make a record on a custom-built Fylde that they would commission, and I immediately suggested Toby. He rose to the occasion. Reckon he owes me a handmade guitar though; I’ll give him a nudge one of these days.

The Horse Loom — “Silver Ribbon”

The Horse Loom by The Horse Loom

Steve Malley played in post-punk bands back in the day, gigging alongside the likes of Fugazi. He later picked up a Fylde guitar and went down an acoustic rabbit hole where his love of British folk and flamenco come to the fore. The DIY-or-die roots of his playing flash an occasional fin. After we met I persuaded him to come down to Nottingham and let me record his first album in First Love studio. He did the whole thing in a day and it’s awesome. This is my favorite instrumental from that collection.

Sharron Kraus — “Sorrow’s Arrow”

Joy's Reflection is Sorrow by Sharron Kraus

I started playing shows with Sharron as we were both UK artists on the Tompkins Square label at the time, so it kind of made sense. She’s a bit of an institution in psych-folk circles and eventually I began playing on her records and at live shows, which has been a real joy. This tune features some heavy drones and an occasional splish of my lap steel. It’s classic Kraus — mournful, insightful, immersive. If you want to hear someone with a bigger brain than yours talking about the weirder side of life, check out her Preternatural Investigations podcast.

Haress — “Wind the Bobbin”

Haress by HARESS

Haress is centered around the twin electric guitar work of Liz Still and David Hand. Located in downright gorgeous rural Shropshire, they ran the Sin Eater Festival and still put out essential music on Lancashire and Somerset Records. I reckon they’ve helped me out more than anyone over the years, releasing House of Dragons on vinyl and always setting me up a show when I need one. This gorgeous piece features Nathan Bell again, this time on trumpet. Those Nathans do get around.

Burd Ellen — “Chi-Mi-Bhuam”

Chi Mi Bhuam by Burd Ellen

I first saw Debbie Armour singing with Alasdair Roberts, a good start. When I went up to play in Glasgow in 2018, I asked if she’d like to open up my show at the Glad Café, which she did, alone except for a borrowed harmonium. I was mesmerized, I think everyone was. Too good for a support slot. Here’s a Gaelic vocal piece which demonstrates exactly who we’re dealing with here, a profoundly talented and committed artist with a lifelong immersion in traditional music, using it as a springboard into something entirely her own.

[dreamingofmonday]

The Halloween vinyl post had me inspired to do more. This one is called “No Talking, Just Heads”

If I’m missing a really good one, let me know. (note this is 12″ vinyl only)

Top row, left to right:

Shiva Burlesque - Mercury Blues; The Roots - Phrenology; The Smiths - Rank

2nd row:

Fela Kuti - Army Arrangement; PJ Harvey - To Bring You My Love; Various - No Alternative; Tift Merritt - Tambourine; Peter Gabriel - So; Funkadelic - Maggot Brain; Bob Dylan - Blonde on Blonde

3rd row:

Sonic Youth - Dirty; R.E.M. - Losing My Religion (12″); Stevie Wonder - Music of My Mind; The Waterboys - A Pagan Place; Rufus Wainwright - Rufus Wainwright; Beck - Sea Change; Jorge Ben - Fôrça Bruta

4th row: 

U2 - War; Ray La Montagne - Gossip in the Grain; Unrest - Cath Carroll; Archers of Loaf - Curse of the Loaf; Alice in Chains - Jar of Flies; Björk - Telegram; Brian Eno - Before and After Science

5th row:

Janis Joplin - In Concert; Jeff Buckley - Grace; Simon & Garfunkel - Bookends; Madonna - Madonna; Father John Misty - God’s Favorite Customer; David Bowie - Hunky Dory; Adele - 21

6th row:

Bob Marley - Kaya; Sondre Lerche - Sondre Lerche; Erkyah Badu - New Amerykah Part Two: Return of the Ankh; Arctic Monkeys - Whatever People Say I Am, That’s What I’m Not; Van Morrison - His Band and the Street Choir; Nas - Illmatic; Dinosaur Jr - Whatever’s Cool with Me

7th row: 

Tears for Fears - Songs from the Big Chair; Spiritualized - Let It Come Down; Johnny Cash - At Folsom Prison; Suckers - Wild Smile; Frank Zappa - Apostrophe; Daryl Hall & John Oates - H2O; Solange - A Seat at the Table

8th row:

Iggy Pop - Lust for Life; Hole - Live Through This; Swans - The Seer; Tyler, the Creator - Igor; Sharon Van Etten - Tramp; Townes Van Zandt - Our Mother the Mountain; Various - Velvet Goldmine Soundtrack

9th row:

Ibeyi - Ibeyi; Nick Cave - From Her to Eternity; The Jimi Hendrix Experience - Electric Ladyland; Angel Olsen - All Mirrors; Aretha Franklin - Aretha Now; Ty Segall - Goodbye Bread; King Crimson - In the Court of the Crimson King

10th row:

Happy Mondays - Live; Liz Phair - Exile in Guyville; Radiohead - The Bends; Otis Redding - The Soul Album; Gram Parsons - Grievous Angel; Dr. John - The Lost Broadcast: Ultrasonic Studios; Fiona Apple - Tidal

11th row:

Elvis Costello - King of America; Phil Collins - Face Value; Joni Mitchell - Blue; Leonard Cohen - Songs of Leonard Cohen; Marvin Gaye - What’s Going On; De La Soul - 3 Feet High and Rising

[hexaflexageek]

Phil and Cath Tyler at the Cumberland Arms. They're among the first people met in the city after moving here who I still see from time to time. I was still really unsettled by the move. Then, six weeks after moving here, I saw a poster for a Sacred Harp singing school. Cath taught that one, upstairs in the Cumberland Arms. Shape note singing became a safe space for a while. It could be again if I started singing it again. There's always a welcome in shape note. I lived somewhat differently then. Only a few things remain the same. Including a love of music at the Cumberland. #music #livemusic #folk #folkmusic #singersongwriter #newcastle #newcastleupontyne #cumberlandarms #neengland #newcastlelifestyle #pub #bestpubintown (at Cumberland Arms, Ouseburn) https://www.instagram.com/p/B4Ie4rwAIBd/?igshid=72mjvy55wvjz

[everchangingminstrel]

21 Favorite Albums of 2018

art by John Gnorski

21 albums I enjoyed last year, in no particular order…

Listen to the playlist on Spotify

Rosali- Trouble Anyway

Headroom- Head in the Clouds

Nap Eyes- I’m Bad Now

Nathan Bowles- Plainly Mistaken

Anna & Elizabeth- The Invisible Comes To Us

Eric Chenaux- Slowly Paradise

Cath & Phil Tyler- The Ox and the Ax

Long Hots- Monday Night Raw

Lonnie Holley-MITH

Daniel Bachman- The Morning Star

David Nance Group- Peaced and Slightly Pulverized

Jess Sah Bi & Peter One- Our Garden Needs Its Flowers

Swamp Dogg- Love, Loss, and Auto-Tune

State Champion- Send Flowers

Sarah Louise- Deeper Woods

Kikagaku Moyo- Masana Temples

Mary Lattimore & Meg Baird- Ghost Forests

Elephant Micah- Genericana

Marisa Anderson- Cloud Corner

Michael Hurley- Living Ljubljana

Sarah Davachi- Let Night Come On Bells End The Day

art by Mikie Poland at Cropped Out

Shows I saw last year that ruled...

Cherry Blossoms & Crazy Doberman at Betty’s, Nashville, TN /January 14

Patti Smith on Mountain Stage, Charleston, WV / February 11

Big Ears (especially Milford Graves, Black Twig Pickers), Knoxville, TN /March 23-23

Mdou Moctar at Hill & Holler, Lewisburg, WV / May 6

Charlie Parr at Elk City Records, Charleston, WV / June 21

Rosali & Nathan Bowles at Fond Object, Nashville, TN / July 21

Daniel Bachman at Elk City Records, Charleston, WV / August 3

Ralph White at Proper Sake, Nashville, TN / August 18

Long Hots, Slut Pill, and Jake Fussell & Nathan Bowles at MESH, Charleston, WV / September 13

Cropped Out (especially Circuit Des Yeux, Engless Boogie, Michael Hurley), Louisville, KY / October 6-7

Jess Sah Bi & Peter One at The Basement, Nashville, TN / November 24

Laid Back Country Picker at Black Sheep Burritos, Huntington, WV / December 13

art by Robert Gipe at Wiley’s Last Resort

Favorite 2018 new record label...

SPINSTER!

a meme I made

Playlists of winter’s past…

20 Favorite Albums + of 2017

20 Favorite Albums of 2016

20 Favorite Albums of 2015

A Wintery Mix 2014

[rajeshahuja]

The 10 best folk albums of 2021

The 10 best folk albums of 2021

  This article titled “The 10 best folk albums of 2021” was written by Jude Rogers, for theguardian.com on Monday 20th December 2021 13.00 UTC 10. Cath and Phil Tyler – Some Heavy Hand A set of unreleased recordings and compilation tracks from the Newcastle-based couple glowing with the spirit of the best Anglo-Americana (Cath is originally from New Jersey). The arrangements on Sunshine and…

[northcountryprimitive]

The North Country Primer #4: Nick Jonah Davis, Nottingham, England

Originally published at North Country Primitive in April 2015

The fourth edition of the North Country Primer takes us closer to home to interview a man who lives a mere 70 miles away, in Nottingham, England. Nick Jonah Davis is the first, but hopefully not the last, British guitarist to feature at North Country Primitive.  Tompkins Square included him on the fourth volume of their excellent Imaginational Anthem series, and liked his music so much they released his album, Of Time and Tides . His new album, House of Dragons, has just been released in a limited vinyl edition by Shropshire's top shed-based record label, the wonderful and ever-eclectic Lancashire and Somerset - and to these humble ears, is his best offering yet.

Tell us a bit about yourself and the musical journey that took you to a place where you concluded that playing an acoustic guitar on your own was a good idea... Well...  I was a guitarist from the age of fifteen and the first solo acoustic stuff I heard was on Led Zeppelin records. That led me to Bert Jansch and Davy Graham, and from there I found that playing acoustic guitar in DADGAD was a very compelling thing to do. I did this in the background of other musical endeavours for a long time, maybe fifteen years. What I was really focused on was trying to do electronic music, with mixed-to-poor results. Then I stopped completely. Following a failed attempt to carry out CPR on a woman in a car park in 2006, I impulsively bought an acoustic I'd spotted in a junk shop to cheer myself up. Around this time, my brother gave me a Fahey album and I saw Jack Rose play: I realised that there might be a context for my acoustic playing that wasn’t just doing it for myself at home. I decided to record a few pieces in 2007, and put them on the internet to try and get some local gigs. Josh at Tompkins Square was into it and got in touch, which was absolutely improbable to me. If you’d told me when I was checking out the first Imaginational Anthem compilations that I’d have a tune on the fourth volume and be putting out an LP with Tompkins Square and playing the New York Guitar Festival, I really would not have believed you. The positive reception for the Of Time and Tides album was really pleasing. What has influenced your music and why? The most direct ‘famous guitarist’ type influences are John Fahey and Bert Jansch: to me, they represent two really important streams of excellent guitar music which will always be bubbling away. Really, though, the best influences come from the people that playing has brought me into personal contact with. C Joynes and Steve Malley aka the Horse Loom have had a huge influence on both the music I’ve made and the course I’ve taken with it. I’ve been lucky to play gigs with players that I really admire and that’s a direct influence that’s hard to quantify - just watching them up close and then also being able to say ‘How did you do x or y back there?’ Ultimately, when you set off on a particular route with the guitar, such as in this case ‘I’ll use weird tunings, play solo and try to get inside people’s heads,’ the possibilities and limitations of that approach become your core influence. I know a really disparate range of musicians who are all deeply into their thing and it’s a constant inspiration to have these people around me. What are your thoughts about being a UK based musician steeped in what could be argued is a largely American form? I suppose what draws me to the American Primitive approach to guitar is that it lets you explore ideas from a variety of musical cultures at the same time, using techniques drawn from a folk style as the basic platform. Despite the intensity of focus on American players who have done this, I don't really perceive this as wildly different to what people like Davy Graham and Bert Jansch were doing. A lot of what I dig on guitar has an American accent, a lot has a British accent, but there are a whole host of cultural reference points that weave in and out of my playing. I don't find it straightforward to play entirely within the constraints of any one tradition. What have you been up to recently? As ever, I'm always trying to get deeper into my playing - that's ongoing. We've just put out my new LP, House of Dragons, on Lancashire and Somerset Records, a lovely little label operating out of a shed in Shropshire. I’m extremely pleased with the gorgeous package they’ve put together - they are great people to deal with. I’m now halfway through the sessions for the next record. I’ve also been collaborating with my friend, the violinist Jo Cormack, on some semi-improvised electric guitar and violin music as Fains. I like her playing a lot, she can really kick an idea around without needing to be too precious about things, dropping things or picking them up according to the moment, which really works for me. What are you listening to right now, old or new? Any recommendations you’d like to share with us? Here's some random people I really like  that other people may be unaware of and are all worth investigating: Ellen Mary McGee, Raul Garcia Zarate, Kogumaza, Dead Rat Orchestra, Suzuki Junzo, Antigoni Goni, Lungfish, Cath and Phil Tyler, Alasdair Roberts, Zia Mohiuddin Dagar andForever Sound. In the fingerstyle world, two young British players who are worth checking out are Toby Hay and Jim Ghedi. The guitar nerd bit: what guitars do you play and what do you like about them? Is there anything out there you’re coveting? My main acoustic is a custom Fylde Falstaff, which I picked up recently. It's a dream instrument and has all but replaced my Martin. I play an Ermanno Pasqualato Style 3 Weissenborn guitar for lap steel, it's a sweet sounding and responsive beast. On the electric side, I have a much customised mid-90s telecaster. It sounds great - it's got a lot of attitude. For electric lap steel I have a 1948 Selmer, which is a historic and utterly beautiful instrument. C Joynes presented me with it as a surprise gift last year, and I'm still surprised. I have a bunch of other guitars and a little collection of other instruments. Coveting: I'd really like a Brook Hurdy Gurdy. There's basically an endless list though - ask my wife about it... Banjos: yes or no? Absolutely yes. I have one that I like to fiddle around with from time to time. Anyone who says they don't like banjos needs to listen to records by Shirley Collins, Nathan Bowles, Paul Metzger and Phil Tyler to ensure that they have an informed perspective on the situation. What are you planning to do next? I'm planning to finish my next solo guitar album. Jo and I are talking about doing a Fains record. C Joynes and I have a split electric LP that's at the mastering stage. Other collaborations are possibly bubbling up. I'll just keep playing, see what happens. I keep a fairly open mind - it seems to help... What should we have asked you and didn't? If you find out, let me know.

You can download Nick's music from his Bandcamp page, here. 

[continuummicroblog]

Cath & Phil Tyler – The Two Sisters (Official Video)

Superbe, duo guitare voix anglo-américain, ici filmé en prise directe dans les bois

https://www.youtube.com/watch?v=kuwyur5DAoU

[crushingdeath]

CATH & PHIL TYLER + TOM COLBORN - matinee show

Sat 3rd Nov @ The Blue Moon, Norfolk St Doors 3pm, £6 adv (+ b.f.) from here

CATH & PHIL TYLER

Now semi-regular visitors to Cambridge, Anglo-American duo Cath & Phil Tyler return again for an afternoon of raw, unpretentious interpretations of folk songs from both sides of the Atlantic. Stripping back tunes to simple arrangements of just guitar or banjo and voice, with the occasional fiddle, Cath & Phil bring fresh and relevant life to old works with a sincere clarity and honest intent. Their backgrounds in punk bands in Tyneside and New England, and more recent history of organising Sacred Harp singing sessions, are reflected in forceful, emotive renditions of living music devoid of tweeness or grandiosity. Latest album, ‘The Ox and the Ax’, is their strongest to date - simple, unadorned, and powerful as its title would suggest.

http://cathandphiltyler.tumblr.com/

TOM COLBORN

Tom Colborn’s downfall was Charlie Patton. Having succumbed to a volatile cocktail of youthful idealism and country-blues, over the last decade Tom has made a name for himself as a powerhouse of the idiom, embracing ragtime and delta slide in a hair-raisingly visceral mixture of originals and guitar solos with unearthed covers of the unsung and arcane.

http://www.tomcolborn.com/ 

[fiveminguses]

Listen/purchase: Rained a Mist by Cath & Phil Tyler

[crowfootrecords]

Cath & Phil Tyler - ‘The Ox and the Ax’ LP CF002

Along with our friends at Thread Recordings, we are delighted to bring you the acclaimed new album by Cath & Phil Tyler.

fROOTS ★★★★★ MOJO ★★★★ SONGLINES ★★★★ UNCUT ★★★★

'The Ox and the Ax' is available as an LP and download. Buy the LP Buy the download

Cath and Phil Tyler play Anglo-American folk music using guitar, banjo, voice and fiddle. Cath was a member of the band Cordelia’s Dad when she lived in Massachusetts, USA, in the 1990s. Phil, from Newcastle upon Tyne, has played in various folk, rock and ceilidh bands for many years. Coming together musically through a shared love of traditional narrative song, Sacred Harp singing and sparse mountain banjo, they have performed on stages as diverse as the Royal Opera House in London, and Morden Tower on the old city walls of Newcastle. 'The Ox and the Ax' is Cath and Phil Tyler's third album, and their first in over eight years.

Artwork by David Hand

Produced and digitally mastered by Phil Begg at ICMuS Mastered for vinyl by Peter Fletcher at Black Bay Studio

[brawmusic]

Braw Gigs: Cath & Phil Tyler / dbh / Sandy Milroy @ The Waverley, 24th March!

Cath & Phil Tyler play Anglo-American folk music using guitar, banjo, voice and fiddle. Cath was a member of the band Cordelia’s Dad when she lived in Massachusetts, USA, in the 1990s. Phil, from Newcastle upon Tyne, has played in various folk, rock and ceilidh bands for many years. Coming together musically through a shared love of traditional narrative song, Sacred Harp singing and sparse mountain banjo, they have performed on stages as diverse as the Royal Opera House in London, and Morden Tower on the old city walls of Newcastle. Cath and Phil's third album, The Ox and the Ax, their first in over eight years, will be released on 30 March, 2018.

dbh is Daniel Bridgwood-Hill, a composer, guitarist and multi-instrumentalist based in Manchester, UK. For a long time he has had a hand in an inordinate amount of the great music emerging from Manchester’s music scene, as guitarist of NASDAQ and the FTSE 100, and playing all manner of instruments with Kiran Leonard and Irma Vep, to name but two. Most recently he has been playing live with New York singer-songwriter, Julie Byrne. dbh has released three albums of solo instrumentals to date: Mass (Thread Recordings, 2017); Mood (Thread Recordings, 2015); and Time Flies (Crowfoot Records, 2013). He was also featured on the seventh volume of Tompkins Square's guitar compilation series, Imaginational Anthem.

Local support will come from Sandy Milroy of Shareholder and Bar Auro. He'll be opening the night with a new solo set of electric guitar led ditties - both instrumental and with vocals - and perhaps some old favourites too.

7.30pm, March 24th. £5 on the door (limited space) Upstairs at the Waverley Bar, St. Mary’s Street, Edinburgh.

[welcomethevisitor]

230517

Two hours of underground music from Cambridge and beyond. Slowdive - Star Roving Jake Xerxes Fussell - Have You Ever Seen Peaches Growing on a Sweet Potato Vine Cath & Phil Tyler - 1000 Years Martin Green - I Saw The Dead Stephanie Hladowski & C Joynes - The Wild Wild Berry James Blackshaw - Cross Steve R Smith - Cities In Decline The Inward Circle - The Soul Subsisting Miwon - Shutter (Windmill Version) Actress - Fantasynth CHXFX - Gutrwk Well Hung Game - Aches Atariame - Sweet Taste of Being Acceptance Joni Void - Observer (Natalie’s Song) James Ferraro - Headlines (Across Hollywood) Joshua Abrams & Natural Information Society - 2128 1/2 Dans Les Arbres - Sciure Do Make Say Think - Her Eyes on the Horizon Glacial - On Norfolk Street Download here.

[duanenasis]

Friends and fellow Sacred Harp singers.