Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.
Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.
So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.
In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.
Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.
It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.
Unfortunately, levity alone does not alter reality.
A bit tired of people complaining about Sanji's principle of "not hitting women" being misogynistic when it has been clearly stated multiple times that he does not choose it and it's heavily tied to his trauma and admiration for his dad and respect for women and definitely not from seeing women as somehow weaker than him
One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
The more I learn about Civil War politics, the more I'm convinced that Lincoln's most impressive and useful leadership trait was that he never let his pride get in the way of doing his job.
Other people in Lincoln's position would have come to Washington with something to prove. They'd have resented the insults and tried to disprove them. They'd have tried to seize power and credit, rejected help, spent a lot of time trying to reach a certain level of respect.
Lincoln's response to, "You're just a backwoods lawyer with no executive experience who makes too many dumb jokes," was pretty much always, "Yeah. And?" He had no interest in petty personal power plays. He had a country to run. There was a war on. It didn't matter what people thought of him so long as the job got done.
He was aware of his personal shortcomings and was always willing to accept advice and help from people who had more knowledge and experience in certain areas. He presided over a chaotic Cabinet full of abrasive personalities who thought they were better and smarter than him, but he kept working with them because they could get the job done. For example: Stanton was absolutely horrible to him when they were both working as lawyers. Just incredibly mean on a personal level. But when Lincoln needed someone to replace Cameron, he swallowed his pride and appointed Stanton as Secretary of War, where Stanton proceeded to be mean to everyone in the world, but he whipped that department into shape and kept it running efficiently through a very chaotic war. Pretty much no one except Lincoln would have been able to put up with that. He could put up with people who were personally difficult if they could do the job he needed them to do--which he was only able to do because his own ego didn't get in the way.
Lincoln's example is a prime demonstration of how humility isn't underrating yourself--it's being so secure in your own abilities and identity that you don't need to attack anyone or defend yourself to prove your worth. He knew his shortcomings, but he also knew his strengths. He was willing to give other people credit for successes and take blame upon himself for failures if it kept things running smoothly. He was secure enough in his own power that he could deal generously--but firmly--with people who tried to undermine him. In a city full of huge egos, in a profession that rewards puffed-up pride, that levelheaded humility is an extremely rare trait--which is what made it so impressive and effective.
Come on, Mechi. Six days isn't thaaat bad. What could possibly go wrong in just six measly little days?
... Oh.
Oh!!
That bitch!!!
Mechi does not take kindly to people being rough with his precious mechanoids, and if Katrin had survived long enough for capture, he might have even started down a path similar to the torture-ridden track that The Children of Ecthuctu walked...
As it stands, he got her in one shot and left her for the void. Goodbye, Katrin. A swift death was too kind for you. Luckily Rocket can be brought back, but Mechi probably hates people that teensy bit more now.
Why do I feel like if I had to choose and enemies to lovers plot with Galadriel (Since Celeborn isn't here yet) I would choose Adar as the love interest over Sauron?
Genuinely admiring how knives fights vash in tristamp episode 12 he’s so clumsy and uncoordinated and feral he seems like he should be running on all fours like a feral beast snarling and spitting and everything
I will never get over the Suyin playing cupid trope and if you can't either than you should go read chapter 11 of A United Front
Still not convinced here's an excerpt of Lin and Kya rizzing each other up
I've posted about 1/2 of the complete story on AO3 now and I think yall deserve a special shout out your comments and theories are so inspiring and I hope I can post the rest of it soon. I'm up to 90K words now and I PROMISE those of you waiting for angst, it is coming.
But for now, enjoy these two awkward gays trying to flirt with each other
“Lin call me crazy but I think you enjoyed yourself, even if you did slip a bit of work in at the end.”
“Having someone to fight other than my sister helped.” Lin said plainly.
“I see,” Kya said, “so in summary, you like having me around.”
Lin watched her family walk inside, busied by their own chatter and reflections of the evening. Suyin offered pointers and Bataar offered his excitement and encouragement.
When they were inside, she turned back to Kya, who was watching her a little too intently.
The sky had darkened significantly, Lin hadn't noticed before, but the stars were out. The sky wasn't quite black, but rather a stark shade of navy. The moon was almost full, a few more days and the fox-wolves would be audible from inside the dome.
“Maybe I do,” Lin replied. “Would that be so bad?”
Kya seemed surprised, looking from Lin, to the house, to the sky before her eyes landed back on her.
Lin's stomach tumulted in nervousness, or excitement, or both.
You're not exactly subtle.
Suyin was right, she wasn't subtle. She never had been. When she was angry she made it obvious. When she was frustrated she was expressive. She had held a grudge for twenty years because of how un-subtle she was.
“Not at all,” Kya answered, her eyes darting back and forth with nervousness.
There was a knock on the glass, so Lin looked to see her niece waving her over.
“That can't be good,” Lin said, looking back to Kya.
“Always the pessimist.” Kya laughed, brushing past her. Her shoulder nearly made Lin stumble with the impact. Kya's face turned at just the right angle that Lin could see a grin form when she thought Lin couldn't see.
Lin sighed contently before following the others inside.
She watched Kya in front of her, hoping the waterbender wouldn't turn around and catch her smile.
look at all this AMAZING art i received for Art Fight this year!!!! 😭💖💖💖 i am so, so happy - thank you all so much for drawing my silly little OCs 🥺✨
credit to @/soyuzms, @lyra1584, @barnables, @henarikat, @toymakerfan05, @nb-n0v4, @starlingharley, @starbow-dreams, @/CrowFeathers, @ghoullerr, @/viski, @minareee3, @the-1-foxy, @fandovers, and @/crowlychaos 🥰
go give these awesome artists a follow - the names on the art are their Art Fight handles!! 🔥 and for the lovely artists themselves - prepare yourself. i fully intend to revenge every single one of you in due course…Art Fight being over doesn't mean you're safe 😉
re:kinder goofy (for the most part) doodle dump !!! last two are from. five months ago when i was barely starting to draw these characters but i found them amusing 😊 enjoy snacks
pokeani moments that exist purely to make Me miserable:
the line where they call ash's oshawott a throwaway pokemon in the unova league so they're just flat out saying they think it's a worthless pokemon
to thine own pokemon be true (extra angst points for me bc ambipom was my second favorite on the team at the time)
the granddaughter of the guy who trains gliscor calling gliscor pathetic and weak to her face despite gliscor being an extremely sensitive pokemon
pretty much everything about that gible
blue episode (favorite color but they made it a fetish somehow and also dewott and brionne and meowstic are all there and its so bad)
boxing heracross immediately. also that battle frontier episode where it's literally the only returning ash mon (barring torkoal i think but i dont count it bc its native to AG) to get humiliated onscreen
pidgeot returning but gliscor didn't even show up in the miniseries despite being an Actual Character
Will Dipper always have almost no magic of his own, even after being reincarnated? He obviously has a talent for life magic but he can’t really train to get better at it, because he’s using Bill’s magic for it (and we know the latter hates it lol). I just don’t want my guy to be sad and miserable forever🥺 He deserves to become a cool and independent magician! And prove his bullies wrong once and for all!
A reincarnation of Dipper could definitely have more magic of his own! And as clever as he is, there's a bright future ahead of him. Perhaps even one where he's excellent at life magic and healing, and getting a little cocky about his own talents.
Bill, of course, upsets all the plans he had for his life. Again.
The good news is that it's a life where Dipper could use more life magic. Theoretically. The problem there is going to be hashing out how he can use it once they're bonded again.
Mass Effect: Andromeda - That time where Sara Ryder became an adopted mom to a Fiend 🤔🤣😉
This is the Elaaden mission where you're supposed to "tame" a Fiend by setting a smoke lure. It draws a Fiend and you fight it but instead of it dying, it's supposed to sit down by the smoke and ignore you after that. This Fiend, though, really wanted some Pathfinder skritchies and cuddles and followed Sara all of the way back to the NOMAD.
And then... Okay, please imagine the hysterical laughter I gave at the NOMAD part. You've got to see that for yourself, lol!
Sorry, as usual, for the lack of nice editing. This is the raw footage since I still have no Vegas to work with. I initially just wanted to capture how the Fiend was weirdly following Sara around and then it became one of my favorite moments so far in my over 600 hours in this game! 😍🤣
I seriously wish Sara could've kept her Fiend pal and brought him back to the Tempest to hang out in her quarters with her hamster and Pyjak, lol!
I love Vetra at the end of that clip, commenting about the crazy rock formations as if we hadn't just had a FIEND sitting on top of the NOMAD, lol! 🤣🤣🤣