#conclusion and final thoughts

[fairmaiden8]

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[voltaical-art]

im in agony. a little self indulgent but I think wyll deserves to be told he's loved and have a small breakdown about it

[pokeberry5]

thug beatdown round 2: electric boogaloo

(extras, cw flashing gif:)

alt:

the fit:

[lucabyte]

thinking about the very specific reading of isat i had during act 3 for the most part

anyway yeah ill ramble here about this. since it actually explains my headcanons for what the disappearing island wish was

disclaimer: taken as a whole this is way too allegorical for what i'd consider a holistic reading of isat, but it was part of my running theories at the time.

anyway my guess for the real-world equivalent of the island ended up being French Polynesia by the end of the game. I had initially thrown a dart at siffrin being greek wrt europe, sisyphus allusion, enjoyment of plays and seafairing-- but the moment that little guy started getting real weird about stars and specified they were from an island i switched my guess to him being polynesian. And then that reading only really strengthened from there (and i was pretty close, tbf!)

but yeah during act 3, especially the king plotline, i started thinking about the themes of cultural erasure + lack of identity that the game has and how that plays wrt vaugarde's extremely welcoming and diverse nature.

reading far too much into it but it made me wonder if they are the results of a fallen empire of some kind. somewhere that gathered people from across the globe (as empires are known to do) before dissolving into what seems to be a localised theocracy of some kind?

like. vaugarde is basically the Good End for an empire. Fully demilitarised (they barely have use for police to the point where the defenders are surprised by burglaries, and almost CERTAINLY have zero army), extremely diverse, not caring where one comes from.

(either that or they've been a socialist utopia like, forever? and thus just aquired migrants perpetually... but ka bue is characterised as harsher by odile in a lot of respects so one can assume its not that the whole planet is Niceys All The Time.)

this lines up pretty well with the um. Whole France Thing. Boy do they own a lot of islands still that they maybe shouldn't. Also lines up with bonnie's word-of-god french creole dialect. So Vaugarde as the welcoming, ideal form of former-colonialiser-nation is like. one i vibe with if we're gonna read too hard into the worldbuilding as presented.

Anyway all this to say I did for a time wonder if the Northern Island wish was 'For The Island To Be Safe'. Assuming this world to have any level of inter-country conflict-- Wish craft is powerful stuff, and a singular island might not be able to defend itself against those seeking to take it by force. Hiding the island from the world would protect it.

... though that felt like an unusually cruel read. The implication that cloistering away like that is a 'valid' strategy for a culture to be safe (albeit with the splash damage of hurting any diaspora).

Plus, wish craft is superbly powerful, with evidently its use on the island only becoming more widespread after it was discovered how to make it work Consistently.

(i work here under the assumption that Siffrin's growing cloak is imbued with wish craft, assumedly the same as the king's armour? Since there's no way that was created at that scale...)

So it almost makes more sense, to me, for the wish to be to 'Protect The World (universe) From Us' or to 'Keep The Universe Safe'.

Wish craft being so second nature to the Islanders (See: Siffrin, favour tree), that a wish that breaks the universe is almost inevitable were the knowledge to become widespread and ingrained.

This too is an oddly cruel read, that a culture's rituals can be dangerous to that degree, but ... ? Dunno. Like I said, reading it as hard allegory makes it fall apart somewhat. Symbols can mean many different things at once until you flatten them for direct analysis like this. I don't think it's quite so 1-to-1, and it's honestly slightly too 'no story only lore' for my tastes, so I did push a lot of this stuff out of my analytical mind once I started getting to the back and of act 3 and into act 4.

Anyway. Not the most coherent explanation in the world, but still some thoughts I had mid-game that i figure i should put somewhere at least, even if I don't think they are really what the game is going for.

As a bonus, the discussions on what the island wish were in this context also lead my friend @samhainian to speculation on the colour wish that i really enjoy. Which is....

The wish that removed colour from humans perception of the world being something along the lines of:

"I wish the world was simpler"

ergo, removing colour as an invocation of Nuiance VS Black and White Morality. The world is simpler, easier to understand.

I think it's a fun headcanon! I like it.

Well anyway. A work is more than the sum of its parts and dissecting something so sloppily as this often does it a disservice. So don't take my theorising as anything more than a general rundown of where my head was at mid-game before i had all the pieces. The emotional core of the story is far more where it's at for ISAT sooooo. [Shrugs and scampers away]

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[liliumofthevalleyy]

THIS PANEL HURTS ME TO THIS DAY.

So upset the anime left it out, too. Just the first third (quarter?) of the panel explains a lot about William's guilt and how much the Final Problem was visibly weighing on him.

[marimeeko]

If we are really getting the Quirkless Izuku ending, once again manifesting that we get some form of Katsuki wanting Izuku to be his Hero partner or something in the future, despite him being Quirkless

Including some form of the convo of Izuku saying, "but Kacchan I'm Quirkless, I can't be your Hero partner" and Katsuki basically telling him he IS a hero with or without a Quirk

Bonus points of Katsuki calls Izuku HIS hero.

The story would have started out with Katsuki telling Izuku there was no way he'd ever be a hero without a Quirk and pushing him down

And ends with Katsuki telling Izuku that his heroism has nothing to do with his Quirk(or lack thereof) and everything to do with HIM, and picking Izuku up.

Idk if that is what hori will go for but it would be neat 🤷‍♀️

[clfixationstation]

he is freedom incarnate, and freedom must be tempered, tempered by life itself and by love

It's so fascintating to me how Armin and Mikasa are like push and pull to Eren; Armin pushing Eren forward to "freedom" with their dream, Mikasa pulling Eren back to the home they lost with her dream

Is Armin then the (albeit unintentional) "bad" influence within the framework of the story, as the "freedom" Eren sought in Armin's eyes resulted in the annihilation of 80% of humanity? And Mikasa the "good" influence, trying to pull him back to the good times they lost? But there's only pain there, because Eren cannot be content in that life...

[cadriox]

To confess, I’m not great at drawing eren.

Despite the amount of times I had drawn him, I still don’t fully get him. It could be that I’m too dumb or too much of a casual fan for deep analysis, but AOT has failed to conclude his character for me.

To me Eren is a deeply traumatized individual who failed to mature. He’s a self-righteous man child. But there’s also some ancient evil yadayada messing with his head that isayama couldn’t clear up it up for me, so at this point I still don’t know why eren committed rumbling.

Interestingly, this shows in my art HAHA.

Most of my eremin art is seen from armin’s POV, eren remains either a mystery or partially seen. Eren from Armin’s POV works better in my drawings bc he’s an incomplete character, a huge mystery even, he makes no sense to me sometimes, but above all he’s a symbol of doom and rage.

(“POV” is rather vague in illustrations esp when a lot of them can be objective. To me POV applies when the drawing leans toward one character’s bias, feelings, and how they see things.)

Here’s an example of Eren from Armin’s POV:

Altho one thing I understand for sure is his relationship with armin, the way he idolizes and adores him, putting him on the pedestrian (and doom him in the process)

My Eren’s POV art:

[demodraws0606]

I don't talk about serious stuff like this usually but I do wanna say something since I primarly watch cc!BBH's POV on the QSMP.

His entire response to the grooming allegations while disappointing and definitely stressful, is not something that will stop me from engaging in his content (of course unless the situation escalates to a certain level).

As much as I wish Dream would just shut his trap and people would just turn his back on him already, it's not fair or realistic to expect people who have been friends with him for years to just stop believing him.

It's just an unfortunate shitty situation but I'd rather target my frustration towards the groomer rather than the potential friends he lied to.

It also is made infinitly worse by the fact that people like BBH and others (Sapnap, Skeppy, etc...) have been hit with actual fake allegations which ends up muddying the waters even more.

[mischiefbuckley]

I just saw the Eddie and Buck clip like WHY RELEASE THAT SPECIFIC CLIP PRIOR TO THE FINALE??? Eddie time and time again has always relied on Buck and Buck supports him and is always there for him and his son no matter what and even with Christopher not wanting to talk to Eddie at the present moment, Eddie goes off about what happened to Buck regarding the whole Kim situation and Christopher and Marisol walking in on him and then Buck being Buck goes and tells Eddie, “okay, okay, I’m here. What can I do?” and for Eddie to respond with “What you always do. Just talk to him.” like Eddie is providing a way for his son to talk to someone else given the complexity of the ongoing situation and also for him to always feel comfortable and vulnerable enough with Buck

[primus-why]

I really love the headcanon that, to tfa warbuilds, challenging an authority figure can also be seen as flirting.

I especially love to imagine Optimus' crew having to temporarily team up with Megatron to take down a threat, and as the leaders continue to butt heads over tactics/protocol, all the 'Bots are like "omg so scary poor Optimus 😣" while the 'Cons are like "omg get a room already 🙄"

[fabuloustrash05]

It’s finally time…

The finale chapter of Courting a Salamandrian will be out this weekend.

[skrunksthatwunk]

kiryu lied to ichiban about proposing bc he's a silly guy but also consider:

based on comments from this post:

+ bonus

[immobiliter]

so i'm just about to start penacony ( me wanting to get caught up with the main storyline before i tackle side content ) but so far it's all about the girlies with short hair apparently lmao

[velvetjune]

technically alan wake 2 final draft (spoilers ahead) is a Happy ending for the characters, but the spiral writers room video calling his enlightened self a possible demiurge or demon unsettled me far more than the original ending. that version, by his nature, already existing and overlapping with past loops, influencing and manipulating things without known reasons (to us and the Alan we play). it really makes that Alan out to be something else entirely through ascension and that this is inevitable. this could partially be because I kept seeing people say that the final draft was the happy end with a happy resolution for everyone, but I can’t stop thinking about what this means for Alan—and Alice!—going forward. That, along with the direct parallels to Yötön Yö playing out. It’s SO much to unpack