#cse future

[mkcecollege]

Data Science and Engineering Driving industry Innovations

The integration of data science and engineering is revolutionizing industries, enabling smarter decision-making, process optimization, and predictive capabilities. At M.Kumaraswamy College of Engineering (MKCE), students are equipped to harness data science to solve complex challenges and drive innovation. By combining theoretical knowledge with practical applications, MKCE prepares students to optimize processes in manufacturing, healthcare, transportation, energy, and urban planning. The curriculum includes courses on machine learning, big data analytics, and programming, alongside hands-on projects and internships. MKCE’s focus on industry collaborations ensures students stay ahead of emerging trends like AI, IoT, and digital twins. This interdisciplinary approach empowers students to lead in data-driven industries and shape the future of engineering.

To Know More : https://mkce.ac.in/blog/data-science-and-engineering-driving-innovation-across-industries/

[bigleapblog]

Your Guide to B.Tech in Computer Science & Engineering Colleges

In today's technology-driven world, pursuing a B.Tech in Computer Science and Engineering (CSE) has become a popular choice among students aspiring for a bright future. The demand for skilled professionals in areas like Artificial Intelligence, Machine Learning, Data Science, and Cloud Computing has made computer science engineering colleges crucial in shaping tomorrow's innovators. Saraswati College of Engineering (SCOE), a leader in engineering education, provides students with a perfect platform to build a successful career in this evolving field.

Whether you're passionate about coding, software development, or the latest advancements in AI, pursuing a B.Tech in Computer Science and Engineering at SCOE can open doors to endless opportunities.

Why Choose B.Tech in Computer Science and Engineering?

Choosing a B.Tech in Computer Science and Engineering isn't just about learning to code; it's about mastering problem-solving, logical thinking, and the ability to work with cutting-edge technologies. The course offers a robust foundation that combines theoretical knowledge with practical skills, enabling students to excel in the tech industry.

At SCOE, the computer science engineering courses are designed to meet industry standards and keep up with the rapidly evolving tech landscape. With its AICTE Approved, NAAC Accredited With Grade-"A+" credentials, the college provides quality education in a nurturing environment. SCOE's curriculum goes beyond textbooks, focusing on hands-on learning through projects, labs, workshops, and internships. This approach ensures that students graduate not only with a degree but with the skills needed to thrive in their careers.

The Role of Computer Science Engineering Colleges in Career Development

The role of computer science engineering colleges like SCOE is not limited to classroom teaching. These institutions play a crucial role in shaping students' futures by providing the necessary infrastructure, faculty expertise, and placement opportunities. SCOE, established in 2004, is recognized as one of the top engineering colleges in Navi Mumbai. It boasts a strong placement record, with companies like Goldman Sachs, Cisco, and Microsoft offering lucrative job opportunities to its graduates.

The computer science engineering courses at SCOE are structured to provide a blend of technical and soft skills. From the basics of computer programming to advanced topics like Artificial Intelligence and Data Science, students at SCOE are trained to be industry-ready. The faculty at SCOE comprises experienced professionals who not only impart theoretical knowledge but also mentor students for real-world challenges.

Highlights of the B.Tech in Computer Science and Engineering Program at SCOE

Comprehensive Curriculum: The B.Tech in Computer Science and Engineering program at SCOE covers all major areas, including programming languages, algorithms, data structures, computer networks, operating systems, AI, and Machine Learning. This ensures that students receive a well-rounded education, preparing them for various roles in the tech industry.

Industry-Relevant Learning: SCOE’s focus is on creating professionals who can immediately contribute to the tech industry. The college regularly collaborates with industry leaders to update its curriculum, ensuring students learn the latest technologies and trends in computer science engineering.

State-of-the-Art Infrastructure: SCOE is equipped with modern laboratories, computer centers, and research facilities, providing students with the tools they need to gain practical experience. The institution’s infrastructure fosters innovation, helping students work on cutting-edge projects and ideas during their B.Tech in Computer Science and Engineering.

Practical Exposure: One of the key benefits of studying at SCOE is the emphasis on practical learning. Students participate in hands-on projects, internships, and industry visits, giving them real-world exposure to how technology is applied in various sectors.

Placement Support: SCOE has a dedicated placement cell that works tirelessly to ensure students secure internships and job offers from top companies. The B.Tech in Computer Science and Engineering program boasts a strong placement record, with top tech companies visiting the campus every year. The highest on-campus placement offer for the academic year 2022-23 was an impressive 22 LPA from Goldman Sachs, reflecting the college’s commitment to student success.

Personal Growth: Beyond academics, SCOE encourages students to participate in extracurricular activities, coding competitions, and tech fests. These activities enhance their learning experience, promote teamwork, and help students build a well-rounded personality that is essential in today’s competitive job market.

What Makes SCOE Stand Out?

With so many computer science engineering colleges to choose from, why should you consider SCOE for your B.Tech in Computer Science and Engineering? Here are a few factors that make SCOE a top choice for students:

Experienced Faculty: SCOE prides itself on having a team of highly qualified and experienced faculty members. The faculty’s approach to teaching is both theoretical and practical, ensuring students are equipped to tackle real-world challenges.

Strong Industry Connections: The college maintains strong relationships with leading tech companies, ensuring that students have access to internship opportunities and campus recruitment drives. This gives SCOE graduates a competitive edge in the job market.

Holistic Development: SCOE believes in the holistic development of students. In addition to academic learning, the college offers opportunities for personal growth through various student clubs, sports activities, and cultural events.

Supportive Learning Environment: SCOE provides a nurturing environment where students can focus on their academic and personal growth. The campus is equipped with modern facilities, including spacious classrooms, labs, a library, and a recreation center.

Career Opportunities After B.Tech in Computer Science and Engineering from SCOE

Graduates with a B.Tech in Computer Science and Engineering from SCOE are well-prepared to take on various roles in the tech industry. Some of the most common career paths for CSE graduates include:

Software Engineer: Developing software applications, web development, and mobile app development are some of the key responsibilities of software engineers. This role requires strong programming skills and a deep understanding of software design.

Data Scientist: With the rise of big data, data scientists are in high demand. CSE graduates with knowledge of data science can work on data analysis, machine learning models, and predictive analytics.

AI Engineer: Artificial Intelligence is revolutionizing various industries, and AI engineers are at the forefront of this change. SCOE’s curriculum includes AI and Machine Learning, preparing students for roles in this cutting-edge field.

System Administrator: Maintaining and managing computer systems and networks is a crucial role in any organization. CSE graduates can work as system administrators, ensuring the smooth functioning of IT infrastructure.

Cybersecurity Specialist: With the growing threat of cyberattacks, cybersecurity specialists are essential in protecting an organization’s digital assets. CSE graduates can pursue careers in cybersecurity, safeguarding sensitive information from hackers.

Conclusion: Why B.Tech in Computer Science and Engineering at SCOE is the Right Choice

Choosing the right college is crucial for a successful career in B.Tech in Computer Science and Engineering. Saraswati College of Engineering (SCOE) stands out as one of the best computer science engineering colleges in Navi Mumbai. With its industry-aligned curriculum, state-of-the-art infrastructure, and excellent placement record, SCOE offers students the perfect environment to build a successful career in computer science.

Whether you're interested in AI, data science, software development, or any other field in computer science, SCOE provides the knowledge, skills, and opportunities you need to succeed. With a strong focus on hands-on learning and personal growth, SCOE ensures that students graduate not only as engineers but as professionals ready to take on the challenges of the tech world.

If you're ready to embark on an exciting journey in the world of technology, consider pursuing your B.Tech in Computer Science and Engineering at SCOE—a college where your future takes shape.

[wasabipig]

ordered customized pcs of ptn hehehe

[classroomlearning]

BTech CSE: Your Gateway to High-Demand Tech Careers

Apply now for admission and avail the Early Bird Offer

In the digital age, a BTech in Computer Science & Engineering (CSE) is one of the most sought-after degrees, offering unmatched career opportunities across industries. From software development to artificial intelligence, the possibilities are endless for CSE graduates.

Top Job Opportunities for BTech CSE Graduates

Software Developer: Design and develop innovative applications and systems.

Data Scientist: Analyze big data to drive business decisions.

Cybersecurity Analyst: Safeguard organizations from digital threats.

AI/ML Engineer: Lead the way in artificial intelligence and machine learning.

Cloud Architect: Build and maintain cloud-based infrastructure for global organizations.

Why Choose Brainware University for BTech CSE?

Brainware University provides a cutting-edge curriculum, hands-on training, and access to industry-leading tools. Our dedicated placement cell ensures you’re job-ready, connecting you with top recruiters in tech.

👉 Early Bird Offer: Don’t wait! Enroll now and take the first step toward a high-paying, future-ready career in CSE.

Your journey to becoming a tech leader starts here!

[iimtgroup1234]

Career and Future in B.Tech CSE

If you are looking for a cutting-edge career, the Career and Future in B.Tech CSE provides the highest caliber of creativity, engineering, and computer science. This field has expanded significantly over the last few years, and prevailing predictions indicate that it will continue to grow quickly shortly.

Read more:

[krstseo]

The Best Career Options After Computer Science Engineering

https://krct.ac.in/blog/2024/06/04/the-best-career-options-after-computer-science-engineering/

As a graduate with a degree in Computer Science Engineering, you are stepping into a world brimming with opportunities. The rapid evolution of technology and the expanding digital landscape means that your skills are in high demand across various industries. Whether you are passionate about software development, artificial intelligence, cybersecurity, there is a career suitable to your interests and strengths. In this blog, let us explore some of the best career options after Computer Science Engineering degree.

[sirtbhopal]

Admission open at SIRT Bhopal

We are pleased to announce that the academic year 2024-25 admissions are now open at SIRT Bhopal. Establish your career with Future Technology at SIRT…💫 College life: the perfect blend of hard work, fun, and unforgettable memories.💫

Apply Now: https://www.sirtbhopal.ac.in/admissions

[algoworks]

Dive into the Future of Tech and Innovation at CES 2024! Explore groundbreaking advancements, revolutionary gadgets, and game-changing technologies shaping tomorrow's world.

Don't miss out on the ultimate glimpse into the future!

[propicsmedia]

Vancouver Canucks Past Present and Future #Vancouver #Canucks #VancouverCanucks #CanucksNation #NHL #AbbotdfordCanucks #CanucksHockey #CSE #CanucksSportsandEntertainment #VancouverHockey #NHLTeams #Hockeyfans #Canuckswin #CanucksStanleyCup #Canucksplayers #CanucksNHLTeam #nationalhockeyleague #Icehockey #CanadianHockey #StanleyCup #StanleyCup2024 #CupContenders #Canucksplayoffs #CanucksWIN2024 #CanucksTeam #VancouverCanucksTeam #hockeyskills #hockeylegends #canuckshistory #canucksfuture #KaryMovers #VancouverMovers #ProPicsCanadaMedia

[dronacharyagroupofinstitutions]

“NPTEL Motivated Learner and Believer” .

Congratulations Nitika Yadav, student of Dronacharya Group of Institutions, Greater Noida for being recognized as “NPTEL Motivated Learner and Believer” . We wish you the Best of Luck for all future endeavors.

[marquainequeen]

Recently had the opportunity to make art for the Anti-Valentine, A Bakudeku CSE in the Philippines! I couldn’t be there unfortunately, but I’m happy to see that the CSE was a big success 🥺🥺🥺

Hopefully I can attend a future BKDK event in the future 🫢🫢🫢

[possiblyunhinged]

The men who just discovered the word "whataboutery" are going to be real upset about this one...

Hi, just wanted to swing by and drop some actual facts into the conversation about child sexual exploitation (CSE). Let’s talk about the 2020 Home Office report, commissioned by the Tories themselves.

And guess what it found?

Most offenders were WHITE, BRITISH MEN.

Yes, I’m looking at the disingenuous nonsense spreading across the internet from people who claim to “care about violence against women and children” but can’t be bothered to understand the actual stats.

1 in 4 women in the UK will experience sexual assault. 1 in 10 children in the UK will experience sexual violence.

No political party has done enough to tackle the scale of abuse in this country. And as a society, we fail every single day to give a shit about what children experience in the UK—whether that’s abuse or poverty. It’s not just the government’s ineptitude showing indifference to their suffering. It’s us as a society.

I want a full, national report on the issue. But I also want the government to actually do something to protect children—all children. Children at risk of abuse. Children in poverty. Children whose futures are bleak because both the government and society have abandoned them.

Labour’s plans to make it a criminal offence to fail to report child sexual abuse? Important. Classifying grooming as an aggravating factor in sentencing? Also important. But how are these actions preventing children from getting hurt in the first place? Our infrastructure fails to protect them, miserably and cruelly.

And while we’re here, let me ask the men shouting about “Labour cover-ups” and claiming this is a “migrant issue”: where is your concern for sexual violence as a whole? If protecting women and children is so virtuous, surely you’re also fighting for radical reform of the UK’s rape laws? Surely, you’re outraged by the shockingly low conviction rates? Surely, you care that the MET said violence against women should be treated with the same severity as terrorism? Surely, you listen to women and children—even when you don’t like them or the man they’re accusing?

No? Didn’t think so. The complete lack of knowledge about the scope of the issue, combined with regurgitating whatever Musk and Co spat into your mouth without a second thought, is just embarrassing.

My anger isn’t at people who are upset about child abuse. Although I’m sure some genius will frame this as a “leftie attempt” to excuse Labour. Whatever Musk tells you, baby. Don’t let facts get in the way of your fragile sense of belonging.

My anger is at the disingenuous, racist nonsense that turns this into a “migrant problem” when it’s not. And that rhetoric won’t solve anything. The issue of child abuse in the UK is so much bigger than that, with so many more systemic failures that I don’t even know how a country reckons with its indifference to the suffering of children.

Was race a factor in the failures to act in some cases? Yes. The Jay Report showed that officials feared being called racist, and that fear caused harm. But let’s not forget that his is a home-grown crisis, fuelled by decades of cultural and political neglect.

So, let me remind you... 1 in 10 children. 1 in 10 children. 1 in 10 children.

This isn’t a new problem. This isn’t rare. And the amount of disingenuous BOLLOCKS in the media and online about this is maddening.

Britain doesn’t care about its children. Whether they’re being abused, living in poverty, or going hungry, this country turns a blind eye. And the fact that so many people care more about framing this as a migrant issue, than about actually facing some harsh realities, tells you everything you need to know.

[wearethekat]

Anticipated April New Releases

A Drop of Corruption, Robert Jackson Bennett (1 April). Sequel. Our Sherlock Holmes coded detective investigates the disappearance of a treasury officer with the help of her trusty assistant in a complex secondary fantasy world.

Where the Axe is Buried, Ray Nayler (1 April). In a crumbling near-future Earth, a brilliant scientist flees, because her new invention might be key to assassinating the immortal uploaded President.

*A Duke Never Tells, Suzanne Enoch (1 April). In this Regency romp, somehow both a young lady and the man she's affianced to are in disguise below stairs.

Don't Sleep With The Dead, Nghi Vo (8 April). Vo returns to the fantasy Great Gatsby setting with this novella from the POV of Nick Carraway post-novel events.

*The Raven Scholar, Antonia Hodgson (15 April). Seven candidates compete to become the next emperor—until one of them is murdered. The emperor's scholar attempts to find the killer.

*The Gentleman and His Vowsmith, Rebecca Ide (15 April). An accidentally falling in love with your wedding vendor by during your arranged marriage book, now with a locked mansion murder mystery.

*Notes from a Regicide, Isaac Fellman (15 April). Trans Griffon's adoptive parents die suddenly, leaving him to sort through their papers, which follows the failed revolution they fled.

Advocate, Daniel M Ford (22 April). Book three of a series. Insufferable lesbian necromancer Aelis is summoned back to the capital to investigate an accusation against her former teacher.

Saint Death's Herald, CSE Cooney (22 April). Sequel to my particular favorite Saint Death's Daughter. Lanie Stones must contain her murderously ambitious (and dead) great grandfather before he conquers the world.

*The Sun Blessed Prince, Lindsey Byrd (29 April). Queer romance between a prince with healing magic and the assassin sent to kill him.

New releases masterpost

[t0t0m0]

📸📸

That’s a wrap yall!✨

A lil rockstar AU art imma be givin out to friends at the cse! Oh yeah I am in bkdk hell now 😀

I plan on adding more to this in the future

I ended up liking izuku with lots of piercings and katsuki doing all of it himself

So far what I have in mind is that Izuku is their lead singer and guitarist while Katsuki plays the drums and sings too

They have duets nyehehe

The band already thinks they are dating but they only became official months later 🙄🙄🙄 i mean who can blame them they literally got each other’s brands on them

Okay enough yappin

[heymeowmao]

2024.12.14 - https://weibo.com/l/wblive/p/show/1022:2321325111562213130864

[t/n: quick(-ish) version! (there is no detailed ver for the foreseeable future.]

C: I won’t be discovered climbing the wall, will I? LYN: Whose walls are you climbing? Are you flipping the wall from here, or coming from someone else’s yeard to watch my stream and you feel like it’s betraying your idol? What do you mean “will I be discovered climbing the wall”? I don’t know if you’re trying to climb in or out? But its okay. It doesn’t matter. Even if you’re someone else’s fan and have come in to watch a while, that isn’t considered a betrayal. Think about it- you can’t always eat luxurious foods, sometimes you have to have some vegetables. You need to change it up sometimes. You can’t always just eat seafood and meats, right? You need your veggies. Have a balanced diet. C: Roughage. LYN: ! What do you mean by that? /I/ can say that I’m a simple vegetable, but /you/ can’t call me “roughage.” I can make fun of myself, but you can’t actively make fun of me- do you get it? Those are two different feelings.

C: Are you drinking red wine? You’re not afraid of getting drunk? LYN: It’s not red wine. I’d be reported if I were drinking on a livestream. Also, my tolerance is so low I’d be afraid to spew nonsense. I’d be done for. So it’s best to be strict about this. It’s coffee- the type that comes in a bottle. C: I thought you were drinking Chinese medicine. LYN: How much do you expect me to give, if I were already to the point where I have to rely on Chinese medicine in order to stream for you? That’d be too much. It’s not worth it. At that point do you think I’d force myself to stream instead of just taking a good rest? C: Injured with no hope of recovery. LYN: ! Can’t you wish for something good for me? It’s only just a cold, what do you mean “no hope of recovery”?? 

- compliments Shandong, because the people are all very nice and welcoming (even if they aren’t his fans); bc for example at other shows with multiple artists, the fans of each artist will pretty much stay unenthusiastic through the whole show until their artist shows up only.

- comments on the -3° degree weather (at the CCTV New Year’s Eve Gala) LYN: Usually when I’m at these events, they’re filmed indoors but this time it was outdoors. I was too careless. I thought there would be fans present- maybe if they knew I was at this program they would watch- so I wanted to dress a little more coolly. So I wore a long coat- my fans always tell me I look good in them. When I left home my assistants were asking me if I wanted to grab a padded jacket to wear and I insisted, “No! Bring my long coat.” I thought I would make a cool entrance. And then- later when I exited the hotel doors I was conformed. The cold blew straight through me. Whatever wool or dog fur- it doesn’t work. I got on the car and blasted the heater. I hadn’t even started yet and was already shivering. LYN: Later the program crew was very nice to me and gave my makeup artist (Xiao Q) one of their padded jackets, so they gave their jacket to me. Ah~ In the winter, it’s best to still wear down jackets, friends. Wear cotton padded jackets- it’s thicker and can withstand the wind and keep you warm. I know you see all the Korean oppas in the dramas wearing long coats during the winter- that’s purely for aesthetics. As for whether they’re cold or not, only the person wearing the coat knows. It’s winter, so wear the down jacket. LYN: I got through one rehearsal wearing the jacket and then later for the performance I powered my way through it in my suit. It was fine once I started singing. I didn’t feel the cold, probably because all my focus was on the music and I forgot about it. [t/n: Ning-ge nearly froze his ass off for this stage: 离太阳最近的光 (The Light Closest to the Sun)]

- coming to lyn’s stream to pray for good luck on your test probably isn’t going to do you any good, but he’ll wish you luck anyway C: Ning-ge, have you passed CSE Level 6? LYN: ?? Ive never heard someone curse me out so badly. I can’t believ your cursing doesn’t even have curse words in it. “Have you passed CSE Level 6?” I learned how to be a cook; I went to a technical school. Tell me, in what region is there a technical school that makes the students take the CSE Level 6?? Why didn’t I just take the IELTS?? I went to a technical school! I learned how to cook!! I took Level 6 test on Cooking! I have certifications! C: Being a cook doesn’t prevent you from taking the IELTS. LYN: Right- that comes from personal mental limitations though. How can you learn how to use a knife and also learn English at the same time? There’s only so much you can handle. If you focus your attention on one place, somewhere else is going to suffer. I you split your attention, it will effect both. While I was in school, I just focused on being a good cook.

- no dramas coming up, but you can watch his previous dramas one or twice through while waiting 🙂 LYN: No one’s asked me to sing OSTs lately, so I can’t recommend you any good dramas.

- won’t take off his glasses because they are actually covering up a blemish/injury on the corner of his eye. it hurts when he blinks. LYN: It’s fine. This happens to me a lot- I just tend to get mad easily (火大). I suffer from excessive internal heat (上火), I don’t know why. I have an affinity to fire.

C: Did you make any friends on Scream Night? LYN: /laughs/ We all know each other already, what friends are there to make? I mean, we’ve all seen each other before- in this industry we all bump into one another on occasion. We don’t need to go and make friends. Do you want me to go around saying, “Hello! Let’s be friends!”? Watching it you might think it’s full of celebrities, but for me- not saying that I am a celebrity, but I’ve been in this industry for 5-6 years already- I just think that celebrities are all normal regular people. I used to be in awe. For example, the first drama I shot was with HZT and I was nervous to meet him. I was afraid he would hit me. He has a pretty explosive personality, so I was afraid he would hit me. I wasn’t afraid I couldn’t beat him in a fight; I know he learned martial arts growing up but I wasn’t afraid I wouldn’t be able to beat him. I was just afraid of the notion: if he hit me, should I fight back or not? If I fight back, it would look really bad for the drama. If I don’t fight back I’d be a coward. So when meeting celebrities sometimes even I’m a little uneasy. You all know HZT is very… passionate. Very excitable. I was afraid he would hit me. I also am nervous when meeting celebrities for the first time. But as the years pass and you meet more and more people at some point you’ve met them all and you realize that they’re all just people. It’s no big deal.

C: Lao-da, why are you wearing the same clothes as me? LYN: What do you mean- are you also wearing this same hoodie? Just consider it as if I have a secret crush on you, okay? I purposely chose a special day to wear a couple outfit with you. You can think that if you want. As long as you’re happy. What do you mean “why are you wearing the same clothes as me”?? We just happened to buy the same piece of clothing, is all. LYN: How about this? After the stream is over today, I’ll raffle this off on my stream. I do my best not to wear the same thing as you anymore. As if you think I’m sentimental about it?? After today’s stream I’ll raffle and send it away- I’ll let another one of my fans wear matching clothes with you. - C: I want the original smell. LYN: I don’t smell! I wash my body, my head, and face! It doesn’t smell. At the most, it’ll smell like laundry detergent. “Original smell”?? What are you looking at all day long? What types of things are you purchasing online? “Original smell”?? This smells like Dongbei’s pickled cabbage. I smell like licorice root and bayberries.

C: Can you see where you’re walking in those glasses for Ultimate Note? LYN: Actually I couldn’t see. Those glasses are specially treated- it looks like shades but there’s a layer of black film on the inside. We were filming in underground passageways and caves and the lighting in these spaces is already dim so with the shades I couldn’t see anything. It was a strain on the eyes. It look a lot of effort to see anything clearly. Because it’s already dark, wearing shades, with another ayer of dark film on top of that. Why was the film needed? Because at some angles you would have been able to see my eyes and for that role you shouldn’t be able to. C: Then you didn’t need any eye makeup. LYN: Wow, that drama was so easygoing for me in comparison to other dramas, because I really didn’t need any makeup. Maybe just a darker yellowish base, and then I’d just put on the shades and start shooting. TXj was the same- I didn’t need much makeup. Some actors nowadays spend four hours in makeup- I don’t even know for what. Especially for guzhuang dramas. Men are okay, but some actresses spend four to five hours in makeup. That’s tough.

C: Lao-da, take the beanie off. LYN: Why should I listen to you? Are you my stylist? Why are you telling me how to wear my hat? It’s because I haven’t washed my hair- no- because it has no shape. I wore the hat to look more neat.

- chatting about concert logistics. technically, it’s simple. but the schedule and which stop comes first/later depends on the venue’s availability. - is afraid of not being able to sell tickets because people are giving him the misconception that he can easily sell out. LYN: I’m not looking down on you, I’m looking down on ME. You have to have self-awareness. The fault of man(kind) is to think too highly of themselves. Other people can think highly of you, but you can’t think that of yourself. The people who think that are fools.

C: Why are you wearing the same hat as me? Do you have a secret crush on me? LYN: You just keep thinking that. There are four words written across your face: Self-made Delusions & Fantasy

- if you can’t beat the scalpers for concert tickets, be sure not to buy from them so that they end up wasting their money. they’ll think that no one wants LYN’s concert tickets, so they’ll stop buying them. at that point, the fans can buy the tickets normally and go to the concert.

C: We’re just afraid that no one will attend your concert and you’d be sad. (reverse psychology) LYN: Thanks for thinking of me. You’re afraid that no one wants to come see my concert and that I’d be sad, therefore you’ll come to see me? First of all, thank you for taking pity on me. Thank you for considering my feelings. Secondly, can you not demoralize me so much?? I already said- /I/ can be humble, but you can’t make it seem like you’re forcing yourself just to see me. It’s like, “We’re just afraid no one will come to see you and you’ll cry, so we’ll come.” Thanks a lot. LYN: It’s true, though. I probably will cry and be sad if no one comes. Because I’m holding the concerts for YOU, not for ghosts. I’d be sad if the venue was empty and I was just performing for ghosts…

C: Why is there such a loud electrical sound? LYN: Is there? That’s the second comment I’ve seen on it. Is there an electrical sound? Maybe watch out, is your phone releasing it’s charge? Or- I know. When I’m letting the song play, the bass notes are pretty heavy so your headphones aren’t balanced and you hear a buzzing? It might be the song. /plays it/ Or your phone is releasing charge. C: I’m electrified by you. LYN: 去你的~ Don’t say such cheesy things.

- enjoys the fact that someone said they came to “attend” his stream, because that gives off more of a sense of participation, as opposed to “watch” his stream. Says it feels very formal, and he can imagine everyone in suits and dresses. - proceeds to describe accurately (C: have you installed security cams in my house?) how his fans would normally watch his stream- in pajamas yellowed with age. (C: Its yellow bc that’s your fan color. | LYN: What a romantic fellow~ Even when watching my stream, you’re wearing my fan color!) C: My face is yellow. LYN: Have you eaten too many tangerines?? C: My teeth are yellow. LYN: Brush your teeth. Use whitening toothpaste.

C: Can you talk about Macau? LYN: Do you mean Scream Night? It was... Normal? I often attend these types of events. What made it pretty special was that YNGS entered into the Hall of Fame. I only had three dramas last year, and YNGS took one of the spots, so… that’s a pretty happy thing. C: The stage performance was pretty unique as well. LYN: Of course, and I have to be thankful that they designed such a stage for me. It was meaningful- starting from me as a viewer, to a singer, to an actor, and who knows what will come after. 

1:07:00 --- Break #1

LYN: I went to an event and I was playing with my beads, right? I started to see people criticize me for being pretentious. “Who else is playing with beads? The other artists are on their phones, and he’s over here playing with beads. How pretentious.” It’s my hobby D: But I think playing with beads is slightly better than playing on my phone. In my opinion. Just the slightest bit. From a sensory perspective. It’s not even like I’m being over the top and praying with it! It’s just in my hand!! C: Kill them all! LYN: No need, no need. My little killers, can you please control your emotions? You don’t need to be so fired up… like HZT. XD

- he’s trending at #20; starts reciting Weibo’s AI summary of himself. LYN: 38% happy, 28% peaceful, 11% like, 11% anticipation, what the heck is 10% doubtful/confused???, and there’s also 2% sorrow. Let me look into the detailed explanation for what the sorrow is about. Who’s in sorrow when watching my stream?? Is it the people who don’t like seeing me? // How can 2% of you be in sorrow/unhappy/depressed? Doctor! Doctor, get them checked out! LYN: This is so strange. I’m streaming but what are you sad for??? C: When you stop streaming we’re sad. LYN: I haven’t stopped streaming yet!

- “my mom says you look young” | LYN: What a good person. I’m sure Auntie is also very beautiful, because her heart is. - “my roommate says you’re so cool” | LYN: What a great roommate. They really have good taste. Get along well. -  “my son wants to be as tall as you” | LYN: He can do it. Tell him to eat his meals and exercise, and he can be as tall as his Uncle Ning. - “my 5yo daughter is asking if you’re real or not” ; starts questioning why we can’t tell stories to children normally, and have to use all sorts of odd intonation instead. - “my little bro says he wants eyes like yours” | LYN: If your brother and I ever meet, we’ll be bros. If there’s a chance, let’s catch a bite to eat sometime. // He understands what’s really “good”. -- 你有一双会说话的眼睛 (Your Eyes Can Speak) [switches the lyrics from “you” to “me” for the first few lines] LYN: I borrowed this topic so I can sing a song. I felt like it’s about time for one, so I made use of the topic to do so.

C: I heard you learned how to dance. LYN: Who did you hear that from?? I didn’t. // I gave up on dancing. With some things you can try it and you can make an effort, but for other things there’s really no need.  - C: Ning-ge, find a celebrity to connect with (on stream)! LYN: Why? Do you want me to use them for their popularity? - C: Because it looked like you had some decent moves yesterday. LYN: Oh, you saw me “dancing” a little while singing, and you thought that it looked decent, so were wondering if I took lessons? You’re too easy to fool! C: Your dancing looks like boxing. LYN: I’ll box you! I’ll hit you straight into the wall!

- there ARE plans for a KSTLB3, because the program has already asked about cast schedules. But it’s hard to tell when it will actually happen. LYN: I asked BY the other day when we were grabbing a meal together and he told me he’d like to come but he might not have the time. I told him to make the time if he could, because it’s fun for us to get together and play. We’ll see.

- it’s difficult to get a variety show going, let alone renewed. he first heard about Melody Journey about 3-4 years ago, but it only came to fruition in 2024. even sponsors have no money, so no one’s really investing in shows anymore. He was supposed to be a fixed guest but bc of scheduling reasons was only able to attend half the season.

C: Will there be a ZLYM2? LYN: It’s possible, but I won’t be in it because I’m already gone. The poison was too deep and I’m long gone. A season 2 is possible, but it won’t be me acting in it. I’ve already disappeared.

C: Are you in A Journey to Glow (Yi Nian Jiang Nan)? LYN: That has nothing to do with me. Ning Yuanzhou is long dead. C: Is it written following YNGS? LYN: I don’t know! Go ask the screenwriter. It has nothing to do with me.

- been thinking about what type of dramas he wants to act in; wants to try a modern crime/spy drama. does not want to act in a pure romance drama- there could be love in it, as long as that’s not all the drama’s about. maybe something with a superpower or special ability. or wuxia drama. - dramas (that already have a fixed ML) like to promote their show by first saying he LYN wil be the ML- so that people come in hoardes to curse him out but this also as the effect of getting the drama attention. then later the drama announces the real casting and people are ok with it “as long as it’s not LYN” :|

C: Go act as a student. LYN: You must be crazy. I can’t act as a student. Maybe a teacher- like a music teacher, or some little kid’s parent. A single father. He has a daughter and sends her to school everyday, but he’s actually an assassin. Kill them all! Every time he finishes a mission he writes “kill them all” on the wall. When hes done with his missions, he comes to pick his daughter up from school. One day he finishes a mission but finds that his daughter has been kidnapped, so the rest of the story is how he gets her back. But I can’t act as a student. LYN: In the process of saving his daughter, he develops feelings for her teacher. Because the drama can’t NOT have romance. So this teacher is a young and beautiful woman, and she is also anxious to find the daughter back. While finding his daughter together, they develop feelings for each other- because he’s a single father. In the end you find out that the teacher is a spy for the bad guys, but she’s already in love with the ML so in a critical moment, takes a bullet for the ML. In the end, because of love, she betrays her own boss. The ML emerges from the wreckage carrying his daughter, and that’s how the story ends. I want to act in a story like this. - he only says the FL dies bc his fans don’t want him to die anymore. so he coud only sacrifice the FL. X’D

- in modern dramas (like Cicada Girls) 80% of the clothes were his own bc he has a “unique physique” (legs too long) - hasn’t had time to look at scripts, but has recorded two OSTs; will look through and pick one for next year before doing more work on music - concert will be held in March or April, because venues weren’t available in February like he was intending

- tells people to again, be wary of scalpers and scams; don’t reveal any personal info or click on redirect links.

C: Ning-ge, can you give me a concert ticket? LYN: This is a difficult question to answer. Because if I say no, will you think I’m stingy? “You can’t even afford to give one fan a concert ticket? You’re such a big celebrity and they’re just a student who happened to like you. They don’t have the means to afford to buy a ticket to watch you in concert, is that so wrong? You still won’t give them one?” But if I say I’ll give you one, there are lots of others who will be unhappy. “In that case I want a free ticket, too. Give me one.” LYN: So, I can’t give you a ticket. Even if it ruins my image, the answer is still no. - he has no say over the tickets and other than requesting a batch to be reserved for media or collaborators, can’t just give tickets away to everyone C: In the end, you don’t have a ticket for yourself and you can’t get in. LYN: You can still get in with a staff pass. LYN: I, LYN, don’t need a ticket to get in. I- /I/ need to buy a ticket to get into LYN’s concert, too?? That’s too strict! But if I tell LYN to give me a ticket I think he’d be able to do it.

- brainstorming what type of merch should be offered at the concert (lightsticks, clothing, etc.) - C: Strawberries, LYN: ?_? No one sets up a fruit stand for their concert. - LYN: I think even a small doll is ok. Just something to use as a souvenir. You’ll look at it and remember that you bought it at the concert you went to one year. To use as a memory. - - don’t bring light-boards (there’s no need), cameras should be ok? Maybe?, you just need to bring yourself and have fun.

- trending at #18: “I won’t wear down coats!”; LYN: That’s no good, because what if a brand tries to come find me?? - 31% happy, 30% like, 13% peaceful (they don’t care either way?), 6% sorrow??? LYN: What does that mean? What are you sad for- you’d better be happy! At the very least, become at peace! LYN: I’m not that rebellious! I still wear down coats!! It was seriously too cold, so the whole way back I was searching on taobao- “down coat, male, long”. C: Did you find one? LYN: I didn’t. I couldn’t find a suitable one.

C: Since you’re not in a drama crew, stop losing weight. You can be healthier. LYN: Actually… there’s more pressure for not being in a crew. Because with these types of events, things are happening in real-time. If your not in the best shape today, people are going to know about it. Its not like with shooting dramas. You can be ugly when shooting a drama, but you’ll only find out one year later when the drama starts airing. But media coverage for any performance or event is immediately out there. You’re ugly in real-time. You have to be MORE AWARE of your own shape. C: But health is more important. LYN: I’m quite healthy, though? I’m not unhealthy.

- talking about the jianbing he ate this morning, and what it was filled with C: Don’t eat green onion! LYN: Why? Green onions are nice. It’s healthy. A jianbing wihtout green onion loses half its flavor. Maybe it’s because I’m from the Northeast, so I like green onion. You can’t tell me not to eat it just because you don’t like it. That’s selfish.

C: Can you stream from Mount Tai? LYN: I don’t know how good the internet connection is up there.

- talks about his beads, a little. it’s all about the process of change for the beads. strands can run from cheap to expensive- depends on preference. LYN: But don’t do something just because /I/ like it. Buy it only if you really like it, yourselves. // If you don’t like it, then there’s no need to force yourselves. Just play with something you do like. - likes wood products and gems, but not so much into crystals.

C: I really like gold, but I can’t afford it. LYN: It’s okay. You just can’t think so nengatively like “I can’t afford this or that.” As long as you work hard, one day you can buy anything. There’s nothing that you can’t afford; it’s whether you want to buy it or not. If you really want something, you’ll work hard to get it. You can’t afford gold? Not even 1g? It just depends on what you want. Let’s say for example you want a little bracelet- it’ll be 20-30grams, so 20-30k. Then make the money. Dont say that you can’t afford it. As long as you work hard and earn money, you can.

C: I can’t afford LYN. LYN: Other artists might be expensive, but I am very cheap/affordable. You can buy me, too. Let’s putit simply. A concert ticket can range from a hundred to thousand dollars. If you buy one, you can have me stand there and sing for you for two hours. It’s affordable, isn’t it? Every person has a price. Don’t assume that the artists in your eyes are expensive. We’re cheap. If you spend 888rmb (the cost of a mid-range ticket) you can have me obediently stand on a stage and sing for you for two hours. If I spend 20+rmb to get a platform membership, I can tell anyone to act for me. (by watching their drama) Why is it expensive? It’s cheap. LYN: The problem is with your perspective. //Really, don’t think too much of artists/celebrities. For 888rmb, I’ll obediently sing for three hours. I’d have to change outfits and sing with a smile. It’s great value! C: Do you change on stage? LYN: You only spent 888rmb, and you want me to change on stage?!? I can only show you the outer clothes, I can’t show you any underwear. I know I said artists were cheap, but they’re not as cheap as you’re thinking!! I’m guessing that as soon as I take just one thing off I’d be taken away by the police and you’d have spent 888rmb for nothing.

- thanks all the fans who have the means and can support when he has brand collabs (chunzhen, pomellato, etc.) - all seats in the concert are good, there is no “best view”. 

C: This rich jiejie will invite you to eat noodles with her. LYN: What do you mean? Rich-jiejie wants me to eat ramen with her after the stream? Jiejie, I won’t be going. LYN: Friends, can we not discuss such adult things in my stream? It’s a little cruel and explicit. I’m not trying to pretend to be innocent/young, because I am this old after all. I’m not a child and I’m not trying to pretend I don’t know what you’re getting at. But let’s not discuss these topics because there are some 12-14 year olds in my stream. There are children watching. Okay? Can we talk about something more socially friendly? LYN: Nothing “netflix and chill”. This actually shows the cruelty of society, because it shows that in order for a young person to make it in this world, they have to give something. Even if that something is “time”.

- livestreaming is not allowed during the concert and if you see anyone streaming, hit them. XD Report them and security will escort them out. you can video-call a friend, but not start a livestream for the masses.

C: Ning-ge, I’ve been poisoned by Linlong Cave. I don’t have the antidote. LYN: Are you crazy? Are we cosplaying (role-playing), now? Should I play along or not? If I play along, I feel like that makes me look crazy, too. I don’t have the antidote, either. The character I played died. I don’t have it. Did you want me to play along? I kind of don’t dare to. It’s like you’re trying to coax a child. Either you’re crazy or you’re trying to coax a child. It’s like when we’re little and mom says, “The Big Bad Wolf is here. If you don’t stop crying, he’ll take you away.”

C: Do you know that every time you stop streaming I feel lost? LYN: I’m… happy to hear it. Like a distant friend who’s come to spend 2-3 hours with you, but you don’t know when you’ll meet next. But it’s the reluctance and anticipation for the next meeting that’s the most precious. What do you think? Each parting is so that we can have a better meeting the next time. LYN: But I can tell you a method for if you’re feeling lost after I stop streaming. That is, open weibo and select the “playback” function to watch the stream again. Maybe that will help. C: I’m very reluctant. LYN: ! I’m not leaving yet!

C: You can’t see me, Ning-ge! LYN: I can see you, but I can’t reply to each and every comment. Please be understanding, I can’t respond to you all. Also, many of you are Language Masters, and sometimes I don’t know how to communicate with you. You might think I’m quick but actually my “mouth is stupid”. Sometimes I just don’t know how to respond to you. Just like that person earlier who said “Ning-ge, I’ve been poisoned by Linlong Cave and I don’t have the antidote. Save me!” I just don’t know how to respond. // But I can see all that you’re typing and I know what you want to express. LYN: My mouth is stupid and I don’t know how to speal. My EQ is low, too. Please be understanding. 

2:52:00 --- Break #2 (he just can’t find the words… XD) LYN: I’ll show you a performance from when I just debuted. 2018. Many of you missed seeing me at that time. Not that that’s something to be regretful for. I was just a fool, then. [t/n: I love this perf of 光年之外!!] LYN: Friends, we can do a reaction video. I really enjoy making those about my own performances. Do you want to? - ragging on himself for looks (down to the color of his foundation and his styling (or lack thereof), but praises and provides great analysis on his singing skills. Anti!LYN: I’ll criticize, because that’s how I get more channel traffic :)

C: We’ll pay you to speak well. LYN: Oh? We can go two versions- one paid (nice ver.) and one not paid (mean ver.). I can do both. + Anti!LYN: LYN obv looks like he hasn’t had professional training and in comparison to other artists, is clearly lacking. It’s a poor performance. As a singer with many years of experience myself, I’d call this performance a failure. // Look at this- a face so oily clearly does not respect the stage or the viewers. He’s not worthy to be called an artist. Also- look how swollen his face is. For an “artist” to be so ugly, do you think he’s even worthy of standing on this stage?? Do you want the viewers to suffer? // I can’t keep watching this. The reaction video ends here. This is a failure and I think that LYN is not qualified to be an artist. I hope he continues to work hard. I just want to say I’m a very objective person. I speak the truth, only. I only say it like it is. If you agree with me, you can subscribe for more of my videos. C: Now the paid version. LYN: Has a company paid me, now? Ok- let me check if I received the funds first. /checks his phone/ Ok, we’re good. + Pro!LYN: Let’s watch LYN’s performance. I know that he’s a rookie that just came out in 2018 and I’m quite interested in him because when I saw him streaming on the street I thought of him as resolved and hard-working. I’ve seen videos fans have sent in and he’s still streaming even when the weather is quite cold. It’s rare to see a person who is so determined to pursue a path in music. Let’s watch this performance together. // From these small movements on stage, he appears to have talent. For someone who- as far as I’m aware- has never been on a big stage before, I don’t know if you can see it, but he’s relaxed. As if he’s in his natural element. He already looks like an established artist. Even though his appearance may not be what we expect, he has confidence. Only someone who’s had multiple performances and experience gained through repetition can pull off this relaxed feeling. Let’s continue. // Look at this- the audience is with him. Even though I wasn’t there, you can tell from the reaction of the audience that he’s got control of the whole venue. He’s very relaxed- what does that mean? That he’s invested in the music already and therefore at ease. The audience can see this and are also swept up in it. This is a surprise. You can’t tell that he’s only just debuted. // He has the capability to be a superstar. // This performance is perfection and a surprise. I can’t believe a kid who’s just debuted can perform like this. It feels right. The hardest thing is that I’m able to see uniqueness. You’ve never seen anyone else like him. (etc, etc.) LYN: Honestly these streamers… if they want to speak well or ill of you, they’ll find a way.

C: Can we see his acting? LYN: You want me to react to his acting?? That’s maybe betting too much. // But I think it would be a lot more fun, because there’s so much more to say.

- something abt Daimi that he didn’t see clearly, but will circle back around to it - it took him 3 months to change the color on the beads in his hand - 2nd album will have a limited physical release- to have as a keepsake

C: Ning-ge, I’ll give you 100rmb to lull me to sleep. LYN: 100rmb to lull you to sleep? You must be rich. Your expenses are so high that you’d spend 100rmb to find someone to make you sleep? You must be a rich second-gen! Are you someone with a rich family?? 100rmb to lull you to sleep… C: It’s a lot because you’re expensive! LYN: Why does that make me feel worse?? I’m “expensive” but I only get paid 100rmb?? // Based on how you speak I’m guessing you might be a primary schooler. You’re young. Either that or you must not have a high IQ. Spend 100rmb to lull you to sleep? You can’t just waste money like that! No matter how much money you or your family has, this is not the right way to spend it. Also- money can’t solve everything in this world, and if it can then it wasn’t a serious matter to begin with. You’re trying to buy me with 100rmb to lull you to sleep? You must be crazy.

- thanks people who think he looks cool walking the red carpet, but also likens it to a mother doting on her foolish child (no matter how terrible the kid actually is) LYN: Honestly it’s been a long time since I last walked a red carpet. This time I didn’t have much going on and I arrived in Macau early, so I decided to walk it. Most of the time when I have performances, I’m afraid it will delay my performance- because I’m very nervous before I sing. I’ve been on a lot of stages, but I still get nervous every time. For these types of events I always sing at least one or two, to share fortune. But this time my performance was nearer to the end- it was the last song. So I decided to walk the red carpet. LYN: My studio came and asked me, “Boss, do you want to reconsider?” I questioned, “What do you mean??” It’s bc ZLYM just finished airing and I was already being called ugly for it, so if I walked on the red carpet and the media took a bunch of raw photos of me I’d be setting myself up to be called ugly again. “What would we do? We’re afraid of losing our jobs.” XD I told them, “If you really cared so much about what other people think, then you won’t accomplish anything.” My work ethic is: I just want to be able to do whatever I feel like doing. I’m not doing anything illegal. I don’t care what other people think of me. So I told them, “I know you’re saying this because it’s what’s best for me, but… I am also worried about it. But not to worry, this time, I will prepare.”  - applied face and eye masks for the three days leading up to the event, woke up one hour early and took a hot bath to reduce water swelling (sweat it out), took a guasha to his face and neck LYN: I asked my makeup artist, “What do you think? I’m not that swollen today, am I?” They said “You still are, a little. It looks like you just woke up.” I replied, “There’s no helping it. Let’s just do it.” - still agonizing over whether to walk it or not, 15 minutes before leaving the hotel room. - ended up walking the red carpet, bc he wanted to represent YNGS. - this is why he likes shootng night scenes, because he looks thinner at night. morning or daytime scenes, he looks swollen.

C: What did you talk about with Zhang Songwen-laoshi? LYN: He said, “LYN, you look too swollen.” LYN: That’s a joke! Don’t take it seriously. If you take it seriously, you lose.

- greets all his foreign fans, bc they’re typing in the comments LYN: I think in a few days I’ll sing this song- (Blue Bird) // I’ll be collaborating with someone on it. I hope you look forward to it! :) 

C: You owe me a song from CMF. LYN: I OWE you? I don’t remember how that happened, but I’ll sing it next time. I’m here streaming and you’ve come  to collect on my debts, now?? It was free to begin with. It cost money, time, and effort. And /I/ owe /YOU/? C: Love is always feeling indebted to one another. LYN: Now you’re telling me it’s out of love???

C: My niece is here to hate on you. LYN: What did I do to her?? Smack her for me, while her back is turned. Hate on me???

C: I broke my foot, can you comfort me? LYN: Okay, I saw you. You’ve been spamming that all night. You’re the type who’s attention-seeking. You think breaking your foot is a good thing? Is that something to be happy about? Fine. I hope you recover quickly. It's quite a painful thing, to break a bone. I forgot where you said you broke already- foot or leg? Anyway, wish you a quick recovery. Don’t move around and make sure it’s well-healed otherwise it’ll bring you more discomfort in the future. Sometimes my foot where I broke it still hurts. :( I don’t know if that’s psychological, or what.

C: Did you make a mistake singing 奉上 on Scream Night? LYN: I repeated myself for a line in the beginning, you mean? Was that a mistake? - getting defensive X’D (it was a mistake- a result of muscle memory) LYN: I did sing too early. What about it? As long as I don’t admit it, it’s fine. C: I thought it was a mistake at first, then I wondered if it was designed that way. LYN: It was designed that way. :) I was just proving that I was singing live. C: Was it necessary? LYN: What do you care?!? It’s my performance, so my design. Whether it’s necessary or not was my call, not yours. I think it was VERY necessary!

LYN: What about it??? - proving that he could adlib the beginning of (nearly) any song without it looking like a “mistake” LYN: (narrating) Truth be told, I was a little flustered. As soon as I started singing along to the opening notes, I thought in my mind, “Oh, damn it! Why did I sing it out loud?? How strange! What do I do?” But I quickly adjusted my composure and started to act. Then, I sang normally. It matters not. I’ll just pretend it didn’t happen. LYN: You definitely cannot start scaring oneself. (“自己吓自己” is a dubbing meme)

C: Will you gift an autograph at your concert? LYN: No. I wouldn’t be able to sign so many. If one stop is 10k seats, there’d be at least 7-8k in attendance. If I sign 7-8k autographs… there’s really NO NEED. I’d die trying to sign them all. LYN: Let’s do a reverse fan-support. When you come to my concert, bring me your signed autographs. That’d be fun. Usually it’s you who want your idol’s autograph. This time, bring yours to my concert and you can drop them off in a box for me. C: Do you want a “to:”? LYN: Okay. C: Don’t burn them. LYN: >:] Burn them all! // No, I wouldn’t! I’d store them away.

C: I’m finally seeing your stream with my own eyes. LYN: ! You all sure have a talent for language, but I’m not sure if “seeing with my own eyes” is a phrase to be used in this context? It’s sort of honorable but also sort of strange. Isn’t it usually followed with- “I saw with my own eyes all the crimes he committed!!” It kind of feels like that. - plays around with the word “witness” because it’s similar

LYN: Friends, it’s about time. I you have not subscribed to my weibo, please do so; you’ll be notified the next time I stream. I want to thank you for witnessing my stream today with your own eyes. I saw the time and realized I’ve been streaming for almost four hours. That’s a lot, but time passes quickly! Somehow it’s already been four hours. I’m happy, though! I hope that when I stop streaming those people who might have been feeling a little lost are not lost anymore. You can wash up and have a good sleep. If you still feel down, you can watch my stream again. LYN: I hope you had a relaxing, happy, and wonderful night. It was great to have you and I hope you had fun. Let's meet again in the next stream, friends! I’m sure sorrow will rise to 10%. 31% happy, 11% peaceful. 30% sorrow. Bye bye everyone. Good night!

[dreamings-free]

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

Production Profiles 5 January 2024

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

Words: Jacob Waite Photos: Justin De Souza and Oli Crump

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Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

“A team effort is required to get this show off the ground,” explained Technical Manager, Sam ‘Kenny’ Kenyon, who has been a fixture of Louis Tomlinson’s live output since joining as Lighting Crew Chief in 2019. “This has been a complete redesign, and the production has expanded and gotten more complex, which requires different solutions to make it happen.”

Kenny and the team oversaw the deployment of an A and B rig. “We’ve been fortunate for the European stint that the venues we’ve toured have, mostly, been arenas. The main difference between the A and B rig is the addition of IMAG and further lighting header trusses. Aside from that, the A rig fits everywhere. If anything, we’ve run into weight issues, which we can overcome swiftly by removing overhead trusses.”

For the first few shows, Riggers, Ian Bracewell, and Alex Walker incorporated load cells on trusses to get an accurate rate and account of the weight of the load of each truss. In the UK, The Brighton Centre had a particularly low-rate roof with weight limitations. Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

There was no video director, as the show’s visuals were programmed and interspersed with live footage and triggered by a lighting console at FOH, thanks in part to an intricate network setup. “There’s a lot going on in racks that people never see, but it has been stable thanks to the quality of kit supplied by our vendors, who have invested heavily, and the team taking the time to programme the show,” Kenny noted.

Key to the success of the operation was the incorporation of Central Control software, which takes a signal from a lighting console, be it ACN or Art-Net, and translates it to talk to various products – in this case, video. “There is a giant brain that nobody knows exists other than those that have programmed it,” he added.

Additional crew members joined the tour in Europe to aid the video deployment and lead to far more efficient load-in an -outs. “We are close to 80 shows in and on days where we have access to multiple trucks, it comes out very quickly, which for a show of this scale is impressive and credit goes to the team,” enthused Kenny. “The biggest hurdle is when you’ve only got a two-truck dock.”

Prior to the tour, the team had five days of production rehearsals spent in Connecticut’s Mohegan Sun. “When we came to Europe a week later, we had a week of re-prepping with a day of rehearsals at Hamburg’s Barclays Arena, the day before a show,” he described. “It’s been a fun and long run,” added Stage Manager, Torin Arnold. “We’ve visited a good range of venues and countries – especially the Eastern European legs, visiting places you wouldn’t ordinarily tour and experiencing how they operate. This show is designed so it can be accomplished in any part of the world.” Carpenter, Harry Reeves was also on hand to support the build.

The routing, however, was sometimes challenging with some late arrivals and difficult border crossings. “There were a few times in Eastern Europe where we were doing a ferry back-to-back to arrive at 11am, sitting at a difficult border crossing. We usually start with a 7am mark out, so knocking hours off your load-in is tough but everyone pulled together to overcome it,” Arnold explained, noting that touring without staging, and instead, using venue stages (particularly rolling stages), was a blessing during those late arrivals. “As with any tour, as dates progress you build a rhythm while maintaining the safety of the build,” he noted.

Arnold also highlighted the benefit of Lead Truck Driver, Neil Thornton and Truck Drivers, Matt Marlow, Ben Woods, Sarah Goldsmith, Bob Miles, Alam Minshall, Franco DeRosa, and Ollie Thornton who “speed up the process” and maintained a level of consistency.

The transitions between support acts before Louis hit the stage was equally seamless, with ample downstage space for the singer-songwriter to traverse during his performance. “Having a clean frontline means we have space to get the bands on and off,” he added. “Our vendors have also provided everything from an audio package standpoint for support acts, which also speeds up the load-in and -out.”

Highlighting a ‘bucket list’ show at Hollywood Bowl, working closely with US union officials as a “fun” and “interesting” experience, Arnold reflected on the entire tour with crewmembers he now considers close friends. “This is a close team and I’ve made some great memories and stories. It’s been a fun year!”

A DIRTY NIGHTCLUB IN AN ARENA Production Designer, Programmer and Director, Tom Taylor, and Francis Clegg of TANCK have worked with Louis Tomlinson ever since he made the leap to solo artist. “The production design has evolved into an angular, grungy, asymmetrical setup, borne out of the ‘dirty nightclub in an arena setting’ creative brief I was given,” Taylor said, citing the creative influence of Matt Vines and Seven 7 Management. “Louis is a phenomenal performer, and the crowd is captivated the entire time. We started knocking ideas around, speaking to Louis about his inspirations and influences, which we then developed into a creative deck, which I sketched in Blender, and imported into WYSIWYG for visuals, to create stills and pre-visualise.”

Taylor spent 10 days programming the visuals at Colour Sound Experiment, a firm he shares a “longstanding” relationship with. “They are always a call away regardless of the day or time. Their team is easy to get along with and I like their whole ‘production sphere’ – sometimes it’s nice to split lighting and video, but for a show like this, aligning those departments with one line of communication is ideal,” he said, underlining the support of Colour Sound Experiment Account Handler, Haydn Cruickshank.

With production rehearsals under their belt and recordings from Louis Tomlinson World Tour (2020–22), where TANCK piloted Central Control software, the creatives understood how the singer and his band moved on stage, developing a rhythm and consistency of when to implement visual cues and which camera angle fit best. This allowed the team to pre-programme the visual content to timecode.

Video content was made by a combination of TANCK, Two Suns Creative, and Boxcat Studio, with the latter creating 3D models and rendered content, all of which was broadcast across a unique set of video surfaces. “Having the abstract video columns on stage makes it much more interesting than your standard slab of LED at the back of the stage,” Taylor noted.

On stage boxes created by Ox Event House housed GLP JDC Line 1000 strobes with reflective panelling and fabric that were printed to look like heavy concrete slabs, ladened with custom LED Creative solutions. These boxes then moved up and down using Wahlberg Motion Design winches to provide a “low-level, clubby feel” to the set.

“The winches can only carry 50kg and the lights alone are 35kg, so we had to be careful not to overload them, but the result was cool. We also have one single lightbulb on a winch which comes up and down above Louis to create a classic lighting moment,” Taylor said, further highlighting Ayrton Huracán’s prismatic colour wheel as a ‘fan favourite’.

The lighting design saw a wall of GLP impression X4 Bar 20s at the rear of the stage in 12 columns. Further lighting trusses over the stage carried the Wahlberg winches for several automated looks. The DMX winches were utilised for three or four songs, either statically or moving up and down, while JDC Line 1000s provided colour and strobe effects, to achieve varied looks, with a relatively minimal overhead lighting package.

Taylor elaborated: “There are some shutters for one specific track which go directly in-front of some of the GLP X4 Bars to get the aura of the lights, instead of the lenses, which I really like the look of. Lighting and video complement each other during this show – there’s also a section with flickering fluorescent tubes on the video content with the X4 Bar 20s behind the LED screens flickering in a similar way.

Taylor was delighted with the performance of the crew. “Overall, it has been a great run, executed flawlessly,” he commented, citing the support of Lighting Crew Chief, James Box; Dimmer Technician, Rick Carr, and Lighting Technicians, Amy Barnett, and Kieran Hancox.

The wider lighting rig comprised Ayrton Eurus, CHAUVET Professional Strike Array 4, Claypaky Mini-B eLumen8 Endura 1Q120, and Robe BMFL fixtures with robo cameras, all fixed on various HOF MLT3, Litec QH40 and Thomas James Thomas Engineering Superstruss. The lighting riser featured Ayrton Huracan LT and GLP JDC1 fixtures.

Robe Spiider fixtures were situated on the up and downstage video trusses, with the floor package boasting the deployment of further Ayrton Eurus, LEDJ Spectra Flood Q15 and Chroma-Q Color Force 72 units, the latter chosen for key light. Atmospherics came in the shape of Smoke Factory Tour Hazer 2, Martin Professional JEM ZR45 and MDG Atmosphere ATMe hazers with TMB ProFans. “We had some challenging shows, implementing an arena-scale design into sheds in the US, but it’s been good to return to Europe and witness the fans enjoying the show,” added Lighting Crew Chief, James Box, who pinpointed the use of the multicoloured glass gobo in Hurricanes as among his favourite looks.

“There is a lot of effort put in by TANCK to ensure we get the utmost from every fixture on the rig, which is great to see, when the team has gone to the effort of assembling the show each morning. Seeing the looks they achieve from the rig and the extra details, with each advanced cue within the show, is a pleasure.

Almost every pixel on the JDC Line 1000 and X4 impression Bars are being used.”

Video Crew Chief, Dave Mallandain, formerly of Colour Sound Experiment, supervised the video build and the team of Video Technicians, Ed Driver, Frank Wlliams and Tim Curwen.

“Working with Colour Sound Experiment again, in a freelance capacity, certainly has its benefits,” he stated. “You get to know the workflows and personalities of the company. There is an element of trust there and our relationship is stronger because of that.” The 2.5m by 2.5m video screen, made up of Leyard CLM6 LED panels with Colorlight Z6 processing on the back end, was built in an abstract configuration – hung from varying size steel structures fixed on to lighting truss, spanning the entire stage, as opposed to a traditional backwall. “This setup requires us to build it quicker, so the backline can start building their world, but it’s very lightweight and easy to use, so once the local crew are up to speed, it flies up in no time,” he reported.

During the show, there was a lot of camera angles fed into a Blackmagic ATEM switcher, with content then fed into Resolume media servers which was processed and treated with video effects and filters to manipulate the content, monitored by the video team, and pre-programmed by Taylor via an MA Lighting grandMA3 console, operating in MA2 mode.

“The fan camera, which was one of Tom’s ideas, has evolved to the point where Frank and I are on stage during Out Of My System, pointing these cameras fabricated in an old VHS-style shell at Louis’ face in reference to the fisheye-lens inspired music video.”

A mixture of Marshall Electronics and Panasonic PTZ cameras ensured the wider on-stage action was captured. “While the visual content is the same, the shots differ based on the energy of the crowd from night to night,” he explained. “We have an overhead shot for the drums, and another behind Louis, which shoots over his shoulder to the crowd. We also have a PTZ camera on the ground in front of Louis which can rotate to capture crowd scans along with a little ‘bullet camera’ for each musician. It’s been a fantastic tour; everyone on this team has been phenomenal.”

The special effects and pyrotechnics package supplied by BPM SFX included Galaxis PFC 10-way receivers running Galaxis, with a main and a backup controller, which ran through an MA Lighting grandMA2 console, to trigger MagicFX Stadium Shot IIs and a single shot of red streamers. The latter, a “signature of Louis Tomlinson live shows”, according to BPM SFX Technician, Jack Webber – who toured with a new custom control rack, with much of the hardware integrated in one rack.

BPM SFX Account Handler, Matt Heap and SFX Technicians, Blake Harward and Phillip Mathew also provided Webber with support. “The one major change on this tour was putting the Stadium Shot IIs at the downstage edge, and adding lasers for the O2 arena show,” said Webber, who has been involved in past touring campaigns with the camp. “This is the first touring camp to take me to the US, so I feel incredibly privileged.”

Safety was paramount for the BPM SFX team, who implemented the safeguard of warning notices on-stage to ensure the band knew exactly when an effect was triggered. In closing, Webber referenced the ‘rainbow-inspired’ track, She Is Beauty We Are World Class, which demonstrated the strength of the special effects package. “There are about 22 rapid fire chase Comets all going off at the same time with a big lift, which differs in comparison to the other looks with eight units.”

MIXING IN A SEA OF SCREAMS FOH Engineer, John Delf mixed on an Avid S6L 32D console with onboard plug-ins. “I use the onboard plug-ins as much as possible because I want to keep it as simple as possible and know I’ve got a show out of the box without any added extras, which is particularly useful during fly-in gigs, where I have to use a house console or have limited time to set up,” he noted. Delf also toured with some choice pieces of outboard gear including a Rupert Neve Designs 5045 primary source enhancer for vocals, an Empirical Labs Fatso two-channel compressor for drums, and further Distressors for the bass guitar group and vocals.

“The bulk of my mixing is riding the DCA control groups and the vocals, balancing between them, and when there is a lead guitar solo, I’ll jump to that. Most of the mix should stay where it is, and I shouldn’t have to think about it, but every day you make major tweaks and refinements based on how the musicians are performing. Most of the gig is turning the band up and down without affecting the vocals because I have DCAs for drums, bass, guitars, keyboards, main vocal, backing vocals, and an ‘all’ DCA that includes everything but vocals,” he said, explaining his mixing wizardry modestly. “I also run snapshots in which I am changing the sub send amount for different songs, as well as reverb and delay times. If the band changes the set last minute, I have the desk synced to the timecode and that will trigger the snapshots.”

At the beginning of the set, the noise of the crowd can be between 112 to 116dB. “We have a little bit of headroom. When they are loud, I can push the mix, and when they are quieter, I can pull it back for the more introspective moments of the show,” he explained.

“My favourite section to mix is the transition from a cover of Arctic Monkeys’ 505 into Back to You. When that kicks in, I push the “All” DCA up to +10. We’ve built the set up to that point, where I’m able to throw it to the top before the end of the set. The three songs in the encore are also fun songs to mix,” he enthused, accenting the support of Solotech Account Handler, David Shepherd.

“I’ve worked with Dave for years, while he was at BCS Audio (now part of Solotech). He’s been my go-to account handler for a very long time, and Solotech has inherited this gig from them, so there was a natural transition.”

System Engineer and Head of Audio, Oli Crump walked TPi through the PA system: “We’ve been using L-Acoustics, which is our preference, since the start of last year’s tour. The main hang has been K1 with K2 downfill for both tours, however, we are touring with a much larger system this year with K2 on the sides instead of KARA-II. We’re flying subwoofers and carrying delays with us, which is also our preference in big arenas, like the O2 – it provides an even level of coverage across the audience,” the TPi Breakthrough Talent Award alumni said, explaining the thought process behind a larger sound system.

“The PA system is naturally bigger this year because we’re touring larger venues. The crowd is very loud, and we need to be able to compete with that at points of the show. The window of dynamic range we have without it being too loud is compressed because the background level from the crowd is so high, so we need to be able to get our level as consistent as possible from front to back. This setup really helps overcome that.”

Out of ear shot from Crump, Delf extolled the virtues of his partner at FOH: “Oli and I work well together. Every day, regardless of the venue, I know the system is going to sound consistent. We deal with different venue acoustics each day but as soon as I run up my virtual soundcheck, I’ve got the mix back to where I want it because the PA is at the same level every day. I used to walk the room a lot during sound check, but it always sounded consistent, so I’ve stopped doing that because I trust him explicitly.”

The PA generally sat in a standard location for an arena PA, 10.5m off centre and no wider than that, using the same basic system design as Louis Tomlinson’s past touring campaign, which Crump worked on with Kenny to ensure it didn’t impede the production design. “The number of boxes we deploy varies from show to show, based on the venue. The worst-case scenario [visually] is that the PA needs to be a little lower than usual and gets in the way of the IMAG screens slightly,” Crump detailed.

He designed the system using Soundvision, then imported his file into Network Manager, with a DirectOut Technologies PRODIGY.MP chosen for system processing. “I have visited many of the European arenas before so I’ve got fairly accurate plots, however, sometimes you will stumble across an error someone has made in building the models,” he continued. “Madrid’s WiZink Center had different CAD drawings for each layer of the venue and one of the layers was accidentally scaled wrong, so the bottom floors were fine but as you went up everything was out. You get curveballs like that occasionally but that’s why it’s important to verify drawings.”

An audience also changes the acoustics of a room, generally for the better, but sometimes not, so Crump was on hand at FOH to make tweaks when required. “As rooms get larger, they generally get more difficult, reverb time will go up purely as a factor of the room size, regardless of how you treat it. The O2 is quite tall seating-wise, so you end up having to angle the PA up into the roof a lot,” Crump noted.

Over by the stage, Monitor Engineer, Barrie Pitt mixed the five-piece band and frontman using a DiGiCo Quantum 338 console. “Louis and the band are good at verbalising what they want. They’ve been playing a long time, so it’s my job to translate those desires into the mix,” he explained. “DiGiCo has been my ‘go-to’ brand of console for the past 15 years. The 338 is an incredibly powerful console, which can do as much as any other on the market and more in a much less convoluted way. I know it like the back of my hand and how to get the best out of it and do the most complicated things at the push of a button. The Capture features are ridiculously powerful.”

Pitt oversaw 85 channels, 64 directly from stage, with additional channels for shouts, sends, returns, communications, and routing, among others. His outboard rack included a classic Lexicon PCM 91 digital reverberator for vocals. “The way I set up the communications and shout systems are the same across the board. For the layout, a lot of people have instruments on one side and vocal and effects on the other, however, I tend to adjust my banks of faders visually, how you would see it on stage, left to right, as a nod to my analogue mixing days. My second layer is usually tracks and any track content with reverbs next to the vocals, so they’re changed in unison. Sometimes, I’ll do a custom layer of [drum or spill group, two lead guitar channels and vocal] the things I use most, particularly if it’s a busy show input-wise.”

Pitt referred to the basis of his mix as ‘static’ with minor changes. “Louis changes a fair bit between songs I’m running upwards of 60 scenes with a lot of songs having multiple scenes for verse and chorus or specific sections,” he explained. The Monitor Engineer is a big believer in unifying the in-ear monitors, so what he hears is the same as those on stage. “We use Shure PSM1000s, JH Audio Roxanne in-ear monitors for Louis and JH16s for everyone else, except for the drummer, who is using Ultimate Ears IEMs. Louis and the band are solid, and they keep their ears in from start to finish. Louis wants the rock star mix; he likes to feel the weight of the mix. It’s not an overpowering mix but it’s a full mix with his vocal on top with Neve 5045 primary source enhancers on all vocals. Everyone else has a standard band mix at moderate level with their instrument and vocals high. The drummer has the most straightforward mix with his drums and shouts layered on top.”

A further pair of subwoofers stage left, and right were situated under the stage risers, providing the weight of side fills without the top end. “It’s a big rock show with drums and guitars, so the less noise I can have flying about the stage, the better,” he said.

The microphone package included a Shure Axient Digital AD4D two-channel digital wireless receiver, a AD2 vocal microphone with a KSM9 capsule for vocals. Sennheiser MKH 60 and AKG C414 XLS microphones captured the ambient noise of the room. “We track everything, including the two sets of ambient microphones for recording and virtual soundcheck, in case the band decides to do anything with the live content,” he noted.

Having collaborated with Solotech and previously BCS Audio multiple times, Pitt was pleased to see the company on the tour sheet. “They are a solid choice and I know Dave Shepherd well. They fix any problems swiftly, and all their gear is well packaged and maintained,” he said. “The band and crew are lovely. It’s rare to come across a camp so friendly on a show of this size.” Pitt thanked Solotech Monitor and Stage Technician, Matt Coton. “He is fantastic. He takes all the second guessing out of my day and is so meticulous and thorough that I know everything will be as it should be from the get-go. When there are issues, he knows exactly what to do to remedy it. He’s been a joy to work and hang out with.”

Audio Technicians, Matt Coton, Tim Miller, Kim Watson, Elliott Clarke, James Coghlan, Matt Benton; Bassist and Keyboard Technician, Chris Freeman; Guitar Technician, Dan Ely and Playback Technician, Scotty Anderson made up the sound team.

CURATING A HOME AWAY FROM HOME Sarah Nicholas of Sarah’s Kitchen and Caterers, Rebecca Henderson, Helena Robertson, Chris Carter, Matty Pople and Tamsin Manvell provided band and crew catering, ensuring morale stayed high and stomachs were full on the road. Making a name for themselves as One Direction’s caterers, the outfit now cater for each of the band members’ individual tours and private functions, amassing a dedicated online following. “I started catering for Louis and the rest of One Direction during their first theatre gig in Watford and I feel very privileged to have that connection. At dinner time, we perform a plate service, which I think is important – our reputation is not only built on really good food but the entire hospitality package, creating a nourishing environment away from home,” Nicholas said.

Sarah’s Kitchen provided a range of vegan, gluten-free and vegetarian options. “We also provide disposable products and water coolers, and our runner regularly collects fresh, local produce from markets based on where we are in the world,” she explained.

The wider European crew featured Security, Kristian ‘Ches’, Ross Foster, Ben Major, and Gav Kerr; Merchandisers, Jon Ellis and Maddy Stephens; Bus Drivers, Aivaras Arminas, Frederico Antunes, Scott Pickering, Chris Grover; Entourage Bus Driver, Paul Roberts; Merchandise Truck Driver, Warren Dowey; BTS UK Account Handler, Garry Lewis; Stardes Account Handlers, Tyrone Reynolds, and Alam Minshall; CSE Crosscom Account Handler, Hannah Evans and Altour Travel Account Handler, Alexandra Gati.

Having wrapped up the best-selling livestream of 2020 – a lofty achievement given the proliferation of remote productions amid the grounding of live events with in-person crowds – Tomlinson shows no signs of slowing down post-pandemic, making the leap from sold-out theatres to arenas across the globe with his trusty crew in tow. “Live From London was great because the crew and I really needed it,” Delf said. “It gave us some much-needed work amid the lockdown, and all the proceeds went directly to the crew, which was an incredibly honourable thing to do. To come back out on the other side of lockdown was great. It was a dark time back then for everyone, but to be back out on tour surrounded by friends, who feel more like family, it’s special.”

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