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#AuburnUniversity#autonomousracecars#Bridgestone#CaliforniaInstituteofTechnology#CarnegieMellonUniversity#CES2025#Cisco#Continental#DefenseAdvancedResearchProjectsAgency#dSPACE#Ethias#Futurride#IndianaUniversity#IndyAutonomousChallenge#KoreaAdvancedInstituteofScienceandTechnology#Luminar#Marelli#MichiganStateUniversity#NewEagle#NI#PolitecnicodiMilano#PurdueUniversity#sustainablemobility#UCBerkeley#UCSanDiego#UniversityofAlabama#UniversityofHawai'i#UniversityofModenaandReggioEmilia#UniversityofVirginia#VectorNav
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Visit for more info: https://www.servotechinc.com/embedded-software
#it#enginnering#embedded software development#technology#matlab#embeddedsoftwaretools#robotics#java#cad#fea#dspace#vector#linux#autosar
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D-Space Digital Library System: Empowering Knowledge Sharing and Collaboration
In the digital age, the importance of efficient knowledge sharing and collaboration has become increasingly evident. Digital Library Systems play a pivotal role in preserving and disseminating valuable information across diverse academic and research communities. One such prominent system is the D-Space Digital Library System, which has gained recognition for its robustness, flexibility, and support for various content types. This article explores the key features, benefits, and impact of the D-Space Digital Library System in the context of modern knowledge management.
Understanding D-Space Digital Library System:
The D-Space Digital Library System is an open-source platform that provides organizations, institutions, and universities with the tools necessary to build, organize, and manage their digital repositories effectively. It was developed jointly by MIT Libraries and Hewlett-Packard Labs in 2002 and has since evolved into one of the leading digital library solutions worldwide.
Key Features and Functionality:
a. Extensive Metadata Support: D-Space accommodates a wide range of metadata standards, enabling efficient cataloging and indexing of diverse digital assets. This capability ensures seamless integration with existing library systems and promotes interoperability.
b. Flexible Content Types: The platform supports various content types, including documents, images, videos, datasets, and more. This versatility makes it an ideal choice for institutions with multifaceted digital collections.
c. Customizable Workflows: D-Space allows administrators to tailor submission workflows according to their specific requirements. This feature streamlines the process of content contribution and review, ensuring quality control and adherence to institutional policies.
d. Search and Discovery: With powerful search capabilities, users can easily explore the digital library, access relevant materials, and discover new knowledge. The system employs indexing and full-text search options to enhance discoverability.
e. Preservation and Archiving: D-Space emphasizes the long-term preservation of digital content. Its support for preservation metadata, versioning, and migration strategies ensures the integrity and accessibility of archived materials over time.
Advantages and Impact:
a. Open-Source Community: As an open-source platform, D-Space benefits from a vast community of developers, users, and contributors. This collaborative ecosystem fosters continuous improvement, innovative features, and responsive support.
b. Cost-Effectiveness: The open-source nature of D-Space eliminates licensing costs, making it an economical choice for institutions seeking a feature-rich digital library solution without substantial financial investments.
c. Knowledge Dissemination: D-Space enables seamless sharing of knowledge within academic and research communities. It facilitates scholarly communication and collaboration, transcending geographical barriers.
d. Institutional Visibility: Implementing D-Space can enhance an institution's visibility and reputation, as it provides a user-friendly platform for showcasing research output, institutional publications, and intellectual achievements.
Conclusion:
In the digital era, the D-Space Digital Library System stands as a crucial tool for institutions striving to manage and disseminate knowledge effectively. Its open-source nature, robust features, and support for diverse content types have earned it a well-deserved reputation among academia, research institutions, and libraries worldwide. By empowering knowledge sharing and collaboration, D-Space plays a vital role in advancing global research and academic progress.
#D-space digital library system#d-space library#D-space digital library#Library management system#library management software#digital library#bookstores#dspace
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not to be a pervert delineating exactly what im into but why do the body bags in the dead space remake look like that . whgy do they have collars. Hello
#who on the dev team got their freak on when they modelled this shit. can i shake their hand#dspace tag#chit chat#text
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dSPACE Studio designed Treehouse in Beverly Shores, Indiana -- via ArchDaily
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New disaster education graphic! Had to split it in half so tumblr wouldn't TOTALLY eat the quality. I'm going to put the full, unsplit version beneath a cut so if you want to share this graphic you can grab the whole one or the two halves, whichever works for you. As always, my disaster graphics can be shared anywhere on the internet that isn't making a profit, as long as my credit remains intact at the bottom! If you would like to license a physical or paid use of them, reach out to me on my website.
I've seen a lot of graphics about defensible space over the years, but I've never really seen one that does a good job of also explaining WHY the recommendations are what they are, so I've been wanting to make a graphic that dug into the why.
Alt text is also below the cut!
Alt text: Two halves of a single infographic. The background is dark gray. The top text reads "Why Does Defensible Space Matter?" in large yellow text. Below that is the text "When it comes to protecting your home from a wildfire, having defensible space around your home is one of the best things you can do. But why?" in black. Below that is the text "Wildfires move in three main ways:" in white.
Next there are three rectangles in a lighter gray, stacked one on top of the other. Each has a diagram of a small house on the edge of a forest. There are decorations on the porch, firewood on the porch, leaf litter on the roof, overgrown grass, trees growing right up next to the house, bushes, and the forest is crowded and overgrown.
In the top box, there is a fire moving along the ground, and the box is labeled as "Along the ground." In the second box the fire is moving through the tops of the trees, and the box is labeled, "through the crowns of trees." The third box shows a distance fire with lots of little embers being blown through the air, labeled as "Through the air via embers."
After that is the text, "The goal of defensible space is to make changes that impede each of these types of movement" in white.
Below that are the same three boxes as above, but each one shows changes you can make to impede one of these types of movement. The changes are listed under the box in a numbered list, with the numbers also in the diagram where those changes are reflected in the art.
The first box is labeled as "Impede ground movement" and has the following items listed:
Create a five foot zone around your home with no burnables using gravel, pavers, or other hardscaping.
Keep grass trimmed and well maintained in a thirty foot radius around your home.
Keep ground plants other than grass to a minimum and well spaced out.
Trim low hanging branches to prevent a ground fire from accessing higher portions of the tree.
The second box is labeled as "Impede Crown Movement" and has the following items listed:
Remove trees hanging over the roof and close to the home.
Thin trees within One-Hundred Feet of the home to reduce movement of flames between them.
The third box is labeled as "Remove Anything that can trap embers" and has the following items listed:
Clean debris such as leaves from off the roof of and around your home.
Do not store firewood or lumber near your home.
Keep combustible decorations That can trap embers close to your home to a minimum.
After that is a larger version of the house, but redecorated in a more fire safe manner. The door has been painted purple, there are plants visible inside through the window, and the outdoor decorations are made of non-combustible materials. After the house is the text "There are still plenty of ways to make your home your own while being fire safe!" in white.
Below that in a rectangle is the text "For more information on defensible space and how to create it around your home, visit: https://www.fire.ca.gov/dspace for a more in depth breakdown of how to protect each zone around your home."
The last text on the poster reads "If you are in the U.S.A. and experiencing disaster related anxiety, call the Disaster Distress Hotline at 1-800-985-5990 for support and resources. Poster created by Katy L. Wood ● www.Katy-L-Wood.com"

#Wildfire#Disaster Education#Defensible Space#Natural Disaster#Infographic#My Art#Emergency Management
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I was going to read more of that academic paper you linked on the theyfab post (from april) and the link appears to be broken; do you still happen to know the name by any chance?
This link should work
But here's the APA citation
Kotajärvi, M. (1998). In-group Hate Speech: A Speech Act Theoretical Investigation of Transphobic. Philosophy, 36, 419-468.
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Luin hiljan mahtavan gradun, josta voisitte tykätä, jos ette ole vielä lukeneet:
Epämääräinen muodostelma lämmintä grillimakkaraa ja kitukasvuisia kiivejä : intiimialueiden nimitykset suomenkielisessä fanifiktiossa
Lyhyesti myyntipuhetta:
Aihealueena fanifiktio/sukuelimet/suomen kieli, kolmen suora suomitumpulle.
Mainio katsaus semantiikan teoriaan fanifiktioesimerkein, tykkäsin.
Mielenkiintoisia havaintoja, esim. intiimialueisiin viitataan ylivertaisesti useimmiten niiden "omistajalla".
Suosituin pippeli-aiheinen sana kalu, pimppi-aiheinen klitoris.
Kokoelma "värikkäitä" ilmauksia.
5/5 lukusuositus
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#CES2025#cloud-basedvehicledevelopment#dSPACE#dSPACEControlSpace#dSPACEVEOS#Futurride#SILtesting#software-in-the-loop#Stellantis#StellantisVirtualEngineeringWorkbench#sustainablemobility
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#seo#digitalmarketingagency#digitalmarketing#digitalmarketingcompany#smm#dspacedigitalmarketing#digital#dspace#marketing#startup#dubai#us#uk
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Proclaiming the Year of ʾAlʾiyan-Baʿal
KTU 1.78 is quite a peculiar piece of ancient literature. It's an astrological report from Ugarit written in the City's own language and alphabet.¹ Despite being only six lines long, it has been the subject of extended discussion among scholars due to an ominous description of an astronomical event.² This event was identified early on by researchers with a solar eclipse dated to 1375 BCE, but a 1989 reexamination by astronomer Teije De Jong and Assyriologist W.H. van Soldt pointed to another solar eclipse, of 1223 BCE, as a more likely candidate.¹,³,⁴
This challenged the prevailing view of the timeframe of the Ugaritic texts.⁵ An even fuller picture thereof has emerged from research upon texts including those discovered in the house of a Diviner named Agaptharri.⁶ Three of these are particularly intriguing in relation to the Baʿal cycle, one of them even providing insight into the ritual aspect of the myth. It's classified as RS 24.293 and it involves 𒀭Mot, the God of Death who swallows up 𒀭Baʿal before being destroyed by 𒀭Maiden ʿAnat to restore Her Brother to life.⁷
The Fourth Tablet of Baʿal itself, written by the scribe Ilimilku of Shuban under 𒀭'King Niqmaddu IV of Ugarit (formerly reckoned Niqmaddu III) around the same time as the apparent eclipse, also contains a portion of broken text which bridges 𒀭Baʿal the Victorious' Great Theophany and His instructions to the Lads 𒀭Gapn and 𒀭ʾUgar to deliver His message to 𒀭Mot. Restoration of the text shows it appears to refer to the Sun, personified as 𒀭Shapash the Lamp of the Deities, being cloaked in gloom as a grim omen.⁸,⁹ I think it's easy to see the connection I'm making here; I believe these two eclipses can be taken together as a sort of symbolic epoch.
The date was recorded as the Month of Khiyyaru during the New Moon which was the first Day of the Month in the Ugaritic calendar.¹ This lunar calendar has twelve months beginning just before the Autumnal Equinox in September. There was a modern version on Tess Dawson's Natib Qadish website but it's no longer present and I'm interested in repurposing it if I can figure out the math involved (especially with intercalation).
In any case, under the De Jong and van Soldt dating we are now in Year 3248 of Baʿal the Victorious starting in late Summer of 2024 CE and ending in late Summer of 2025 CE. This is of course the first actual use of such a dating system, so it's only appropriate for it to take place on the civil New Year's Day. Shulmu 𒁲𒈬 and Happy New Year to all!
References
Wyatt, Nicolas. Religious Texts from Ugarit, 2nd ed, 366–67. The Biblical Seminar 53. London: Sheffield Academic Press, 2002.
Pardee, Dennis. Ritual and Cult at Ugarit, 131–32. Edited by Theodore J. Lewis. Writings from the Ancient World 10. Atlanta: Society of Biblical Literature, 2002.
De Jong, Teije, and Wilfred H. van Soldt. “Redating an Early Solar Eclipse Record (KTU 1.78): Implications for the Ugaritic Calendar and the Secular Accelerations of the Earth and Moon.” Jaarbericht Ex Oriente Lux 30 (January 1989): 65–77. https://www.researchgate.net/publication/274720180_Redating_an_Early_Solar_Eclipse_Record_KTU_178_Implications_for_the_Ugaritic_Calendar_and_the_Secular_Accelerations_of_the_Earth_and_Moon.
De Jong, Teije, and Wilfred H. van Soldt. “The Earliest Known Solar Eclipse Record Redated.” Nature 338 (March 16, 1989): 238–40. https://www.researchgate.net/publication/232779160_The_earliest_known_solar_eclipse_record_redated.
Pardee, 242.
Olmo Lete, Gregorio del, ed. “(Bn) Ảgpṯr / (Binu) Agapṯarri’s House: The Functional Analysis of an Ugaritian ‘Archive’ (PH Room 10).” In The Private Archives of Ugarit: A Functional Analysis, 27–54. Barcino Monographica Orientalia 11. Barcelona: Edicions de la Universitat de Barcelona, 2018. https://diposit.ub.edu/dspace/bitstream/2445/129766/1/9788491682394%20(Creative%20Commons).pdf.
Pardee, 211–14 (for the other two texts noted: Wyatt, 388–90 & 414–15).
Gibson, John C.L. Canaanite Myths and Legends, 66. Edited by G.R. Driver. London: T&T Clark International, 2004.
Wyatt, 111–12.
#pagan#semitic pagan#baal#anat#ugarit#canaan#paganism#semitic paganism#calendar#new year#astronomy#ancient near east#ancient history#shapash#history#shulmu#happy new year#ancient levant#bronze age#ugaritic#ugaritic mythology#canaanite#canaanite pagan#canaanite paganism#canaanite polytheism#polytheist#polytheism#phoenicia#phoenician#punic
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Fun fact: someone at the University of Helsinki wrote a paperabout 4chan's /lgbt/ board and its terminology
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Bluu got food poisoning from eating a raw snail, and snail is upset 🐌
NOOOOO IT GOT ITS PAY BACK!!!!!!! HOW DARE ITTT!!! Ykn'o what! Fine! I am from dspace SO should weare off in like... 20 MINUTES??? i hope idk ehehaheh!!!! Also this song is such a lovely i would reccomend you take a listen :0
The snail.. i will revenge you.. snail..
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the main big thing about the dead space remake that still annoys me is the change they made to isaac's appearance. which is annoying BECAUSE it's so insignificant overall but it's still also just very baffling to me because visceral used gunner wright's full likeness for isaac for that take down the terror live action trailer, but motive who also used gunner wright's full likeness and with three other games to use as refernce from still somehow made him look like and entirely fucking different guy????????? nicole still looks like nicole. mercer still looks like mercer. i don't fucking KNOWWWWWW WHY they did that it's so stupid bc it IS insignificant mainly bc isaac wears his helmet 95% of the time but it's like one gripe that stands out to me when the rest of the game is virtually flawless to me
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