can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis
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much as bakugou hates having his privacy invaded, he doesn't bother to hide his face when buying you flowers.
out in public, right there on the street. first, in front of the strangers passing by, and then not long after, his candid, frowning face is plastered across several cheap magazines all throughout the city. it pisses him off to no end to keep his mouth shut when he knows some bastard is snapping his picture from across the street — but he swallows it all down, for you.
doesn't pull his hat any lower as he drives through the streets, doesn't hesitate to take the stairs up to your apartment, doesn't care to cover up the look on his face — with his pitifully sad eyes and soft frown — when you open and shut the door before he can even say anything.
bakugou hates to have his privacy invaded, but he'll gladly let the world know where his heart lies, this time. yeah, he fucked up before, but he'll be front page every single day if that's what it takes for you to realize how much you mean to him.
if, eventually, the center spread will be of you, leaning against the door frame with a little smile and a bouquet in your hands. he wouldn't even mind, really, if they captured the exact moment you decide to give him a second chance, or the kiss you plant on his cheek after.
can't tell how red his face is from a distance, but his smile is crystal clear.
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i WILL defend Kiriona being a total ass to everyone in NtN because Gideon spent her entire life just watching those damned skeletons and wishing that the bones would show her any kind of acknowledgement. and then Gideon went to Canaan House and she made her first friends ever, the first people ever to show her the kind of love and tenderness that she had needed her whole miserable life, and then she died.
and when Gideon came back, practically the first thing she learned is that her mother, who she had spent her whole life dreaming about, hated her. like, suprise!!! you weren't just despised & hated after birth, but also before and during!! her mother thought of her as a parasite and a bomb. just a key to a lock that Gideon had never given a shit about.
and THEN!!! Gideon gets swept off in the River and she comes back as a corpse and the first time she sees her friends again, the first friends she ever had, all they can talk about is using her body -- not even her as a person, just her meat and blood -- for the same end as her mother wanted. just a key for the lock on that same damn door. like, yeah, Cam & Pal & crew thought she was gone and they wouldnt have any way to know that her soul was there. but also, their first words in her earshot were about using her and the first thing they did to her was try and violate her corpse. so basically. Kiriona deserves to have her villian era.
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so um... i found a pose reference that gave me big vanishay vibes, but then i got carried away then tried to turn it into a lore moment for some reason? 😭
i don’t totally like how his arm looks plus i couldn’t get him low enough because the height difference was making it a really awkward angle, but that’s what i get for copying the anime style again... it’s janky but close enough lmao
full disclosure vanilla's bangs and face are heavily referenced bc they were giving me the most grief to copy, no thanks to all those damn little LINES.
reference + transparent vers. under the cut!
𝚝𝚊𝚐 𝚕𝚒𝚜𝚝 :: @goblinselfshippr、 @over--heaven、 @spookysinner45、 @little-miss-selfships | join my tag list ᡣ𐭩
can’t find a direct link since i saw it on pinterest (💔) but it’s by mellon_soup!
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no ok like. i know this is The YBC Blog and all but i really truly need to go off about how GENUINELY fucking fascinating the whole "young volcanoes" video is on a metatextual level. like the entirety of the youngblood chronicles says a WHOLE hell of a lot about the band in terms of the metaphors it's painting wrt the hiatus and reformation and the fact that they took this particular song (sonically incredibly airy and cheerful, lyrically desolate) and turned it into the dinner party from hell. this is a story where an external force chops up the lead singer and hollows him out and then serves his organs to the rest of the band. theyre made to consume him, literally, against their will!!! and thats not all!! they are vividly hallucinating at this point, because theyve been heavily drugged - again, against their will! - and they see this whole thing as a joyous affair. in their blitzed out brains, this is them reuniting after the harrowing experience of being kidnapped off the goddamn streets! and then they have this fucked up trippy GROUP HALLUCINATION where they are literally EATING PATRICKS ORGANS. and in the real world, none of them can see this happening - except patrick. patrick is not blindfolded. patrick can see them being forcefed his own viscera and he's too fucking high off his ass to do anything about it. in fact, in reality, he barely acknowledges his bandmates at all.
like just thinking about this from a metaphorical perspective. its fucking fascinating innit. the band literally cannibalizes patrick against their will, and he cannibalizes himself against his will, and they are all made to believe this is something that they want to have happen. they are misled and drugged into this. they eat him alive. they eat him ALIVE. and they are made to think they're having a great time doing it.
the band consumes itself for the seeming entertainment of the onlooking vixens. and they don't explore this through the avenue of pete, who the rest of the band regularly cites as the creative impetus behind the band, but through patrick, the voice. the mouthpiece. the one who sings the words. this is the third fucking video they released when the band came back from hiatus. and its this. it is the band being forced to consume the lead singer and primary composer from the inside, and him participating in this forced consumption.
it makes me grip my head and scream. we witness this horrifying incident so early and things only get worse and worse from there. for all that patrick kills joe and pete later in the narrative, they have patrick's blood on their lips first, staining their mouths, slicking their insides. and, like the case with patrick, who has been warped into something violent, they don't do this willingly; it is done to them. we see what true and genuine hatred of music and creativity has motivated the vixens to do. and in contrast we see, by the story's end, the thesis statement that the defenders of the faith love each other beyond any earthly horror that can be inflicted upon them. how unbelievably unfathomably fucking captivating for this to be present at the very start, this warped perversion of that kind of love. what else is friendship and brotherhood but this. what else is love at its most destructive and possessive than this. we are friends, we are brothers in arms, we are companions until the bitterest of all bitter ends. we have wrought immeasurable horrors upon each other. we have consumed each other. we have eaten each other alive. we all have each other's blood on our hands and in our mouths. if save rock and roll is the brightest and most elevated declaration of love imaginable, then young volcanoes is the darkest and most twisted. we don't want to be here. we're having the time of our lives. we're trapped. we're screaming. we missed you. we are better together. we are destroying each other. we love you. we love you to the most twisted and horrific and absolute endpoint imaginable. we love you. they won't let us stop loving you. we love you. they won't let us stop. we love you.
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“use this sound to have the best year ever!” “use this sound to pass your exams” “use this sound to blablabla” i literally don’t wanna exist, where’s the sound for that 🤨
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