Roman: If Patton, Virgil and I were drowning, who would you save?
Logan: You can’t swim?? I thought all of you idiots took lessons! We live in Florida, you have to know!
Virgil: Logan, it’s just a hypothetical question.
Patton: Yeah, who would you save?
Logan: My time and effort.
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L analysis / theory-ish
in the year of our lord 2022 because things don't make the bittest of logic & I'm here to serve autism conversation meme aka INTJ-to-INTJ bluetooth connection, telling tumblr, once more, of Him. But fr yes here's another analysis of canon content hear me out
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Recently I've come across the Death Note Short Stories books and with it, these panels.
It seems odd how often L would state, just as bluntly: "I am justice", "L is justice", as if taking pride in some kind of double standard.
One could argue that this was his main goal during his early years (considering he might have felt somewhat high and mighty after preventing WW3), but that would mean L let go of the fact he initially wanted to use his intellect to benifit a larger good later on. Except... As recent as the beginning of the Death Note timeline, during the case of the LABB, a certain lightheartedness about his all-around approach was rather apparent, i.e. whenever he asked Misora if B "was cool", which anyhow quickly plummeted as his ideology came into question. It's inexplicitly stated that his motive for spending time on his work at all, especially on an extremely uncomfortable case as the one of a vengeful successor, or, you know, the ones involving crying survivors that reportedly haunt him daily, is following a code of "kindness", or perhaps even 'goodness' or 'justice'.
Was L forging the truth in the panels above to arise a response that would've been harder to get through full transparency? Giving the kids of Wammy's House a motif of casualness for what it means to step into L's footsteps is nothing but a making sure his successor is capable enough to have fun with it (be enough like him to use their anonymity in 'unfair', yet sufficient ways, enabling them to reach their goal with all the brattiness their smarts will grant them) and quelling the work towards a too high goal if they're not on board with doing well for themselves in face of The Burden (because, wouldn't you know, that was basically all this meeting was anyway. See end of this post for context).
I really thought it was odd for L to undermine the work he takes pride in.
In L Change The World (book one), L's literal dying duty is to save the world. It can't be ignored that it's s spin-off, but it can't be ignored that it'd be silly if the main goal of the book would be out of character. If it was his hobby, as he said, and his goals were selfish, he could've just set up in a comfy place somewhere, get his bearings, uncaring for the future of his successors (literally what he did care for in the panels shown above. This gathering is from the time he knew he might be killed by Kira soon) and watch the world crumble, but instead he went to, yes do what he loved, but fulfill a duty he felt he had. The unnecessary pain throughout the plot really can't be described as anything but passion and a sense of destiny. His ways aren't morally white, but they're well-meaning and genuine. Often arguably self-sacraficing.
It's more believable that L is splaying a facet he sees in his work & mentality. Being a detective is always bound to some sort of irony, to choose to call it 'righteous', and the measures necessary to reach a goal in such field. L recognizes this well and has no need to hide it, especially towards a room of potential proteges that will soon have to deal with that same irony by literally becoming him in the eye of the public. This actually arises the question if Near truly understands L's ways at this point. Short Stories could have served as Near's arc to understanding L's emotional side that, in the end, brought about his downfall and, for the lack of it, Near's victory. The announcement Near makes, addressing Cheap-Kira (which I adore btw) doesn't befit L at all. Yes, the new Kira has killed many (enough to warrant L's attention at the very least) and it's an honor thing for Near to go after them as L, but it's too experimental. It serves as a provocation and lure, but nothing deeply authentic. At this point the new Kira hadn't challanged L whatsoever, so the 'disinterest' thing just seems like Near shooting into the dark, less quiet & undercover than L really loved to go about things, mostly to evaluate how to go after certain cases in the first place & already semi solve them before even going public with it, at most prepping a provocation like this if something can't be clearly deduced by observing present events alone. (Read tags for fix-it-type criticism of this specifically)
Structure edit: 10.7.2023
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💖☹ Eddie's first thought was why does this beautiful woman want to kill me? Haha @question-marked
𝐅𝐈𝐑𝐒𝐓 𝐈𝐌𝐏𝐑𝐄𝐒𝐒𝐈𝐎𝐍𝐒 𝐌𝐄𝐌𝐄 ┇ accepting ♡
💖 - your muse thought mine was hot.
she fixates her questionable look at riddler as if he just said the stupidest thing known to mankind and arguably enough it was. she tried to assassinate him a few weeks ago and it was pretty hard to believe he thought she was attractive and not intimidating after their first encounter. perhaps her visage shut down his logical senses or maybe he was just feeling overconfident of his chances with her after handing the one million over in a blink of an eye. she tends to have that effect on most people, especially the men.
❝ well aren't you a bundle of surprises. ❞ louise finally says and bluntly checks him out in return, a delightful smirk slowly creeping in. ❝ you're more handsome in person than that mugshot joker gave me. ❞
☹ - your muse thought mine was rude.
louise gives a lazy shrug at that and a gentle shake of her head. ❝ i'm not sorry for doing my job. whatever you and joker have is your business, so don't try and get even with me riddler. i was just starting to like you. ❞ she knows he won't, but it's safer to keep that man on his toes if he values his life. there's been a few who never heed the warning. the knives on her back were living, breathing proof of that.
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