#david teniers ii

[piononostalgia]

David Teniers II

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Óleo sobre lienzo, ca. 1665

[mysterious-secret-garden]

David Teniers (II) - Allegory of Prudence Triumphing Over Vanity, between 1651 and 1690.

[cjjasp]

#FineArtFriday: Peasant Wedding, David Teniers II (revisited)

Today is the day after Thanksgiving here in the US. Many people are out doing their Christmas shopping or looking for Black Friday bargains. But not my husband and me. We will rest up, enjoy leftovers, and visit the storage unit to pick up our bin full of Christmas decorations. Maybe we’ll decorate the balcony, offer a little cheer to the neighbors across the way. I love today’s painting, and…

[taxi-davis]

[centuriespast]

Mary Magdalene in the Wilderness (after Palma il Giovane) David Teniers II (1610–1690) The Courtauld, London (Samuel Courtauld Trust)

[cparti-mkiki]

Don Juan of Austria, governor of the Spanish Netherlands, by Jan van Troyen (after David Teniers II), 1656.

[dutch-and-flemish-painters]

Pieter Bout - Seascape -

Pieter Bout (between 1640 and 1658 – between 1689 and 1719) was a Flemish painter, draughtsman and etcher. He is known mainly for his landscapes, city, coast and country views and architectural scenes painted in a style reminiscent of earlier Flemish masters such as Jan Brueghel the Elder.

Pieter Bout was a very prolific artist who worked in many genres. Most of his works include a landscape element and many are views of cities, villages, ports, beaches or rivers. His views are in the tradition of Jan Brueghel the Elder. They also show similarity to the work of David Teniers the Younger and the landscapes of Brussels landscape painters such as Adriaen Frans Boudewyns, Lucas Achtschellinck and Jacques d'Arthois, for whom he also often painted the staffage. He further painted Italianate landscapes in the manner of Nicolaes Berchem. Some of his work is also similar to that of Pieter Casteels II, a Flemish painter known for his Italianizing landscapes and city views. His paintings often include lively scenes such as village festivals and people having fun on the ice.

Pieter Bout collaborated on a beach view with Lucas Smout who painted the staffage. This work referred to as Harbour and Fish Market (Musée des beaux-arts de Quimper) possibly represents a view of the beach and port of Scheveningen as in its composition and figures it closely resembles Pieter Bout's Selling Fish at the Beach of Scheveningen (Van Ham Auctions, 11 May 2012, Lot 518). The Rijksmuseum attributes to Bout a religious painting entitled The Adoration of the Shepherds. His paintings are lively and the brushwork is precise. His palette is clear and soft and announces the 18th century.

Bout's drawings and etchings are similar to his paintings in style and subject matter.

[homomenhommes]

'Le Fumeur Flamand'; A smoker lighting a pipe in an interior " Oil on panel, [Private collection] - - David Teniers II (Flemish; 1610 - 1690)

[portraits-of-iris]

Peasants Merrymaking

Lucas van Uden and David Teniers II

[omgggrald]

An alchemist in his laboratory. Oil painting by a follower of David II Teniers.

[delux2222]

Happy Birthday, David Teniers II (1610-1690)

The Hustle-Cap.

[snacking-on-art-2022]

Witch Scene, 1635 ~ David Teniers II, (1610-1690)

[blossompuppy]

BIG ARTFIGHT ATTACK WAHAHAAAA!!!!

Big DND tavern attack!!! Original painting is Tavern Scene by David Teniers II

Main party is the Strixhaven party! Only Moxie (owned by @dragonsden) was on artfight's site, but THEYRE ALL IN A GROUP HERE GO ATTACK THEM!

The red-haired tiefling, Xerxes, is owned by plantera_, Magna Aziza is owned by Adrammelech, Petunia is owned by caseofthefuckyous, Ulrich Kolian Von Ritcher is owned by LancerStiler, Quill is owned by ViperiousViolet, and Light is owned by @infernal-skull

[visualpoett]

Kermis on Saint George's Day

Artist: David Teniers the Younger or David Teniers II 

[belgiancampines]

Uit de kunst, opnieuw!

Wie hadden we al? Pieter Breugel de Oude (1566), Frans Snyders (1625), Pieter De Bloot (1640), Jean Louis Van Kuyck (1863) & Albertus Verhoesen (1869).

En nu mogen we daar het vermoeden aan toevoegen dat ook de Antwerpse schilder David Teniers II enkele oercampines vereeuwigde op dit werk genaamd 'De strosnijder' uit 1645.

Dit schilderij wordt trouwens getoond of bewaard bij de Dulwich Picture Gallery in het zuiden van London. We hebben het al eens gezegd, het Kempisch kieken is een wereldkieken.

Op het schilderij is goed te zien hoe de haan een gouden Campine zou kunnen zijn, de oerversie dan toch met een volledig zwarte staart en gouden zadelbehang. De kam is duidelijk Kempisch met een kamhiel die horizontaal uitsteekt en niet de neklijn naar beneden volgt. In de borst is een mengeling van een zwarte grondkleur met gouden vlekken te zien. De haan staat hoog op de poten, net als de hennen.

De hennen in het midden hebben dan weer een witte hals, blauwleien benen en een omvallende kam. Het lijf is grijzig, 'la poule grise de la Campine' zoals de Fransen zeiden. En opvallend hun hoofden zijn zwart, een beetje zoals bij het Zottegems hoen vandaag de dag nog te zien is.

[centuriespast]

The Dream of Human Life (after Michelangelo Buonarroti) David Teniers II (1610–1690) and Nikolaus van Hoy (1631–1679) and Franciscus van der Steen (c.1625–1672) The Courtauld, London (Samuel Courtauld Trust)