#dci Daniel Hegarty
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rumple04 · 2 months ago
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Happy birthday Peter Capaldi from a bunch of lovely people who really love you! Thank you for your art, your kindness and your talent!
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Richelieu & Peter Capaldi - @raspbel-art (@/raspboise on Instagram)
Mr Whiskers - @neon-psychopomp (@/neonpsychopomp on Instagram)
Twelfth Doctor - @dontletmeeatpears31 (@/dontletmeeatpears on Instagram)
Malcolm Tucker & The Thinker - @jades960 (@/12thjd_s on Instagram)
Gideon Shepherd - @/luleptitbiscuit on Instagram)
Mr Micawber - @doctahdisco (@/doctahdisco on Instagram)
Mr Curry - @/berubara.4.ham on Instagram)
DCI Daniel Hegarty - @the-immortal-redshirt
Rabbit, Kehaar and Angus Flint - @beetlegraves (@/beetle_graves on Instagram)
Randall and Danny Oldsen - @rumple04 (@/rumplewho on Instagram)
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anteroom-of-death · 1 year ago
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I have...thoughts
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doctorfriend79 · 1 year ago
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DCI Daniel Hegarty - Criminal Record
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danishnerdess · 1 year ago
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Daniel Hegarty saving June from taking a life - Criminal Record 1x08 - Carla
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js-vic · 1 year ago
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Another chapter is up!!
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ayaan-9x · 10 months ago
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the dynamic between hegarty and lenker is so interesting at first you think hegarty hates her but with each passing episode you are like wait he doesn't hate her so why is he trying to take her place? is he envious of her? then it becomes obvious that big part of him wants her on his side but he realizes this cannot happen at the end he is content with the game of cat and mouse they have going on.
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godsfavoriteasian · 1 month ago
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The bite marks don't match Errol Mathis!
Omg we find out that DCI Hegarty was a member of a police crew nicknamed the 62s along with DS Kenny Gilfoyle and DS Kim Cardwell. Apparently they have an agenda.
June needs to watch her back.
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dci-daniel-hegarty · 1 year ago
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It was the end of the night, home finally after coming back after a shift with a new case that was testing his patience. It was quiet; the two bedroom flat was silent against the other noises in the house. He saw his dog, lying down on the floor of the darkened living room. The lights were turned down in all the rooms as he found every room and hallway dark. With a heavy sigh he moved to the first door leading to his daughter’s room. He found her, sprawled on her bed and reeking of alcohol; not an uncommon occurrence and worse as of late but at least she had made it home on her own.
It was hardly surprising that he didn’t get a call, a warning that his daughter had made a scene of herself, and often enough times he was called to pick her up. It seemed that she was getting worse. The bottle in her hand was beside her. He collected it, fixing her limbs to lay her back in bed, and tucked her hair back behind her ear. Sitting still on her bed as he looked down and her. Gone were the days when she was young and innocent. She was so troubled.
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He blamed himself in part of that since her mother died 4 years ago. Daniel took it terribly. He was grieving himself but neglected his daughter. He hired a nanny, gave her more allowances to do things she wanted and he even convinced himself that a dog could fix her problems but instead, she took to drinking. He cared for the dog on his own. It only remained company for her when he needed a guard dog when she drank herself to sleep. At least, he was still useful for something.
He gently woke her; minding that her drink made her rather bitter but he needed to check on her. “Lia, have you eaten?” quietly speaking to his daughter in a gentle tone as he shook her arm. “You’ll get sick if you don’t eat” he coaxed. “I brought dinner”
@theresastargirl
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glitterypin · 10 months ago
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like I've already said:
very big hug
punch to the face
dishonorable discharge
in that order
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CRIMINAL RECORD | DANIEL HEGARTY
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lonelyzarquon · 1 year ago
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Peter Capaldi as DCI Daniel Hegarty CRIMINAL RECORD (2024-)
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petercapaldi-press · 4 months ago
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INTERVIEW
Peter Capaldi: ‘I was relieved the Tories lost. But it’s not that simple’
The Glasgow-born actor started out playing easy-going buffoons. Then along came ‘The Thick of It’. He talks to Craig McLean about how the Tories killed political satire, the divisive nature of the culture wars, why he found ‘Doctor Who’ fandom difficult, and what it’s like to be cast as malevolent characters
Sunday 20 October 2024 06:00 BST
Recently, whenever Peter Capaldi has been shown rough footage of himself acting in scenes, he’s done a double-take. “I’m horrified,” he says. “I go: who is that old, weird, gaunt guy with the white hair? Oh, it’s me. That’s what I’ve become. But that’s OK,” adds the 66-year-old with a shrug. “I always loved Peter Cushing, Christopher Lee and Vincent Price. Playing those villains, all those horror movie types, is great fun.”
Capaldi has certainly made a speciality out of sulphurous ne’er-do-wells with something of the night about them. On Friday, the crepuscular character actor who was more Doctor What? than Doctor Who returned to our screens in Prime Video’s twisty, time-bendy, supernatural thriller The Devil’s Hour as Gideon Shepherd, a mysterious criminal with a biblical name who may or may not be a serial killer. Meanwhile, details are scant on who or what he’s playing in the upcoming series of Black Mirror, but it’s a reasonable bet it’s a role with a whiff of the devil. Capaldi is happy with his run of malevolent characters – broadly. “I used to do voiceovers for Anchor butter. One day they said to me: ‘Could you try and sound a little less sinister?’ I thought: ‘I don’t know what’s happened, I’ve suddenly gone sinister.’ But sinister is good. I’ve always been a great fan of the sinister.”
Leaning in close over our lunchtime minestrone, eyes bulging, Scottish brogue bewitching, the Glasgow-born actor and Oscar-winning director is head-to-toe in black at a tiny table in a private members’ club in central London. Conversation turns to Criminal Record, this year’s low-key hit for Apple TV+ that is about to begin production on its second series. Capaldi plays an old-school copper with old-school values. You know, a bit of casual misogyny here, a bit of institutional racism there. All of which, naturally, rubbed up his counterpart, played by Cush Jumbo, an exemplar of “woke” modern policing. In a knotty drama developed by Capaldi’s producer wife Elaine Collins, the fact that DCI Daniel Hegarty was a barely likeable character was part of the attraction.
“Absolutely,” he affirms. “But also that he was complicated. That he wasn’t so simple to understand. We wanted to engage the audience in some sympathy for him. And understand that people are complex. He’s not black and white. But, yeah, in essence his role was to carry that darkness. That was appealing.”
Capaldi and Collins are both executive producers on Criminal Record. But he defers to his wife of 33 years – they met in 1983 on a touring theatrical production in Scotland but have long been based in north London – as “the boss, the creator”. While employed at the BBC, Collins developed Vera and Shetland – cosier police procedurals for sure. “Eventually she left, and went out on her own, and was keen to do a show that was maybe a bit harder.”
By “harder”, does he mean challenging woke sensibilities? “Well, I don’t know what woke sensibilities are. It’s trying to tell a story that’s interesting, arresting and makes people think – and is responsible. I’ve got the general picture [of what woke is]. It’s used all over the place. I don’t think half the people who use it know [what it means]. It’s just another word. This constant polarisation is not useful. It’s another tool to keep people apart.”
When I ask whether that’s what cancel culture is partly about, too, he professes confusion. “I don’t know – seriously. There have been points where there has been definite political motivation to cause [division]. To place people on the other side of the fence to each other. And it was contingent – it was more useful to the Tory party to have these wars than to try and find out what could bring people together.”
What he means is: it’s easier to foment a culture war than it is to tackle the problem of, say, social exclusion. “Yes. It’s all complicated, and simplifying it to black and white doesn’t help anyone.”
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Capaldi leaning into the sinister in ‘The Devil’s Hour’ (Amazon)
Now in late middle age, and a grandfather of two, Capaldi admits to feeling a bit surprised at the way his career has turned out. “When I started off, I was an easygoing buffoon – a gangly youth in a Bill Forsyth gentle comedy,” he says of his breakout role opposite Burt Lancaster in the great Scottish director’s beloved Local Hero (1983). “But The Thick of It changed everything for me.”
Armando Iannucci’s excoriating political satire, which ran for four series between 2005 and 2012, rebranded Capaldi as Malcolm Tucker: the sweary spin doctor extraordinaire, a machiavellian operative who simultaneously oozed no-f’s-given superiority and radiated all-the-f’s rage. It exposed the inner machinations of government as both farcical and toxic. But this workplace comedy now feels very much of its time. Because surely post-get-Brexit-done, post-Parytgate and post-Liz-the-lettuce, politics today is beyond satire?
“We all felt that. I’m constantly asked by the press if I would do a new one,” he says of a show that won him a Bafta in 2010. “But [under the Tories] things were just too serious. The corruption was too deep. We’d be letting them off the hook by being funny.”
"David Tennant told me that, after ‘Doctor Who’, I wouldn’t be able to walk down the street without people knowing me"
Capaldi was raised in a working-class household in Glasgow and it’s not hard to divine his political sensibilities. But while he’s “glad, obviously” that the Tories lost the election, he insists that he’s “not politically engaged”. Why not? “I was forced to be politically engaged," he answers, presumably a reference to the demands placed on him by Iannucci’s typically nuanced scripts. “I’m not interested in it. In fact I hate it. I don’t want to spend my life thinking about all this stuff. Of course I was relieved the Tories lost. But it’s not that simple, is it?” He pauses and twitches a salt-and-pepper eyebrow. “Sorry, I sound mournful, don’t I?”
It’s that mournful demeanour that made him find some elements of his three-series run as the Time Lord difficult. He recalls talking to his predecessor-but-one, David Tennant, before his casting was announced in August 2013. “David said: ‘Is this true, you’re going to be the Doctor? Well, let’s go have a talk.’ It might have been here actually,” says Capaldi, gesturing round this clamorous room beloved of film and telly folk. “And he said to me: ‘What will change is your visibility. You won’t be able to walk down the street without people knowing who you are.’ I was like: ‘OK, we’ll see how that goes…’”
Capaldi ultimately found having to be nice to fans all the time “a bit of a stress… My [personal] character leans more to the melancholic and cynical. The daily good-heartedness of it all is quite a leap for me. But that’s what I was paid to do. But that’s exhausting… And that’s one of the things I’m glad to have left behind: I’m not responsible for the endless cheerfulness [of] little kids.”
He’s watched Ncuti Gatwa, yet another Scottish Time Lord, as the 15th Doctor and pronounces him “fantastic. I met him and thought he was lovely.” Add in the fact that original reboot showrunner Russell T Davies is back, and that Disney – and their money – are partners on the show, and it all makes for a show that, on paper at least, should feel very different. But as a corollary of that, some viewers feel that the world’s longest-running sci-fi show, a cornerstone of British culture, has been Disney-fied. Does he agree?
“I think that the show is... whatever those who love it want it to be,” he replies, carefully. “I come from [seeing] it in 1963. So even the show, when I came into it, was different from the show I remember. And I loved the show that I remember. I loved the show that we did, but it was different.”
Can he, though, imagine being in Gatwa’s shoes, as the brand ambassador for this new Doctor Who, one with demanding American audiences (and producers) to please?
“It must be tough,” he concedes. “That’s one of the hardest things about the job. Apart from the day-to-day business of delivering those lines, and you’ve got to have lots of ideas and energy, there’s always a knock at the door at lunchtime: ‘Can you come and talk to these visitors we’ve got onset?’ ‘Can you look at these new toys?’ ‘Can you sign these things?’ ‘Can you go to this meeting with so-and-so who’s selling this in South Korea?’ There’s always a [request]. It’s a big brand. So it’s quite a demanding job. It takes its toll.”
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Capaldi as the Time Lord (BBC)
Capaldi also experienced the demands of geek fandom and blockbuster IP during his brief foray into the superhero world, with his role in James Gunn’s 2021 film The Suicide Squad. He found filming alongside an all-star Hollywood cast on huge sets in Atlanta, Georgia a blast; the endless promotion less so.
Still, the three-month shoot allowed him plenty of him to reconnect with his first passion: music. In the long hours in his Suicide Squad trailer, Capaldi wrote a bunch of songs that were eventually released as an album, 2021’s St Christopher.
It was a debut that was a long time coming. While at Glasgow School of Art in the early Eighties, Capaldi was in a band, The Dreamboys. “Bizarro punk” was Capaldi’s estimation at the time. Or “showbiz Bauhaus” according to their drummer Craig Ferguson, who went on to become a stand-up comic, actor and American chatshow titan (James Corden inherited his chair on The Late Late Show).
What kind of frontman was Capaldi? “I was OK,” he demurs. “I’m sure I jumped about a lot. You’d have to ask somebody else, really.”
So I do. “Oh, spectacular!” Ferguson tells me. “My girlfriend at the time was in another band and she said: ‘Your band are rubbish, but you’ve got a really good actor as the frontman.’ Peter was very charismatic – he still is – and onstage had that ineffable presence I’ve seen in a few people. Your eye goes to him. He was a star player from the word go.”
Capaldi has since completed a second album, Sweet Illusions. It’s a robustly melodic set, with Capaldi’s voice a cross between Leonard Cohen and The Blue Nile’s Paul Buchanan. Quelle surprise, the songs have a touch of midnight, too. “All the songs hanker back to that time,” he says of early Eighties, glad-to-be-grey Glasgow. “To an eternal, dark, synthesiser, guitar-y kind of vibe. Because I’m picking up where I left off.”
The first single is out now. It’s called “Bin Night”, a lullaby that’s a tribute to his infant grandchildren, to the “ticking clock” of his own mortality and to the domestic concerns of a Muswell Hill grandpa.
“I love bin night. It’s the one night when I can control the chaos of the world. The one night when I can restore some order to the entropy. Everything goes out on bin night.”
Even if Peter Capaldi’s borough, like my neighbouring borough, only takes recycling weekly but waste is fortnightly and garden refuse God knows when?
He splutters and straightens up. “They might only take one of them. But then I’ll just take the other one back in. That’s my rules. Bin night is my rules.”
‘The Devil’s Hour’ is on Prime Video from 18 October. The single ‘Bin Night’ is out now, and the album ‘Sweet Illusion’ is released on Last Night From Glasgow in March 2025
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glitterypin · 10 months ago
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ngl, first half of Criminal Record kinda dragged but damn, the second half was crazy good
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side note, overwhelmed with the urge to hug DCI Daniel Hegarty, he fucking needs it. Along with a punch to the face and a dishonorable discharge, probably. But a hug first.
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anteroom-of-death · 1 year ago
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Pretty When You Cry
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Synopsis: DCI Hegarty picks up a certain type of to-go order.
A/n: shout out to @queerconfusionthings , @malcolmtuckerapologist and my girlie from tiktok who don't have a tumblr. Uh this is a fairly dark fic. Noncon but still fun. Yay. Mix otc meds, please I dare you. (No I dotn.) Maybe I'll do a sequel. Idk. I heart dacryphillia.
The girl was walking through the empty streets, long after midnight. Her skirt, riding up over her ass, tights clearly torn. Her form was hunched over, her handbag slapping the side of her in a rapid pace that matched the wobbly, pained gait.
Her heels were obviously too high.
Drunk, possibly high. Perfect.
This could be fun.
He trailed the car behind her. He was in his unmarked police car; this would be easy. He briefly flickered on the roof lights. Let her know that she needed to stop.
She did, exactly like a deer in headlights. Good, she would do excellently. Compliant, warm looking. She was clutching a poor excuse for a jacket, the whites of her eyes tinged red. She pivoted as she shook. She cleaned some snot off her nose. Or perhaps some other substances.
One could never be sure with these tramps off the street.
He got out of the car and approached her, in clear benevolence.
“You’re out too late, aren’t you? No johns at this hour.” He leaned against the car.
She bit down on her torn, smudged bottom lip. Clearly guilty, clearly nervous, clear admissions.
She seemed unable to form words.
A look of confusion spread across her face. A feeling of warmth and stiffness spread across his lap.
“I’m sorry! Officer? What?” She rocked back and forth in her platform heels, uneasy.
“Solicitation is a hefty fine.” He toyed with his prey. “Seven years and all…”
He took a step forward towards her. She took a stumble back.
“What?” Her eyebrows rose to the top of her forehead. She backed herself into the wall of the sidewalk where she stood. Her heart rate was almost palpable and certainly delicious.
“A cheap whore like yourself ought to know better.” He played the role of stern, yet forgiving cop. “I’ll take you down to the office and book you on something lighter. Disorderly conduct. A minor crime. No need to worry. I’ll probably get you a lighter sentence. Be a good slut and crawl into my car…” He reasoned, popping the door of the side of car open.
“I swear! I’ve done nothing wrong. I’m just coming back from the clubs!” Her breath hitched and she showed a smudged stamp on the back of her right hand.
“Don’t resist arrest. That’s an additional sentence.” He lied through his teeth. It was only the vagueness of the law that he could extort. Only violence could up the charges.
“Don’t resist me…” He flashed her a smile as he whispered loudly.
He banked on her ignorance of the laws. Most civilians were oh so ignorant about it. It made his life easier. Especially slow nights like this. He rolled his neck and rested a heavy hand on her shoulder…
“Just get in.”
“I swear! I’m fine! Please let me go!” She begged, pathetically. Tears starting to rim her over-lined eyes. Smudging the thick clumps of her mascara. She started to rummage through her bag.
Oh, she was pretty crying. His cock was almost fully hard. It was all stars and big, sloppy grey-black tears staining her whorish face. A picture of innocence. His cock jumped up and pressed painfully against his boxers. He groaned a bit aloud. The little slut was resistant and kept playing up this false candor.
He got his gun out of its discreet holster and held it to her stomach as he pressed harder down on her shoulder.
“You’ve two seconds to get in. Don’t make me escalate this.” He slid his tone of voice from ordering to almost a mocking plea.
She inhaled and swallowed hard. She started sobbing harder as she easily lost her balance and tripped into the car.
He crawled in and shut the door behind her. It was so difficult to maneuver with his cock practically breaking through the layers of fabric.
“You’re so easy. Aren’t you? Hmm?” He purred as he stroked her face with the muzzle, the front sight grazing the hairs of her brow.
She was beautiful. Her little fists balled up and trying to resist the urge to assault him. At least she was clever enough to not push her luck and actually assault him. She was trembling.
“I’m just like one of your cheap clients. You give me you, and I’ll not kill you.” He bargained, showing her that he would be reasoned with.
“I’m sorry. I think you have the wrong person!” She shook herself. Clearly resistant on her part of their little bargain.
He grabbed a giant fistful of her hair and yanked her up and shoved her onto the console, twisting the cuffs he had onto her wrists through the middle of the head rests.
Hegarty put the gun down and unzipped his pants, pulling his already-leaking member out of the fly of his boxers. It was large and pulsing as if thinking on its own.
He pulled up her skirt and tore her tights further. The only barrier left were some depressingly unsexy black panties. Rather basic. Just a flickering of lace around the top and bottoms.
Out of annoyance and a surge of betrayal of this common tramp, he tore them off and balled them into the front of the car. He’d keep them for later.
He looked at her exposed cunt and chuckled to himself quietly. There seemed to be a thin layer of slick coating the lips.
“Good girl, already so soaked for me. I bet your cheap clients just love how desperate you are. You must take cock like it’s nothing!” He pick up the gun and traced it down her spine before resting it at the base of her neck.
He carefully cupped the round curve of her ass with his free hand. It was just right, and perfectly able to be parted cheek by cheek as he marveled at it. This little whore was perfect for him. Just designed to make a good man like him fall.
He would have spent more time marveling at it, but he was giving himself one hell of a case of blue balls.
She needed fucked.
He needed to fuck her.
He scooted himself up further and pressed himself inside her warm and tight hole.
She let herself yelp; it was a small, plaintive tone. Very delicious. His cock twitched inside of her. From her lips escaped a groan. She clearly got off on this. The big, bad man had her here, strung up. Not only were her cries so melodic to listen to, but he felt her pussy moisten around his cock.
“You’re so tight for a prostitute.” He purred. He felt her walls fluttered tighter around himself.
“Cry for me. You might prove your innocence if you do.” He guided her further with the gun moving from her neck to her skull as he lay down over her. He took his arm and flung it under her, arching her head deeper onto the tip of the gun. His hand went down her top and he grasped her breast. It was soft, easily bruised. He pinched down hard and scraped his nails against the tender flesh of her nipples.
A moan escaped her lips, despite herself.
“What a proper slut you are for me. So good.” He dished out the praised.
“Don’t worry, no one can hear you in here. Nor see you. Perform for me.” He said as he slammed his shaft further in and out of her.
She thrashed in her cuffs as she let out a hiccup and coughed hard through her choking tears.
He pulled the hammer once and moved it down to the cervical vertebrae.
“Don’t fight. You were doing so good. Be good. Right?” He pulled his head further and looked at her, he was fully in her now. Her eyes glistening like the shine of a far-off planet. Absolutely breathtaking. "I'd hate to blow your pretty little brains out all over my clean car..."
He gripped her throat and squeezed it hard as he sped up for a while. Her labored breath came out in such a delightful way. He played with the idea of snapping her neck. He could do it; it would be so easy to cover up her death.
Ultimately, he decided against it.
But he did choke her further, harder. His large hands and long fingers wrapped almost completely around her neck. Squeezing it was enough to get him harder yet. He could feel his thumb nail meet the corner of his pinky finger.
He lightly shook her neck as he rotated his dick in her hole…hips thrusting in multiple directions.
He continued to pound into her. She accepted her position once more. Her body relaxed more and more…
He felt her leak in spite of herself. Wet, slick and coming from her increasingly tight cunt. He also felt herself piss herself a tad. (Or was she a squirter? He leaned towards that theory.)
Soon enough, he felt his ball empty into her. He grunted and let himself stay inside her as he slumped over her. He removed the gun and stroked her hair and the raw skin if her neck. It could almost be mistaken for care.
“You did that so beautifully. I can see why you’re doing this…” He cooed into her ear.
He un-cuffed her. Quickly pulling down her skirt and popping open the door from a button in the front.
He quickly put himself back in his pants and reached for his wallet, taking a massive wad of cash and chucked it at her.
He pulled himself into the driver’s seat, and pulled down the window.
“Keep yourself safe and law abiding.” He ruffed out. She was on the sidewalk and grasped herself and her belongings. Tears still leaked from that beautiful face of hers. The makeup was so artfully smeared, it looked like something a high-end label would do if it were grunge-ing out.
He smiled at her in a fair and threatened way.
He sped out away and towards the highway.
☆☆☆☆
Two weeks later- A very confused girl received a parcel in the mail. Kiki de Montparnasse. She didn’t recall ordering it.
A gift note fell out:
Skeptically, she opened it up. It was a halter bra and a thong with matching cut-outs. Mesh, black. There was also a black maxi dress with a mesh torso area…
Everything was exactly her size.
“I’ll be seeing you soon. Keep prepared, little tart. -dci.”
She shuddered and looked around. Unsure of what she felt, she felt herself cry.
She felt on display and exposed. How did he find her? And why?
She placed the box on her bed and stared at it...
What did that crooked cop mean? And why her?
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doctorfriend79 · 1 year ago
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Peter Capaldi - STV News Interview
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Who has been nominated for a NTA Award?
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The NTA longlist was unveiled on Tuesday 21st May.
New Drama
A Gentleman in Moscow
After The Flood
Baby Reindeer
Breathtaking
Coma
Criminal Record
Fallout
Fifteen-Love
Fool Me Once
Hijack
Interview with the Vampire
Mary & George
Masters of the Air
Mr Bates vs The Post Office
Murder Is Easy
One Day
Passenger
Red Eye
Renegade Nell
Shardlake
Shōgun
The Couple Next Door
The Long Shadow
The Marlow Murder Club
The Reckoning
The Sixth Commandment
The Tattooist of Auschwitz
The Woman in the Wall
Wilderness
Wolf
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Drama Performance
Adeel Akhtar, DS Sami Kierce, Fool Me Once
Aidan Turner, Glenn Lapthorn, Fifteen-Love
Ambika Mod, Emma Morley, One Day
Anna Próchniak, Gita, The Tattooist of Auschwitz
Anne Reid, Ann Moore-Martin, The Sixth Commandment
Arthur Hughes, Matthew Shardlake, Shardlake
Ashley Jensen, DI Ruth Calder, Shetland
Ashley Walters, Dushane Hill, Top Boy
Austin Butler, Major Gale 'Buck' Cleven, Masters of the Air
Brenda Blethyn, DCI Vera Stanhope, Vera
Callum Turner, Major John 'Bucky' Egan, Masters of the Air
Cliff Parisi, Fred Buckle, Call the Midwife
Cosmo Jarvis, John Blackthorne, Shōgun
Cush Jumbo, DS June Lenker, Criminal Record
Danielle Macdonald, Helen Chambers, The Tourist
Daryl McCormack, Detective Colman Akande, The Woman In The Wall
David Tennant, The Fourteenth Doctor, Doctor Who
David Jonsson, Luke Fitzwilliam, Murder Is Easy
Dominic West, Charles, Prince of Wales, The Crown
Eleanor Tomlinson, Evie, The Couple Next Door
Ella Lily Hyland, Justine Pearce, Fifteen-Love
Ella Purnell, Lucy MacLean, Fallout
Emilia Fox, Nikki Alexander, Silent Witness
Ewan McGregor, Count Alexander Rostov, A Gentleman in Moscow
Gary Oldman, Jackson Lamb, Slow Horses
Gemma Whelan, Detective Sergeant Sarah Collins, The Tower
Georgie Glen, Miss Millicent Higgins, Call the Midwife
Idris Elba, Sam Nelson, Hijack
Imelda Staunton, Queen Elizabeth II, The Crown
Jacob Anderson, Louis de Pointe du Lac, Interview with the Vampire
Jamie Dornan, Elliot Stanley, The Tourist
Jared Harris, Hari Seldon, Foundation
Jason Watkins, Simon, Coma
Jenna Coleman, Liv Taylor, Wilderness
Jennifer Aniston, Alex Levy, The Morning Show
Jeremy Allen White, Carmen 'Carmy' Berzatto, The Bear
Jessica Gunning, Martha, Baby Reindeer
Jing Lusi, DC Hana Li, Red Eye
Joanne Froggatt, Dr Abbey Henderson, Breathtaking
Jonah Hauer-King, Lali, The Tattooist of Auschwitz
Julianne Moore, Mary Villiers, Mary & George
Kane Robinson, Gerald 'Sully' Sullivan, Top Boy
Katherine Kelly, Emily Jackson, The Long Shadow
Angela Van den Bogerd, Mr Bates vs The Post Office
Kris Marshall, Humphrey Goodman, Beyond Paradise
Leo Woodall, Dexter Mayhew, One Day
Lesley Sharp, DI Hannah Laing, Before We Die
Louisa Harland, Nell Jackson, Renegade Nell
Luke Newton, Colin Bridgerton, Bridgerton
Martin Short, Oliver Putnam, Only Murders in the Building
Michelle Keegan, Maya Stern, Fool Me Once
Monica Dolan, Jo Hamilton, Mr Bates vs The Post Office
Ncuti Gatwa, The Fifteenth Doctor, Doctor Who
Nicholas Galitzine, George Villiers, Mary & George
Nicholas Ralph, James Herriot, All Creatures Great and Small
Nicola Coughlan, Penelope Featherington, Bridgerton
Nicola Walker, DI Annika Strandhed, Annika
Oliver Jackson-Cohen, Will, Wilderness
Paapa Essiedu, George, The Lazarus Project
Peter Capaldi, DCI Daniel Hegarty, Criminal Record
Ralf Little, DI Neville Parker, Death in Paradise
Reese Witherspoon, Bradley Jackson, The Morning Show
Richard Armitage, Dr Matthew Nolan, Red Eye
Joe Burkett, Fool Me Once
Richard Gadd, Donny Dunn, Baby Reindeer
Robert Carlyle, Robert Sutherland, COBRA: Rebellion
Ruth Wilson, Lorna Brady, The Woman In The Wall
Sam Heughan, Danny, The Couple Next Door
Sam Reid, Lestat de Lioncourt, Interview with the Vampire
Samantha Bond, Judith Potts, The Marlow Murder Club
Selena Gomez, Mabel Mora, Only Murders in the Building
Siân Brooke, Grace Ellis, Blue Lights
Sonequa Martin-Green, Captain Michael Burnham, Star Trek: Discovery
Sophie Rundle, PC Joanna Marshall, After The Flood
Steve Coogan, Jimmy Savile, The Reckoning
Steve Martin, Charles-Haden Savage, Only Murders in the Building
Suranne Jones, Amy Silva, Vigil
Timothy Spall, Peter Farquhar, The Sixth Commandment
Toby Jones, Alan Bates, Mr Bates vs The Post Office
DCS Dennis Hoban, The Long Shadow
Tom Hiddleston, Loki, Loki
Ukweli Roach, DI Jack Caffery, Wolf
Vicky McClure, Lana Washington, Trigger Point
Wunmi Mosaku, DI Riya Ajunwa, Passenger
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https://www.nationaltvawards.com:80/terms
Shows and individuals are nominated in the longlist for the 2024 National Television Awards. This year is so competitive 😉
Posted 22nd May 2024
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js-vic · 1 year ago
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Trying to promote a little thing I’ve been working on!
Any Peter Capaldi lovers out there….please take a look!
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