#deacon my love

[hpysprkl]

"Back before I met you, I'd go whole days without massacring a bunch of things. Honest."

I love this man too much. I'd say send help, but it's too late for me. Save yourself.

[usernameproxy]

party in the usa!!!!

[oldworldwidgets]

see the plus in the center? that means there's an ally nearby.

...

certified oldworldwidgets posting <3

[ghost-qwq]

Here's the Fallout 4 ones 👍

[stoat-party]

Fallout 4: Where is the Lone Wanderer?*

*a vague conspiracy theory which doesn’t actually answer the question at hand. We all have our own ideas of how the lore should go, and I’m sure yours is very canon-compliant and valid, but this is mine and I have support for it. Looooongpost.

First off: What do we know about the canon Wanderer?

We know they activated Project Purity (or had a companion do it) without the FEV and were inducted into the Brotherhood. We know they’ve met with MacCready (you can’t finish the game if you don’t), and he has dialogue indicating they had further contact. They also took the Brotherhood’s side at Adams Air Force Base.

We don’t know what happened with The Replicated Man, but since the canon Wanderer appears to have good karma, and info from 4 implies Zimmer’s disappearance was more recent than ten years ago, it seems likely they took the boring ending, which secures their membership in the Railroad.

Why aren’t they in Fallout 4?

The Doylist answer is that they’re highly customizable, and so they have no canon appearance, personality, gender, etc. But in-universe? Something happened.

“Accepting outsiders like yourself has proven disastrous in the past.” - Kells

“I've seen other soldiers come and go. Some were brave, some were honest... hell, some were even downright heroic.” - Danse

“Every doctor I've talked to was worthless. [] I don't need them... I need someone like you.” - MacCready

When Duncan first got sick, “someone like you” would have meant the Wanderer. This suggests (to me) that they’re not in the Capital Wasteland anymore. But they’re certainly not in the Commonwealth either.

The weird thing is that the Lone Wanderer is all over this game - they’re the namesake for a male hairstyle, a perk, a DCR song, a motorcycle brand… and the codename of Deacon’s mission to save the Railroad from certain destruction by recruiting the Sole Survivor.

Someday We’ll Find It, the Deacon Connection

Oh yeah, I’m going here. Desdemona’s terminal entries confirm it was always Deacon’s plan to get you onboard and use you to destroy the Institute. There are Railroad lookout posts near 111/Sanctuary and Red Rocket, and of course he followed you in Goodneighbor, Diamond City, and Bunker Hill (at least). His court jester vibe hides it a bit, but he’s manipulating you more than he’s manipulating Desdemona in the intro scene. And do you notice he rarely gives you a firm verbal disapproval unless you’re hurting the Railroad?

What could have caused Deacon’s interest in you, unless he’s made the connection between you and the Lone Wanderer? He’ll vouch for you if you haven’t accomplished anything yet, or even if you’re a Brotherhood member. A Pip-Boyed stranger emerges from a vault in the middle of a crisis, gaining friends, skills, items, and special abilities at a suspicious rate? Probably with the same gender and playstyle as the previous one? Heck, when he first heard the rumors, he probably thought you WERE the Lone Wanderer.

There are other indications the Railroad has been in contact with them — Desdemona mentions the Capital Wasteland as their primary destination for synths, and Deacon references Harkness’s recall code. If you refuse to pick a codename, Desdemona even assigns you “Wanderer.”

So what happened, then?

I think the answer lies with the Brotherhood, specifically in Deacon’s hatred of them. Sure, ideology is enough to hate them for, but Deacon sure seems suspiciously happy if you nuke their base of operations. (Some of) his comments on that:

“The Brotherhood... well, I met them on an op in Capital Wasteland a few years back. But now with Elder Maxson... Let's just say, not a fan.”

“That bastard Maxson really screwed them up. The Brotherhood used to be the good guys. Well, goodish.”

[Who’s Elder Maxson?] “He’s a piece of work, is what he is.”

And on his time in the Capital:

“Did I ever tell you about the time I was in Capital Wasteland? Now there's a tale.”

“Capital Wasteland. Exports: purified water, some decent tech, oh, and an insane suicidal cult that worships radiation. Thanks, guys.”

“I miss Capital Wasteland. You can actually drink the water there.”

And a few lines I’ve decided (with no evidence) directly refer to LW:

“Last partner I had wound up going... well, a little insane. I think it was all my show tune medleys.”

[After Maxson orders you to hunt Danse down] “See? This is what the Brotherhood's really about.”

And my favorite: “I’ve been looking forward to kicking the Brotherhood’s teeth in. I owe them.” This line comes before Glory is killed, so he’s not referring to that. The Brotherhood only recently arrived in force in the Commonwealth. He’s talking about something that happened in the Capital Wasteland.

So Here’s What Might Have Happened:

In early 2286, Deacon moves to the Capitol Wasteland for awhile, probably to get a face change and lay low for a bit. He contacts the Lone Wanderer, who has barely heard from the Railroad in nine years. They begin to work together.

(In context, this journal entry looks like he’s somehow gathering intel to predict when Vault 111 will open, but I can’t think of a way for him to get that information or know why it’s important, so I’m not going to believe it just yet.)

The Wanderer is still a knight, maybe a paladin. Maxson has been elder for 2-3 years and is monitoring the Institute. Meanwhile, the Lone Wanderer and Deacon are setting up infrastructure to receive escaped synths.

And then the Brotherhood finds out about one of the safehouses. With their limited understanding, they believe that the Institute is holed up there and attack. The Wanderer intentionally throws the mission — maybe disobeys orders, maybe downs a vertibird or collapses a subway tunnel, or maybe even attacks their brothers to protect the synths.

And, well-

Either they were killed, or they escaped court martial and execution by a hair’s breadth and fled the Capital, leaving Deacon to believe Maxson had them killed.

There you have it. That’s why they aren’t in Brotherhood dialogue or records. Their accomplishments couldn’t be recognized because they’re a traitor. And that’s why it’s personal for Deacon.

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

[ffart2022uwu]

Roger wtf

[wooahiexist]

Roger Taylor being the only one smiling about this award for HIS song that no one wanted

[slocumjoe]

Biggest complaints about each companion

Warning, reference to in-game dark subject matter.

This is subjective and mostly me wishing for a more thoughtful story, with themes beyond robot racism.

Cait: TDLR; Her backstory is too much for how it's handled

It feels like Cait got thrown every bad thing she could have. With trauma in characters, less is more, and in Cait's case, it doesn't help that her writing is more interested in her trauma than who she is as a person. Like Cait only matters as a character because of what she went through and what that demonstrates about the wasteland, rather being a person first.

I would like to point out, her parents waited until she was 18 to sell her. Because, apparently, age of consent matters to sex slavers. It demonstrates a lack of commitment to the dark topic, which usually means you should tone it down. Leave one aspect, and keep the other. Abusive parents or slavery, not both.

Since Cait is our only basegame raider companion, you could use her to humanize raiders by showing how the cycle of trauma creates them. "But Gage—" is a little bitch.

Codsworth: TDLR; Focuses too much on his pre-war relationship to the player

What was Codsworth doing those 200 years? Did he just hang out in Sanctuary? Did no one ever come to Sanctuary in the meantime? Codsworth has no relation to the plot or world beyond Sole.

I think Codsworth should have had a quest about how he went out and tried to help where he could, but now doesn't know where those people are, and wants to know what became of them. Something to give Codsworth a connection to the wasteland. Or maybe Codsworth shouldn't have been the Sole Surivor's robot at all, just one that wandered into Sanctuary and met them. Then you could have a point that the first human the Sole saw after freezing (Kellogg) was cruel, but the first 'soulless' machine was kind, which makes a point about the main plot and the idea that being human doesn't make you 'human.'

Curie: TDLR; Should have been related directly to the main plot

Curie is a robot that is put inside a synth—which is, biologically, completely human in all but a chip in their head and the circumstances of their creation—and is totally fine. She learns to breathe, gets thoughts and feelings in a way a Ms. Nanny wouldn't, and handles sensations without bricking.

Send this bitch to the Institute and BOS, are you kidding me? Curie is walking proof of synths being more than machines. She has wants, imagination, potentially even dreams and nightmares. This is never brought up by anyone.

Also, Curie is a robot, and then inhuman, but still a person, and she uses science and her compassion to help the wasteland, where those who would destroy or enslave her use it to further their own egos.

Danse: TDLR; MAKE HIM SAY SORRY TO NICK AND HANCOCK

Danse's real character arc starts at his final affinity post BB, and then it doesn't go anywhere. He never learns to accept himself, or synths, or ghouls. Danse is a character that shows the terrible function of 4 Affinity Talks, because he needs, like, 10 of the things.

Danse needed his likes/dislikes updated after BB, interactions with Nick and Hancock, and a proper character arc where he unlearns his worst traits and the BOS's bullshit.

Deacon: TDLR; Dead wife? Really?

Can Deacon not just be a goofball man who used to be a bigot, and now works hard to help the people he hurt? Because Barbara and her death implies that Deacon didn't change because it was the right thing to do, but because bigotry personally affected him.

If there must be a death, make it that his community tore itself apart trying to find synths among them. Y'know, like...a witch hunt? In Salem, maybe? Since we didn't do anything interesting with Salem, one of the most interesting places in the USA? Deacon sees this and sees that it doesn't matter if synths are human or not, hatred will inevitably hurt anyone, because it doesn't actually care who you are. Hatred doesn't need a reason, only a target. The Synth plot should have been an allegory for McCarthyism instead of slavery, change my mind.

Hancock: TDLR; He's a historical LARPER that doesn't do anything in terms of a narrative.

No, Todd. You can't make John Hancock a ghoul and call it an OC.

Hancock could have had a story about identity crisis, idolatry, and trying to escape your past. We also get hints at a complex political issue in Goodneighbor about the push-and-pull between the desire for total freedom/anarchy, but the need for some kind of law and order. Hancock has a casual friendliness, and acts like 'one of the people,' but he is the mayor. There's tension there. Can your leader be your friend? Can your friend call all the shots while still being on equal footing with you? Can you lead a group of people who look up to you as a hero, and still retain modesty and not subconsciously separate yourself?

I like Hancock, he's fun, he has a lot of interesting narrative stuff. But he doesn't do anything with it. It could have been a nice parallel with Elder Maxson, too.

MacCready: TDLR; Small inconsistencies + dude, go get your son???

Mac doesn't ever go back to Duncan, and Duncan never comes to the Commonwealth. I understand that the former is for game play reasons, but the latter feels like the writers forgot that Duncan exists.

MacCready has some issues with the likes/dislikes. I think they're mistakes instead of intended, but still. For example, in the Vault 81 quest. MacCready likes letting Austin die. He dislikes it if you give the cure.

There's also Sheffield, the soda addict in Diamond City. MacCready claims to have never seen someone with a sugar addiction, but Zip, from Little Lamplight, had an addiction.

Mac is mostly fine, aside from these inconsistencies. The Dead Wife thing sucks, but I allow it because it's pretty fundamental to his story, rather then being tacked on for sad points.

Nick: TDLR; Eddie Winter is a stupid bad guy with a stupid quest and Jenny Lands is a stupid tragic backstory

Eddie Winter being the first ghoul ever is mind-bogglingly bad. You're telling me that they made ghouls before the bombs? And even if they did, Winter couldn't be the first. How the fuck would anyone know that radiation makes you immortal if you do it right, otherwise?! So, that's a contradiction within an already contrived premise. And not only that, but he just. Leaves a bunch of holotapes with a number on the back, that make a code to the basement of his favorite sandwich shop, which just so happens to be on the same street Jenny gets fridged?

So, Eddie Winter (or one of his goons) was eating one day, looked out, saw the fiance of the detective hunting him and recognized her (????), shot her, and then presumably returned to his fucking sandwich??????

And then 2 centuries later, a clone of that detective somehow finds the holotapes, untouched, unmoved, still functioning and retaining the painted-on numbers. The numbers didn't...fade? Wipe off?

You can keep the concept of Nick wanted to finish something Pre-war Nick didn't get to, but this...this isn't it.

Like, Skinny Malone was right there. Maybe just Darla shows up when you free Nick, and then later Nick has to contend with Malone and the Triggermen in some grand conspiracy with Mayor MacDonough, Hancock, and Piper.

Preston: TDLR; The radiant quest mechanic fucked him over and his voice actor needed some retakes

The moment you get Radio Freedom, Preston should have stopped giving quests. Easy fix there. It would have saved him almost a decade of shitty memes.

The real problem with Preston is that his VA beefed it bad. I can quote some of his lines with perfect inflection because the VA just did it so poorly. X6-88's VA had to play a monotonous, little-emotion character, and he still nailed it and gave X6 a lot of personality and distinction. Preston sounds like a modded-in character. And Jon Gentry is a pretty good actor! He has a great live-action presence in his demo reels on IMDB. I think he just struggled to put his performance into his voice rather than his presence/body language, and they didn't let/have him do a retake.

Piper: TDLR; So much potential, so much failure. Piper is a shitty reporter, and that could have been a great opportunity to have commentary on the ethics of journalism.

Journalism is supposed to be a duty to the people. It has responsibilities and ethics that are very easily misunderstood or forgotten for the sake of the next article. A good journalist is not always accurate. An accurate journalist is not always kind. A kind journalist is not always good.

Piper is not a good journalist, because her writing is not informative, it isn't news or useful info. She writes about MacDonough being a synth—she's basically writing callout posts on her blog.

Piper is not an accurate journalist, because she never has evidence for this claim. She says MacDonough is a synth, that the Institute took the Survivor's baby even if the Survivor says no.

Piper is not a kind journalist, because she fearmongers and makes things worse for synths. She complains that no one believes or trusts her word, but the second thing you ever see in Diamond City is a man trying to kill his brother for fear he's been replaced.

This is all fine, if addressed and explored. But it isn't. Piper seems to be chasing the high of exposing authority, and both times, she's right. We, the player, know she's right because we find out later she is. Imagine if we didn't. Imagine that reveal scene never comes. Every issue of Publick Occurances is trying to start a witchhunt, and Piper doesn't notice that it's working.

So, let's make her arc about worrying about her sister.

X6-88: TDLR; BRUH HE HAS NOTHING

No backstory, no relationships with other characters, no quest, no character arc.

TODD. You had the chance to humanize the Institute, or at least show what it's like being an Institute synth that isn't free. And you, instead, put all that time into fucking KELLOGG. You think I give a fuck about KELLOGG? I don't even give a fuck about SHAUN.

🌠Honorable mentions🌠

Gage: Hypocrite that thinks becoming the problem is fixing the problem, also he has both eyes. What do you need an eyepatch for.

Strong: Bethesda Super Mutants suck shit. Y'know Erikson fron Far Harbor? Would rather have him.

Longfellow: Dead Wife Man. Again, would have preferred Erikson.

Dogmeat and Ada: Perfect, no notes.

Best companions are:

Dogmeat, for being doggy

Ada, for being robot lady

Preston, for being perfect aside from two technical, Doylist issues.

[astrophysicist-guitar-god]

Behind the scenes pictures of Queen on iconic I Want to Break Free music video gives extraordinary glimpse into closeness of the band

The fascinating pictures show the band fooling around on the video shoot 

By DAN SALES

Published: 03:42 EST, 24 September 2023 | Updated: 04:20 EST, 24 September 2023 (x)

Never-before-seen pictures of Queen making the trailblazing I Want To Break free music video shows the incredible bond between the band members. Candid images - all shot by veteran photographer Simon Fowler - show the sheer joy and fun of the group during the now-legendary filming of the promo. The video stunned music fans when it came out and had the rockers dressed up as housewives in a suburban home. In one of the newly-revealed pictures the band are shown in hysterics, with one crewmember wiping away tears of laughter as Freddie Mercury fools around behind a bewigged John Deacon. Freddie appears to be pretending to be a hairdresser as John chuckles in his seat, as Brian May beams by a back wall as they stare into the mirror at their new look. Later Brian can be seen clutching his curlers as he gazes into the distance as he is captured on film. Roger Taylor also looks to be having a ball in one of the archive pictures, pouting in his schoolgirl-style costume. Photographer Simon, who took pictures of the group throughout their career, opened up his archives to allow MailOnline to publish some of the incredible shots.

The band are seen having a great laugh backstage as they get ready to shoot the video promo

Roger Taylor in costume pouts as his picture is taken on the set of I Want To Break Free in 1984

He said he had no idea the theme of the video before he had turned up at Limehouse Studios in London to take the pictures. Simon recalled: 'On Break Free I didn't get any idea of what it was going to be. I turned up and saw them and thought "Whoa, what is going on?". 'It was obviously a pastiche of Coronation Street. I remember on the day everybody was just fooling around laughing. 'It was so much fun that I was amazed that they actually got a video done. 'They had no concerns about doing anything that was unusual - they would just do it. 'They were just messing around in between the filming. I remember one funny moment when they were trying the stuff on and asking each other "what do you reckon of this wig?". 'That was the great thing about it, you have got Freddie with his big old 'tache, giving it all. 'It was without doubt the most fun shoot I have done. 'Every time I think about it I smile, the day just went so fast because everyone was having such a good time - it just whizzed by.

Simon revealed that the band preferred to be photographed all together for their promo shots

Brian May looks like he has awoken from a deep sleep with the curlers in this of Simon's shots

'When you get there I didn't know the story and the PR told me and I thought "that sounds great". 'I went backstage and the first thing I saw was them getting all their clobber done.' Simon had photographed the band before after getting a phone call during the recording of their Hot Space album. That record spawned the Under Pressure anthem and at first the photographer admits he had no idea who he would be going to shoot. He recalled: 'I got a call out of the blue to do a job and originally thought they had said Cream at the time, which I thought couldn't have been right. 'Back in those days you would get millions of calls. I only realised later it was Queen and I was told I would only get ten minutes with them and it turned into three hours. It was for the album Hot Space. 'I think we just got on pretty well - I wasn't expecting much time at all and it was brilliant. 'Roger actually got me to do a bit of tapping when they were recording. I like to think I'm on Hot Space somewhere. It just went from there really.' The band loved his work so he was invited back and ended up doing numerous shoots with them.

John Deacon - whose character in the video was miserable - laughs in a moment of down time

Freddie Mercury poses up on the set, leaning on a cabinet as he looks to the side of the room

But he counts his work on I Want to Break Free as one of the most exciting jobs of his career. He admitted: 'I knew when I got called in for it, that it was going to be interesting. 'They wouldn't scrimp on stuff with the videos, they were big productions. If CGI was around then I am sure that would be what they were doing. 'When you were on set you would have to have eyes in the back of your head in some of the bigger productions, where there were cranes and stuff going round.  'When we went for lunch Brian was on the catering bus talking to me. He was still in the outfit with the curlers. 'I remember thinking "that's Brian May opposite me". It was so surreal. 'At the end of the day we saw the cut and it just looked great. 'I remember John taking a nap during the day, which he would have needed because the reality is they would have got there very early. 'They were trailblazers with videos, they really were. Queen were so unique in whatever they did. Brian with the sound and the guitar. I loved every minute of it 

Veteran music photographer Simon Fowler is selling prints in aid of the Mercury Phoenix Trust

'Freddie was a trooper right up until the end. One of the things people don't notice about pictures of Queen is that you could never often get them out of the line-up 'They would not often move out of all four of them together for pictures. 'I think that's because they were a band but they were also incredible close friends too. 'They all had each others backs, none of them thought of themselves as the star - they were all equals.' The behind-the-scenes pictures were brought back into the spotlight as Simon as he compiled Fine Art Prints of Freddie, Brian, Roger and John from The Miracle shoot. They are being sold to help the fight against HIV and AIDS, with 50 per cent of proceeds going to the Mercury Phoenix Trust. Simon added: 'I was thrilled to do this and just give something back and help a really great cause. 'I was delighted by the response and hope it can keep helping people.' (x)

Prints of Freddie, Brian, Roger and John from The Miracle shoot can be found here 

[freddie-mercuryy]

Queen performing Good Old Fashioned Lover Boy on "Top of the Pops", 16th June 1977

[hpysprkl]

Oh look, it’s been about ten minutes since we had a doodle of That Old Man.

[ballcrusher74]

i am not elaborating on this one . just take it, ok .

[oldworldwidgets]

look, in all my time on fo4 tumblr and on the fo4 subreddit where hatred runs rampant, ive still only seen two valid criticisms of the railroad as a faction. ever.

(im putting aside the whole entire slavery allegory for the purposes of this post)

these two criticisms are:

if you (yes, you. the player) fundamentally disagree with the notion that synths are sentient people, the organization makes no sense and is useless. i cant change your bedrock beliefs on what constitutes a person, so this criticism stands

the mind wipes might border on unethical. the idea is good and well-intentioned, but it kinda sucks in practice. synths can choose not to have the procedure, but the railroad's catastrophizing about what will happen if they dont feels coercive sometimes. i could probably be convinced otherwise, but i think this is a pretty good point

thats it. there are no more. im absolutely open to (and would love, actually) yall trying to change my mind but just know that if your criticisms are:

they're short-sighted; the organization will eventually dissolve because there will be no more synths left to help

they have no plan nor reason to help synths post-institute; the moment the institute explodes, so does the railroad

they're too narrow-minded; they should be helping people too, not just synths

by destroying the institute, they're stopping the production of synths; this nullifies their efforts in saving synths and is even, dare i say, hypocritical

their password being railroad is far too simple and the freedom trail is too easy to follow; theyre just asking for another switchboard

[insert member of the railroad, usually desdemona] is mean; the organization is full of assholes

then ur efforts will be wasted on me. all of these criticisms are bad <3

[spaceratprodigy]

i JUST saw ur ask prompt so i hopee this ask is still okay butttt 📺 - tbh im getting a little weepy thinking about delilah and iris in the dark on the couch with their blankies :') who would be the scaredy cat and who would be the one thats too cool to be scared (but maybe not too cool to comfort her scared friend 🥺) ???

@oldworldwidgets — [ autumnal prompts ]

I have been nonstop thinking about my favoritest ladies in the commonwealth being besties all snuggly on the couch!! I love them sm!! Thank u for this banger prompt ily 💖💕

[luck-of-the-drawings]

IM SO IN LOVE WITH VAMPIRES!! and boy do i love THE SUCKENING!! VERY excited to see the misadventures of sad wet cat, sharp angry cat, and the COOLEST cat i ever did see