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#derrick o'connor
six-demon-bag · 5 days
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DERRICK O'CONNOR as Captain Atherton FAMKE JANSSEN as Trillian St. James ANTHONY HEALD as Simon Canton DEEP RISING (1998) dir. Stephen Sommers
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mariocki · 9 months
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Play for Today: Psy-Warriors (BBC, 1981)
"A bomb scare at Aldershot. I see. Attributed to the Provisional IRA."
"They haven't claimed responsibility."
"What if the bomb had gone off?"
"Then the Provisional IRA would've claimed responsibility. Well, why not, eh? We help keep the terrorist's cause in the public eye and the terrorist helps us justify the need for greater security. What's called a symbiotic relationship, I believe."
#play for today#psy warriors#single play#alan clarke#david leland#bbc#1981#classic tv#rosalind ayres#anthony bate#colin blakely#warren clarke#julian curry#john duttine#derrick o'connor#laurence payne#bill stewart#roger evans#terry forrestal#david mcgaw#decided to mark Leland's passing by watching one of his most fearless‚ most politically charged pieces. decried by the rightwing media as#IRA propaganda and criticised by some leftists as a sadistic softening up of an unrealising populace‚ depicting brutal torture techniques#both physical and mental‚ featuring actual footage of a summary execution as well as a great deal of full frontal nudity‚ it's nothing#short of a minor miracle that this was ever made‚ let alone transmitted. that it was speaks to the tenacity of writer Leland director#Clarke and particularly producer June Roberts. this began life as a stage work by Leland‚ origins which are fairly clear still in this tv#adaptation; Clarke adds a lot tho‚ with his trademark formality (almost choreography) of composition and the cooly disturbing dispassionate#nature with which horror upon horror is doled out. a devastating examination of the psychology of war and of the soldier‚ of indoctrination#and of conditioning with a single purpose: of violence and of violent reprisal to violence. it's an alarmingly prescient piece in some ways#and a perfect example of Leland's quietly controlled rage at an unjust and dangerous system within a larger frame of injustice and violence#now more than ever we need more David Lelands. rip
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scenesandscreens · 1 year
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Daredevil (2003)
Director - Mark Steven Johnson, Cinematography - Ericson Core
"Violence doesn't discriminate. It hits all of us... the rich, the poor, the healthy, the sick. It comes as cold and bracing as a winter breeze off the Hudson. Until it sinks into your bones... leaving you with a chill you can't shake. They say there's not rest for the wicked. But what about the good? The battle of Good vs. Evil is never-ending... because evil always survives... with the help of evil men. As for Daredevil, well... soon the world will know the truth. That this is a city born of heroes, that one man CAN make a difference."
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machetelanding · 2 years
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cemyafilmarsiv · 11 months
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End of Days directed by Peter Hyams
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80smovies · 2 years
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carnivalehbo · 2 years
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motownfiction · 1 year
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meeting on a train ride
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Emma’s taking the train to check out Columbia. She’s finishing up her undergraduate work at Tisch, and much to her surprise, she was accepted to Columbia for a master’s degree in film studies. Apparently, all those papers about The Breakfast Club and Pretty in Pink caught someone’s eye. But for as long as Emma’s lived in New York City (her entire life), she’s never made it over to Columbia. She just never thought it was worth it to see something she could never have.
Until now. When she’s just a signature away from having it.
She’s sitting on the train alone, earbuds in, listening to what is currently her favorite song: “Untouchable Face” by Ani DeFranco. Her crush on Joel is getting worse by the minute, and she just can’t grow up. It’s like she likes being miserable – loving someone who will never love her back so she doesn’t have to confront all the things she hates about herself. Better to feel scorned than to really be that way.
In the middle of the song, Emma looks around. She notices a guy sitting across from her with a paper in his lap. She recognizes it. It’s the agenda for the admitted students’ reception at Columbia. He’s a little older than Emma – not old, but definitely older than she is, probably thirty or so – but that’s definitely the agenda for the incoming film students. She takes a better look at the guy’s face. He’s cute, too. Dark brown hair. Stark green eyes. Maybe he’s a little more than cute. Without knowing that in the world has just come over her, Emma speaks to him.
“Are you going to Columbia?” she asks him.
The guy looks up and gives her a funny half smile.
“Uh, yeah,” he says. “Are you?”
“Yeah. Well, I haven’t signed my commitment papers yet. But I’m pretty sure I’m going to.”
“Right on. You going for film studies?”
“Yeah. It’s what my bachelor’s degree is in. Well. It’s what it will be in. I have to graduate first. And with this dumb science credit I need, sometimes I’m a little worried about that.”
Emma bites her lip. She doesn’t know why she’s sharing all of this with a stranger, but he has the prettiest eyes. She would tell all sorts of secrets to those pretty eyes if she had them (the eyes or the secrets).
“I wish I had a bachelor’s degree in film,” the guy says. “Mine’s just in English. But I wrote pretty much only about film, so maybe that counts.”
Emma nods.
“I’ll count it,” she says. “What’s your name?”
“My name?”
“Your name.”
The guy laughs a little.
“You tell me yours.”
“I’m not going first. I’m a woman. I’m not stupid.”
“What does being a woman have to do with being stupid? Or, you know. With not being stupid, apparently.”
“If I share my name first, then I make myself vulnerable first,” Emma says. “And I’m not about that. So, if you want to know my name, tell me yours first.”
The guy laughs a little more now. His eyes sure do look pretty.
“Derrick,” he says. “Spelled like the thing on the oil rig.”
Emma nods.
“I’m Emma,” she says. “Spelled like the Jane Austen novel.”
The guy – Derrick – smiles like he might almost like the fact that Emma O’Connor is talking to him. In his defense, he doesn’t know she’s dorky yet.
“Nice to meet you,” he says.
Emma’s not sure how she knows it, but this will not be the last conversation she has with Derrick from the train. Not even close.
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cultfaction · 1 month
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Derrick O'Connor - The Irishman with intense screen presence and versatility
Derrick O’Connor was an Irish actor known for his intense screen presence and versatility, which allowed him to excel in a variety of roles across film, television, and theatre. Born on January 3, 1941, in Dublin, Ireland, O’Connor’s career spanned several decades, during which he became known for his distinctive character work and collaborations with acclaimed directors like Terry Gilliam. His…
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juliopison · 3 months
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CINE Esperanza y gloria (1987) Título original: Hope and Glory Reino Unido Dirección: John Boorman Idioma: Inglés con Subtítulos en Español
Atención: Solo para ver en PC o Notebook Para ver el Film pulsa el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/esperanza-y-gloria-1987
Reparto: Sebastian Rice-Edwards, Sarah Miles, David Hayman, Geraldine Muir, Sammi Davis, Susan Wooldridge, Derrick O'Connor, Ian Bannen, Anne Leon
Género: Drama | II Guerra Mundial. Infancia
Sinopsis: En plena Segunda Guerra Mundial, a las afueras de Londres, el joven Bill Rohan es un inocente niño inglés que vive la guerra como una experiencia apasionante y llena de emociones que ponen fin a la rutina diaria. En unos tiempos tan trágicos como convulsos Bill descubrirá nada menos que el sexo, el amor, la hipocresía y la muerte, mientras los adultos tratan de sobrevivir mientras hablan de patriotismo, esperanza y gloria… Basada en recuerdos de la infancia del director.
Críticas: "La infancia de John Boorman y el Blitz de Londres coincidieron. Algo que es genial para la película, ya que el director hace que ambos se conviertan en mitos exquisitos" -Desson Thomson: The Washington Post
"Sebastian Rice-Edwards ofrece una actuación extraordinariamente segura y Geraldine Muir está a la altura (…) Una película maravillosa" -Peter Freedman: Radio Times
Premios: 1987: Oscar: 5 nom. a mejor película, director, guión, fotografía, dirección artística 1987: Globos de Oro: Mejor película - Comedia o Musical. 3 nominaciones 1987: Premios BAFTA: Mejor actriz secundaria (Wooldridge). 13 nominaciones 1987: Círculo de Críticos de Nueva York: 3 nom., incluyendo a mejor película 1987: Asociación de Críticos de Los Angeles: Mejor película, dirección, guion. 4 nom. 1987: Asociación de Críticos de Boston: Mejor película
Café Mientras Tanto jcp
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mariocki · 1 year
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Sweeney 2 (1978)
"Hold it right there, squire. You're privileged to be looking down the barrels of a gold-plated sawn-off Purdy shotgun. Now as a bank manager, you'll appreciate that any man capable of cutting a gun like that in half wouldn't think twice about cutting you in half."
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CALIFICACIÓN PERSONAL: 6 / 10
Título Original: Deep Rising
Año: 1998
Duración: 106 min.
País: Estados Unidos  
Dirección: Stephen Sommers
Guion: Stephen Sommers
Música: Jerry Goldsmith
Fotografía: Howard Atherton
Reparto: Treat Williams, Famke Janssen, Kevin J. O'Connor, Anthony Heald, Wes Studi, Jason Flemyng, Cliff Curtis, Djimon Hounsou, Clifton Powell, Trevor Goddard, Una Damon, Derrick O'Connor
Productora: Hollywood Pictures
Género: Horror; Adventure; Action
https://www.imdb.com/title/tt0118956/
TRAILER:
youtube
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scenesandscreens · 2 years
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End of Days (1999)
Director and DoP - Peter Hyams
"How do you expect to defeat me when you are but a man, and I am forever?"
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ozu-teapot · 3 years
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The Final Programme | Robert Fuest | 1973
Derrick O'Connor, Jenny Runacre
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