#despite it going for something different

[haunted-xander]

Who's the "real" me?

+ some references for the Rise-related things I included <3

[meagancandraw]

You ever think about how neither of them got to say goodbye?

[ind1c0lite]

something about desperately wanting to trust

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[salthien]

and tattoo #2, on the inside front of my bicep (photo angle was awkward). i. yknow. part of me feels like i have to justify myself here, explain my reasoning, but i don't think i do, actually.

[sunbloomdew]

the way to the moon is about holding on (to the promise you don't even remember making, to the person you loved, to the life you never got to live but refuse to give up). it's johnny choosing to be with river time and time again, it's johnny holding on to all the paper rabbits river made even if he didn't know their significance, it's river keep trying to remind johnny of their shared past, it's river giving up her treatment so a place that means the world to her is protected, it's eva and neil trying their hardest to send johnny to the moon, it's eva taking the risk in hopes of making it

the way finding paradise is about letting go (of your mistakes, of the unrealistically perfect life you never lived, of the person who helped you through your darkest times but who now keeps you stuck in the past). it's colin letting go of faye despite being afraid, it's colin keep replacing pages in his book with new ones, it's faye knowing that colin never needed sigmund's help, it's faye telling colin he has to let go of her if he wants to live fully, it's neil and eva trusting faye despite what it means for them, it's neil taking the risk in hopes of making it

[ratatatastic]

SASHA LUNDY CLUTCHING ONTO EACH OTHER FOR DEAR LIFE HELLO

THE INHERENT ROMANTICISM THAT IS IN BURYING YOUR FACE INTO EACH OTHER AND CRADLING ONE ANOTHER'S HEADS

CAN YOU HEAR MY WAILS?????? CAN YOU HEAR THEM AT HOW LUNDY IS SQUEEZING SASHAS WAIST??? HELLO?????

[mayomkun]

Rewatching dead boy detectives and I love the music box that starts playing when Charles started hitting the night nurse. Like, the haunting melody went so well with the shock of what we learned about Charles' past and his sudden outburst (spiralling out of control, the feeling of the world beating down on you over and over and even when you try your best, be your best self, it isn't enough and there isn't anything you can do). And then morphed to something more upbeat/thrilling when she fell into the sea, followed by complete silence with Charles' breakdown. Oughhhhhhhhh

[yume-fanfare]

day 7 of torikasa week is future! what will they do after graduation?

[puppyeared]

fuck it. plaguesona

[zaddyazula]

obviously i love strangelove’s character but she wasn’t written well… as a woman or as a lesbian…

[thepersonperson]

I think JJK going on break after the last chapter is a bit cruel. This is nerve-wracking. We still have 3 chapters left and so many things can happen there. 268 feels too good to be true and the title is weird.

I'm not sure what is the right translation and I don't have access to raws. Right now, it's 268 title is "Finale" or "Conclusion" but I heard from someone that it can be also be read as "Curtains".

If it can be read as "Curtains", then it could be a reference to "final curtains". The problem is JJK has its own version of "Curtains", right? Idk what to think.

Gosh I wish it was “Curtains”. The chapter title is 決着 (Kecchaku) which means settlement/conclusion/end.

For example, at the end of an extremely brutal fight in Jojo's Bizarre Adventure, Jolyne screams “Kechakuuuuuuu!” (決着ゥゥーーーッ!!) (It's actually a small Jojo meme in the JP fandom.) This got translated as "Game set!"

I love the localization they used for this since that entire battle was like struggling in arcade mode for a fighting game.

Anyways, in the context of JJK, especially since this has been a literal Sukuna Gauntlet and the previous chapter had the “Ringing the bell on a long fight.” editor’s comment, I don’t think there’s an ambiguous way to read Kecchaku. The Curtain/Veil kanji in JJK is 帳 (Tobari). (Though if there’s some fancy wordplay I’m missing please let me know.)

However…I would kneel before Gege if this was an elaborate trick by Sukuna—him giving Yuji delusions of a happy ending only to yank it away last second. It’s very hard to make characters feel familiar but slightly off on purpose for misdirection. That kind of tonal control is something I praise Umineko for. (Dungeon Meshi does it excellently for the shapeshifter scene.)

But that is pure copium I think. Sometimes otherwise good media just fumbles the endings. (Not an example of good media, but I was around for the Secret BBC Sherlock Season 4 Ending meltdown so I’m not too hopeful about a turnaround.) I personally blame the JP work culture/crunch since a lot of modern mangas have rushed endings due to burnout/unfair contracts.

I think the most heartbreaking examples of this phenomenon for me are The Owl House and Moral Orel. Those shows still stick the landing imo, but the creators are very open about how studio interference forced them to condense everything. You can feel that suffocation in the final episodes. Everything is just slightly off and you know it would be better if the creators were allowed their breathing room.

[astranauticus]

stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir

(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)

But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?

so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me

in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone

and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age

but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind

and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind

(or, because i personally dislike the official translation,)

"I just see this place as my home"

so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3

[hadesknockedupintheunderworld]

Ough Sonourge/Shadeclipse parallels you mean so much to me

[threadmonster]

Concept:

It's May 4th and Shinra has been talking about his plans to marathon Star Wars with Celty. He isn't particularly interested in the series but Celty is intrigued by aliens and all. Izaya is annoyed. Of course Shinra, as usual, only cares about Celty. It still makes him feel gloomy though, it's not like Shinra ever forgot his birthday before.

He gets even more annoyed when Shinra calls him for a favor. Why should he care if Shinra forgot a few things at the store? But it's fine, whatever, it's not like he has anything better to do. Even his own sisters didn't bother to send him his birthday death threat.

Shinra told him to let himself in. He doesn't know why all the lights are off. He huffs and turns them on all just to be bombarded by a chaotic mess of "Happy Birthday" wishes and a camera flash in his face.

He doesn't know what to say or how to react. He sees Shinra, Celty, his sisters, Kyohei and the van gang, Simon was there. He wants to get mad, how dare he be fooled like this. In truth, he doesn't even know how to feel about it.

You see, his self-worth is so low that he can't understand, people do care about him.

[bonnieisaway]

gun to my fucking head u tell me "believe that seven in the past and seven as he is now are two seperate people and entities are not the same person and the past seven would have never been as kind or caring as the current seven became" i'll read you my will and testament right fucking there i do not care what anybody says to me that's the same bitch . that's the same motherfucker. have you ever looked in the mirror and asked yourself who you'd be if that didn't happen to you. if the tramua didn't hold you down everyday. if you lived a better life. that's what happened to seven. the same motherfucker who got a new start. that man was never some heartless killer , the man who was some "stone cold, heartless, steel-faced killer" who didn't care isn't hiding inside him because he does not exist. you can look. you will not find him. the director himself right the fuck now could say that to me and i wouldn't fucking believe him

there is EMPATHY in every action he takes in his past. the show does not make sense in any regard - in the way we pick it apart and comb over it like we always do - if he was just some heartless guy who lives on in the depths of seven who does not care. that boy would never only fight on missions. that boy would never refuse to draw his sword on redtooth until he had no other option. that boy would not consistently, and wordlessly spare bystanders who he understands are harmless and are stricken by their own emotions. and that boy would never, never go against every killer in the world to save a girl who he knew had been set out as a trap for him.

that's not a different seven that is seven in a worse scenario. he's not "unlocking his old personality" or "reverting to who he used to be" or "becoming a cold killer again" - he is once again put in the same scenario that poses danger to his life. seven is not moving backwards, nor unlocking something hidden in him - and i don't mean his memories, yes, he is gaining some back, but i mean the fundamental personality and "person" he was believed to be back then - history is repeating itself and his life is being shaped by the same inherent tragedy it once was. yes, he had one moment to laugh in season four. that does not mean he doesn't want to anymore, or can't, or won't, it means he will when he fucking can despite despite despite.

i'm so i'm going insane to a point i cannot put it into words but i dont i don't LIKE the thought process of "becoming who he used to be." or the concept that he was ever anyone else . that is unfalteringly, and indisputably seven. there's no other seven. his life was built around a world that was not fit for a fifteen year old with no visible or prominent family to be in, let alone one where at the age of fifteen he killed people to survive. there was ALWAYS a love in that man's heart but there was an inherent wall he learned to build around it. a wall that when he woke up on chicken island he did not feel the need to build. i feel like i cannot put this into words well enough