#development gap

[thirstywaffles]

A friend dragged me into rereading sv 🧍

[nyaa]

北へ。/ Kita e. White Illumination (1999) Sega Dreamcast

[kriskukko]

february afternoon, 1817

[deantfwinchester]

Love Me Right

Part 1: Henrietta’s

Pairing: ConstructionCEO!Joel x Waitress!Reader

She's eventually gonna be a teacher again bc let's be real, i'm a one-trick pony.

This is a Millionaire Joel AU x Most Eligible Bachelor Trope

Summary: Joel Miller, CEO and Co-Founder of Miller Construction, hasn't been dealing with an Empty Nest very well. His family and friends have tried their best to cheer him up since Sarah left for college in the fall, but the storm cloud above his head remains. On top of that (or perhaps because of it), he has just been named one of Austin's Most Eligible Bachelors.

What will that mean for the new-in-town waitress he meets in his favorite diner? As far as she knows, he's just an average contractor.

Warnings: age gap (reader late 20s, Joel late 40s); family-centered trauma and conflict; lethal levels of fluff otw

A/N: Bear with me for this one y'all. My imagination is ambitious and my brain is obstinate. Title inspired by Sabrina Carpenter’s Short ‘n Sweet - bc i can’t stop fckn listening to Juno 🫣

Word Count: 4.6k

_______________________________________________

“Tommy, there ain’t a chance in hell that’s gonna happen. Why on earth did you bring this to me?”

“Well they talked to Joanna at the front desk first. She said wasn’t going to bring it up to you, but I couldn’t just let it slide,” Tommy raises his eyebrows at Joel, shooting him a mischievous look. “Because one - I wasn’t gonna pass up the chance to see this look on your face, and two - would a little publicity be so bad?”

“Who in their right mind is gonna choose a fuckin contractor from the goddamn ‘society pages’?” Joel bristles at his brother’s amusement with an unwavering scowl.

Tommy stares right back, but the playful nature of his expression is unmarred. “Most men won’t Joel - but their wives will.” Tommy’s salacious grin is damn near wider than Joel’s ever seen. Christ, he’s loving this.

“You gotta be kiddin’ me,” Joel says plainly, rolling his eyes.

“Come on brother, think about it - plenty of busy men in this city with bored housewives in need of a project. He tosses her a few thousand to redo the dining room - well who’s gonna do the job? She hasn’t got a clue where to begin and then BOOM! She sees the list of Austin’s Most Eligible Bachelors in the paper - where she finds a photo of the distinguished CEO and senior founder of Miller Construction—”

“Senior, seriously?,” Joel deadpans at him. Tommy ignores him, continuing to wax poetic.

“And can’t help but wonder if the rest of his staff is as dashing as he appears to be,”

“Flattery’s cheap Tommy.”

“Of course then she meets with me and the deal is sealed.” Tommy smiles smugly now that his story is complete.

“Boy can you paint a picture,” responds Joel, rolling his eyes at his brother’s antics. “So you wanna parade me around like a two-bit hooker, huh?

“Whaddya say — can I give ‘em a call?”

“If you’re so hell-bent on ‘marketing’ why don’t you do it?” Joel says flippantly.

“Well I’m not a bachelor anymore, am I?,” he grins brightly at him. This time, it’s sincere.

“Don’t break your arm pattin' yourself on the back, Tommy. Maria mighta said yes, but there ain’t a ring on your finger yet. She’s still got a few months to wise up,” Joel challenges, his tone playful.

Tommy glares at him, but then gives a sobered nod. “You’re right about that. I know I’m a lucky fucker, and I’m not interested in testing that luck - even for a charity auction. Sorry to the dogs, or the food bank or — is it old people?”

“Hell bent on it, and don’t even know what it’s for? Christ - it’s a Make-A-Wish thing Tommy, damn,” Joel replies, looking bewildered at his brother’s callous and cavalier response.

“And isn’t your attention and concern for the bigger picture just what they need in volunteers?” Tommy retorts, expression still smug but eyes hopeful. “What, ‘s it gonna kill you to go out for once? It’ll be a formality at worst and maybe even a good time if you loosen up a bit.”

“I can think of a number of other ‘worsts’ than a formality,” Joel muses

“You’re gentleman enough to handle it just fine,” Tommy continues.

It has been quite a while since Joel’s been out of his house for much other than work or routine, and even longer since he’s been out with anyone other than Tommy, Maria, and the guys from work here and there. He’ll admit, he hasn’t been dealing with an empty nest very well. He’s done a pretty terrible job of keeping busy since he dropped Sarah off at school back in the fall. She’d gotten in exactly where she’d hoped, and made friends fast - for this he was over the moon - but he misses her like crazy. He’s been swimming back and forth in swelling pride and stabbing grief since September, ecstatic and aching all at once. He knew Tommy’s intentions were relatively pure, business interest aside. He knows they’ve been worried about him for a couple of months now - they haven’t exactly been subtle — they’d started having him over for dinner damn near once a week.

This newfound hobby of Tommy’s, cooking like a grown-up, had become the ruse en vogue for getting Joel out of his house. As Maria’s caseload grew at the law firm, Tommy wanted to make sure she had a real meal to eat when she finally got home — so he started cooking. Joel had to admit it was real sweet, watching his brother dive headfirst into learning a new skill just to take care of his bride-to-be. He claimed it only made sense with his far more flexible schedule, but Joel knew it made Tommy proud to be able to do this for her, and the very fact he wanted to made Joel proud as well.

Once Sarah left for school, however, Tommy quickly discovered his brother’s less-than-satisfactory habits of microwave dinners or forgetting to eat in general. He was a fair chef in his own right once upon a time, but without his little girl there to feed, bothering to make a balanced meal fell by the wayside. Joanna, a kindly woman in her seventies, had been one of the first to notice the change in Joel’s demeanor and the drawn nature of his features. Not much younger than the boys’ mother would be today, Joanna worked at the front desk of Miller Construction, greeting clients with a maternal warmth that, Tommy had to admit, was in part strategic. Disarm a client while they wait with a smile and you’d be able to pry open their hearts and their pockets.

Joanna was not unaware of the role she played in this game, though she did not approve. She’d informed Tommy of her concern for Joel, and the regular dinner invitations followed suit. This, accompanied with Joanna’s tugging Joel along to a nearby diner for lunch a couple of times a week in November had practically pulled Joel through the fall slump and into the new year. The holiday visits home from Sarah had helped a great deal, as well.

Joel wasn’t blind to his friends and family’s kahoots to help him through this patch. Though he sometimes grudgingly obliged to Joanna’s pestering him out the door because she hadn’t “seen you eat a bite all day. Four cups of black coffee don’t count, and you know it. Up!,” or Tommy’s employing Maria to send a text herself inviting him to dinner after he’d tried and simply received the finger, he was grateful for their efforts and care. Sarah was too, but he didn’t need to know that. Those lunchtime diner visits soon turned into breakfasts — a preemptive measure on Joanna’s part to add some time out in public to Joel’s routine of home — office — work site — home. Eventually she’d pavolv-ed him into it, and Joel was at the diner for coffee, breakfast, and one of the only physical newspapers left in existence every Monday, Wednesday, and Friday, at first following behind Joanna and eventually on his own.

Joanna had been with the Miller brothers since the business was far smaller, just a few years after its inception, when they started needing a receptionist/secretary/assistant, just someone who knew how to manage their slowly growing demand. She’d been a friend of their mother’s and had taken up some of the slack when she’d passed, grieving alongside her friend’s sons and looking after them in her wake. She’d been one of the only reasons Joel and Tommy had been able to build the tiny Miller Bros. into its current position as Miller Construction, multi-million-dollar contracting firm, and the largest in the Austin Metro area. Joel’s practical thinking and creativity combined with Tommy’s ambition and idealistic hopes of grandeur got them into successful meetings with investors that Joanna quietly set up via her husband’s business contacts. Their vision reminded her so much of their mother’s optimism she couldn’t help herself. She’d keep an eye on Sarah when Joel needed and ensured they were taken care of in the moments they would have needed their mother around.

As the boys’ surrogate mother figure and Sarah’s Aunt Jo, it came as no surprise that amid Joel’s season of empty-nested loneliness Joanna had begun encouraging him to “get back out there” and claimed that she “won’t be around forever” and “would like to see him settled before I go.” Classic maternal guilt-tripping, and Joel told her each time that he hears 70 is the new 50. She told him to try that again in a few years when he hits the real 50.

Truth of the matter was, Joel had been alone for a long time. He’d seen people on and off while Sarah was growing up, but it was a rare occasion, and no fling had ever lasted more than a couple of months. With Sarah at home, it never mattered much to Joel — he had someone to care for who was the best company he’d ever had right in front of him. She’d needed him a little less as she’d grown up, but he always had a purpose.

Joel was a natural-born caretaker — between brotherhood and fatherhood, he took to it like a tadpole to water. With Sarah away at school and his little brother engaged, however, he couldn’t figure out where to put all that love, and so it crackled into grief like a blackening candle wick, blooming into a flower of ash that nestled in his chest. The cloud of soot hovered around him for a while as he went through the motions of his everyday. Tommy, Maria, and Joanna all wanted to see him find his way again, as did Sarah when she received honest reports from her family members after some prodding. He always put on his biggest smile for her, never wanting her to worry, but she could see something hurting in his eyes, just below the surface.

While it may have been blatantly out of his comfort zone, Tommy and Joanna jumped at the opportunity to convince Joel when the Most Eligible Bachelors’ Auction came knocking. He needed something to disrupt his routine, with the added bonus of his coming out into the social scene like a plaid-clad debutante with a few extra crow’s feet.

After rolling the last few months’ events around in his mind for a couple of minutes while Tommy answers a phone call, Joel is broken from his reverie. Tommy’s standing in front of him again, waving a hand back and forth.

“Hey ground control - you with me?,” he asks before Joel’s eyes focus on him once again. “Can I give em a call?,” and this time Joel notices the concern in Tommy’s eyes as his joking facade flickers with hope. It’s more than just publicity, and he owes it to them to give it a shot.

Joel releases a measured sigh, relenting. “Can’t believe I’m saying this but sure, fuck it. Call ‘em back,” he says rolling his eyes, resigning himself to whatever nonsense his participation will entail. He reminds himself it’s for charity, and returns to his computer, refocusing on his work as Tommy darts out of his office to return to his own, reporting his success to Joanna along the way.

_______________________________________________

You got lucky with this job at Henrietta’s, with its flexible hours and fairly livable wage, you had time to settle into your new place and get to know the city. You spend your off days wandering around, doing research on local schools and prepping your applications for summer school and the new year.

Never had you pictured yourself leaving students mid-year, and having to do it hurt like hell. You missed the kids you left behind every day, but when a friend caught wind of an acquaintance needing a subletter for a little studio within your price range, you didn’t have much of a choice. You needed to take up the lease starting in January, or you’d be starting over at square one. It had been a long time coming, this encroaching need to run and start over somewhere new. Staying in your hometown was no longer an option — work may have been a saving grace, but the other areas of your life were suffering. You knew healing couldn’t begin without separation. You needed to be far away from everything — it was the only way you could picture trying to feel whole again. Grad school had ended the previous year, so you fled.

With each mile you put between you and your family, you started to feel like your lungs could fully inflate once again. The oppressive air of scrutiny and memory that swam around you at home dropped off piece by piece with each passing mile marker. You’d put a few states between yourself and your parents once it was all said and done, and while it was scary, starting from scratch all over again, it was invigorating. You’d done it at eighteen when you left for college, you could damn well do it again with eight years’ more life experience under your belt.

You’d walked into the diner on your second day in the city. You had some money saved up from time living at home, but knew it would dwindle quickly with rent to pay and no salary coming in on the regular. You would need something to keep busy and pay for necessities until the end of the spring semester. When Diane, the manager caught sight of you, bright-eyed and looking like a deer in headlights, she welcomed you with a warmth you’d only read about in books. She interviewed you then and there and offered you a job on the spot, waiting tables on the breakfast and lunch shifts at least four days a week. She told you your “sweet smile and wide-eyed look will do wonders for you in tips, precious!” You think it’s probably just teacher face you can’t shake, and hope she’s right — maybe it could do you some favors until you get back in the classroom where you belong.

Diane’s rounded face was accentuated with wonderfully deep crow’s feet and smile lines that suggested a lifetime of sharing this warmth, and her dark hair streaked with gray around her hairline and temples rested atop her head in a frazzled bun. She made you comfortable out the gate, and had set you up with a uniform immediately. More aptly, she handed you a t-shirt and an apron to go over your leggings. You were thankful for the relaxed dress code, knowing plenty of other establishments required a much more specific ensemble. Once you’d changed she introduced you to your shift lead, Reggie, and the line-cook-on-duty, Tony, patting you comfortingly on the shoulder and insisting they welcome you, hoping to keep you around to solve their persistent staffing issue.

While Diane was quite a bit older than you, somewhere in her mid-fifties, Reggie and Tony were younger, floating between mid-thirties and early forties, if you had to guess. Reggie was a slim black man you’d put in his thirties, and he greeted you with a smile and an exclamation that he was more than ready to gossip ad nauseum with someone so much closer to his age. He’d been the one to fill you in on Diane’s immediate taking to you, letting you know with little ambiguity that you were just a few years younger than Diane’s daughter, who had moved out of the city about a year ago, and that you favored her to boot. Reggie had called this particular gossip session your orientation.

“Don’t get me wrong honey, Diane’s a sweetheart. But never have I seen her offer a position on the spot. I think having you here may do her some good,” he’d said, before turning to fill you in on Tony the line cook. “Yeah Tony’s hot, but he chain smokes like a chimney and doesn’t care at all when I ask him to keep his second hand smoke to himself on the days I have a performance!,” he shouted pointedly at Tony, who only looked up long enough to give Reggie the finger and wink at you. Tony was a muscular Italian guy in his forties with tattoos of a sort that didn’t quite match up with the gold chain and cross pendant hanging around his neck. When your eyes went wide at the wink, Reggie giggled a bit and leaned toward you. “Don’t worry, Tony’s a little sleazy but harmless. He’ll hit on anything in a skirt, but as soon as you tell him you aren’t interested he’ll back off and won’t bring it up again. He’s a good guy, but don’t tell him I said that.”

Over the course of your shift you discovered that Diane’s been at Henrietta’s for fifteen years, Reggie is a drag queen and lounge singer by the name of Wizz Tiria at a few different clubs around town, and Tony has a few other business ventures he mentions on and off (the details of which he keeps to himself), but never misses taking his Mom to church on Sundays. You share a good bit about yourself as well in exchange — what brought you to Austin, why now, and where you may go from here. It doesn’t take long for you to make yourself at home among this eclectic little bunch, and for the first time in a really, really long time, you’re content with the peaceful monotony of these early winter days.

_______________________________________________

It’s a brisk February morning when you walk into the diner for your shift. You’ve spent the last month working in the cozy little greasy spoon, so you’re still getting to know the regulars, but you’ve caught on pretty quick. You’ve been working the Tuesday, Thursday, and weekend shifts, but when Diane loses another server, you’re eager to pick up the slack — extra pocket change and keep your mind busy. The company’s pretty good too. Thus, you find yourself walking into the diner at 7 AM on a Wednesday morning with a hoodie over your t-shirt and a scarf to ward off more of the wind cutting into your cheeks. You head to the staff room to remove your hoodie and don your apron and emerge, finding the diner a bit colder than it had been up to this point. You’d kept a light jacket or a cardigan on you previously, but today’s need for something heavier led you to selecting a favorite hoodie to throw over your work t-shirt — which you didn’t quite think through until you came into the dining room and felt a chil run up your spine. Diane catches sight of you before you can still yourself.

“Sweetie, what on earth fo you think you’re doing?,” she asks like you’ve done something obviously egregious.

“Huh? What is it?,” you ask innocently, but you know the answer. She can probably see the goosebumps you feel rising on your arms.

“You need somethin’ on under that, you’re gonna freeze in here today!,” she chastises.

“Yeah, I brought my hoodie, but forgot I’d be taking it off. It’s not so bad in here, I’ll be alright,’ you tell her reassuringly.

“Absolutely not. Wait, hold on a second - REGGIE! We got any more o’ those long sleeve souvenir shirts in the case?!” she hollers after him.

“Hold awn!,” he hollers back, Southern twang taking center stage when he yells, just like the rest of them. After a few seconds he emerges with a few in hand. “Got a few left. Ugly as hell, probably why they’re still here. Watcha need ‘em for?”

“Sweetie, go on and change into that before the rush starts. Not the staff shirt, but the branding’ll be fine in case Jason drops by,” she says, rolling her eyes. She pats you on the shoulder, nudging you toward Reggie to take one of the shirts. They’re bright green with a gaudy design on them that makes you laugh when he hands it to you. Jason’s the owner of Henrietta’s, and so you’ve heard, the bane of Diane’s existence. You’ve only heard tale of this rotten Jason thus far, never quite laying eyes on the mythical beast. You really hope today in this goofy shirt isn’t the day you do.

You return to the dining room a few minutes later clad in the neon green monstrosity, tugging at it in a futile effort to make it look better. “Happy now, Diane?!,” you holler as you enter, only to find her standing directly in front of you at the hostess stand, face to face with a man you’d never seen in here before — who you almost run right into, not looking where you’re going. He’s tall and broad with dark brown curls laced with grey streaks, and gray patches in the short beard that frames his jaw. He catches you when you nearly bump right into him, and you look up to meet the deepest brown eyes you’ve ever encountered. Your cheeks go red when you realize what you’ve done.

“Whoa there,” he says, smiling down at you as you stutter out an apology. “It’s alright, no harm done,” he responds, voice gentle but deep. It’s true, he didn’t even budge when he caught you, and you’re fairly certain if you’d fallen, the outcome would’ve been the same.

“Sorry about that Joel. C’mon, your table’s ready,” she says, patting Joel’s arm and leading him forward, not before turning back to you and saying, “Certainly am. Now go grab some coffee for Table 7 for me, will ya sweetie?” with a smile. You’d just run almost smack into a customer, and she wasn’t upset with you or anything. You shouldn’t be surprised, that’s just Diane, but you’re used to much larger reactions to small mistakes. You just nodded and breathed a sigh of relief, but your eyes are drawn once again to the man she’s leading away. He’s looking back at you with a smile that sends a shiver down your spine, one you’re certain has nothing to do with the chill in the air this time. He’s wearing a plaid button-down and a utility jacket, with cheeks and a nose tinged pink from the cold. You tear your eyes away anxiously and head for the coffee pot.

You’ve got your hand around the decaf pot, pouring another cup for the regular at the bar counter, when your eyes find Table 7, your next destination. You see the man, Joel, Diane had called him, with his back to you, facing out the window, newspaper in hand. You steel yourself once again, switch coffee pots, and head for his table.

You approach from the side, hoping not to spook him as he’s engrossed in the paper he has in hand. Christ, when was the last time you saw a physical newspaper? It’s kinda cute, you think, seeing someone reading one on a cold morning with a cup of coffee. So picturesque. Especially someone as handsome as he is, and you find yourself staring at his broad shoulders and dark curls again before he looks up from his reading.

“Hey,” you start, a little shaky, “sorry again, about before. Don’t know what I was doing, not looking where I was going,” you smile a little, shaking your head at your mishap.

“Really, it’s fine. You seemed, uh, preoccupied,” he says, looking down at the offending design on the tshirt you’re wearing, before looking back up at you. “It’s certainly a change from the regular uniform, huh?” he says, smiling at you. The way his eyes crinkle as he does plants a warmth in your chest you aren’t expecting. It’s been so long since you felt it, it’s almost unfamiliar. Your cheeks warm as you smile back at him, hoping it comes off as embarrassment from your wardrobe rather than bashful attraction. You’re about to tell him it’s certainly not a permanent solution, when he speaks again. “So, Sweetie, huh? Haven’t seen you around before — that what they call you in here?” he questions, smirk playing at his lips.

You laugh in response and introduce yourself, and tell him this isn’t your normal shift, but you’ll probably be around for it moving forward. You take his breakfast order, and tell him you’ll let him get back to his paper.

You don’t converse much more when you bring Joel his breakfast, just quiet thanks when you refill his coffee cup. He looks so peaceful, you almost hate to interrupt each time. You ask Reggie about him when you both have a minute behind the counter.

“Yep, that’s Joel. Gorgeous, isn’t he? Started coming in a few months back with an older lady, then more regularly by himself. She’s with him once in a while, kinda seems like a mom vibe, but she doesn’t look like him. Anyway, I think he works construction or something, always coming in with those boots on looking like a lumberjack,” Reggie says flippantly. “Heard from the older lady one day when he was in the bathroom — his daughter went to college back in the fall, they’ve been trying to get him out ever since,” he said, looking sympathetic at the thought.

You feel your heart do a little squeeze at this newfound tidbit. A fresh empty nester. You know how hard it’s been for Diane, so much she’s taken to parenting the staff in her daughter’s stead. Staring at Joel’s back as his head is bowed reading the paper, you begin wondering more and more about him. His daughter’s probably around eighteen, so how old is he? You’d guess he isn’t married, and you didn’t see a ring. Who is he? Why does he come here to read his paper each day? And most importantly — how soon can you find out the answers to these questions? You don’t want to ambush him at all and scare him off, but you’re drawn to him, and so very curious.

Meanwhile, Joel is stealing glances at your reflection in the diner window in front of him, watching you laugh with Reggie and the customers at the bar, smiling sweetly when someone makes a request of you. He needs to get out of there before he starts feeling creepy, he thinks. He rises and walks to the counter to settle his bill with Reggie at the cash register, glancing at you when he does so, futilely trying to balance showing interest and being weird. He leaves a nice tip in the jar for all of you to share, but just before he turns to go, he looks back at you, locking eyes.

“Oh uh, Sweetie?,” he says, smirk on his face. He looks almost bashful when he speaks next, like he’s working up the courage. “Glad you’re picking up. Look forward to seein’ you again,” he smiles. The look on his face when he says it is so sincere, you could melt on the spot. He was nervous about his joke, you could tell, but recovered when you laughed in reply.

“Looking forward to it too, Joel. Enjoy your day,” you say, smiling wide in return. He gives a little wave to everyone before grinnig down at his shoes and walking out of the diner into the crisp February air. Your eyes follow him out to the pick-up he hops into, before looking back over to Reggie and Tony, staring at you devilishly.

“And I’m looking forward to seeing this story unravel,” says Reggie, looking over at Tony and grinning, like something juicy has just unfolded before their eyes. The two are laughing while you smile and wave them off, wiping down the counter. Diane emerges from the office at the sound of their hearty laughter, reading glasses slipping down her nose, notepad in hand, and stares back at the three of you.

“What’d I miss?!,” she asks. You’re smiling too much to respond with anything genuine, so you return to your wiping, and let Reggie take the lead.

[dead-generations]

it's interesting talking to young men on the internet because they are, by a large majority, motivated by a gleeful and unfocused ressentiment towards basically everyone and everything. there is really very little concern for truth but more notably there is a semi-concious rejection of usefulness of action and of making things better.

the appeal of policies, actions or rhetoric is that punishment and cruelty are inflicted, that people and entities are laid low. they are not motivated by a desire for better things to happen, but for worse things to happen to those they resent. And they like being angry and resentful, they like it more than they like any hobby or activity or product.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 9

Weeks pass, and their evening phone calls continue. The timing varies, but its a rare day that Kara doesn't hear from Lena. Each call feels like a gift, as Kara remains conscious of the constraints on Lena's time, and the energy expended on days she does her shows.

But on those rare evenings where her phone stays quiet, Kara can't help the concern that tickles at the back of her mind. She manages to refrain from issuing a check in, certain that it would be considered a nag, or at the very least an entitlement to Lena's time.

The morning following one such evening, the first text she receives comes in after she settles behind her desk, ready to tackle a mountain of paperwork. When she opens the chat window, she's confused to see an image of a glass-paned wall of an office building.

It's not until she spots the building number that she realizes that it's *her* building.

She all but sprints to the lobby, bursting through the front doors to come to a sudden stop to see a black suv and a casually dressed Lena Luthor leaning against it.

When Lena beams, warmth pools in Kara's chest. She surges back into motion, breathlessly throwing her arms around Lena to squeeze long and hard.

"I wanted it to be a surprise," Lena says into her shoulder, seemingly content to remain in Kara's embrace as long as possible.

Kara laughs. "The best surprise. I've missed you."

When she pulls back, Lena all but bounces on her toes. "You down to play hookie with me?"

"Dodging another meeting?"

"Actually.... I miiiiight have cleared my schedule." From her puckish grin, Lena doesn't appear to feel all that guilty about it.

Kara's heart skips a beat. She can't remember the last time anyone has ever set aside time dedicated to her. It's been years since her last real committed relationship, and even then the time she spent with her partner had been perfunctory, a matter of course. It hadn't made her feel... special.

"Let me grab my purse."

---

They go to the movies. It's Lena's idea, but Kara is the one to choose the goofy comedy that has Lena in stitches before the end of the first act. And if the sound of Lena's giggling heats Kara's cheeks, who could blame her?

They continue to snack on their bucket of popcorn even as they leave the theater. Lena wears the same denim jacket over a zip up hoodie that she'd worn their first day in the park, and with her sunglass firmly in place, she almost looks like a normal person. No one seems to give them a second glance, for which Kara is deeply grateful for.

Selfishly, she wants to keep Lena for herself, for as long as possible.

"When's the last time you went on vacation?" Lena asks, apropro of nothing.

Kara blinks at the unexpected question. She takes time off every year, but she doubts her little staycations to relax and recharge are what Lena would consider a proper break.

"Define vacation," Kara hedges.

Lena laughs. "Time away, somewhere else. Maybe... with someone?"

Sensing the direction the conversation is headed, a thrill of adventure sparks in Kara's belly, even as she begins to talk her way out of it.

"Lena, I don't know..."

"I know, I know, but listen! I've got five days before my next show in Paris, and it's the longest stretch I'll have free for months, and... I want to spend those five days with you."

Kara stares at her. Lena rushes to fill the silence.

"We could go to Capri. Or the alps, if you want somewhere cooler? Or--"

"Yes," Kara interjects. Lena's rambling halts in surprise. Kara grins. "I don't care where we go."

Lena's answering smile puts the sun to shame.

---

Capri is gorgeous. Kara expects to them to be taken to another lavish hotel, but instead their driver heads to residential area, and when they stop, Kara finds herself at the gate of a sprawling villa.

"Wow."

Lena nudges her playfully. "Wait til you see the real view.

Kara follows Lena's lead. Carry-ons in hand, they make their way into the main area of the villa. When Lena places her bag on one of the long couches in the middle of the room, Kara does the same, then allows Lena to lead her by the hand to the verandah at the back.

The whitewashed terrace serves as the perfect frame for the vista that sprawls beyond the walled perimeter of the villa, all the way down to flat stretch of ocean reaching towards the horizon.

"Wow..." Kara breathes.

"I know, right?" Lena turns, sidling a little closer to press a chaste kiss to the corner of Kara's jaw. When her head rested on Kara's shoulder, Kara let her cheek rest atop it. "I'm glad you're here."

Kara sighs, surprisingly content. "Me too."

---

Though the villa's kitchen is fully stocked and equipped, Lena insists on going out for dinner. "I'm not about to stay in on a night like tonight," she says, and Kara offers little protest.

They choose the restaurant on sight alone, and the food is sumptuous and, once the sun goes down, decorated with a blanket of stars overhead. Lena looks stunning in a white shift dress, perfect for the weather and venue, and Kara's gaze roves in a certainly non-platonic way. She only feels a little bad about it when Lena catches her staring.

The other woman's gaze deepens as she reads Kara's appreciation in her expression, and a knowing smile curls her lips. When Lena's bare foot brushes Kara's shin beneath the table, Kara can't bring herself to pull away. She wants Lena, and she's rapidly running out of reasons to talk herself out of it.

Along the walk back to the villa, Kara points out as many constellations as she can recognize, only for Lena to laugh.

"There is no way I could possibly tell which stars you're pointing at," she says.

Rather than be deterred, Kara pulls them to stop. She positions herself behind Lena, her front pressing close against Lena's back. So close that she can feel the hitch of Lena's breath when Kara reaches one arm over her right shoulder, pointing at the brilliant anchor of the big dipper.

"There. You've got the bright one, which is Polaris. The north star. Follow it that way, and you can see the rest of Ursa Major."

Kara turns her chin to gaze down at Lena. The younger woman's skin glows in the moonlight, her hair nearly merging into the shadows. She looks ethereal against the moonlight off the sea, but in Kara's arms she's all to tangible.

"See it?"

"Yeah," Lena croaks. She tries again. "Yeah, I do." She shifts, reaching back to let one hand rest against Kara's hip. The touch is intimate though non-sexual-- a simple gesture to keep Kara exactly where she is. "Show me more?"

Kara does. She's able to point out most of the greeks-- Orion and Cassiopeia and Andromeda, among others. It's at least another hour before they get back to the villa, and the long walk leaves them melting into the couch the moment they sit.

Unable to keep from dozing off, even with the lights blazing, Kara wakes hours later to find Lena asleep on her shoulder. It doesn't even occur to her to move.

When next she wakes, however, Lena is nowhere to be found. Sunlight streams through the tall arched windows, illuminating the spacious room with a pale light that doesn't help this trip feel any less like a dream.

Stretching the kinks out of her back as she rises, Kara meanders to the kitchen, only to find it similarly empty. From there she explores the adjoining hallways, until the sound of hushed, harsh murmurs draws her towards one of the bedrooms.

Peeking through the open door, Kara spies Lena pacing, phone pressed tightly to her ear in agitation. Kara can't discern her words, but her tone is clear enough-- something is wrong.

Lena looks up when Kara gives the door a light push, and Kara is taken aback by the tears glittering in her eyes. Lena turns away slightly, muttering a swift "I have to go," before ending the call.

"I'm sorry," Lena grinds out, turning back towards Kara. "This-- this was a terrible idea, and I-- I shouldn't have pushed it--"

"Whoa, hey..." Kara interrupts gently. "What's wrong?"

Lena sniffs, before unlocking her phone to give to Kara. There, in all their telephoto glory, are a slew of photos-- of them. Here in Capri. One of them captures the moment Lena had kissed Kara's jaw the day before on the terrace, and others track their trek through the village and their dinner at the restaurant. The last one shows the two of them at the outlook, Lena pressed to Kara's front, with Kara's arm stretching towards the stars.

"I know--" Lena's voice cracks. "I know you didn't want this. That you didn't-- want to be seen with me."

Kara frowns. Papparazzi hasn't even been a thought in her mind, beyond one of their outings being interrupted by people hounding Lena. Her concern-- her *only* hesitation to committing towards something deeper-- has been the dread of losing Lena before having more than a taste of her.

"I swear, I didn't know they knew where we'd be," Lena continues. By now, quiet tears have spilled down her cheeks. "I didn't *know*--"

"Hey," Kara says sofly, cupping Lena's damp cheeks with both hands. "It's okay."

Lena shakes her head. "It's not," she croaks. "You didn't want this..."

"I want you."

The confession comes easier than Kara expects. It stills Lena to a mere tremble, her eyes taking on a hopeful glimmer through the tears.

"Anything else, I'll handle it."

Lena swallows, throat clicking. "*We'll* handle it?" she corrects, tentatively.

Offering a smile, Kara leans in and presses a soft kiss to Lena's lips.

"We," Kara confirms.

Lena exhales, tension bleeding from her in a visible whoosh. She steps Kara's arms when they open, nestling herself into the embrace as her hands grip tightly against Kara's shoulderblades.

"We'll do it together."

[cor-lapis]

I decided to have a go at doing my own redesigns because these three are my favourites and I love them very much. further notes + sources under the readmore (warning: lots of text). I did my best with the research, but if there's anything I overlooked, I'd really appreciate people letting me know :)

Tighnari:

My main source for Tighnari was this excellent thread, from which I looked up each item of clothing individually. Since djellabas tend to be quite long, and Tighnari needs mobility for forest ranger activities, I figured he would cut and re-hem the lower half. He also has a lot of clothing pieces that are traditionally multicoloured, but to keep his design cohesive I decided to use the same colours across different items, but using a larger palette of colours than I would usually. I like the bright colours on him a lot though!

There are also some minor details I just changed because I wanted to. The flower on his chest is now a nilotpala lotus, because I thought it was nice to include his acension material/the material he asks you to help gather. The dirt stains/scuff marks are because rainforests are muddy and I wanted the design to emphasise Tighnari being very practical and hands-on with his work (see also, the specimen belt).

Finally, I shrunk the magnifying glass on his back (because I'm pretty sure it's meant to be his first magnifying glass toy and that thing is very large for a child to handle) and gave him an undercut because it seemed right. Also, I merged his front and back trailing cloths into a scarf type of thing that he could wrap around his nose and mouth to prevent inhaling spores from mushrooms.

Collei:

COLLEI my beloved. I had a mild nightmare trying to figure out a specific source culture for her design, but nobody seemed to know specifics and her outfit wasn't matching with any traditional dress I looked up, so in the end decided to keep the overall look the same. Just in case I assigned her something else, but then it turned out I missed her actual inspiration.

Anyway, I made her shoes simpler (no fur, heels, and open toes in the rainforest seemed reasonable to me), and gave her shorts. I liked the green colour because it's pretty unique under a dark dress, and pairs nicely with Nahida's white dress + green undersides. Amber's tie stays, but I made most of her jewellery smaller since it felt a little clunky for a trainee ranger.

Her earring and necklace(?) are allusions to the Evil Eye and the Khmissa/Hamsa, both symbols of protection. Especially considering the fact they're meant to ward off evil, and very common across multiple MENA cultures, it seemed fitting for Collei to have them. Also, she has Eleazar scars, and I used the design for her stockings as inspiration for the combination knee braces (similar to those used for arthritis, since Eleazar also causes stiff limbs and I HC that people affected would probably still need some recovery support)/knee pads (in the case of a fall). I like the idea that Kaveh would have helped make them for her (tangent but the fic Here is the House explores similar ideas; it's really really good, I heavily recommend it). Finally, she has curly hair because I thought it would be cute.

Cyno:

Here's the thread I found for Cyno. The main critique was to do with the eras from which each aspect of his clothing drew inspiration, but I admittedly wouldn't be able to do much about this without a lot of research. One thing I did try and verify was the small strip of cloth on the left of his chest, and I found a few wall murals where the people seem to be wearing similar strips of cloth? (example here; rightmost figure) Therefore, I didn't remove it, but if someone wants to explain Ancient Egyptian clothing history to me I'd be really interested to hear it 6.6

I might iterate on the design in the future, but for now the changes are mostly HC territory. Cyno wearing his hair in locs (a protective hairstyle) makes sense for someone who does a lot of hiking after rogue scholars, and I also gave him quite old and faded top surgery scars because healthcare is canonically free in Sumeru (thanks for that information, al-Haitham)(though tbf Cyno makes bank anyway). I also adjusted the colours a bit, since Genshin tends to use desaturated shades for metallic elements.

I also considered giving Cyno more scars, but figured that it could indicate Hermanubis' presence that someone you'd expect to get injured a lot is relatively scar-free (i.e. some sort of godly healing factor/resistance to damage). However, we know next to nothing about Hermanubis, so Cyno having a lot of scars also makes sense. This paragraph is mostly just a cry for help cyno story quest 2 literally any more elaboration about the nature of Hermanubis' pact and the Temple of Silence.

Conclusion

I wasn't intending to write one when I started the explanations but this got REALLY long so if you made it this far, thank you so so much ToT please check out the links; the threads especially were a great resource, and I'm grateful that people take the time to make them <3 genshin's character design department are cowards but I'm glad I learned some new things through the redesign process

[greenmanalishi]

John Wick’s enemies but it’s just Gob Bluth saying “I’ve made a huge mistake”

[netellie]

imagining cinta and vel living together on yavin in domestic bliss like cassian and bix did for that one year. Like vel and bix became friends and i think she really wouldve liked cinta and gone on double dates!! The possibilities that were taken away from me

[calware]

i'm used to the "hal cannot be anything other than 13 and there is no room for nuance on this matter" argument but the other two statements are so confusing to me. what

[oc-loving]

which oc has a big age gap with their sibling(s)?

[unforgivingchorus]

I’ve been deconstructing my ideas of Tim to separate fanon from canon for the purpose of my solo run idea. What do you mean Batman calling him Jason was a canon event. I understand fanon has a basis in canon but I thought that was a development of fanon maybe. Eye is twitching I’m bringing back all of my deconstructed emotional disconnected mentor Batman thoughts

[mostlymobilegames]

Lada and Tata's relationship is the most normal out of all of them when it comes to its development and general lack of toxicity.

They're newly made friends who bonded over someone close to both of them who died, they're both loners, outcasts who struggle to fit in (Lada is the withdrawn shepherdess and Tata is "no one's girl") who get brought together by collective suffering. They're close in age and mentality. Their positions and reputations in the village are similar.

Tata's romance makes the most sense: two young women finding some (maybe) unusual comfort in each other due to shared trauma.

This is notable imo because female LIs rarely appear like the 'correct' decision. Sure, most of them are "the best friend" or "the roommate" or "the maid" but the story obviously doesn't present them as the player's best pick, the canon choice, as in her romance path is natural.

Can you tell I like this route?

[blank-house]

Does the entire cast have social media? If so what do they post on there? Or do we get to see that in game 🫣

it's my dream to include! i really liked how the social media interface worked in the ps4 spiderman miles morales game because of how it kind of fills out the world because you see average npc #1 responding to something plot-relevant that happened, haha. like for keyframes, can you imagine the random passerby that saw this group of college students on a massive lawn waterslide?

[sunlight-shunlight]

gosh. i was looking up cullen analysis posts on tumblr bc i was curious about his Deal, and

were there really SO many people on here doing the "but he was just following orders 🥺 he was a vulnerable 19-30 year old minor 🥺" defense....... help...

[fatalism-and-villainy]

Re: this, the thing that drives me crazy about complaints about Garashir dominating the fandom (which, hey, it annoys me too, especially considering how much of that is based on fanon rather than their canon interactions) is that so many of them betray an inability to see Bashir as anything other than one half of the ship they're complaining about. "They're not even the main characters" as if Bashir isn't a literal main cast member who's in almost every episode and has lots of plots and character development that have nothing to do with Garak, many of which are very significant to the overall themes and plot developments of the show. No, he's not as central as Sisko and Kira, but he is imo just as significant as the other main characters, and more significant than some of them.