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#dolores del río
hotvintagepoll · 1 month
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dual propaganda: Dolores del Río and Marlene Dietrich being pals (who are gals) masterpost:
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here they are attending a bride and groom themed party together
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"Mister and Missus" Masquerade: After eleven years of wedded life, the Basil Rathbones think it's high time to burn a little incense on the altars of the marriage gods - which accounts for this exquisite bride and groom shindig. Marlene Dietrich, left, plays the groom to Dolores del Río's exotic Spanish bride. (of course they had to work "exotic" in there :/)
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"Dolores del Río was the most beautiful woman who ever set foot in Hollywood" -Marlene Dietrich
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"Ah, this is the real beauty. We blondes have to work at it." -Marlene Dietrich about Dolores
M + D serving cunt at an exhibition of Frida Kahlo's work
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+ bonus Dolores with her friends Frida and Diego
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Mexican actress Dolores del Río on a vintage postcard
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silver-screen-divas · 1 month
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opencomicbook · 1 year
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Dolores del Río as Josette Martel in Orson Welles’ Mercury Production of Journey into Fear (1943) directed by Norman Foster
I have to say it’s something of a disappointment that Dolores only wore this costume for about 5 minutes when all the publicity photos are of her wearing it!
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judy1926 · 2 months
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Dolores Del Río and Marlene Dietrich circa 1935
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davidhudson · 9 months
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Dolores del Río, August 3, 1905 – April 11, 1983.
Photo by Slim Aarons.
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gatutor · 5 months
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Dolores del Río "El fugitivo" (The fugitive) 1947, de John Ford.
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lisamarie-vee · 3 months
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hotvintagepoll · 1 month
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Propaganda
Dolores del Río (Flying Down to Rio, Flor silvestre)—to begin with, dolores is so RADIANTLY BEAUTIFUL, even more so in action then in images, its like she emits a literal glow. marlene dietrich (a close friend and rumored lover) considered her "the most beautiful woman who ever set foot in hollywood". she was the first mexican actress to become a major success in hollywood, rising to fame in the silent era and becoming an influential icon of beauty and glamor in the art deco age, though she was not thrilled with the exoticizing parts often pushed on her. in the mid 1940s having tired of the controlling hollywood studio system she returned to mexico, saying "I wish to choose my own stories, my own director and cameraman. I can accomplish this better in mexico", and proceeded to become a pivotal figure in the golden age of mexican cinema, making a string of masterpieces with directir emilio fernández and cinematographer gabriel figueroa. i love this anecdote about the insane art deco mansion she and her then-husband cedric gibbons lived in in the 30s, as related by david niven: "Dolores had a large sunny room on the first floor containing a huge and inviting bed. Gibbons lived in comparative squalor in a small room immediately below. The only connection between these rooms was by way of a stepladder, which could be lowered only when a trapdoor in the floor of Dolores room had been raised. There was a long stick with which, we conjectured, he signaled his intention or hopes by rapping out signals on the floor of his wife’s bedchamber." heres a pinterest album with a billion hot pictures of her
Fay Wray (King Kong)— the original scream queen!! she started acting in silent comedies as a teenager and got her first big break when erich von stroheim cast her as the lead in the wedding march. her career started to take off starring in silent movies at paramount, and she survived the transition to sound smoothly - josef von sternberg’s weird proto-noir thunderbolt was one of her first sound films. she began to make horror movies in the early 1930s, such as doctor x and mystery of the wax museum, both filmed in beautiful two-strip technicolor (which looked like this if you're curious. i just think it's neat!), as well as the vampire bat, the most dangerous game, and of course the boy himself, king kong. a little on how she worked with her most famous costar: “Although Kong appeared huge, the full figure was a model covered with rabbit hair, standing only 18 inches tall, that was filmed one frame at a time by stop-motion photography artist Willis O'Brien and his crew. The 5ft 3in Wray only knew one part of the ape's body when she was grasped in an articulated 8ft long hand. Hence the title of her 1989 autobiography, On The Other Hand. ‘I would stand on the floor,’ she recalled, ‘and they would bring this arm down and cinch it around my waist, then pull me up in the air. Every time I moved, one of the fingers would loosen, so it would look like I was trying to get away. Actually, I was trying not to slip through his hand.’” (link)
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Dolores del Rio:
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There's so much! She started in Silent films and successfully transitioned to sound, She is the first woman to wear a two piece swimsuit on screen & popularized the bikini!, She transitioned back to Mexican Cinema in the late 1940s and was a leading lady of the Golden Age of Mexican Cinema including staring in Maria Candelaria--the first Mexican film to win the palm d'Or at Cannes. She was literally studied for her beauty & was considered a beauty ideal in both the USA & Mexico--there's a whole section on her Wikipedia page about how beautiful everyone thinks she was. She never actually had a feud with any of the female stars she was rumored to feud with despite the fact that press & Hollywood culture attempted to pain them in competition... She remained a leader in Mexican theater & Cinema through her own production company. Mexican painter Diego Rivera: "The most beautiful, the most gorgeous of the west, east, north and south. I'm in love with her as 40 million Mexicans and 120 million Americans who can't be wrong" (quote source: Wikipedia)
*fan self* Leading actress in silents and early Hollywood. Lover of Orson Welles until she got fed up with him, friend of Diego Rivera and Frieda Kahlo. When she got tired of Hollywood executives typecasting her as a stereotypical spitfire (and trying to force her to feud with Lupe Velez as a publicity stunt), she ditched Hollywood and became a major star of Mexican cinema, where she got to play rounded characters
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Had a career in American cinema in the 20s and 30s and considered one of the most important figures in the Golden Age of Mexican cinema (30s to 50s).
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Marlene Dietrich said Dolores was the most beautiful woman to set foot in Hollywood
Joan Crawford: "Dolores became, and remains, as one of the most beautiful stars in the world."
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One of the few Latin American women working in the Hollywood industry to make it big not just in hre home country but internationally. In 1931, Photoplay magazine declared that Mexican film actress Dolores del Rio had the "best figure in Hollywood." (which I know not necessarily a good barometer) but! it shows that many people looked at her for her beauty and sought to emulate her. Famous for her years-long love affair with actor and director Orson Welles, who was 10 years her junior if that's anything.
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We need more hispanic representation in this!! Del Río is one of the most important actresses of her time as she was one of the first Mexican movie stars to break through to Hollywood! She’s unbelievably sexy and an absolute icon. Thank you :)
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Fay Wray:
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Actress prominently known for starring in horror, she was one of cinema's original "scream queens". She knocks it out of the park whenever she's with the horror genre, bringing a depth and likability to characters that would other be flat and boring characters.
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An early scream queen, name me another woman who could look so beautiful while so disheveled and scared for her life
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She was name-dropped not once but TWICE in the Rocky Horror Picture Show. She's arguably the original Scream Queen.
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marypickfords · 2 years
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La otra (Roberto Gavaldón, 1946)
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Mexican actress Dolores del Río on a vintage postcard
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silver-screen-divas · 1 month
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selina212 · 10 months
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Dolores del Río 🐆🖤
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picturessnatcher · 8 months
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What Price Glory (Raoul Walsh, 1926)
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oldfilmsflicker · 2 years
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Ramona, 1928 (dir. Edwin Carewe)
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