#don't hurt me show

[respectthepetty]

I'm here to report on the colors in episode four of Wandee Goodday, but first a few stray thoughts like I have another image to add to my collection of Yak looking at Dee crazy,

yet still going along with whatever Dee wants.

Also, Yak being bothered that Dee didn't immediately think of him as a friend was a good beat in establishing the "friend" portion of their benefits. They are friends who share their lives with each other and scheme together, and I'm glad the show is explicitly stating that.

Because the way the conversation began paralleled the way Yak wants to approach Taem about their relationship - What are we? "Are we datin'? Are we fuckin'? Are we best friends? Are we somethin' in between that?"

But also the nurse stating Yak must care a lot for his lover to get the vaccine and Yak looking immediately at Dee was perfection because 1) safe sex isn't just about you but about the people you are sleeping with,

2) you shouldn't be ashamed of caring about sexual health, so even if you hide behind queer pamphlets, drink water, get the shot, wear the condoms, and use the lube. Also, PrEP isn't just for men just like HPV vaccinations aren't just for women, and

3) it showed that Yak does care enough about DEE, his lover, to take their sexual health seriously -> Yak is on that Bed Friend's King level of sexy, and I'd go through the entire Kama Sutra with them both once all our test results came back clear.

Translations are always iffy but Ter mentioning that Dee wasn't thinking about his professional persona while Yak reminded Dee to not include his face in the pictures and Yei mentioned his brother being fine with Cher when they first started dating gives me hope that this show is going to lean more into the layers of being out because even though that "666" told me Ter was el diablo, he continues to make comments like that and Golf's other show, The Eclipse (which has been featured often in this show) was very much about (not) passing and levels of outness.

Yei and Yak's dad was a world champion boxer, yet he wasn't mentioned in this mom-focused episode and the mom is the one who opened the gym, so is the space that Cher and Yei are giving Yak to figure his feelings out something they weren't given by the father? Because Cher was worried about the pressure Yei was putting on Yak to move up a class.

And if the gym was the mom's, with all of its yellow, is Yak really like his mom as Dee assumed?

Because putting the opening scenes in black and white is an easy flashback technique, but in this particular story, where Yak and his mom are bright yellow, it was a painfully good choice to take the color and brightness out of the scene.

And it was an even better choice to parallel Dee comforting Yak in the same way Yak comforted him with a warmer (yellow) light than his normal purple one.

Because Dee is already in his feelings about Yak without realizing how deep he was, which is why he is wearing a soft yellow while Yak is wearing Dee's fake blue.

When they practiced what Yak would say to Taem, Dee thought about all their moments together, so he is falling quickly, while the signs are pointing out that Yak isn't there yet.

But I wouldn't be there either if I was still daydreaming about this beautiful goddess who always rescues Yak with her brilliance, sassy personality, singular focus, and yellow folders, but that sounds a lot like someone else.

A Purple Prince who is also brilliant and focused on winning but wild and sassy. Good to know Yak has a type. (Sidenote: the music choices swinging between romantic to tension-filled as the scene flipped between Taem and Dee was another great choice)

Because Taem is taken, even if not officially. She matches her guy. She had on a dark brown and black shirt, so he had on a dark brown cardigan with a black tie.

And she had on a brown-striped shirt with a black star, and he had on a brown jacket with black writing and a black tie.

Then again, Dee is no consolation prize. Not looking like that at least.

No wonder Yak is conflicted about what he feels when he looks at Dee because he most certainly is sexually attracted to him because *duh* who wouldn't be attracted to Dee (TER!), but as they sit in Yak's black and yellow room, it becomes more apparent that whatever he is feeling isn't just sexual desire.

And when Dee scratches his back just like his mom used to while tutoring him, it starts to become clearer that Dee, wearing his necklace, and in orange which is sooooo close to yellow fits easily into his life. (Sidenote: Together with Me taught me that in Thai, being itchy is slang for being horny, so good for this show and its layers)

Dee works so well in Yak's life that Yak is willing to get three shots to continue to have sex with him which can take anywhere from eight months to over a year to complete because each dose is spaced out by at least two-to-six months. Basically, Yak committed to a long-term plan . . . with Dee, who is chilling in his yellow-striped shirt.

So it's not surprising that Yak is wearing a deeper blue next week as he holds Dee on the couch since he is far more invested in this fake relationship than he originally intended.

I could write 5,000 more posts about them and this episode which I probably will.

But know that even though the blue Yak is wearing is getting deeper, I will not be satisfied until it turns into purple.

That's when I'll know they are both in love.

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[mcdannowave]

Always and forever.

[fredoesque]

see the THING about goodsir and stanley is that goodsir may be way less inclined to act cruelly but he has a far greater capacity for it.

[sysig]

Off to make mischief and terrible decisions for everyone (Patreon)

[emblazons]

Forewarning: Gay Mike talk skip if you want

Not to be that person in 2024 that pride gifset did it to me but I still genuinely do not understand how the "girls being girls was never a problem for Mike" argument came to be, considering THIS the show's Mike talking about, learning about, confessing to and just being around spaces re: girls:

note: this isn't even touching any of the moments we see hints that he's into boys—JUST the moments where we see his displeasure with/disinterest in engaging with girls (or commentary by other guys who are interested in them). Will, a confirmed gay character, doesn't even have this many reminders of his lack of interest in girls.

Once is a coincidence. Twice is a pattern. Twelve times without real effort to pull every example? and I didn't even include him taking a girls hands off him while kissing or the four other times they kissed eyes open or hidden? Iet's be so serious lmao

[vellichorom]

so maybe he’s taken the sexysweep loss a little hard,

( NOTE; this comic does NOT reflect the views of the artist or is in ANY way meant to chastise / guilt the opposing side OR fault the voters, this is just a little in-character fun on my part & in no way was created with malicious intent! )

CONGRATULATIONS @braisedhoney, I KNEW YOU COULD DO IT! & ANOTHER THANK YOU TO @tsp-narrator-ask​ FOR FEATURING MY NARR IN THE COMPETTITION! earnestly looking forward to seeing who brings home the gold!

( ps also featuring @tomi-chuu‘s stanley because how could i ever not )

[linden-after-hours]

As much as most of us (I assume) found Joker Out through Eurovision last year and maybe are big fans of the contest (me included), please consider boycotting Eurovision this year!

Palestinians and allies have called for the disqualification of Israel but the EBU has refused. Now Israel is participating with a song that used to be called "October Rain" (the title has been changed) that is very clearly referencing October 7th.

Russia was (rightfully) disqualified for opening fire on Ukraine. Israel is allowed to continue, despite the year-long occupation and murdering thousands of Palestinians in the last half year alone.

Boycotting means not watching, not streaming the shows, not creating or interacting with any Eurovision content. You will miss out on a glittery night of music and it will suck, but it will help path the way to a free Palestine! 🍉

Read the BDS Movements statement from March 2nd 2024 here.

[adm-starblitzsteel-4305]

Nah, you broke her promise.

[daenerysies]

why are alicent stan’s so gleeful about what the show has done to her character? book-wise she was an antagonistic, ambitious, manipulative woman who knew exactly what she wanted and how to get it; versus the show, where she has been turned into a constant victim to the men around her with no autonomy or agency what-so-ever. whether it’s otto, viserys, aegon, larys, she’s been reduced to a hypocritical, bitter, puppy-eyed woman with no want for anything in her own life; just a doll to be played around with and eventually discarded.

instead of being the calculating and intelligent woman who dog walks viserys up until his death (and even after) she's now his victim because of the decision to age her down to 15 rather than 18 like her canon age, and in turn age viserys up in order to further emphasize the age-gap and power dynamics. she is portrayed as an abusive mother on screen (physically and mentally to aegon, mentally to helaena and aemond), falling into the 'abused becomes the abuser' trope, which is a rather harmful stereotype. she told aegon that he would be king, but then began having 'second thoughts' when the actual usurpation took place, of which she apparently had no idea, "am i to understand that members of the small council have been planning secretly to install my son without me?" once again reducing her to a pawn of the men around her. these second thoughts took place because of her apparent 'reconciliation' with rhaenyra, as if a few words and hand holding could ever undue the years she spent undermining rhaenyra and attempting to have her and her children disinherited and shamed (mayhaps even killed due to the bastard rumors). she is now a victim to larys as well. larys, despite his lower standing than her THE QUEEN, is able to 'manipulate' her into doing sexual favors for him in order for her wishes to be granted. she has no control over the men around her and no respect from any of them because they know she is willing to bend over backwards to please them. she openly admits that she knew her father had been manipulating her for years, and she still fed into his bullshit. she only wants aegon to be king due to her 'misunderstanding' the words of a drugged up and dying man (and it being HIS 'wish' for aegon to succeed him, not hers). her only want in the show is 'to make a window in the wall of her prison.'

the greens were named for HER in the book. not aegon. not otto. not house hightower. her.

“the beacon on the hightower, do you know what color it glows when oldtown calls it’s banners to war?”

“green.”

except that it doesn’t in canon. house hightower’s only set color is grey, and their only beacon is the regular depiction of red and orange fire. there is no green to be scene anywhere to represent the hightower’s or oldtown or their beacon. the color green didn't have any meaning to her. alicent chose it for herself. she wasn’t ’showing off her allegiance to her father and house after being scorned by the targaryens’ it was a political statement that she CHOSE TO MAKE for herself. she was the leader of team green and was the main culprit in usurping rhaenyra and crowning aegon. she didn’t do it for her father, or her house, or viserys; she did it for herself, because SHE wanted aegon to be king.

there are ways to add complexities to characters without completely changing everything about them, and what they stand for. alicent might have partially fallen into the evil step-mother trope in the book, but considering it’s a historical account; we have next to no information on how she really feels. they could have deep dived into her feelings regarding the succession, how marrying the king without a male heir should have given her the privilege of being the future king’s mother, instead finding out the harsh reality; that viserys would not remove rhaenyra as heir, and that she was negated to only being the king’s wife and giving him spares. they could have played into how complicated her relationship with rhaenyra is, how angry and self-righteousness she would have felt considering the only reason viserys was made king was due to male preference primogeniture. why she felt the need to isolate and bully a child because of said child's father’s decisions. there were plenty of other roads that the writers could have taken to add actual nuance into alicent’s story, and not just adding in more unnecessary and brutal violence towards women.

all of this to say that aging her down and turning her into nothing more than a abused child-bride was not the way to go to add nuance to her story. women shouldn’t have to be tortured, neglected, raped, abused, etc. in order for the audience to like and feel sympathy for their character. that’s an inherently sexist and abhorrent point of view, and considering how virtue signaling a lot of her fans are it’s not surprising that they’re willing to overlook it for the sake of continuing their poor baby alicent ‘always a victim to the men in her life’ rhetoric; as if that was ever a core part of her character.

what they gave us in house of the dragon was not the real alicent hightower, just a cheaply made original character with alicent’s name slapped on her in place of a discount sticker. hotd's biggest crime was reducing powerful ambitious women to side pieces in the big bad men's war. why do women in this universe have to suffer in order for the audience to feel sympathy for them and their plight? and no, i'm not going to argue with anyone going, "b-but OBVIOUSLY you just don't understand her character uwu," i understand her plenty, thanks.

if you actually like alicent (or any of the women in general) in fire and blood you should be seething in outrage over house of the dragon's portrayal of them.

[killcodesashes]

Byeee byeee Sol

[Human designs ig!]

El amor de mi vida se tiene que ir desafortunadamente

Perooooo tuve que hacer el menos un dibujo y la verdad me encanta como saliooo

Solar sacrificed himself to get rid of my art block, he's a real one...

I did my best to copy the artist's original style they did for the thumbnail and I think I did a pretty good job!

Here's more of the sketch and progress on the drawing!

It took nearly six hours according to ibis paint! And I messed up a bit on Solar's face but I do plan to go back and try and fix it tomorrow! I'm just tired since I kept working all day on drawings for the episode

I actually also really liked the flat colors though they definitely took the longest

[Og thumbnail btw:]

I was literally just drawing fanart for the laes hunger games video when I got the notif

Ngl I started laughing my ass off when bro just faded off

[lastofthe20thcenturygirls]

maomao (out of genuine concern): are you not getting any sleep sir?

jinshi: you just don't want to spend any time with me why do you hate me so much???????????????

[ohshinytrinketsmine]

You evil jellyfish. Are you sure? This jellyfish's sting is very painful. It will go directly to your heart.

The Sign, ep 2

[ntj2pj]

[mikimeiko]

Bodies | 06. The World is Yours