#double threaded sewing thread

[cuddlytogas]

yesterday some friends and i went to the special ancient egyptian pharoahs exhibit at the ngv, and i got so utterly entranced by a linen funeral shroud, i think i saw god and/or went completely insane for about fifteen minutes

the fibres were so fine. and not just fine, they were uniform. it was from the roman period, so only (only!) 2,000 years old, but the fibres were still so fine and uniform

i'm not good at identifying weft and warp on a piece of fabric - i think i got it wrong while i was looking at it - and obviously it's very hard to know what's inherent to the fabric and what's the product of degradation over time or mishandling, but there was this long, thin tear right down the middle, and i thought it was maybe a seam that had come apart, but the painting alignment didn't quite fit that, and there were a few threads crossing through it that i could see, so i wonder if maybe one or two weft threads had degraded or torn or been pulled loose. but the tear was so straight and exact, and held together at one end by the other fibres, it was so incredible to see

and there were a couple of places where i thought there were slightly chunkier threads - it happens all the time in modern linens - but when i looked closer, i could see that actually it was two threads in the same part of the weave (warp threads, i think?)

and again, okay, could be a product of the degradation, or damage - but also... it could so easily have been a slight fault in the manufacturing, and i don't know the first thing about ancient egyptian weaving techniques, or what kind of loom they did or didn't use, or any of that - but still, it was so easy to imagine these two warp threads being set slightly too close together on a loom, and being caught together by the weft, and leaving this slightest bulge, this perfect imperfection in the cloth

it was beautifully, intricately, colourfully painted, too, yes - but underneath that, i can only imagine that lovely dun, beige colour was unbleached and undyed; and yet again, yes, of course it would've darkened with age and use - it was a funeral shroud, there was a corpse under it once - but to look at this linen and see the colour of the flax two thousand years ago, it's just - absolutely mind-boggling

the whole exhibit was deliberately structured around highlighting the craftsmanship behind the artefacts, as well as the power, social structures, and cultural significance they represented, which was fairly well done. I watched that video after seeing the exhibition, and in hindsight, yeah, I did notice that many of the labels highlighted the detail and excellence of the items, and they had things like jewellery moulds and scribe's tools, as well as the big impressive statues and murals. at least a couple of the room introduction wall texts made sure to mention craftspeople; and there were a few places dedicated to both the bureaucratic structures, and working people and villages, that created and kept up the temples and palaces.

but there was also definitely a slight lack of information, i felt, in regard to the crafts, especially if that was their goal. i might also just be underestimating the general public, but there were a few times where we were wondering what something in an image was, but found nothing in the label; and it would've been cool if they, perhaps, had images or recreations of craftspeople in the period showing how the items would have been made.

like, obviously i'm biased towards the fabric, because that's my craft - and to be clear, the shroud was part of the room on jewellery and adornment, with the label pointing out the jewellery worn by the painted figure, rather than the craft of the item itself. but it would've been cool to have, in this example, either a contemporary image or a recreated one of what tools would have been used for the spinning and weaving of this cloth, and by what groups.

there were many parts of the exhibit where you could see on the glass where people had pressed their hands or noses or foreheads to try and get close, to see the intricate work on tiny rings or murals or votive items, the engraving and carving and painting done with such incredible skill. and again, they had those scribe's tools, and jewellery moulds, a few weapons, and (iirc) both ritual and functional builder's tools. which i DID VERY MUCH appreciate!

but fibre arts are already often devalued in our culture, and with industrialisation, we've really lost sight of the work and skill that, for thousands of years, went into making fabric. i would've loved to have seen them highlight not just the image of jewellery on this shroud, but the shroud itself.

because, yeah: this linen was beautiful. and to see this cloth, with these fibres that are finer and more uniform than many modern fabrics... like, obviously it's very good linen - the label only said it was for a woman called Isetweret, not what her status was, but i think it's a safe bet she wasn't the proletariat - but still.

just. i really fucking love history, oh my god

[dinosaurcharcuterie]

My mom had two linen-cotton blend shorts she wanted pockets put in, and after my aunt said she would and then realized she didn't know how, I was called in. And I said yes, because, hey, it's pockets. Those take like maybe half an hour per pair. Easy peasy. Right?

Did she have fabric? Uhhh.. no. She'd go to the store last week. This week. Thursday. (It was Friday afternoon.) Matching thread? Eh, we'd find something.

When I got there, it was three shorts. One of them a true fuchsia that resisted matching any purple or pink thread in three seperate sewing stashes. But definitely, definitely cotton linen, all natural fibers. Except they stuck to the iron if you had it on too high. And wouldn't take a crease no matter what. Also, no idea what the bought fabric's fiber content was. Something slinky. Aaaand in the last few weeks, the butt seams were starting to stretch weird.

Turns out the entire thing was assembled on an overlock-type machine using "thread" that dissolves into fluff if it comes loose in any sense of the word. The stitches were so loose, one snip of the seam ripper had 7 cm coming undone.

Had I lugged along my 8 kilos of overlocker? I was told it's 4 pockets, of course not.

Did I mention all 3 shorts had been a "steal" at 20 bucks? Oh, and that they sparkle like Christmas tinsel under my sewing machine in a way no linen or cotton has done ever? The bought fabric was less plasticky than the shorts, and despite not being expensive either, would have probably made for twice as expensive shorts.

Whatever, at least my aunt had already printed the pocket pattern and we just... She had not. Fine. I copied the one off my mom's favorite pocketed dress, since those pockets met with approval. My aunt is the queen of scissors, so she cut pocket flaps, I undid side seams and reinforced some butt seams.

I pinned them on, sewed the first one and... Wrong side of the fabric. Whatever. Unpick, repin all 6 flaps, sew again. Aunt points out, these fabrics look like they'd fray in the wash; run a zigzag over it.

These wibbly wobbly bitches warp like I insulted their mothers the second they meet a zigzag in any capacity. Whatever. Aunt takes them away to be ironed out so I can pin and sew again.

One of the pocket flaps is up upside down. No one noticed this while sewing or ironing. And my machine apparently has very small stitches. Oh, and this thread came from my great-aunt, who never skimped on sewing supplies' quality. That seam is the strongest part of the entire pair of shorts at this point.

Aunt takes out the seam ripper and I work on the other two shorts. My mom comes back from an appointment and asks what's up. Can she help zigzag on her machine? Yeah, sure, but what's up? Please don't ask painful questions and just zigzag.

Those two other shorts? Zero issues. Straight seams, no messed up fabric sides, all pieces matching beautifully and blending into the original design like we had barely modified them.

That first pair? It took two hours to undo that one double-sewn seam. My uncle had to tap on to come help at one point. The unpicking stretched out one side of a half-sewn seam. And the pocket piece. The pattern markings, despite being just two and high contrast, disappeared twice. The fudging to get those seams even-ish was epic.

My aunt's knee is messed up. My hip is messed up. My mom's sewing machine resents being rethreaded. No one was having a good time by the time that pocket was done.

We spent 7 hours from start to finish, with two breaks for food. I have finished entire dresses in that kind of time frame. I have no idea what went wrong.

Oh, and I still had to shorten something for one of the nephews after. Which my aunt, blessedly, had ironed into shape for me.

It took 10 minutes.

And after all of that, my aunt tells me "I'm still not entirely sure how you put in pockets..."

[sheliesshattered]

somehow, I don't know how, but somehow sewing machines always know when you're nearly done with a project and pick that exact moment to throw a hissy fit

[demoniiiic]

Yknow. When people said this’d be hell I thought they were kidding. Turns out: they were not kidding

[drs3x]

is it normal for some sewing needles to have two heads or is this dollar store needle just seeing twice as many stars as usual

[grimark]

i rlly do need to come up with a better system for organising my embroidery threads

[chambers003]

i bought batman pyjama pants the other day and it came with a tag of the batman logo and i wanna use it as a template to embroider the logo onto my jacket (real ones remember the denim jacket from like.. 4 months ago. i need to add my wings to the back of it too. ill get around to it eventually) but idk if i have enough yellow or the right yellow or anything. also idk how to embroider but im not letting that stop me . until like 6 months ago i didnt know how to sew either and now i sort of do

[commander-damneron]

One day I will remember to do all my convention prep in advance, and all I'll need to worry about the day before is knowing where everything is and getting plenty of rest. But it 100% is not this day

[newbusinessideas]

How to Start a Business with Yarn Twisting Machine

🎥 Want to spin yarn into a business? Here's your chance! 🧶 Discover the step-by-step guide to launching a small-scale yarn twisting business #yarntwisting #sewingthread #manufacturingbusinessideas #businessideas

In recent years, the textile and garment industry has witnessed exponential growth, making it an ideal landscape for aspiring entrepreneurs to venture into related businesses. One such lucrative avenue is the yarn twisting business. As far as yarn is concerned, it is made from two strands or more than two strands. We all know that sewing thread is used for sewing in needles and sewing machines.…

[hooksbooks]

This is the first of two books I bound for @renegadeguild's Tiny Books Bang.

The story is (don't) take this the wrong way by @delimeful and was typeset by @little-cat-press for the Tiny Books Bang. It's a mermaid AU of Sanders Sides (Web Series), which I had never actually heard of before. But when I saw that it was a merperson AU, this idea popped into my head and I knew I had to try it, especially after I read the story and really enjoyed it.

The inspiration is medieval girdle books, which are books whose covering material (typically leather) extended past the book to a knot that was both used as a handle when reading the book and could be tucked into the girdle when the book was not in use, thus the name.

Where my book is much smaller (it's a sextodecimo, about 2.25" by 2.75") it isn't designed to tuck into a belt/girdle, but rather is attached to a bracelet and dangles from the wrist when not in use.

When I think of mermaids, some things that come to mind are fish, treasure, and tridents, and I wanted to incorporate all three in the design. The book is covered in blue bookcloth, and then covered again in crocheted netting that was meant to bring to mind fishnets. I crocheted the netting from cotton-poly sewing thread doubled up. I incorporated a trident into the filet crochet, which is repeated on both the front and back covers. I blocked it on a piece of blotting...board? paper? It's soft and thick and meant to absorb moisture and came with my book press that started life as a flower press.

I then sewed the netting to the bookcloth covering the boards with teeny tiny stitches. It probably took twice as long to crochet the netting as it did to the rest of the binding combined, but I really like how it turned out.

The bracelet I picked to attach the netting to is gold-colored to invoke the idea of sunken treasure. Rather than attaching the netting from one end to the other, I folded both ends to the middle and attached it like that so when you have the book open it lays more nicely.

The design of the endpapers looks like looped thread, and also reminds me of netting. I secured the bookmark to the bottom of the text block and let it hang from the top, which works better when the book is hanging from the wrist and doesn't get caught in the netting. I also sewed a little starfish charm to the end of the bookmark.

Technical details:

Sewn-on endpapers

Rounded but not backed

No headbands (I think I intended to, but forgot and then decided it didn't matter enough to try to pull the cover back off)

Things I liked about this bind:

I really like the girdle-book-on-a-bracelet design, it came out almost exactly how I had envisioned it.

Things I'd like to change/improve for next time:

I wasn't 100% pleased with how trimming went on these. It wasn't terrible, but I probably need to come up with a different solution than just a utility knife and a straight edge.

Crocheting the netting really did take so long. I'm not even done with the netting that's going on my copy yet, which is why all the pics are from the typesetter's copy. Probably would not want to do netting for anything larger than this one was.

Overall feels: Loved it! I enjoyed the story, the design came out pretty much exactly how I envisioned it, overall I'm well pleased.

[ms-demeanor]

do you have, among your many guides, anything for How To Do Taxes without paying some shithead company $200?

I do not because taxes are a nightmare; i looked into trying to create a guide and realized I could cause people for-realsies problems because the system is set up to change regularly and trip you up.

I do know that as of 2024 if you make under $79k a year there is a free file option with the IRS: https://www.irs.gov/filing/free-file-do-your-federal-taxes-for-free

I want to be clear: doing taxes is a fucking nightmare and I hate it, filling out the forms is confusing and upsetting and seems to be worded in the hardest to understand way possible. But I also just sit down and fill out the forms and do the math with no other software; I do not generally pay people to do my taxes because I sit down and do the paperwork myself (or ask Large Bastard to do it because he's better at reading numbers correctly; emotionally I'm more likely to cry and he's more likely to rage-quit so it's a wash on that end).

The IRS website has a step-by-step guide: https://www.irs.gov/how-to-file-your-taxes-step-by-step

The way that I do ANYTHING that I don't know how to do is:

Look up a step by step set of instructions

Search anything that I don't understand in those instructions and research until I've got a handle on it then rewrite that information in a way that I understand it

Read through the instructions from beginning to end, double-checking that I know what each term means

Make sure that I've got everything that the instructions call for in front of me

Follow the instructions step by step; if I get stopped or have a problem I will search the problem using combinations of key terms until I figure out an approach and will try various approaches until that works and I get to the next step

IF I CAN'T GET PAST THAT STEP I call for help from someone who knows this better than I do.

Continue following steps miserably until I am done and can wash my hands of the mess and/or test results.

This is how I learn to cook things and fix cars and thread sewing machines and put trim line in weed whackers and do taxes. Find instructions, make sure I understand instructions, make sure I have everything required for the project, follow instructions, make sure I've got a phone-a-friend handy, and check my work after.

It's not very specific advice for taxes, but it's how I do new stuff (or stuff that isn't new but that I find confusing every time, like taxes).

[spamton-deactivated19970420]

i made a little hand-sewn beast based on everydayspamton's drawing & took it with me on a family roadtrip

if you'd like to make your own, i've included the [[FREE]] pattern & some rough steps below the cut, as well as an Educational Video

EDUCATIONAL VIDEO. THIS IS NATURAL SPAMFISH BEHAVIOR & IT IS NOT SCARED OR IN PAIN.

BEAST CRAFTING INSTRUCTIONS:

disclaimer: i'm an amateur & i've never tried making a pattern before, nor have i ever tried writing directions

materials you'll need:

sewing needle & pins

black thread & white thread

fabric in these colors - black, white, red, yellow, & pink

stuffing

(optional) a squeaker

notes:

for the thread, i suggest something thicker, like whats used for embroidery - i used two different thicknesses on mine, & i think the thicker one; (the black thread); stands out a lot nicer

for the fabric, i used craft felt. its nice because its cheap & malleable, but if you want something that can actually be washed & played with without disintegrating on you, don't use felt. different fabrics will have different results, though, & may not give you a clean-looking edge & lines

you can also just go nuts & use whatever colors of thread/fabric you want, make pattern alterations, whatever

if you make one, feel free to @ me, send an ask or DM me with it, i'd love to see!

^^^ here's the pattern!

now the actual steps?:

1.) download & print out the pattern - it should(?) fit normally across a regular sheet of printer paper. i don't have exact measurements, i eyeballed this whole thing & then lost the original pattern - (there's only a copy that i scanned & edited left on my computer. woops.)

2.) cut the pieces out. pin the patterns to the fabric color the instructions call for, & cut out the number you need for each

^^^ here's what you should end up with!

now the sewing! for this whole thing i used doubled-up thread & a 'running stitch', then went over it a secondary time with another running stitch to fill in the gaps. you could also try using a 'back stitch' (which i don't know how to do), but that might be tougher. the goal here is to give it an Outlined look, like a drawing

3.) with white thread, sew the pink & yellow eyes onto the glasses - pink is Left, yellow is Right. reference the image above if you're not sure!

4.) sew all the fins pieces together - on the black fin, use white thread; & on the white fins, use black thread. reference the pattern for the detailing. i made my own front fins 'wrong', but you don't really have worry too much about being exact

5.) overlap the Head pieces onto the Body pieces - making sure you have a Left and Right side! pin the heads to the bodies, & compare their lengths by holding them together to make sure you've got it right. sew the heads to the bodies using black thread. detail the head with black thread, & detail the body with white thread

6.) now that you've got the two sides of the body completed, you can hold them together to try to get even placement for the red cheeks. pin each cheek to each side, then sew them on with white thread

7.) using black thread, sew the pink glasses onto the Left side of the body, and the yellow glasses onto the Right side. they'll be slightly overlapping the cheeks

8.) with white thread, sew the front fins on to each side. NOTE: i put mine on wrong, & didn't realize until i was finished. for the 'right' placement on these (closer to the original drawing), reference the pattern, & not the images

you now have all your parts ready for assembly! for me, this is the hardest part. you'll need a bunch of pins - use the guidelines on the pattern and/or reference the below image to get the right placements

9.) pin in the back fin & the nose. leave some space on the bottom for stuffing when you start, & using black thread, sew together the nose & the fin unto the body - the fin should be sandwiched Between the two body halves

10.) pin in the tail fin. continue sewing down the back with the black thread, & sew the tail fin in - once again, it should be Between the two body halves

11.) pin in the back fin between the halves. continue with the black thread, sew along the tail & sew the back fin in - Stopping once its secured. you should have some good space still open on the belly

12.) time for stuffing. using something thin, but not sharp - like a chopstick or the back of a crochet hook - & push stuffing into the nose & tail portions. stuff the head about halfway. now, if you have a squeaker, put it into the widest part of the head, & stuff a little around it

13.) still using the black thread, sew the belly up a little more so its easier to keep the stuffing in, & then fill up the rest of the body. once fully stuffed, sew the remaining hole together

14.) congrats! you now have a spamfish. if you opted for a squeaker, squeak it thoroughly

don't worry if it's not exact, some individual variation is fun & makes your creature unique! mine has upside-down front fins with upside-down detail lines

here's the thing with some friends i had made a little bit before him. have fun with your beast!

i am not liable for any damage it causes to you or your property

[milesmolasses]

maybe e-42 miles x black fem fashion designer reader 👉🏾👈🏾 and she makes all different types of clothes like street wear and party dresses, and some girls even pay her to make their prom dresses and miles being her model for stuff.

my lil fashionista (e-42 miles x african!reader)

— I’ve added a small twist to this request I hope you don’t mind

— designer… but make it african

— this song has been on my mind all day

— ⚠️: use of the igbo language, some things may be confusing because they are written in broken african english, cursing, this one is on the longer side

in your room scattered with fabrics and sewing materials, you were on the phone with a last-minute client who wanted a prom dress done for her daughter. she was a close friend of your mothers and she called you expecting you to help her out on this last minute request, with prom only a month and a half away. but hey, if she was willing to pay double, who were you to refuse?

she was sending designs and inspo pictures, as well as different materials she wanted you to use on the dress. your mind was reeling, trying to write everything down as she spoke to you on the phone about all of the measurements of her daughter.

"ah, see the picture I sent to you now on whatsapp, that's kind of the style of dress we want for her. the long skirt one," she yelled into the phone. you could hear all the traffic from the road she was on, as well as gospel music from the speakers of her car.

"aunty have you changed the colors of the dress now?" you asked, praying she would say no as you looked at the photo she sent. you had already taken the fabrics out of your wardrobe and laid them out, so a change in colors would only stress you out more.

"no, same colors—"

just then, the woman was cut off by the sound of your phone ringing. you could hear it buzz on the wood of your floor, and when you went to check on who it was, you saw it was your boyfriend miles. "ahhh leave me nah!" you groaned as you picked up the phone to decline his call.

"are you talking to me?"

"no! no no no aunty, someone called me sorry," you pleaded, not wanting to seem rude to the woman who was paying you good money to make a dress on such short notice. you haphazardly threw your phone to your bed as you focused on remembering all of the measurements she told you and writing them down.

"biko (please), what did you say her busts were?" you requested.

"ahn that one is—"

just as she was about to tell you the measurement, your phone cut off. looking at the device on your bed, you saw miles was calling you again. you sucked your teeth as you declined his call, once again. knowing miles, you placed your phone on dnd to make sure you wouldn't get any more of his calls.

you sighed as you just decided to re-take all the girls' measurements whenever she got to your house.

"am nearing your house now, can you buzz me in?" the woman on the other line asked of you.

"of course, just tell me whenever you ring," you said. the commotion and traffic you heard before were gone. "she must be close," you thought to yourself.

you threw your notebook and pen alongside your phone on your bed as you went to focus on the half-finished dress on your mannequin. it was your own prom dress that you chose to make completely on your own, choosing to go for a more cultural look this prom season. you left the needle and thread looped through the sleeve of the dress to attend to the client you had on the phone, but now you went back to the dress you were working on.

the top of the dress was a beautiful, deep, dark red corset with jewels decorating the bust of the dress going all the way up to the sleeves. a swirl pattern of shimmering vines decorated the rest of the top portion. the bottom of the dress—a beautiful maroon color that was also decorated in shimmering, floral vines— went straight down in a tight fit to accentuate all your curves. not yet added to the dress, was the matching train, which you would sew later.

you were about to make the last loop around before finishing off the first sleeve of the dress when you heard a buzz from the front of your apartment. sticking a random hole in the dress to place the needle in, you tugged your bonnet off your head and ran to the buzzer. after buzzing the woman in, you waited by your door patiently.

after a few minutes, your doorbell rang. after waiting a few seconds to make it seem like you weren't literally right next to the door, you unlocked the door and swung it open.

"Y/N, kedu ka ị mere? (how are you),” she asked, leaning in to hug you.

“adị m mma aunty (i'm fine aunty), I was just finishing up a dress i’m working on," you responded. you looked at the girl right next to the woman; she looked just about your age.

"Adaoma you don't greet? is this not your agemate?" she looked to her daughter who made a face of discomfort. you understood exactly what she was feeling as her mother said that, so you shook your head as you chuckled and smiled.

"it's fine aunty, come inside both of you," you affirmed as you walked backward into your apartment.

as they sat down on your couch, you turned to your kitchen and headed straight for the fridge, "do you guys want some lemona—"

you couldn't even get the sentence out as you heard your buzzer buzz again. without thinking, you walked to your door and buzzed whoever the perpetrator was in.

"ah ah, are you having visitors?"

"no, it's probably just my mom. I think she forgot her key on her way to the market," you reasoned. walking back to your kitchen, you poured two glasses of lemonade into glasses and walked back to the living room couch where your visitors stayed.

"thank you my dear," said the woman. her daughter mumbled a small "thank you" as you handed them the cool drink.

"I have the measurements written down somewhere, hold on," you said, running to your room.

as you were searching your room for the small book you kept full of measurements and designs, you heard your doorbell.

"fuck where is it?" you whispered, scolding yourself for losing it so easily. your bell rang again, and then it rang a third time.

"oh my god— I'M COMING!"

finally, after recking your room completely, you found the book on your bed right next to your phone. you were too happy to beat yourself up about how stupid you were to not check your bed first, so you ran back to the living room, placing your things on the small coffee table.

you muttered an apology to your guests as you turned to the door, unlocking it. who you expected to see was your mom frantically telling you about how she left her keys at home before going to the market. however, what you were met with instead only made you even more annoyed.

"why you not answering the phone, hm?" came a deep, calm voice from the other side of the door.

sighing, you calmly tried to collect yourself, tilting your head back and saying a small prayer to the lord up above.

"miles, please. i'm doing something right now," you pleaded. the last thing you needed was your passive-aggressive boyfriend pissing you off when you already had so much to get done.

tilting his head forward, he peeked into your apartment looking at the people sitting on your couch. when he saw that the older woman was wearing a blouse with an African print—an Ankara blouse— he knew to watch his mouth when he entered your home.

"Y/N, who is that? is it your mum?" she questioned. sighing, you opened the door wider, revealing miles standing there with his head down facing you.

"no aunty, one of my friends came to visit," you said, putting on the fakest smiles known to man.

"introduce yourself, friend—" you grunted that last part, hoping miles got the message.

"good afternoon ma'am, my name is miles," he said walking up to the lady to shake her and her daughter's hands. he gave a small smile to seem less intimidating than he usually did and straightened out his back a little.

pulling miles away from your guest, you excused the both of you, walking over to the kitchen. "are you insane just coming here like you own this place? you couldn't even bother to call me before showing up here?" you whispered, not needing anyone but miles to hear you.

"excuse me, but you're the one ignoring my calls and leaving me on delivered. I sent you like ten messages but you ain't even look at them huh?" he accused sounding annoyed with you. you thought back to when he was calling you and you ignored him completely, going as far as to put your phone on dnd.

"if you did look at my messages, you would've seen one of me telling you I'm coming over. but you obviously too busy for me," he chuckled, but ain't shit was funny to him. "my fault, lemme get out your way—"

cutting him off, you grabbed his hand under the kitchen island to make sure any lingering eyes couldn't see you. you never want him to feel like you don't have time for him, miles was everything to you.

"no, no i-i'm sorry miles, i'm just a lil stressed right now. i'm handling a lot... don't go, baby stay."

he sighed looking around the room. he was definitely mad in the moment, but he understood what you were dealing with right now at this moment. he squeezed your hand from under the island and nodded his head yes. immediately, you wrapped your arms around his neck and pulled him in for a hug with a smile.

that was until you heard a cough coming from your living room. turning your head, you were met with the eyes of a wide-eyed woman with her hands folded on her lap, seeming very uncomfortable. almost immediately, you shoved miles away from you and turned to face the woman.

"ahem, uh, s-sorry aunty— i'll be right there," you said looking down at your feet ashamed. you turned to miles and gave a small head nod towards your bedroom, signaling him to reside in there until you were finished.

It only really took around 30 minutes for you to discuss plans on what the dress would look like, and to take the girl's measurements. she showed you her pinterest board of prom dresses she had in mind and you even helped her settle on a photo for you to refer to while making the dress. after the thirty minutes were over, you gifted them some puff puffs your mom cooked earlier that morning and bid them farewell.

sighing in exhaustion, you walked back to your bedroom ready to relax and focus on your current project, only to find your boyfriend hovering over it. he looked absolutely entranced at the sight of the dress, from the jewels sewn into the plunging neckline to the way the rest of the dress shinned whenever the sun from your window hit it just right. he'd seen you wear clothes like this to weddings and whatnot, but every time you managed to blow him away with how effortlessly gorgeous you looked in them.

"it's stunning mi reina," he said, finally turning to face you. you walked up closer to him and leaned your entire body into his, wrapping your arms around his waist. "you think so?"

"baby I know so. you don't even have the dress on and i'm blown away," he reassured to you as he held you closer to him.

looking up at him you reached up to peck his lips, that was until he moved his head back to avoid your kiss.

"what's wrong?" you questioned.

he smirked down at you as he shrugged his shoulders, "nothin', i'm just wondering when you gon' make me a nice suit to match ya dress."

— lord have mercy

— i’m like dying here

— please read lol (｀_´)ゞ

[tiredmamaissy]

Ralak te Sepwan ieyk’itan: Special Episode I

Ralak’s First Rut

An Illustrated Collaboration with @zestys-stuff

Masterlist ; Rut/Heat/Knotting Info

🔞 minors, do not interact 🔞

Hyperlinks are attached to specific paragraphs that when clicked on will lead you to its illustration by Ralak's creator @zestys-stuff.

Characters: Metkayina!Ralak (24)/(18) x Sully!Omaticaya!Reader (19)

Warnings: nsfw, smut, fluff, profanity, age gap, rut cycle, knot play, praise kink, breeding kink, p in v, mating/bonding, knotting, multiple cumshots, creampie, let me know if I forgot anything?

Word Count: ??

Requested: Yes || No

Author’s Note: Cheers to the first special episode :) This is literally a mindfuck so bare with me! 🤍🤍

Synopsis: after mating with ralak, you settle into your new home. During some quality time together, you pop a rather… interesting question.

<;- Previous Next ->

It’s barely been a week since you’ve properly moved into Ralak’s marui pod. It’s big and spacious, perfect for two – or more – na’vi. Comfortable and cosy, built by your mate’s two hands, with his future mate and family in mind. It’s beautiful, truly. But it needed a bit more... love. Something Ralak likes to say that you would provide with ease.

Taught from a young age, a man must provide and protect his mate and their family. Wise elders engrained the truth within his being since it came into consciousness – the truth that a woman wields the power of creation. The ability to create something out of nothing and make anything tenfold better.

A house into a home. Fresh game into dinner. Seed into life.

It’s from this point of his life, that he craved a mate to provide for, to create the dreamlife he yearned to live. To give everything he had to that na’vi and watch it flourish.

And he’s finally found you.

—

Five nimble fingers work away at the woven trinkets you plan to garnish the bent wooden frame of your marui with. Slender digits quicken as they tuck the coruscant shells into the twine, pulling it taut as you double knot it. It’s the one thing you taught him, the Omaticaya are known for their skilled weaving and sewing techniques - passed down by the ancestors themselves.  

He watches intently, brows twitching as he tries to follow your movements with his own thickset fingers. He’s always had a hard time with this sort of task, often resorting to the lengthy wooden needle and thinly twisted twine to fasten whatever you needed him to. He heaves a heavy sigh, letting his frustration get the best of him as he grabs the wooden needle.

Breaking his façade of indifference.

It’s silly really. You’re mated before Eywa herself, sitting together as you weave and see in your shared marui, and yet he still feels the need to express as little emotion as na’vi-ly possible. You look up to see his nose scrunch and lips pull together, the same face he made when you fell off your ilu for the tenth time. The memory has you giggling before you become aware of the sounds coming from your mouth.

It earns you a pair of beady eyes, drilling into your innermost being. It’s good to know that the teasing hasn’t stopped, even after marriage. Your giggle increases in bass, quickly turning into a chuckle. It’s infectious, spreading to his own lips to make them curl in the slightest way possible, just enough to make him look down at the way his fingers fiddle to thread the eye of the needle.

Blood rushes to his face, staining it a tinge of pink. His flushed cheeks and flustered appearance have the gears in your head grinding twice as hard, fabricating images of what he’d look like in his most primal state. All hot and heavy, chest heaving harshly from how hard he’s breathing. Is it this? Is this what he looks like when he’s in –

“Ma’ Lak.” The words slide off your tongue like nectar, sweet and thick with arousal. It urges him to look away from his task, gaze slowly trailing up your petite, dark blue body.

“…What was your first rut like?” You ask innocently.

Ralak cocks a brow, quickly dropping his head once more to hide his growing smirk. He happily puts down the needle, unfazed by your out-the-blue question and shuffles to his feet whilst offering his hand. Dainty fingers wrap around his wrist, holding on tightly as he pulls you to your feet and walks you over to the bed. He reaches behind him, gripping the base of his kuru to stroke its length and bring it over his shoulder.

“Why don’t I show you?” Ralak asks, exposing his dancing tendrils before your eyes.

Of course, the man of few words would prefer to show you rather than tell you. Not that you were complaining or anything. He’s choosing to let you in, to show you one of the most intimate moments of his life. A moment where he was most vulnerable.

You nod, quickly pulling your queue forth, revealing your dancing tendrils too. Hues of glowing lilac illuminate the space between you. Amber and azure orbs twinkle as they watch the tendrils find one another, intertwining as they come together with a quick tug. Your head flies back, pupils blowing until nothing but thin amber rings remain, breath hitching whilst your bodies synchronize entirely.

Your vision blurs until all you can see is white, and the high-pitched ringing noise in your ears drowns out the sounds of the waves crashing into the shore. Soon, you’re no longer in your marui, as the white fades out into various shades of grey. The ringing dissipates into a low, husky voice, reverberating in the background.

My tanhì. Are you there?

You can see beige and grey blobs, splitting into two and drifting apart. You can hear faint indistinguishable echoes, something like a cry, or a whine. Cool water splashes at your feet, making you rub your eyes to unblur your vision. You open your eyes, witnessing the blobs merge together and unblur into large-rocks, and pointed stalagmites.  

Our cave?

You hear the faint, breathy chuckle of your mate. Yes. Our cave. I was... frightened. Came here to cool down with a bath. See?

An invisible hand gently tugs at your chin, pulling your head to the left. You see young Ralak, short haired and bare skinned, leaning against the cave wall. His ears are tucked back, lying flat against his skull as a few strands of hair dangle in front of his face, beet-red with beads of sweat dripping down his temples. The droplets crash onto his bare chest which is heaving wildly from his laboured breathing.

His less sinewy body shudders, face contorting from pain and discomfort as his shaky hands glide down his stomach to find purchase on the band of his loincloth. Hooking his thumbs underneath the twine, he shimmies it down his thighs, revealing his naked pelvis. It’s strange seeing his unscarred, uncalloused skin, bare without charcoal inking.

Huffing and puffing, he stomps his feet to unplaster the sopping cloth stuck to his thighs. A gruff grunt of frustration vibrates in his throat, hands flying to the base of his tail to extricate himself from the constraints of his taut tewng [loincloth]. He’s struggling. Floundering around as if he wanted to step out his own skin.

Your heart sinks at the sight. You want to help him. Make the pain go away. You know it all too well. To feel out of control and confused, dazed, and flustered from the actual heat brewing in your core. But all you can do is watch him from a far as he squirms against the cave wall, panic-stricken eyes growing lidded and heavy.

I had a hard time understanding what was happening. Much like you.

Young Ralak finally unfetters the knot, loincloth unpeeling from his clammy skin. He sighs a breath of relief.  Finally free from his restraints, his painfully hard cock springs up, veiny and throbbing from his intense arousal. It’s almost red, mushroomy tip bulging and swollen with a thick, lengthy string of glossy precum leaking from his slit. It hangs freely in the air, swinging side to side as his cock jumps to the pulse of his heart. The swaying rope of slick finally catches along his length and begins to drip down to his – oh?

Is that your –

My knot. I was surprised to see it, too.

It’s huge. This is the first time that you’re seeing it up front. Sure, you’ve felt it before. Fuck, you even wanted to take it during your real first time – but you’ve never seen it like this.

“Tewti [whoa; wow].” Young Ralak mumbles, lidded eyes widening once they land on the sight of his knot emerging for the first time. It’s bulbous and veiny, pulsing madly as it continues to swell. A breathy moan parts his lips as a curious hand reaches for it, eager to find out how it feels. Slickened from his precum, his fingers glide over it easily, feeling the bump of each vein. His hips buck from his own touch, cock thrusting into nothingness.

Your thighs rub together at the sight. You’d never seen him this turned on before. Not even on the night of your iknimaya. And honestly, neither has he. He’s shocked to see himself so red and swollen, throbbing from how painfully hard he is. He stares at himself in awe, watching his hips stutter and squirming by themselves.

He’d never been inclined to touch himself in this way, not even in the early mornings when he was at his biggest. He would just wait for it to go down and if it was ever too overwhelming, he would come here for a quick bath. But the bath isn’t working today. It’s just too humid and hot for only water to cool down with.

Flustered, he gives into his impulses.

Webbed hand gripping his knot, he strokes upwards, cupping his pulsing tip as it oozes slick over the back of his hand. His head dips back, jaw clenched tightly as his hips stutter, palm of his hand now rubbing on the most tender part of his cockhead. He’s so sensitive – so innocent – like a single thrust of his hips would make his inflamed tip... erupt.

Oh, fuck. You shift your weight from one foot to the other - anything for a little friction.

His cock throbs madly, thick strings of his sticky seed spurting out his slit, an orgasm so powerful he can’t bite back the lengthy, pained whimper coming from his mouth. He looks down, feeling something warm on his stomach. Surprised, he let’s go of himself, staring at the thick bead of white liquid rolling between his abs.

“Oh – Oh Eywa.” He exhales wobbly, trembling hand hovering over his tender and raw cock. He’s so afraid to touch it again. But he wants to. He needs to. He just can’t help himself. All he wants to do is hump away at something – anything.

Anything to get rid of this feeling. The feeling of pure, unrefined frustration, engrained deep in his most inner being. As more time passes, he succumbs to his most primitive self, plunging under the thick, hazy trance of his rut. He grabs a hold of his aching cock, stroking it at the pace his stammering hips set for him. His head slumps back into the wall, chin pointing towards the cave’s roof as he lets loose needy, broken whines into the air.

His eyes squeeze shut, brows knotting together to focus on that gnawing feeling deep in his core. In a split second his whimpers morph into deep, guttural groans, white milky essence spilling from his tip, over his hand and onto his tensed stomach. His eyes pop open, mouth hanging agape as he sucks in a quick, shaky breath of air.

Tears well in his eyes, glossing them over with want and desperation. The blush on his cheeks spreads over the bridge of his nose, breath so hot you could practically see it. He pulls away his hand, exposing his cock, thumping madly as beads of cum roll down his shaft. It’s even harder now, so fucking hard that it strains, pulling his skin so taut that its outright painful. 

He fully slumps back against the wall, snapping his hips back to get rid of the intense stretching feeling. He almost caves in on himself, desperate for release. For relief. He begins panting – heavily. Trembling lungs making it hard to catch a full breath, he feels his head spin. Finally, the tears roll down his cheeks. Tears of torment.

The first tears you’ve ever seen fall from his face.

This is what you’ve been going through? All alone? For six years?

Yes. Ralak didn’t seem to be embarrassed by you seeing this at all. In fact, it feels as if he’s... enjoying it. Not necessarily enjoying watching himself suffer, but watching you squirm around trying to deny your own arousal.

Young Ralak slides down the rough wall, finding support on a small ledge near the bank of the lake. He swallows the saliva pooling in his cheeks, trembling hand slowly making its way back down to his aching cock all on its own. He grits his teeth as the pads of his fingers graze his chafed skin. He’s so rubbed out and raw that he whines at the sensation.

It’s like stones in your heart, clunking around as your breath quickens. You feel so helpless, so frustrated, unable to do anything to relieve your mate’s pain, albeit a memory. “Ralak.” You blurt out, surprised to hear your own voice in this hazy reverie.

What shocks you more is when he snaps his head towards you, acknowledging your presence with his delirious, inebriated eyes. You never even knew something like this was possible. You knew you could visit memories, just like you would when plugging in to the spirit tree. But to be involved and interact with them is hard to wrap your head around.

You test the waters a little more, and approach him cautiously, hands splayed out in front of you to show that you have no ill intentions. He watches you move towards him, irises flickering between his usual azure blue to a shade of mauve. You can tell he’s uncertain, just by the way he tries to retreat further into the wall with hand practically plastered to his cock.

“W-Who are y-you?” His voice is wobbly and hoarse.

Tanhì. You ignore Ralak’s warning echoing in your mind and continue moving toward his younger self.

“I am... your mate.” You say in a calming voice.

“M-mate?” He can barely get the word out when a wave of heat ripples through him, making his face red and screw with discomfort. “What’s – ngh, w-what’s happening to m-me?” He panics, bottom lip quivering.

“You’re in rut.” You say quietly, hand extending experimentally, your fingertips brush against his clammy thigh.

I can feel you, Ralak. So maybe I can help you.

His freckles blink from your touch, ears hugging his skull as closely as they can. You can hear the faint chitter of his teeth, jaw clenching and unclenching as he tries to put a stop to it. He’s panting so heavily – so quickly that soon he’s hyperventilating, about to lose it.

“Hey. Hey. Breathe. It’s alright. You’re okay.” You try to reassure him in a soothing voice, resting your hand gently on his thigh. “I – I can help you... if you want me to… I know how you’re feeling.”

Tahni. Ralaks stern voice booms in your head, but you continue to ignore him. You couldn’t take it anymore – watching him suffer in this way, even if it’s just a memory. The thought of him going through this alone for six years of his life makes your heart turn in on itself. Besides, you know that he can always pull you out of this daydream with a simple tug at your kurus.  

“It hurts... ssst – why does it, w-why?” He mewls breathily, hand reflexively stroking his length, knot to tip.

Your hand slides up his thigh and over his hand, stopping his eager movements. “I have something better. Something that will get rid of the pain.” You say breathily, nodding your head a bit. “B-But only if you want it.”

Young Ralak nods frantically, allowing you to guide his hands to your waist. His innocent, frightened eyes snap up to yours, making their final flicker to a beautiful mauve as they silently beg for reassurance.

“Don’t be scared. I’m right here. You’re going to be alright.” You croon at him, making your way between his legs as you untie the knot of your soddened loincloth.

You’re going to hurt yourself, y/n. Another warning.

Always so worried about me, and never yourself.

Once your loincloth drops to your knees the scent of your arousal fills the air, driving young Ralak into the thick of his rut. His pupils thin to slits and his fingertips sink into your waist, pulling you into him. Your hands slump into his chest, before sliding up to wrap around his neck for support as you mount your younger mate.

You’re squatting over him, knees pressing against either side of your breasts as you position his cock between your slickened folds. Greedy hands explore your body, gliding up and down your back before gripping your hips to move them up and down his length. He groans, closing his eyes to savour the feeling of something so soft and wet rubbing against him.

Putting pressure on your heels, you slide your slit up to his tip, shifting your hips downwards to position him at your entrance. His cock, desperate to sink itself into anything, goes into a thrusting frenzy once it feels your soft opening. He digs his nails into your skin as he forces you down onto him in one hard thrust. You hide your face in the crook of his neck in hopes to muffle the loud, pained groan falling from your lips.

You can feel every inch of him, just as you would if this were all real. Every vein. Every bump. Every throb. Once you look back at him, you’re met with frightened, innocent eyes, worried that he just hurt you. You smile wobbly, moving your hands to cup his jawbone. “I’m okay. Shh – it’s okay.”

“’m sorry.” He huffs, furrowed brows pinching even tighter as he thrusts into you, jamming his swollen cockhead into your cervix repeatedly. “s-so sorry.”

You rest your forehead against his, looking each other deep in the eyes as he ruts into you like an animal. His thrusts have no rhythm, hips stuttering at an unpredictable, broken pace. His noises are bestial and primal, whimpering and whining as he struggles to move properly.

“Oh, ma ‘Lak. Don’t b-be. jus’ want y-you to feel be-better.” Your voice bounces, hand reaching behind you to press down on his thigh to stop his movements all together. His hips come to a halt, with the occasional unintentional buck, hand caressing his thigh for a bit until he calms down fully.

“Easy, take it easy. Like this” Your hand slides up his thigh, slender fingers gripping the side of his hip to slowly pull him forward. His hips jerk forward on impulse, ramming his head back into your sore cervix. “Agh! A little – a little more gently.” You let out a sweet little cry, pushing his hips away from you.

His breath deepens so much that you can hear it – chest heaving so harshly his shoulders are visibly rising and falling. “S-sorry. Sorry.” He buries his hot face into your chest as he apologizes continually, trying to control the jerk of his hips. His arms wrap tightly around your waist to pull you in for a closer embrace.

Finally, he sinks into you slowly, completely bottoming out in your cunt until his knot kisses the softness of your slit. It’s so sensitive and neglected that he grimaces into your soft breasts, pulling away as he sucks in a quick breath of air with a ‘sss’. You look down to see his brows pinched, lips slightly parted and eyes screwed tightly shut.

He’s having such a hard time – struggling to breathe, struggling to control himself, struggling to be gentle. You can see the glister of the tears seeping from the corners of his eyes and oh – how that makes your heart throb. “Good boy. Doing such a good job, you know that?” You coo with trembling lungs, pulling his head back into you, resting his chin on your shoulder.

You hold him close, cradling him like a baby, cooing in his ear about how well he’s doing. “It’s okay. You’re okay. Just listen to your body.” Your voice quavers as you repeat his own signature words back to him. “Do what you need. Okay?”

He lets out a weak grunt, tightening his hold around you while he snaps his hips back. You can feel every vein and ridge against your gummy walls as he pulls out, and when he sinks himself back in you swear you can feel his swollen knot poking at your entrance. Again. And again. And again. And soon he quickens his broken pace, pounding into you so hard it feels like it may pop in at any second.

Heart slamming violently between your ribs, you tighten your grip around him as you prepare to be knotted for the first time. His lewd noises increase in volume and bass and soon he’s groaning gutturally as his frenzied thrusts become short and deep. So fucking deep that you can’t help but let out a pathetic little whimper when he pushes past the resistance in attempts to shove his fat knot inside you.

And that’s when you feel it.

“It’s happening. Haa – ah! Ha-ppening.” He groans suddenly, grinding even harder into you.

“Let it - haah- happen. Go on, there you go.” You pant, feeling his thick cock pulsate inside you, spurting ropes of his hot, sticky cum in your womb, filling you up until you feel heavy and oh-so-fucking full. It’s so much, it’s overflowing, excess seeping out to dribble down his knot. He’s allows a soft ‘ngh’ to fall from his lips with every pulse of his cock.

He continues to roll his hips into you, a little scared by his body’s impulsive, greedy movements. But he can’t help it, the way his body is screaming to shove this growing bulge inside your tight, little hole. He’s whimpering, at war with himself as he tries his best not to knot you.

Tanhì!

“Don’t fight it. Do it!” You cry out a high-pitched moan, grinding into immense pressure between your legs. You can feel it work its way inside you, stretching you out so much that it burns. But you know this will make him feel better – make the pain go away. “Harder. Push h-harder.” You quiet down to an encouraging, shaky whisper. He’s pushing up into you and shoving you down by your hips at the same time, clenching his jaw from the way you’re pinching him.

Pop.

“Ngh!” It slips in with an audible squelch, burning sensation between your legs growing even hotter. And hotter. And hotter. And oh – fuck. It’s so hot it feels like a ring of fire surrounding his pulsating knot. It hurts – but it hurts so good. So good that your pussy walls flutter around him uncontrollably. “F-fuck!” You cry out, quickly coming to the realization that you’re cumming from the way his knot is burying itself inside you.

He holds onto you tightly as he continues to move inside you, tugging at you as you try to come down from your unexpected high. “W-wait – Ralak!” You whimper loudly, trying to follow his erratic movements. He’s whining from the overstimulation and the way you’re pinching around him; eyes flying wide open to reveal pure panic and guilt when he quickly understands that he’s hurting you.

Suddenly, your vision goes white as the ear-splitting ring pierces your eardrums and in a matter of seconds, you’re back in your shared marui. You open your eyes with an audible gasp to see Ralak peering up at you through furrowed brows. His gaze is almost predatory – piercing, and unflinching. His slumped shoulders rise and fall from how heavily he’s breathing, darkened, almost purple-y mauve irises flicking down to his taut loincloth – soaked with his thick cum.

“Oh, shit.” You breathe, unaware that he was feeling everything, too.

“Only I knot you.” Ralak growls.

A giggle bubbles up your throat, “Really Lak?Jealous? Of yourself?”

He grunts, displeased with your behaviour. “Do not taunt me, Tanhì.”

——

[vinceaddams]

Hello! I was wondering if you would kindly explain the merits of different thread materials for hand sewing (or point me to a good resource about the subject)?

A lot of the historical costumers on YouTube say they greatly prefer silk or linen, but don't explain why. The employee at Fabricland suggested polyester over cotton for hand sewing some cotton hankies, and had no answer for when cotton thread would ever even be used. You mentioned in a post somewhere that you use poly for machine sewing colours, but prefer cotton for whites (or maybe the other way around, I might be misremembering?). Please help, the lack of "why" is driving me nuts and google is Not helping!

Hello! The main reason I dislike polyester for hand sewing is that it's just so damn twisty and tangly. It's what I use at work for sewing buttons back onto the sleeves of jackets when I change the length, and I have to be careful not to let it get all snarled up. The polyester thread is made with the intent of being used in sewing machines, so it makes sense that they wouldn't take into account how the amount of twist and the way it un-twists when you pull it through material affects hand sewing.

Another thing is that wax doesn't really meld into it, it just kinda sits on the surface. Usually (but not always) you wax your thread before hand sewing with it, as it makes it stronger and helps stick the fibres together so they don't wear out as fast, and it makes it easier to work with. On silk and linen it sticks nicely, but on polyester it just kinda lays on the surface all crumbly like.

Linen is great for hand sewing because it's usually very strong, but waxing is essential because otherwise a lot of fibres will strip off of it just from the process of being drawn through the fabric a bunch of times. And modern linen thread is too uneven to work in machines, so I only have it for hand sewing.

Silk thread is also great for hand sewing because it's really smooth and soft and runs nicely, and waxing it makes it stronger, and I usually double it if it's the fine stuff. Silk thread can be used for machine sewing too, but I would only suggest it for very lightweight delicate things, because I've tried it on a shirt or two and it just doesn't hold up well to long term wear & washing. (The little bit of hand finishing I do with silk thread on the insides of the collar & wristbands on my everyday shirts is fine because it's not in one of the areas that wears out first, and as previously mentioned it's doubled and waxed, and therefore stronger than a plain unwaxed machine sewn silk thread seam.)

It sounds like you're thinking of this post? Yes, you are misremembering it slightly, I was only talking about thread for shirts there! The reason I usually use polyester for the machine seams on my coloured shirts is simply that it comes in a lot of colours and is therefore easier to match.

(I also use polyester for machine sewing things like pants, because I know it's stronger and will hold up to a lot more wear. Actually, I've also had to switch to heavy duty polyester for sewing the buttons on my pants, because the linen just keeps wearing through and they keep popping off. This problem is probably because I don't actually have heavy linen thread, and am instead using fine linen yarn, which is not meant for sewing. But anyways, it's still plenty strong in seams, just not for attaching buttons. I do have actual linen thread in finer weights.)

The cotton thread I mentioned liking for white shirts is Aurifil 50 weight, which I recently found at a quilt shop and it's soooooo nice! Quite fine and soft, so I still wouldn't want to use it on heavier fabrics, but it's absolutely ideal for lightweight linens or cottons.

Ideally it would be amazing to have it in more colours and use it on more shirts. The reason I only have it in white is because it's a 1300 metre spool that cost like 20 bucks, and if I recall correctly the quilt shop only had a very few colours anyways. I do at least want to go back and get another spool in black...

(There's also the matter of it matching the shade of white fabric better, as all my white polyester thread is either optic white or ivory.)

Regular cotton thread is fine I guess, but I find it to be awfully stiff. It works for shirts, I just don't much like it, and I haven't really tried hand sewing with it.

[muffinlance]

Can Sokka’s science tell him which of Katara’s 7 spools of blue thread 🧵 is the right one to darn that hole in his shirt with?

It could if she didn't keep changing her answer

Katara: I AM NOT CHANGING MY ANSWER

Sokka: YES YOU ARE THESE ARE IDENTICAL

Katara: NO THEY'RE NOT

Sokka: I DEMAND A DOUBLE-BLIND STUDY

Katara: I DEMAND YOU GET YOUR OWN SEWING KIT